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All Journal Nusa: Jurnal Ilmu Bahasa dan Sastra Poetika: Jurnal Ilmu Sastra Nady al-Adab JURNAL BAHASA, SASTRA DAN PEMBELAJARANNYA Al Mi’yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Al-Ma'rifah : Jurnal Budaya, Bahasa dan Sastra Arab TSAQOFIYA : Jurnal Pendidikan Bahasa dan Sastra Arab Al-Uslub: Journal of Arabic Linguistic and Literature Journal of Arabic Literature (Jali) Scriptura: Jurnal Ilmiah Komunikasi Modality Journal: International Journal of Linguistics and Literature Epistemé: Jurnal Pengembangan Ilmu Keislaman Jurnal Sastra Indonesia Mabasan
Misbahus Surur
Universitas Islam Negeri Maulana Malik Ibrahim Malang
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Women's Vulnerability in The Swimmers (2022): An Intersectional Feminist Analysis from an Applied Linguistics Perspective Alya Choirunia; Misbahus Surur
Modality Journal: International Journal of Linguistics and Literature Vol. 5 No. 2 (2025): December 2025
Publisher : Universitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30983/modalityjournal.v5i2.10528

Abstract

Vulnerability is an experience that is often inherent in women's lives, especially when they are in socially unequal situations. In the context of conflict and forced migration, this vulnerability becomes even more layered and complex. The film The Swimmers (2022) presents a representation of the experiences of refugee women through the story of two sisters from Syria who face war, cross-border displacement, and various forms of discrimination. This article aims to analyze how women's vulnerability is represented in the film The Swimmers using an intersectional feminist perspective. This study uses a descriptive qualitative approach with data sources consisting of 10 main scenes selected purposefully because they show the intersection between gender, refugee status, and power relations. The data were analyzed through reading the film's dialogue and visuals by linking them to the concept of intersectionality. The results of the study show that the vulnerability of women in the film is not only portrayed as a condition of marginalization and powerlessness, but also as a space for the emergence of agency, resilience, and solidarity. The contribution of this study lies in its effort to enrich the study of intersectional feminism in film analysis, particularly in reading the representation of refugee women in a more contextual and layered manner.
THE BASIC EMOTIONS OF THE MAIN CHARACTER IN THE NOVEL “قلب الليل” BY NAGUIB MAHFOUZ: DAVID KRECH'S PERSPECTIVE Zulfi Al - Fara; Misbahus Surur
Al-Uslub: Journal of Arabic Linguistic and Literature Vol. 9 No. 01 (2025): Al-Uslub: Journal of Arabic Linguistic and Literature
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/al-uslub.v9i01.207

Abstract

The novel “قلب الليل” tells the dramatic story of a man named Ja'far. Ja'far was once at the peak of happiness before he fell into a valley of suffering. He became impoverished, his family life fell apart, and he became involved in a politically motivated murder case. The strong emotional pressures from his past led Ja'far to face difficult situations in his life. Ja'far displays a range of emotions when confronted with these challenging situations. Therefore, this study aims to uncover the basic emotions of the main character in the novel “قلب الليل”, Ja'far, from the perspective of David Krech. This research employs David Krech's literary psychology approach to explore characters' emotions in literary works. This is a qualitative-descriptive study. The primary data source is the novel “قلب الليل” by Naguib Mahfouz. Data collection techniques include reading and note-taking. Data analysis follows the Miles and Huberman model, involving data reduction, data presentation, and conclusion drawing. The study finds that the basic emotions of the main character in the novel “قلب الليل” include: two types of anger, two types of sadness, one type of joy, and one type of fear.
The Existential Crisis in the Novel Lho: An Existential Psychological Analysis Based on Rollo May’s Perspective Dianatul Ilmi; Misbahus Surur; Khafid Roziki
Jurnal Sastra Indonesia Vol. 14 No. 3 (2025): November
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsi.v14i3.24546

Abstract

This study examines the existential crisis of the main character in Putu Wijaya's novel Lho using Rollo May's existential psychology theory. The primary aim of this research is to analyze the concepts of being-in-the-world (existence) and non-being (non-existence) in the life journey of the main character. This research employs a descriptive qualitative method, with data consisting of the main character's dialogues and monologues. The findings reveal that the concept of being-in-the-world is represented through three dimensions: (1) the character's relationship with the physical environment (Umwelt), (2) the character's relationship with others (Mitwelt), and (3) the character's relationship with themselves (Eigenwelt). Meanwhile, the concept of nonbeing is represented through: (1) fear of consequences, (2) a crisis of trust, and (3) destructive behavior. These findings do not function merely as adverse conditions but as forces that shape the character’s efforts to negotiate meaning and existence. This study aims to provide a deeper understanding of how the concepts of being-in-the-world and non-being can be applied to explain individual existential crises in literary studies, as well as in broader human experiences.
Ketimpangan Sosial, Konflik Agama, dan Persoalan Patriarki dalam Novel Al-Mutawali As-Salih Karya Wadi’ Abu Fadil: Kajian Realisme Sosialis Arina Zakiah Azzahra; Misbahus Surur
JURNAL BAHASA, SASTRA, DAN PEMBELAJARANNYA (JBSP) Vol 16, No 1 (2026): JURNAL BAHASA, SASTRA, DAN PEMBELAJARANNYA (JBSP)
Publisher : Universitas Lambung Mangkurat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20527/jbsp.v16i1.25185

