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All Journal Proceeding of International Conference on Teacher Training and Education Visualita : Jurnal Online Desain Komunikasi Visual Texture : Art and Culture Journal Acintya Jurnal Abdimas Mandiri Jurnal Abdidas SWARNA JGEN : Jurnal Pengabdian Kepada Masyarakat VisArt: Jurnal Seni Rupa dan Design
Dyah Yuni Kurniawati, Dyah Yuni
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Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Motif Tato Sebagai Ide Penciptaan Seni Grafis Biru, Savana; Kurniawati, Dyah Yuni
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 2 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i2.1321

Abstract

The creative work in graphic art is grounded in the rapid development of graphic art as a branch of visual art that continues to advance in both technical execution and visual approach. The growth of printing technologies both manual and digital has opened up broader opportunities for the realization of visual concepts rooted in diverse cultural traditions. One such rich visual and symbolic source is Japanese tattoo art (Irezumi), which historically and philosophically embodies values such as courage, resilience, harmony, and the cycle of life and death. Motifs such as koi fish, dragons, cherry blossoms, and phoenixes are characterized by bold outlines, soft gradients, and dense compositions, making them highly adaptable to the medium of graphic art. The objective of this creative project is to explain the visual characteristics and symbolic meanings of Japanese tattoo motifs as the conceptual basis for the creation of two-dimensional graphic artworks; to apply their aesthetic and philosophical values within a contemporary visual context; and to implement these motifs using appropriate visual strategies and printing techniques. The creative process involved digital design methods and the use of Direct to Film (DTF) printing technology on fabric media, enabling accurate and practical visual application. Theoretical studies supporting this work include analyses of Japanese tattoo symbolism, principles of graphic design, and the cultural values underlying the selection and adaptation of these motifs. The resulting works, including Up and Down and Dragon and Tiger, present visual interpretations of life’s dualities and the balance between spiritual and worldly forces. The outcomes demonstrate that the implementation of Japanese tattoo motifs in graphic art not only enriches contemporary visual expression but also serves as a medium for preserving and recontextualizing traditional cultural values in a relevant and meaningful visual form
Co-Authors Aji, Bagas Purwo Anastasia, Anita Anjarwani, Novita Anurwikan, Anak Anung Arissuta, Dona Prawita Aziza, Sharfina Rani Azizah, Zulfa Nisaul’ Bahari, Nooryan Biru, Savana Brahmasta, Dewanggita Princessia Dewi, Maria Ruswita Febriana, Azizah Anggun Made Suastika Malika, Shamsa Maliki, Alif Lunar Murni Ramli Natalistyo, Dimas Aryaputra Nisa, Fika Khoirun Nugraha, Az-Zhara Zeta Panggalih, Rito Paradila, Nadia Perry, Theodora Micheline Pramesti, Wahyu Dyah Pramono, Larasati Dwi Purnomo Adi, Sigit Putri, Kinanti Rahman, Hans Blix Baarixur Rahmayani, Meka Aszuri Ramadhan, Bintang Pratama Rani, Tiara Syah Rhamadhani, Dyas Putri Safa, Pavita Salsabila, Tania Zahra Wahyu Saputra, Ferdian Angka Setyawati, Eka Rini sigit purnomo adi Suciati *, Suciati Tarigan, Adinda Yemima Isura Tri Joko Daryanto Yudianto Sujana