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All Journal Jurnal Ilmu Informasi Perpustakaan dan Kearsipan Buletin Al-Turas Prosodi: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmiah Bahasa dan Sastra ARABIYAT Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat Jurnal Adabiyah Record and Library Journal Edulib Equilibrium: Jurnal Pendidikan Jurnal Kajian Informasi & Perpustakaan Syifa al-Qulub : Jurnal Studi Psikoterapi Sufistik Nady al-Adab Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Language Literacy: Journal of Linguistics, Literature, and Language Teaching Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) ELS Journal on Interdisciplinary Studies in Humanities PROSIDING KOMUNIKASI Al Mi’yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Studi Arab JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Pena Literasi LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya Ta'lim al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban 'A Jamiy: Jurnal Bahasa dan Sastra Arab Jurnal Studi Agama Hijai - Journal on Arabic Language and Literature Alibbaa': Jurnal Pendidikan Bahasa Arab Ksatra: Jurnal Kajian Bahasa dan Sastra Kalamuna Journal of Arabic Literature (Jali) BASA Journal of Language & Literature Kutubkhanah Jurnal Penelitian Sosial Keagamaan An-Nahdah Al-\'Arabiyah Kode : Jurnal Bahasa COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Jurnal Ilmu Komunikasi AKSARA: Jurnal Bahasa dan Sastra Journal of Comprehensive Science Jurnal Bastra (Bahasa dan Sastra) El-Hadhanah: Indonesian Journal Of Family Law And Islamic Law Gunung Djati Conference Series Innovative: Journal Of Social Science Research JBSI: Jurnal Bahasa dan Sastra Indonesia Tadris al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Jurnal Studi Islam dan Sosial Al-Irfan: Journal Of Arabic Literature and Islamic Studies Lughaat: Journal of Arabic Linguistics
Rohanda Rohanda, Rohanda
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Relasi Alam dan Perempuan dalam Novel Dlumū Lā Tajiffu Karya Byar Rufael: Kajian Ekofeminisme Saladin, Cundarojat Sidiq; Rohanda, Rohanda
Aksara: Jurnal Bahasa dan Sastra Vol 25, No 2 (2024): Aksara: Jurnal Bahasa dan Sastra
Publisher : Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/aksara/v25i2.pp470-480

Abstract

Ecofeminism views that exploitation of nature is directly proportional to men's oppression of women. This study aims to present some forms of nature and women relations contained in the novel Dlumū Lā Tajiffu by Byar Rufael. The data of this research is in the form of sentences from the novel Dlumū Lā Tajiffu related to the relation between nature and women. This research belongs to descriptive qualitative research. The approach applied in this research is the relationship between nature and women from the perspective of ecofeminism. The data collection techniques used include the documentation method with reading and recording techniques, and through two data analysis techniques, namely identification and analysis. The results of this study show that the novel Dlumū Lā Tajiffu by Byar Rufael represents the relationship between nature and women in (1) the depiction of the image of nature and women symbolized as a sacred entity, namely the mother. (2) the oppression of nature and women by patriarchal-capitalists such as As'ad Syahdan makes it difficult for villagers to get water. Keywords: Ecofeminism, Women, Ecology, Ecocritism
Representasi Interaksi Sosial pada Film Series Alrawabi School for Girls Season 2 Karya Tima Shomali Yasmin, Alia; Rohanda, Rohanda; Fauziah, Isma
Jurnal KIBASP (Kajian Bahasa, Sastra dan Pengajaran) Vol 8 No 1 (2024): Jurnal KIBASP (Kajian Bahasa, Sastra dan Pengajaran)
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31539/kibasp.v8i1.13611

