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Journal : Masyarakat, Kebudayaan dan Politik

Uang dan ruang yang berkelanjutan dalam pembentukan Badan Usaha Milik Desa (BUMDes) Andrian Dolfriandra Huruta; Gatot Sasongko
Masyarakat, Kebudayaan dan Politik Vol. 29 No. 4 (2016): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (461.785 KB) | DOI: 10.20473/mkp.V29I42016.212-222

Abstract

Money and space were elements that continually contested. This article aimed to described the role of money and space to support development activity, using the case study of Mbatakapidu. “Money” in this article was referred to fund assistance from external parties such as government (central, province or regency), non-governmental organization (NGOs), and internal side such as self-supporting (local resources), while “space” that referred in this article was local institution called BUMDes (Badan Usaha Milik Desa). This research applied qualitative approach by conducting a case study. Data were gathered through in-depth interview to 5 purposively-selected informants. Secondary data from previous research was used as complement to primary data. Researchers also held a focus group discussion to gain more accurate explanation about the phenomena. The case study shows that fund which entered the village was not yet accompanied by the presence of BUMDes, due to the absence of  supporting regulations such as regional regulation (Perda) and village regulation (Perdes) about BUMDes East Sumba regency, especially in Mbatakapidu. BUMDes as an instrument to develop village’s economics must followed by the presence of regulation as a legal basis, driven by local value which guide knowledge, attitude and practice of indigenous people.
Public policy for the sustainable industries in Semarang Regency Ardhiansyah Noer Julana; Gatot Sasongko
Masyarakat, Kebudayaan dan Politik Vol. 32 No. 2 (2019): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2100.202 KB) | DOI: 10.20473/mkp.V32I22019.144-158

Abstract

The spatial planning policies had become the mediators for political, social, economic, and environmental relations. This study aims to describe the implementation of public policy from the perspective of Dye theory about a spatial planning for industries in Semarang Regency. The primary data used in this study was from nine informants of nine companies which applied for a location permission license for industrial activities. The secondary data was from the Semarang Public Works Office. The study shows that there were nine investment activity plans for industries in Semarang Regency. Initially, the nine applications were not granted permission from the relevant agencies because they were not in accordance with the provisions of spatial planning. However, after being considered by the government in terms of public policy, the nine companies obtained location permission licenses to utilize the land under certain conditions. Thus, the public policy is essentially designed by the government to guarantee and fulfill the needs of the community to conduct investment activities such as industry. The spatial planning policies had become the mediators for political, social, economic, and environmental relations. Thus, harmonization of political, social, economic and environmental aspects would create sustainable development.
The symbolic meaning of Lulo dance: Tolaki tribe culture as communication medium Mega Alma Narwasty; Pamerdi Giri Wiloso; Gatot Sasongko
Masyarakat, Kebudayaan dan Politik Vol. 34 No. 2 (2021): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1811.815 KB) | DOI: 10.20473/mkp.V34I22021.159-172

Abstract

Indonesia consists of various ethnic groups; the traditions and culture of each are different and have meaning. One of them is the Lulo dance from Southeast Sulawesi, which provides meaning and benefits to its supporters. This study aims to describe the Lulo dance movements’ meaning in the culture of the Tolaki tribe and its use as a traditional communication medium in maintaining harmonious and peaceful relations amid Indonesian society’s situations with so many different. This research used qualitative methods with descriptive analysis. The symbols of dance movements are analyzed with Barthes’s semiotic theory through two stages of signification to get Lulo dance’s meaning. Based on this study’s results, the symbolic messages conveyed in this dance have a meaning that identifies unity, harmony, and mutual respect for differences. The message is packed with movements displayed in dance performance: the hands hold each other, the movements of the hands and feet, and the formation in a circle. Lulo dance, which is also called social dance, can be followed by everyone without exception. Therefore, this dance can strengthen the relationships between every human being. The Lulo dance performance is one of Southeast Sulawesi traditions used to achieve a harmonious and peaceful social life.
The symbolic meaning of Lulo dance: Tolaki tribe culture as communication medium Mega Alma Narwasty; Pamerdi Giri Wiloso; Gatot Sasongko
Masyarakat, Kebudayaan dan Politik Vol. 34 No. 2 (2021): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1811.815 KB) | DOI: 10.20473/mkp.V34I22021.159-172

Abstract

Indonesia consists of various ethnic groups; the traditions and culture of each are different and have meaning. One of them is the Lulo dance from Southeast Sulawesi, which provides meaning and benefits to its supporters. This study aims to describe the Lulo dance movements’ meaning in the culture of the Tolaki tribe and its use as a traditional communication medium in maintaining harmonious and peaceful relations amid Indonesian society’s situations with so many different. This research used qualitative methods with descriptive analysis. The symbols of dance movements are analyzed with Barthes’s semiotic theory through two stages of signification to get Lulo dance’s meaning. Based on this study’s results, the symbolic messages conveyed in this dance have a meaning that identifies unity, harmony, and mutual respect for differences. The message is packed with movements displayed in dance performance: the hands hold each other, the movements of the hands and feet, and the formation in a circle. Lulo dance, which is also called social dance, can be followed by everyone without exception. Therefore, this dance can strengthen the relationships between every human being. The Lulo dance performance is one of Southeast Sulawesi traditions used to achieve a harmonious and peaceful social life.
The symbolic meaning of Lulo dance: Tolaki tribe culture as communication medium Mega Alma Narwasty; Pamerdi Giri Wiloso; Gatot Sasongko
Masyarakat, Kebudayaan dan Politik Vol. 34 No. 2 (2021): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1811.815 KB) | DOI: 10.20473/mkp.V34I22021.159-172

Abstract

Indonesia consists of various ethnic groups; the traditions and culture of each are different and have meaning. One of them is the Lulo dance from Southeast Sulawesi, which provides meaning and benefits to its supporters. This study aims to describe the Lulo dance movements’ meaning in the culture of the Tolaki tribe and its use as a traditional communication medium in maintaining harmonious and peaceful relations amid Indonesian society’s situations with so many different. This research used qualitative methods with descriptive analysis. The symbols of dance movements are analyzed with Barthes’s semiotic theory through two stages of signification to get Lulo dance’s meaning. Based on this study’s results, the symbolic messages conveyed in this dance have a meaning that identifies unity, harmony, and mutual respect for differences. The message is packed with movements displayed in dance performance: the hands hold each other, the movements of the hands and feet, and the formation in a circle. Lulo dance, which is also called social dance, can be followed by everyone without exception. Therefore, this dance can strengthen the relationships between every human being. The Lulo dance performance is one of Southeast Sulawesi traditions used to achieve a harmonious and peaceful social life.