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All Journal PRABANGKARA Jurnal Hukum Prasada Retina Jurnal Fotografi Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Jurnal bahasa, sastra, seni, dan pengajarannya
Tjokorda Udiana Nindhia Pemayun Pemayun, Tjokorda Udiana Nindhia Pemayun
Institut Seni Indonesia Denpasar
Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Other

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Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Tattoo Art Works Mahananda, I Putu Gede Rindra; Pemayun, Tjokorda Udiana Nindhia; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3636

Abstract

This thesis contains a description of the creation of works of tattoo art with the theme "Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Works of Tattoo Art" which was inspired when looking at foreign tattoo styles, namely American traditional tattoos, known as American Traditional (Old School Tattoo). where this tattoo has a very strong characteristic or character, so that the traditional American tattoo style is easily recognized. In Bali itself, there are several adherents of the Neo Traditional tattoo style, one of which is Kink Tattoo Bali, where Kink Tattoo Bali has a similar phenomenon where its tattoo work is recognized by tattoo lovers because Kink Tattoo Bali's work has a strong characteristic or character. so that his work can be easily recognized. The aim to be achieved in this MBKM Internship/Work Practicum activity is to find out the situation in the real world of work and gain experience in the world of work as well as various new work experience skills that can broaden your insight into the scope of tattoo work in the world of work and can deepen your knowledge and techniques. in working on professional tattoo projects in the real world of work. MBKM Internship/Practice activities at Studio Kink Tattoo Bali also aim to hone skills in creating original tattoo works by combining Balinese culture with Neo Traditional tattoo styles. In realizing this tattoo design work, the author used interview, observation, documentation and literature methods. From the title above, there are five tattoo design works in MBKM Internship/Practice activities at Kink Tattoo Bali studio.
MEMAKSIMALKAN LAHAN SEMPIT UNTUK MENGHASILKAN KARYA DAN BERTAHAN DI INDUSTRI FOTO PREWEDDING DI TENGAH PANDEMI COVID-19 Putu Andika Aries Tusana; Tjokorda Udiana Nindhia Pemayun; Putu Agus Bratayadnya
Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i2.1276

Abstract

This study discusses maximizing narrow land to produce works in the pre-wedding photo industry in the midst of the Covid-19 pandemic. During this Covid-19 pandemic, many photographers working in the pre-wedding photo industry did not get job because many locations that were often used as pre-wedding were closed due to the covid-19 pandemic. The formulation of the problem in this study discusses how to use narrow land as a location for pre-wedding photo shoots and the second is how the results of pre-wedding photos with locations that use narrow land. The purpose of this study is to find out and describe how to use narrow land as a location for pre-wedding and to find out the results of pre-wedding photos with locations that use narrow land. The study of sources used in this research are several books, journals and articles related to problems such as the use of narrow land, ways of working, and the creative industry. The theoretical basis used is the Aesthetic theory as the basis for studying the problem. The implementation method carried out during the research process is the observation, interviews, documentation and work practices as well several sources of data used, namely primary and secondary data. This research is presented in the form of narrative in the form of a thesis. The results of this study indicate that pre-wedding photos can not only be done in a large place. However, can also be done in a narrow land by maximizing it through ideas and creativity.
Dilematik Sampah di Era Sekarang Dalam Penciptaan Karya Seni Lukis Niken, Ni Wayan; Ruta, I Made; Pemayun, Tjokorda Udiana Nindhia
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4458

Abstract

Work creation report entitled “Waste Dilemma in The Current Era in The Creation of Works of Art”. This idea arose from personal anxiety that every day we found rubbish everywhere. This problem gave rise to a strong urge to present visualizations of various forms of waste, especially plastic waste, in painting. The aim of using waste in this research is to provide an overview of what waste looks like if it is left for too long and accumulates. The method for creating works goes through three stages, namely, direct observation in the field, exploration, and embodiment in a painting. The work will later display realist techniques with a combination of paste as texture such as plastic, dried acrylic paint and scraps of used cardboard. As well as new findings on the texture of wood dust (saw residue). The trash objects are arranged in such a way with splashes or melted accents on each side of the object to attract attention. The game of value (level of brightness or darkness) also plays a very important role in giving dimension and depth to a work of art. The author to realize how trash objects can look very dirty and disgusting. Messy or careless placement makes waste even more unsightly. This aims to make everyone aware of how dangerous an dirty waste is if left to pile up for years on earth.
Representasi Keresahan Yang Dirasakan Oleh Perempuan Dalam bentuk Karya Seni Lukis Eveanna, Caitlin; Pemayun, Tjokorda Udiana Nindhia; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4445