Abstract

Penelitian ini bertujuan untuk mengidentifikasi interaksi sosial yang terdapat pada film series AlRawabi School for Girls Season 2 yang menggunakan pendekatan semiotika oleh Charles Sanders Peirce.Metode yang digunakan ialah metode deskriptif yang menganalisis berdasarkan semiotika. Dalam teknik pengumpulan data menggunakan teknik dokumentasi. Hasil penelitian ini menunjukan bahwa interaksi sosial pada film series AlRawabi School for Girls Season 2 terdapat interaksi sosial asosiatif dan disosiatif. Interaksi sosial asosiatif terdapat pada adegan 3 dan 4. Sedangkan, interaksi sosial disosiatif terdapat pada adegan 1, 2, 4, 5, dan 6. Simpulan ini menunjukkan interaksi sosial yang terjadi pada film series AlRawabi School for Girls Season 2 ini merupakan representasi kehidupan remaja di sekolah terutama dalam hal perundungan yang sering terjadi di sekolah. Melalui proses disosiatif dan asosiatif, serial ini memberikan gambaran yang mendalam tentang tantangan sosial di sekolah, seperti perundungan, hierarki kekuasaan, solidaritas, dan kerja sama. Kajian ini memberikan pesan moral untuk memahami dan mengelola hubungan sosial demi menciptakan lingkungan yang lebih inklusif dan suportif. Kata Kunci: Film, Interaksi Sosial, Semiotika
Cultural Values In The Film 'Najih' By Pondok Pesantren Dalwa Charles Sanders Peirce's Semiotic Analysis Hartono, Alfina; Rohanda, Rohanda; Fauziah, Isma
Jurnal Studi Agama Vol. 8 No. 2 (2024): Jurnal Studi Agama
Publisher : Program Studi Studi Agama Agama Fakultas Ushuluddin dan Pemikiran Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19109/jsa.v8i2.25130

Abstract

This research aims to describe the cultural values contained in the film "Najih" by Pondok Pesantren Dalwa. The film Najih tells the story of a young man who is determined and never gives up in his journey to learn Arabic. This research is a qualitative descriptive study that uses the research object in the form of the film "Najih" by Pondok Pesantren Dalwa. This research focuses on the film "Najih" with objects in the form of stills from different scenes in the film. Researchers classify signs based on representation, object and interpreter. Through the analysis applied, a lot of data was found that revealed the cultural values in the film "Najih". These cultural values include elements such as knowledge, belief, art, morality, law, customs, skills and habits. This can be seen from the data presented in the research.
Nilai Religiusitas dan Solidaritas dalam Film Farha Karya Darin J. Sallam (Analisis Semiotika Charles Sanders Peirce) Ramadhan, Gia; Rohanda, Rohanda; Dayudin, Dayudin
JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Vol 9, No 3 (2024): November 2024
Publisher : Universitas Al Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/sh.v9i3.3596

Abstract

This research analyses the social and cultural values in Darin J. Sallam's Farha by examining the relationship between Representament, Object, and Interpretant. The research uses a qualitative paradigm with a Charles Sanders Peirce semiotic analysis approach. Literature study is the method used based on data sources in the form of snippets of dialogue scenes from Farha's film published on the Netflix platform. The formal Object of this research is Charles Sanders Peirce's semiotics and the material Object is Farha Film by Darin J. Sallam. The results and discussion show several representations that can produce several interpretations. The explanation of the interpretation in this film is in the form of social and cultural values based on the theory expressed by Eduard Spranger. In this film, there are at least five social and cultural values consisting of religious, power, solidarity, theoretical, and art or aesthetic values. The various values presented in the film illustrate the setting of this film in Palestine, which at that time was hit by the Nakba Day event. The values in the film are expected to inspire many people, especially in seeing the phenomena in Palestine This research using Charles Sanders Peirce's Semiotics theory only found five social and cultural values and it is hoped that other researchers will continue this research with different theories.Keywords – Farha Film, Palestine, Peirce’s Semiotic,.
Analisis Afiks pada Fi`il Mujarrad dalam Surat Hud Rohanda, Rohanda; Cahya Mahesa, Dzikri; Dayudin, Dayudin
Kalamuna: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban Vol. 6 No. 1 (2025): Journal of Arabic Education & Arabic Studies
Publisher : Pusat Penelitian dan Pengabdian kepada Masyarakat (P3M) STAI DR. KHEZ. Muttaqien Purwakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52593/klm.06.1.05

