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SENSORY DESIGN PADA ARSITEKTUR SEKOLAH PLAYGROUP – TK JAGAD ALIT WALDORF, BANDUNG Kezia Angelina Anugrah ; Aldyfra L. Lukman
Riset Arsitektur (RISA) Vol 4 No 04 (2020): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstrak- Manusia adalah subjek utama arsitektur, dan arsitektur hadir sebagai wadah untuk memenuhi kebutuhan akan ruang untuk beraktivitas. Dalam hal ini, manusia sebagai subjek arsitektur tidak hanya mencakup orang dewasa saja, tetapi juga anak-anak. Pada usia 3-5 tahun, anak-anak sedang dalam masa yang aktif dan berkembang. Mereka sedang dalam masa di mana rasa ingin tahu mereka besar, dan imajinasi mereka juga sedang berkembang. Karenanya, pengalaman multisensori merupakan sesuatu yang penting bagi mereka untuk berkembang baik secara fisik maupun mental. Pengalaman multisensori dapat dihadirkan melalui interaksi anak-anak dengan lingkungannya, baik di dalam maupun di luar ruangan didukung oleh desain sensorik. Salah satu lingkungan di mana anak-anak dapat berinteraksi dengan lingkungannya adalah sekolah. Sekolah Playgroup – TK Jagad Alit Waldorf Bandung adalah sekolah yang berbasis pendidikan multisensori yang didirikan sejak tahun 2015. Tujuan penelitian adalah untuk mengidentifikasi aspek arsitektural apa saja yang dapat menghadirkan pengalaman multisensori bagi anak dan apakah pengalaman multisensori anak sudah terpenuhi atau belum. Metode yang digunakan adalah metode deskriptif dengan pendekatan kualitatif, data diperoleh dari studi literatur, pengamatan langsung ke lapangan, serta dari wawancara terhadap guru-guru sekolah playgroup – TK Jagad Alit Waldorf Bandung. Diperoleh kesimpulan bahwa aspek arsitektural sekolah playgroup – TK Jagad Alit Waldorf Bandung memenuhi pengalaman multisensori anak, dengan sensori yang paling banyak terwadahi adalah sensori sentuhan. Terdapat empat sensori utama yang menjadi fokus pada kurikulum Waldorf, yaitu sentuhan, gerakan, keseimbangan, dan kehidupan. Pengalaman sensori itu dipenuhi lewat bentuk alat permainan yang menarik, serta penggunaan material yang cukup beragam. Penggunaan material tersebut tidak hanya menarik bagi indera peraba, tetapi juga bagi indera penglihatan. Tekstur material menjadi sesuatu yang menarik bagi anak-anak usia dini. Sensori lain yang berada dalam bagian empat sensori utama yang menjadi fokus anak-anak 0-7 tahun adalah gerakan anak-anak. Penyusunan furnitur membuat yang menciptakan ruang yang lapang menyediakan ruang yang cukup bagi anak-anak untuk bergerak dengan bebas.

TINJAUAN DESAIN SENSORI PADA MUSEUM BANK INDONESIA DALAM MENGAKOMODASI PENGUNJUNG PENYANDANG TUNANETRA Putri Nadhira Saraswati; Aldyfra L. Lukman
Riset Arsitektur (RISA) Vol 5 No 04 (2021): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v5i04.5297.320-333

Abstract- Museum as an architectural object with its function as an educational and recreational facility is open to public and must be able to be used by all people. Therefore, the design of museums must be accessible for all people, including those with special needs. One of the museums in Indonesia which is considered to be a good work of architecture is the Museum of Bank Indonesia. It receives many visitors from various circles, including people with visual impairments. To accommodate visitors with visual impairments, the Museum of Bank Indonesia must have design features that help them to do activities, despite their limited sense of sight. Through this study, the research aims to find out how physical elements in the Museum of Bank Indonesia accommodates the orientation and mobility of visitors with visual impairments. This is a qualitative research, with a descriptive discussion. The collected data are the data on physical elements in the Museum of Bank Indonesia and the data on the behavior of visually impaired visitors while doing orientation and mobility in the Museum of Bank Indonesia exhibition area. The data are collected through observation and interview, then analyzed by using a table which elaborates physical elements from technical requirements aspect and sensory design aspect, and how they accommodate visually impaired visitors. Research shows that some physical elements in the Museum of Bank Indonesia are already adequate in accommodating visually impaired visitors. They able to provide assistance for visually impaired visitors while doing orientation and mobility, as well as gathering information on the museum objects. On the other hand, there are also some physical elements that hinder visually impaired visitors because they don’t technically meet the user’s needs. Therefore, improvement in the physical elements design is needed, so it can accommodate visitors with visual impairments better. Key Words: museum, visual impairment, Bank Indonesia, universal design, sensory design

