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All Journal Dialektika Journal of Language and Literature Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Seni Nasional Cikini Jurnal ComunitA Servizio Jurnal PkM (Pengabdian kepada Masyarakat) Prosiding Seminar Nasional Pengabdian Masyarakat DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA
Mike Wijaya Saragih
Universitas Kristen Indonesia
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Medicine & Pharmacology Nursing Social Sciences

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ABSURDITAS DALAM NOVELLA SI BENALU KARYA NESCIO Mike Wijaya Saragih
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 7 No. 2 (2020): DESEMBER
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v7i2.3050

Abstract

ABSTRAKTulisan ini bertujuan untuk menunjukkan bentuk-bentuk absurditas dalam novella Si Benalu karya Nescio. Bentuk absurditas di dalam novella ini ditemukan melalui analisis cara tokoh utama memandang kehidupan di sekelilingnya dan penilaian orang lain terhadap tokoh utama Japi, yang disebut Si Benalu di dalam teks. Untuk menganalisis konsep absurditas ini, penulis menggunakan konsep absurditas oleh Albert Camus. Hasil dari analisis ini ditemukan adanya perjalanan kesadaran tokoh utama Japi terhadap absurditas kehidupan. Japi dengan idealismenya memilih menjadi seorang “benalu” untuk menunjukkan pemberontakannya terhadap kehidupan yang dianggapnya absurd. Selain itu, beberapa bentuk absurditas juga ditunjukkan melalui interaksi Japi dengan ketiga temannya, yaitu Bavink, Koekebakker dan Hoyer. Idealisme yang Japi jalankan membuatnya dipandang absurd oleh teman-temannya. Namun, kegagalannya mempertahankan idealismenya membuat hidupnya berakhir dengan tragis. Japi memilih untuk bunuh diri yang berarti Japi dengan sadar melepaskan kuasa atas dirinya yang otonom kepada dunia yang absurd ini. Kata kunci: absurd, absurditas, benalu, pemberontakan ABSTRACTThis paper aims to show the forms of absurdity in Nescio's novella, Si Benalu. The forms of absurdity in the novella are found through an analysis of how the main character Japi sees his surrounding life and other people's judgments of Japi, who is called Si Benalu in the text. To analyze the concept of absurdity, the writer uses the concept of absurdity by Albert Camus. The result shows a journey of awareness of the main character Japi towards the absurdity of life. Japi, with his idealism, chooses to become a "parasite" to show his rebellion against a life that he considers absurd. Besides, some forms of absurdity are also demonstrated through Japi's interactions with his three friends, namely Bavink, Koekebakker, and Hoyer. Japi's idealism makes him seen absurd by his friends. However, his failure to maintain his idealism makes his life ended tragically. Japi finally chooses to commit suicide, meaning that Japi consciously relinquishes power over his autonomous self to this absurd world.Key words: absurd, absurdity, parasite, rebellion
MULTICULTURALISM VALUES IN HENA KHAN’S AMINA’S VOICE Nelly Trisna Raja Guk-Guk; Mike Wijaya Saragih
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 8 No. 2 (2021): DESEMBER
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v8i2.3729