Abstract

In an Arabic verb, there are several morphemes that form it. These morphemes are located at the beginning, middle, and end, which are usually called affixes. Affixes have an important role in a word, because the existence of these affixes can affect the meaning. One of the affixes that is often found in an Arabic verb is the affix located at the end (suffix), which functions to determine the subject, including in terms of distinguishing between masculine and feminine. This research aims to present some forms of affixes that exist in fi'il mujarrad in al-Qur'an surah Hud. The data of this research are Arabic words which are fi'il. This research belongs to descriptive qualitative research. The approach applied in this research is affixes on fi'il mujarrad viewed from the perspective of morphology. The data collection technique used is the documentation method with reading and recording techniques, and through two data analysis techniques, namely identification and analysis. The result of this research shows that in al-Qur'an surah Hud there are affixes on fi'il which are influential in (1) translation of fi'il mujarrad (2) formation of fi'il mujarrad (3) determination of subject or actor (4) distinguishing between masculine and feminine or determining gender (5) determination of quantity (6) determination of time (7) Indicators of command and prohibition sentences (8) Indicator of negation sentence . This research provides an overview of the influence of affixes on fi'il mujarrad, as well as providing a deeper understanding of the form and function of affixes in Arabic verbs
Analisis semiotika Riffatere pada Syi'ir أحبكِ أو لا أحبكِ karya Mahmoud Darwish Dira, Palen Dika; Rohanda, Rohanda
`A Jamiy : Jurnal Bahasa dan Sastra Arab Vol 13, No 2 (2024): Kajian Bahasa dan Sastra Arab
Publisher : Universitas Muhammadiyah Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31314/ajamiy.13.2.482-500.2024

Abstract

Mahmoud Darwish, seorang penyair Palestina terkenal, sering menggunakan puisi sebagai medium untuk mengekspresikan pengalaman emosional dan ideologis yang kompleks dari rakyatnya. Salah satu karya paling mencolok dari Darwish adalah syi'ir أحبكِ أو لا أحبكِ yang, melalui ungkapan cinta dan penolakan, mengandung lapisan makna yang kaya. Untuk memahami kedalaman dan nuansa yang tersembunyi dalam teks ini, diperlukan pendekatan analitis yang mampu mengungkap makna yang tidak langsung terlihat. Penelitian ini menggunakan metode kualitatif deskriptif dan pendekatan teori semiotika Riffaterre untuk mengeksplorasi makna tersebut. Tujuan dari penelitian ini adalah untuk mengungkap makna kompleks dan berlapis-lapis yang terkandung dalam syi'ir tersebut. Analisis ini memanfaatkan konsep-konsep kunci seperti pembcaan heuristik , pembacaan hermaneutik, hipogram , varian , dan model  untuk mengeksplorasi makna tersembunyi di balik ungkapan cinta dan penolakan yang ada dalam teks. Hasil penelitian menunjukkan bahwa syi'ir ini tidak hanya berbicara tentang cinta dan penolakan secara literal, tetapi juga mencerminkan konflik emosional dan ideologis yang mendalam. Syi'ir ini mengajak pembaca untuk merenungkan pengalaman hidup di bawah tekanan serta bagaimana perasaan-perasaan yang kontradiktif dapat coexist dalam situasi yang penuh dengan ketidakpastian dan perjuangan. Dengan demikian, penelitian ini memberikan pemahaman yang lebih mendalam tentang kompleksitas makna yang dihadirkan oleh Mahmoud Darwish dalam syi'irnya melalui pendekatan semiotika Riffaterre.
Denotative and Connotative Meanings in the Dialogue of Capernaum: A Semiotic Approach to Nadine Labaki’s Work Meisyaroh, Fitria; Dayudin, Dayudin; Rohanda, Rohanda
Alibbaa': Jurnal Pendidikan Bahasa Arab Vol. 6 No. 1 (2025): Vol. 6 No. 1 (2025)
Publisher : IAIN Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ajpba.v6i1.18158