EVALUASI AKSESIBILITAS BAGI TUNANETRA DI PLAZA TRANSIT STASIUN TANAH ABANG Tamara Bonita; Aldyfra L. Lukman
Riset Arsitektur (RISA) Vol 6 No 01 (2022): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i01.5423.1-19

Abstract - Visual impairment is a term given to someone who does not have healthy vision. To fulfill their daily life needs, people with visual impairment tend to depend on the facilities in public open spaces. Accessibility that should support people with visual impairment in using public transportation facilities is often poorly maintained. This kind of condition could lead to fatal consequences to the safety of persons with disabilities. Options linked to accessing public open spaces for people with visual impairment become limited due to the lack of facilities. The refurbishment has been done at Tanah Abang Station by providing a transit plaza for users that is connected to various public transportation facilities, which enables easy and comfortable navigation. This has become an opportunity, to build better public facilities that are accessible to all users, including for people with visual impairment. Through this effort, the transit plaza should be able to serve as a public space that is beneficial for people with visual impairment, so there are more possibilities to ensure their quality of life. The purpose of this study is to determine the extent to which the transit plaza can provide accessibility for people with visual impairment. The method used is qualitative and data collection was carried out through literature studies, field surveys as well as interviews and simulations with people with visual impairment. The results conclude that the accessibility value referring to technical requirements indicates that the transit plaza sufficiently complies with accessibility standards regarding public open spaces. This value is compared to the experience of people with visual impairment . This study found that there are some differences from the aspect of convenience according to the people with visual impairment's point of view. The mobility in the transit plaza is considered easy and safe by people with visual impairment. When they had to determine direction or orientation, people with visual impairment who were not familiar with transit plaza still had difficulties to navigate independently. When facing these situations, blind people adapted by relying on abilities other than their sight as an alternative. Transit plaza could provide universal convenience for users by accommodate accessibility that can not only encourage the independence of the people with visual impairment, but also support comfort and safety of individuals without visual impairment. Keywords: Visual impairment, accessibility, transit plaza

PENGARUH BUKAAN RUANG TERHADAP SENSE OF SACRED SPACE JEMAAT (OBJEK STUDI: GEREJA ST. GABRIEL BANDUNG) Dian Novita; Aldyfra L. Lukman
Riset Arsitektur (RISA) Vol 7 No 01 (2023): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i01.6360.31-48

Abstract - St. Gabriel's Church is the house of God and a place for Catholics to worship Him. St. Gabriel Catholic Church has a concept that prioritizes the relationship between human and God; between human and other people; and between human and the environment. Spatial comfort is an important factor in supporting the atmosphere of worship, therefore St. Gabriel Church strengthens the concepts with the application of passive and ecological design. The concept is applied through transparency and openness of large church buildings to the environment, to optimize natural lighting and air conditioning. This makes the physical form of St. Gabriel Church looks different from the Catholic Church in general, which is relatively closed with limited openings, to minimize noise disturbances from outside in order to form a more sacred atmosphere of worship. The experience of the room in the church will affect the atmosphere of worship and the experience of spirituality of the congregation when carrying out worship activities. The atmosphere and use of space are not only perceived through visual sense, but also through auditory and olfactory sense. Therefore, this research is interesting to be conducted, in order to understand how a design opening in a sacred building can effecting the congregation’s sense of sacred space. This study applies qualitative – descriptive approaches. The data was collected by field observation, literature studies, and disseminating questionnaires to church congregations. The data is analyzed in accordance with the theoretical studies used and also from the results of questionnaires regarding the sense of sacred space of the congregation concerning the design of openings at St. Gabriel's Church. The results showed that the sense of sacred space of the congregation can be formed, with a calm and conducive atmosphere of worship space. The building openings have an important role in shaping that atmosphere. Therefore, it can be concluded that the visual and audial quality resulting from the openings, whereas their role as role as an audio – visuals buffer are greater than the role as a light filter, will create congregations’ sense of sacred space in the St. Gabriel’s Church. Keywords: Building Openings, Catholic Church, Sense of Sacred Space.