Abstract

Abstract This paper aims to show how the forms of multiculturalism values are displayed in Amina's life and how multiculturalism can change the perspective of other characters towards multiculturalism in the novel Amina's Voice (2017), written by a Pakistani-American writer, Hena Khan. This novel tells about a girl named Amina who has a family background from Pakistan and has long lived in Milwaukee, Wisconsin, United States. Despite living in a dominant Western culture, the Amina family consistently upholds Pakistani cultural values and uses their native customs daily. The differences between these two cultures often lead to conflicts experienced by Amina and other characters in the story. Despite encountering obstacles, Amina is shown still to practice the values of multiculturalism in her daily life. This study uses the concept of indicators of multiculturalism values proposed by Tilaar (2004) and the concept of acculturation written by Berry (2005). This research shows that there are forms of multiculturalism values found in the three spheres of Amina's life, namely in the family, school, and social environment. The indicators of multicultural values are learning in diversity, mutual trust, mutual understanding, mutual respect, open-mindedness, appreciation and interdependence (mutual dependence), and conflict resolution. In addition, the present writer also found that the practice of multiculturalism that occurred in the text resulted in an acculturation process that succeeded in changing the perspective of Amina's family members towards the value of multiculturalism. Keywords: acculturation, multicultural, multiculturalism values Abstrak Tulisan ini bertujuan untuk menunjukkan bagaimana bentuk nilai-nilai multikulturalisme ditampilkan dalam kehidupan Amina dan bagaimana praktek multikulturalisme dapat mengubah cara pandang tokoh lain terhadap multikulturalisme di dalam novel Amina’s Voice (2017) yang ditulis oleh seorang penulis Pakistan-Amerika, Hena Khan. Novel ini menceritakan tentang seorang anak perempuan bernama Amina yang memiliki latar belakang keluarga dari Pakistan yang sudah lama menetap di Milwaukee, Wisconsin, Amerika Serikat. Walaupun hidup di tengah budaya Barat yang sangat dominan, keluarga Amina secara konsisten tetap menjunjung tinggi nilai budaya Pakistan dan menggunakan adat-istiadat asal mereka di kehidupan sehari-hari mereka. Perbedaan 2 budaya ini kerap kali mendatangkan konflik yang dialami Amina dan tokoh-tokoh lain di dalam cerita. Walaupun mengalami kendala, Amina ditampilkan tetap mempraktekkan nilai-nilai multikulturalisme di dalam kehidupan sehari-harinya. Dalam penelitian ini, penulis menggunakan konsep indikator nilai-nilai multikulturalisme yang dikemukakan oleh Tilaar (2004) dan menggunakan konsep akulturasi yang ditulis oleh Berry (2005). Hasil dari penelitian ini adalah terdapat bentuk-bentuk nilai multikulturalisme yang ditemukan di tiga ruang lingkup kehidupan Amina, yaitu di lingkungan keluarga, sekolah, dan sosial. Adapun indikator nilai multikultural yang ditemukan adalah belajar hidup dalam perbedaan, membangun saling percaya, memelihara saling pengertian, menjunjung sikap saling menghargai, terbuka dalam berpikir, apresiasi dan interdepedensi, dan resolusi konflik. Selain itu, penulis juga menemukan bahwa praktek multikulturalisme yang terjadi di dalam teks menghasilkan proses akulturasi yang berhasil mengubah cara pandang anggota keluarga Amina terhadap nilai multikulturalisme. Kata Kunci: akulturasi, multikultural, nilai-nilai multikulturalisme
NATIVE AMERICAN REPRESENTATION IN SHERMAN ALEXIE’S SHORT STORY THE TRIAL OF THOMAS BUILDS-THE-FIRE Mike Wijaya Saragih
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 8 No. 2 (2021): DESEMBER
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v8i2.3732

Abstract

Abstract This paper aims to show the representation of Native Americans in Sherman Alexie's short story The Trial of Thomas-Builds-the-Fire, which is part of his story collections The Lone Ranger and Tonto Fistfight in Heaven (1993). The main character, Thomas-Builds-the-Fire, represents native Americans. This paper will analyze Thomas as a subaltern who was oppressed by white hegemony. The presence of fairy tales as media voicing out Thomas' thoughts and feeling as the subaltern interprets something deeper. The present writer will use Gayatri C. Spivak's theories which are subaltern and representation, to analyze the forms of Native American representation. The result shows there are two forms of representation used in the story. They are "to represent," meaning "the idea of representing something," and "re-present," meaning "the idea of bringing back." However, both forms of representation stated in the story failed to make the subaltern speak or be heard. Kata kunci: fairy tales, Native American, representation, subaltern Abstrak Tulisan ini bertujuan untuk menunjukkan representasi penduduk asli atau pribumi Amerika dalam cerpen Sherman Alexie yang berjudul The Trial of Thomas-Builds-the-Fire, yang merupakan bagian dari buku kumpulan cerita pendek karya Sherman Alexie yang berjudul The Lone Ranger dan Tonto Fistfight in Heaven (1993). Penduduk asli atau pribumi Amerika direpresentasikan oleh tokoh utama Thomas-Builds-the-Fire. Tulisan ini akan berfokus pada Thomas sebagai subaltern yang tertindas oleh hegemoni kulit putih. Kehadiran dongeng sebagai media yang menyuarakan pikiran dan perasaan Thomas sebagai subaltern memaknai sesuatu yang lebih dalam. Untuk menemukan bentuk-bentuk representasi penduduk asli atau pribumi Amerika akan diterapkan konsep Subaltern dan Representasi oleh Gayatri C. Spivak. Hasil dari penelitian ini adalah ditemukannya dua bentuk representasi di dalam teks, yaitu representasi (represent) sebagai “yang mewakili” dan representasi (re-present) sebagai “yang menghadirkan kembali”. Kedua bentuk representasi yang muncul di dalam teks gagal membuat subaltern bersuara maupun didengar. Keywords: dongeng, pribumi Amerika, representasi, subaltern
SUBALTERNITY ISSUES IN STEVE MCQUEEN’S MOVIE 12-YEARS A SLAVE Felia Aditya S. Meliala; Mike Wijaya Saragih
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 7 No. 1 (2020): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v7i1.4774