Abstract

The study of denotative and connotative meanings in the Arabic language remains limited, particularly regarding how meanings evolve within social and ideological contexts in films. Most previous research has predominantly focused on semantic analysis without considering the connotative aspects that shape social perceptions and representations. This study aims to analyze the denotative and connotative meanings of selected Arabic words using a qualitative approach through the perspective of Roland Barthes' Semiotics. Data were collected through non-participant observation and note-taking, while analysis was conducted using extralingual referential analysis, employing both comparative and contrastive methods. The findings reveal that words such as قيود, الجحيم, الإيجار, خادمة, and الهارب in the film Capernaum carry connotative meanings that reflect social constraints, suffering, exploitation, oppression, and the loss of identity. This study affirms that language is not merely a tool for communication but also an ideological instrument that represents social realities. This study implies that connotative meaning can enrich linguistic studies and provide deeper insights into language use across various social and cultural contexts.
Perubahan Makna Kata Serapan dalam Surat Kabar Asy-Syarqu Al-Ausath Vol. 47: Kajian Semantik Saladin, Cundarojat Sidiq; Akmaliyah, Akmaliyah; Rohanda, Rohanda
Aksara: Jurnal Bahasa dan Sastra Vol 26, No 1 (2025): Aksara: Jurnal Bahasa dan Sastra (in procces)
Publisher : Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/aksara/v26i1.pp88-101

Abstract

The development of science, technology and culture cause the meaning of a word to change. Word absorption in foreign language also develops over time. This research aims to analyze how the meaning of the word has changed compared to its original meaning in the newspaper Asy-Syarqu Al-Ausath edition Vol. 47. Understanding the changes in the meanings of absorbing words helps prevent ambiguity and supports communication accuracy in the Arabic world. It belongs to descriptive qualitative research. The approach applied in this research is the change of meaning according to Sarwiji Suwandi's view. The data collection technique used listening method followed by documentation technique. Data analysis in this study used intralingual pairing method with the technique of connecting-comparing (HBB). The results of this study show that there are two types of meaning changes, namely (1) generalization or expansion of meaning, for example in the absorption word al-barliman (البرلمان) and (2) specialization or narrowing of meaning as in the absorption word diplomasiyah (الدبلوماسية). Of the two types of meaning changes in the Vol. 47 edition of Asy-Syarqu Al-Ausath newspaper, specialization or narrowing changes in meaning are most often found. So it can be seen that English words absorbed into Arabic tend to experience a process of specialization or narrowing of meaning.Keywords: Loanwords, Change of Meaning, Semantic, Arabic Newspaper
FEMINIST LITERARY CRITIQUE OF WOMEN’S REPRESENTATION IN NAGUIB MAHFOUZ’S LAYALI ALF LAYLAH Alandira, Palendika; Ainusyamsi, Fadlil Yani; Rohanda, Rohanda
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 8, No 2: December 2024
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v8i2.10288

Abstract

This research examines the portrayal of women in Arabian Nights and Days by Naguib Mahfouz through the lens of feminist literary criticism, focusing on the character of Dunyazad. The analysis explores her physical, psychological, and social dimensions, emphasizing how these aspects reflect broader societal perceptions and treatment of women. Employing a qualitative approach, the research utilizes feminist theory to uncover the depiction of Dunyazad and her interactions within the social context of the novel, which mirrors the condition of women in the Arab world. The formal object of this study is feminist literary criticism theory, while the material object is Mahfouz’s novel. The study is confined to analyzing Dunyazad’s character and her relationship with societal norms. Findings reveal that the representation of women in the novel is shaped by three main elements: physical idealization, psychological conflict, and social subordination, all of which are framed by patriarchal structures. Dunyazad’s physical portrayal reinforces the objectification of women, her psychological depiction reflects the inner turmoil of women constrained by social expectations, and her social portrayal underscores the systemic subjugation of women. In conclusion, Mahfouz critiques the societal norms that restrict women’s roles and exposes the persistence of gender inequality within patriarchal societies.
Representasi Perundungan dalam Film From The Ashes Karya Khalid Fahad (Kajian Semiotika Ferdinand De Saussure) Nafilatul Azza, Nawal; Rohanda, Rohanda
Journal of Comprehensive Science (JCS) Vol. 4 No. 1 (2025): Journal of Comprehensive Science (JCS)
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/jcs.v4i1.2961