Abstract

Women have a big role in everyday life, making them face various obstacle and responsibilities. However, women are often underestimated as objects that must look perfect in society. Behind that, women actually feel various anxieties that they feel almost every day. Starting from the pain of menstruation, the pressure of beauty standards that disturbs the mind at all times to the objectification of women. These three things have a significant impact on women. Many women feel insecure, anxious and even depressed because of things like this. Women also often feel uncomfortable when they want to do activities outside the home because of the many incidents of objectification of women out there. Women continue to be required to be the figure that society expects without caring about what women actually feel about these actions and demands. In creating this work, the author raised this issue to make it into a work of painting by exploring symbols to represent and visualize the anxiety experienced by women. By using various symbols of simple things encountered in daily life, the author represents this anxiety experienced in a painting. The author also uses the plaque technique as a technique in making paintings.
Abstraksi Gerak Anjing Dalam Penciptaan Karya Seni Patung Artha Adi Wijaya, I Nengah; Udiana Nindhia Pemayun, Tjokorda; Yosef Tjokropramono, Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1542

Abstract

Dogs are social animals, but the personality and behavior of dogs can vary depending on the breed. In addition, the dog's personality depends on the treatment it receives from the dog and the people who interact with it frequently. From the dog's personality, it is interesting to be appointed as the object of internship at CV. Richstone. The author realizes the work of sculpture by observing the dog's movements by abstracting the dog's movements from various points of view by using line and plane composition to achieve visualization of the work. The process of making the work uses a cast iron frame first using cast concrete, followed by the addition technique in which the cast frame of the statue is wrapped with burlap sacks on the entire frame of the statue. In visualization the work displays two dog figure movements which are abstracted by the presentation not directly, but using non-representational forms or more depicting the shape of the objects depicted which are often difficult to grasp for meaning by ordinary observers/art connoisseurs, the first work with dynamic dog movements running and the second work with the movements of a frightened dog.
Tari Sanghyang Dedari Sebagai Ide Penciptaan Seni Lukis Kariasa Putra, I Komang; Pemayun, Tjokorda Udiana Nindhia; Tjokropramono, Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1849

Abstract

Balinese dance is a variety of dances originating from the island of Bali. Balinese dance does not always depend on the storyline. The main goal of Balinese dancers is to dance each stage of movement and sequence with full expression. Sang Hyang Dedari dance is a Balinese dance that is used as a religious tool. Balinese people still believe that when girls aged 9-12 years dance this dance, they will be possessed by the holy spirit of an angel. Usually, the Sang Hyang Dedari Dance is played or danced before the rice harvest around April to resist disease outbreaks, and this dance has been designated as an endangered cultural heritage. By taking the theme of Sanghyang Dedari Dance, it is hoped that it can represent ideas in the creation of painting. The writer's interest in this dance is because this dance is very sacred and unique because starting from the headdress and the clothes used are very simple, and the flowers used are also colorful and easy to get and so that the younger generation in particular to know and preserve Balinese culture, that in some areas still do this tradition. At the visualization stage, the author emphasizes the decorative flow. In addition, it also uses the method of creation, namely Exploration, Improvisation, Formation, and Final Completion. And through these stages, 6 works were created entitled: 1) "Sanghyang Dedari Dance", 2) "Ngukup", 3) "Dancer Possessed by Sanghyang Dedari", 4) "Sanghyang Dedari Dancer", 5) "Aci Bethara Sri", 6 )"Rolling". In the end, a work was created which was appointed to the title "Sanghyang Dedari Dance as an Idea for Painting Creation". The author hopes that the Balinese people are more familiar with the Sanghyang Dedari Dance.
Tari Baris Cina Sebagai Referensi Penciptaan Karya Seni Lukis Divayana, I Putu; Pemayun, Tjokorda Udiana Nindhia; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2341

Abstract

This independent project thesis raises the Chinese Baris Dance as a Reference for the Creation of Painting Art works, starting from an interest in the visuals of the Baris Cina dance which is unique and different from the visuals of the Baris dance in general. This fueled the urge to bring the visuals of the Chinese Baris dance by combining certain techniques and references to achieve the desired meaning. The problem being faced is how to work on the visuals of the Chinese Baris dance to represent the ideas and meanings that you want to materialize so that they are still packaged attractively. The benefits and objectives of this thesis are to increase the existence of the Chinese Baris dance, and to increase the author's understanding of the Chinese Baris dance. To answer what is the goal of this work, the methods used are exploration, improvisation, and forming. With elements of fine art, and through the stages of exploration, improvisation or experimentation and formation, and combined with ideas and concepts so as to create 6 works entitled: 1) "Freedom", 2) "Desire", 3) "Leader", 4) "Surge", 5) "Dark Fall", 6) "Circle of Harmony". In creating works, the author combines several techniques to references from several artists. By combining the techniques obtained at the Art kenyem studio and the placement of objects typical of Sugiyo Dwiarso, we hope to produce innovative works and are expected to produce novelty.In the end, it can be concluded that dance, especially the Chinese Baris dance, is very worthy to be appointed as a reference that can be developed and will become an innovative work. With the creation of this work, it is hoped that it can convey messages and meanings as well as give the author a new style or identity.
Creative Innovation of Multifunctional Painted Shawl Nisa, Apriliana Putri Khairun; Pemayun, Tjokorda Udiana Nindhia; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2862