Abstract

Wadi’ Abu Fadil’s novel Al-Mutawali As-Salih portrays Lebanese social realities, particularly interreligious conflict and structural gender inequality. This study fills the gap in previous studies, which mostly focused on psychological and interpersonal aspects, by examining structural social inequalities through socialist realism. Using a descriptive, qualitative method and close-reading techniques, the data were analyzed using Miles and Huberman’s interactive model. The analysis applies socialist realism as the primary framework, supported by theories of power and patriarchy from Georg Lukács, Friedrich Engels, Pierre Bourdieu, and Deniz Kandiyoti. The findings reveal: (1) ideological tensions between Islam and Christianity, (2) spatial and educational restrictions on women, and (3) the normalization of patriarchal authority within family and social structures. The novel thus functions as a literary articulation of systemic inequality rather than merely a narrative of individual conflict. This study contributes to Arabic literary criticism by offering a structurally grounded interpretation of the novel within a socialist realist perspective.
Representasi Feminisme Masyarakat Jawa Perdesaan dalam Film Pendek Tilik Anida Shofiyah Wananda; Misbahus Surur
Scriptura Vol. 14 No. 2 (2024): DECEMBER 2024
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/scriptura.14.2.101-116

Abstract

Feminisme telah menjadi fenomena yang dikenal dalam masyarakat luas sejak lama. Fenomena ini tidak hanya terbatas pada masyarakat umum, akan tetapi isu feminisme juga hadir dalam industri perfilman Indonesia. Penelitian ini bertujuan untuk mengetahui bagaimana perempuan Jawa perdesaan direpresentasikan dalam film pendek yang berjudul “Tilik” (2020). Film pendek “Tilik” (2020) mengangkat feminisme yang berkembang di Indonesia, khususnya di daerah Jawa perdesaan. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan menerapkan metode semiotika televisi yang dikembangkan oleh John Fiske, yang terdiri dari tiga level analisis, yaitu level realitas, level representasi, dan level ideologi. Urgensi penelitian ini berkaitan dengan pemahaman mengenai bentuk feminisme yang dapat ditemui pada perempuan Jawa perdesaan. Adapun novelty dalam penelitian ini terletak pada titik fokus data yang dianalisis secara menyeluruh pada tiap tokoh perempuan. Hasil penelitian yang diperoleh penulis yakni berjumlah tujuh temuan  data dan diklasifikasikan dalam empat kategori feminisme, yaitu feminisme mendukung perempuan aktif berkampanye, feminisme mendukung perempuan sebagai pemimpin, feminisme mendukung kebebasan berekspresi perempuan, dan feminisme mendorong solidaritas antara perempuan.
Analisis Penerjemahan Novel “Keledai yang Bijak” dari Novel Berbahasa Arab “Himar Al-Hakim” Karya Taufiq Al-Hakim Nadhita Chilwina; Misbahus Surur
Al Mi'yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Vol 8 No 2 Oktober 2025
Publisher : STIQ Amuntai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35931/am.v8i2.4920

Abstract

Studies on translation techniques are still limited, even though this aspect plays a crucial role in producing accurate, acceptable, and understandable translations, especially for language learners. This study aims to describe the forms of translation techniques in the novel "The Wise Donkey," a translation of the Arabic novel "Himar Al-Hakim" by Taufiq Al-Hakim. This study employed a qualitative descriptive method, with primary data sources being the novel "Himar Al-Hakim" and its translation "The Wise Donkey," as well as secondary data from literary theory and translation. Data were collected through reading and note-taking techniques and analyzed using the Miles and Huberman model, encompassing reduction, presentation, verification, and conclusion. Validity was maintained through source triangulation, expert consultation, and rereading of the text. This study presents 95 data points on translation techniques used by translators of the Arabic novel "Himar Al-Hakim." Researchers identified 12 translation techniques in Taufiq Al-Hakim's novel "Keledai yang Bijak," translated by Himar Al-Hakim, including adaptation, borrowing, calque, description, conventional equivalence, and transposition. Each technique has its own characteristics in conveying the meaning of a source language text. Each meaning expressed serves to facilitate understanding of a translated work, ensuring its readability and high level of acceptability. These findings contribute to the study of Arabic-Indonesian literary translation by mapping translation strategies that maintain meaning and aesthetics, and have implications for teaching translation as a practical teaching tool. The limitations of this research open up opportunities for further study of other techniques and their impact on translation quality.
Co-Authors AA Sudharmawan, AA Alya Choirunia Anida Shofiyah Wananda Arif Mustofa Arina Zakiah Azzahra Ariq Najmi Rihandy Aulia Fadhila Wirmansyah Dianatul Ilmi Durrotun Humaira Husnul Khotimah Khafid Roziki Kumalasari Lia Anggraini Lia Angraini M. Anwar Masadi Meysarah Meysarah Mubasyir Munir Muhammad Hasyim Nadhita Chilwina Nur Hasaniyah Ummi Hasanah Wulandari, Betty Ayunda Zulfi Al - Fara