Abstract

This study discusses the representation of bullying in the film From The Ashes by Khalid Fahad through Ferdinand de Saussure's semiotic approach. The focus of this study is how signs in the film, whether through visuals, dialogues, or other symbols, represent bullying and its impact on victims. Qualitative research methods are used to analyze the signs in the film, which consist of two main components: the signifier and the signified. The results of the analysis show that the film uses strong symbolism to depict the dynamics of bullying, including power relations, the powerlessness of victims, and the journey towards recovery. Visual elements such as color, lighting, and facial expressions function as signifiers that strengthen the emotional narrative, while dialogue and storyline form signifiers that convey meaning about bullying. This study contributes to a deeper understanding of how film media can be a reflective medium for social issues such as bullying, while also offering a new perspective in semiotic studies.
Co-Authors Abd. Rasyid Syamsuri Abdul Kodir Abdurahman, Rizki Addriadi, Irfan Adriadi, Irfan Adya Wijaya, Naufal Afifah Yustiana Yunasa, Hasna Ahmad Suhaili Ahmad Yunani Ahwatul Muslimah, Ispa Aizza, Yulia Zulpathul Akmaliyah Akmaliyah Aladdin, Ashinida Alandira, Palendika Alawi, Zamzam Mugni Alice Diniarti, Alice Andri Yanto Andriana, Lilian Anggraini, Reza Arianty, Monika Wulan Aryanto, Redi Asep Saefullah Atha, Yusuf Ali Shaleh Azzahra, Rachma Aini Budiharjo, Imam Ghozali Cahya Mahesa, Dzikri Darti Daryanti, Darti Dayudin, Dayudin Dede Burhanudin, Dede Dedi Supriadi Dian Sinaga Dika, Palen Dira, Palen Dika Fadlil Yani Ainusyamsi, Fadlil Yani Fariztina, Alissa Fauziah, Isma Fauziah, Resa Nurrahmah Firdaus, Rifqi Muhammad Fitri Perdana, Fitri Haq, Iman Amirul Haritsah Rais, Muhammad Hartono, Alfina Hidayat, Deden Hikmah Maulani Hildansyah, Irdan Hilmi, Irpan Irpani, Ropik Karima, Marista Aulia Khairanis, Ulva Komarudin, Edi Komarudin, R. Edi Krisna Rendi Awalludin Kusuma, Dwiki Mahmud Mahmud Maida, Nining Majid, Nurahman Mardi, Isra Mardiansyah, Yadi Mawardi Mawardi Meisyaroh, Fitria Miftahul Khasanah, Anna Mu'izzuddin, Moch Muhammad Abdul Halim Muhammad Firdaus, Rifqi Nafilatul Azza, Nawal Naufal Fauqi Adhiya, Muchammad Noveryandi, Muhammad Novianti, Wulan Suci Nuning Kurniasih Nurfadilah Nurfadilah Nurhasan, Muhamad Nurhasan, Muhammad Nurhasanah, Aviah Nuri Rai Patimah Nuryadi, Bagja Ghali Palendika Alandira Pauji, Resa Restu Pawit M. Yusup, Pawit M. Permana, Insan Priyo Subekti Putri Budikurnia Istiqomah Qonit Ad., Ahmad Rachmawati, Tine Silviana Rachmawati, Tine Silviana Rahadian, Gallint Rahmah, Sofia Laila Rahtikawati, Yayan Ramadhan, Gia Rayya Difadrana, Thaifur Ridho Hidayat Rifa Mazin Aqillah Rika Rahmawati Rosalita, Rosalita Ruhendi, Ateng Rully Khairul Anwar Rusna, Dyo Sabarudin, Ikbal Sabrina, Coriena Halwa Saepuloh, Amanda Siva Safiyya, Ghafeera Saidah, Siti Saidatul Fitriah Lailatul Badriah Saladin, Cundarojat Sidiq Salma Najihah, Talia Salsabila, Nisrina Zahrani Salsabillah, Ade Inas Santika, R. Gilang Septian, Ahmad Arif Setiawati, Imas Fatimah SITI MUSLIKAH Solihin, Ihin Sopiah , Ade Suci Novianti, Wulan Sukaesih Sukaesih, Sukaesih Sukmawati, Wati Solihat Suparna, Ahmad Supianudin, Asep Syafei, Isop Taufiq, Wildan Usep Abdul Matin, Usep Abdul Yadi Mardiyansyah Yani Ainusyamsi, Fadlil Yasmin, Alia Yuda S, Dendi Yuda S., Dendi Yunita, Novi Yunus Winoto Yusanti, Noviana `Komarudin, R. Edi