Abstract

Multifunctional Painting Shawl is a product of 4moon that emphasizes Functional and beauty. According to Wikipedia, Shawls is a traditional Indonesian clothing in the form of a long cloth. Shawls are usually used by women. This shawl is specially designed to have several functions at once in one object only. Not only functional, the 4moon shawl also has additional aesthetic value found in the surface design and additional prada. The purpose of this study are 1) To find out the Transfer of Knowledge of Multifunctional Painting Shawl Entrepreneurial Governance, 2) To find out the Transfer of Multifunctional Painting Shawl Entrepreneurial Skills, 3) To find out the Transfer of Knowledge and Marketing Technology of multifunctional Painting Shawl, 4) To find out the Analysis of multifunctional Painting Shawl Entrepreneurship activities. This type of research is included in quantitative research and observation as a method of data collection. The result of the study are 1) There are 6 multifunctional painting shawl products by 4moon 3) Marketing that the author does is offline and online such as Instagram. The author also applies a custom-order system 4) Adding insights such as adding prada using massage canting techniques
Facial Expressions According to Tones on Jegog Leaf Blade as A Source of Installation Art Works Creation Indrawan, I Ketut Deni; Mustika, I Ketut; Pemayun, Tjokorda Udiana Nindhia
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3001

Abstract

Gamelan Jegog comes from the Jembrana area, where this Jegog has a very melodious and loud voice so that Jegog is well known throughout foreign countries. Gamelan Jegog is made of bamboo. Incidentally, in the Jembrana area there are many bamboo trees and the bamboo grows well because of the fertile soil, many bamboo trees grow and develop there, and that is what prompted Jembrana artists to create musical instruments made of bamboo. The tone in the Jegog gamelan can make a musical rhythm so alive. Each music must have its own rhythm. Tone is a musical movement that is controlled in time. Without good tunes, it's easy to get lost in the music and get out of sync. In Gamelan Jegog there are various melodies and rhythms such as the high and low of a note to make the rhythm of the music being played calm and peaceful. Based on the description above, the tones and facial expressions in Jegog gamelan are the inspiration for creating installation art works. Thus facial expressions according to tone in Gamelan Jegog serve as a source of inspiration in the creation of works as well as being the title for facial expressions according to tone on jegog leaf blades as a source for creating installation art works
Penyesuaian Diri Dan Komunikasi Interpersonal Pendatang Baru Sebagai Ide Penciptaan Seni Lukis Digital Saraswati, Intan; Utami, Ni Made Purnami; Pemayun, Tjokorda Udiana Nindhia
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3301

Abstract

The purpose of this writing is to describe the visualization process which includes: concepts, themes, techniques and forms of painting works with the title Self-Adjustment and Interpersonal Communication for Newcomers as Ideas for Creating Digital Painting Art. The methods used in creating digital painting works of art are exploration, experimentation and execution. Exploration in creating digital works of art includes research, theme exploration and model exploration, namely combining themes and concepts and determining the poses of female figures by means of observation. The experimental method was carried out to discover new things such as the use of effects in the Adobe Photoshop application and to apply ideas and notions to the creation of digital works of art by applying filters to the photo images that will be used, then continuing with experiments on combining the drawn figures. with photo images that have been edited in the Adobe Photoshop application. The execution stage is carried out by moving the sketch to a new layer. After the discussion and creative process, it can be concluded: 1.) The concept in creating digital painting works of art is to express thoughts and feelings into digital works of art by using female figures as the main objects as symbols of feelings that have meaning regarding each event that occurs. experienced by the author related to the phenomenon of adapting to a new environment and visualized with a surrealistic approach. 2.) The concept in creating digital painting works of art is to express experiences or phenomena related to interpersonal communication and self-adjustment experienced by artists in their lives. 3.) The manufacturing technique uses the Adobe Photoshop application and the IbisPaint digital drawing application and later combines photo images and figure drawings drawn manually. 4.) The form in the painting visualization displays a self-portrait painting with a surrealistic style and is inspired by the Art Nouveau art style which depicts female figures and other objects as symbols arranged by adjusting the composition so that it looks harmonious.
Co-Authors Artha Adi Wijaya, I Nengah BUDIAPRILLIANA, LUH christofer satria Divayana, I Putu Endra Kurniawan, I Wayan Eveanna, Caitlin Gulendra, I Wayan I Gede Jaya Putra I Ketut Mustika I Kt. Suteja I Made Ruta I Nyoman, suardina Indrawan, I Ketut Deni Intan Saraswati Ivana, Jessica Kariasa Putra, I Komang Mahananda, I Putu Gede Rindra Ni Made Purnami Utami Niken, Ni Wayan Nisa, Apriliana Putri Khairun Putu Agus Bratayadnya, Putu Agus Putu Andika Aries Tusana Tjokorda Gde Tirta Nindhia Tjokropramono, Gede Yosef Tusana, Putu Andika Aries Yundari, Yundari