Abstract

This paper aims to show the form of subalternity which occurs in the movie 12 Years a Slave (2013), a biopic of a slave and his life in the times of racism and slaves in America in the year 1841. Being a black person during that time was extremely difficult as they were treated as slaves and were sold freely and legally. This movie depicts the life of Solomon Northup, a kidnapped black freeman who was then sold as a slave to pick cotton. With slavery as its background, this movie shows a lot of graphic torture scenes which depict the cruelty with which white people tortured black people. To find the subalternity experienced by Solomon, the author will analyze the movie’s narrative and cinematography. Furthermore, this research will be based on Gayatri Spivak’s (1985) theory which discusses the voiceless and oppressed groups. The result of this research shows that in the movie 12 Years a Slave, subalternity is constantly found in Solomon’s life. Subalternity is reflected through Solomon’s experience as a part of the oppressed group whose lives are controlled by white people (the oppressor), whose voices are absent and who could only fight with hope and thoughts.
The Archetypal Analysis on Main Characters of Stephen King's Rita Hayworth and Shawshank Redemption Thesalonika Alvina; Mike Wijaya Saragih
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 10 No. 1 (2023): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v10i1.5026

Abstract

This research article explores the application of Jungian archetypal theory in analyzing Stephen King's novella, Rita Hayworth and Shawshank Redemption. The primary focus of this analysis is to uncover the archetypal identities embodied by the central characters, Andy Dufresne and Ellis "Red" Redding. Employing a close-reading method, the researcher examines the novella to gather relevant data for this study. By delving deep into their individual journeys and psychological transformations, the objective of this research is to unveil the underlying archetypal forces that shape their roles within the narrative. Drawing inspiration from Carl Jung's concept of archetypes and the collective unconscious, this analysis identifies Andy Dufresne as a manifestation of the "trickster" and "hero" archetypes, as evidenced by his portrayal in the story. On the other hand, Red embodies the "mentor" archetype, serving as a seasoned inmate and the narrator of the novella. In this way, the study sheds light on the archetypal dimensions present in the characters of the novella.
INSTRUMENTALITY OF WOMEN IN DAMSEL MOVIE (2024) Yosep Liderman Panggabean; Mike Wijaya Saragih
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 1 (2024): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i1.6029

Abstract

In the film Damsel (2024), directed by Juan Carlos Fresnadillo, the traditional damsel in distress narrative is subverted by the character of Princess Elodie, who transforms from a passive pawn to an empowered individual. The film critiques societal structures that objectify women by exploring Elodie’s journey from being a tool in an arranged marriage and a sacrificial victim to confronting a dragon. This study aims to explore how the film portrays the instrumentalization of Elodie through qualitative descriptive methods, grounded in Nussbaum's theory of objectification, particularly the concept of instrumentality. As the result, the study identifies three forms of Elodie's instrumentalization: subjected to an arranged marriage, subjected to a life sacrifice, and subjected to a target for revenge. From these three forms of Elodie's instrumentalization, this film shows Elodie's gradual assertion of autonomy and rejection of the roles assigned to her, deconstructing conventional girl tropes and highlighting the broader implications of challenging patriarchal norms. The finding of the instrumentalization of Elodie in the film Damsel is shown to become more complex along with the resistance carried out to oppose the prevailing patriarchal norms.
THE USE OF CULTURE-BASED TOURIST ATTRACTIONS IN DEVELOPING TOURIST DESTINATION IMAGES A CASE STUDY: NORTH SUMATRA PROVINCE Sinthon L. Siahaan; Mike Wijaya Saragih
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 2 (2024): Desember
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i2.6449

Abstract

This study examines the use of culture-based tourist attractions in shaping and enhancing the destination image, with North Sumatra Province as a case study. Using a literature review, the study analyzes data from 49 events categorized into nine types, during 2017. The study highlights how cultural attractions, encompassing cognitive, unique, and affective dimensions, contribute to a robust destination image. The knowledge and historical insights offered through these events influence the cognitive image. The unique image arises from the cultural distinctiveness and creative expressions showcased. The affective image, meanwhile, emerges from the emotional connections and memorable experiences visitors encounter. Through cultural festivals, exhibitions, local traditions, and culinary displays, the study identifies effective strategies for leveraging local cultural assets to boost tourism appeal. It underscores the importance of consistent, innovative cultural programming in sustaining and promoting regional identity. The findings point to the role of cultural tourism in fostering destination loyalty and increasing visitor satisfaction.
Co-Authors Adiranto Hia Esteria Ernawati Hutauruk Febrimarini Br. Sinulingga Felia Aditya S. Meliala Fortunae, Benedicta Stella Gabriella Immanuel Ndoen Jordan Marelino Parsaulian Naibaho Lendway, Natan Christofel Melano, Daniel Ndoen, Gabriella Nelly Trisna Raja Guk-Guk Prasetyo, Teguh Sandidi, Agung Sinthon L. Siahaan Sinulingga, Febrimarini Sirait, Lisbeth Srisna J. Lahay Susanne A.H. Sitohang Susanne Sitohang Teguh Prasetyo Teguh Prasetyo Thesalonika Alvina Thesalonika Alvina Yosep Liderman Panggabean