TINJAUAN DESAIN SENSORI PADA MUSEUM BANK INDONESIA DALAM MENGAKOMODASI PENGUNJUNG PENYANDANG TUNANETRA Saraswati, Putri Nadhira; L. Lukman, Aldyfra
Jurnal Riset Arsitektur Vol 5 No 04 (2021): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v5i04.5297.320-333

Abstract- Museum as an architectural object with its function as an educational and recreational facility is open to public and must be able to be used by all people. Therefore, the design of museums must be accessible for all people, including those with special needs. One of the museums in Indonesia which is considered to be a good work of architecture is the Museum of Bank Indonesia. It receives many visitors from various circles, including people with visual impairments. To accommodate visitors with visual impairments, the Museum of Bank Indonesia must have design features that help them to do activities, despite their limited sense of sight. Through this study, the research aims to find out how physical elements in the Museum of Bank Indonesia accommodates the orientation and mobility of visitors with visual impairments. This is a qualitative research, with a descriptive discussion. The collected data are the data on physical elements in the Museum of Bank Indonesia and the data on the behavior of visually impaired visitors while doing orientation and mobility in the Museum of Bank Indonesia exhibition area. The data are collected through observation and interview, then analyzed by using a table which elaborates physical elements from technical requirements aspect and sensory design aspect, and how they accommodate visually impaired visitors. Research shows that some physical elements in the Museum of Bank Indonesia are already adequate in accommodating visually impaired visitors. They able to provide assistance for visually impaired visitors while doing orientation and mobility, as well as gathering information on the museum objects. On the other hand, there are also some physical elements that hinder visually impaired visitors because they don’t technically meet the user’s needs. Therefore, improvement in the physical elements design is needed, so it can accommodate visitors with visual impairments better. Key Words: museum, visual impairment, Bank Indonesia, universal design, sensory design

EVALUASI AKSESIBILITAS BAGI TUNANETRA DI PLAZA TRANSIT STASIUN TANAH ABANG L. Lukman, Aldyfra; Bonita, Tamara
Jurnal Riset Arsitektur Vol 6 No 01 (2022): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i01.5423.1-19

Abstract - Visual impairment is a term given to someone who does not have healthy vision. To fulfill their daily life needs, people with visual impairment tend to depend on the facilities in public open spaces. Accessibility that should support people with visual impairment in using public transportation facilities is often poorly maintained. This kind of condition could lead to fatal consequences to the safety of persons with disabilities. Options linked to accessing public open spaces for people with visual impairment become limited due to the lack of facilities. The refurbishment has been done at Tanah Abang Station by providing a transit plaza for users that is connected to various public transportation facilities, which enables easy and comfortable navigation. This has become an opportunity, to build better public facilities that are accessible to all users, including for people with visual impairment. Through this effort, the transit plaza should be able to serve as a public space that is beneficial for people with visual impairment, so there are more possibilities to ensure their quality of life. The purpose of this study is to determine the extent to which the transit plaza can provide accessibility for people with visual impairment. The method used is qualitative and data collection was carried out through literature studies, field surveys as well as interviews and simulations with people with visual impairment. The results conclude that the accessibility value referring to technical requirements indicates that the transit plaza sufficiently complies with accessibility standards regarding public open spaces. This value is compared to the experience of people with visual impairment . This study found that there are some differences from the aspect of convenience according to the people with visual impairment's point of view. The mobility in the transit plaza is considered easy and safe by people with visual impairment. When they had to determine direction or orientation, people with visual impairment who were not familiar with transit plaza still had difficulties to navigate independently. When facing these situations, blind people adapted by relying on abilities other than their sight as an alternative. Transit plaza could provide universal convenience for users by accommodate accessibility that can not only encourage the independence of the people with visual impairment, but also support comfort and safety of individuals without visual impairment. Keywords: Visual impairment, accessibility, transit plaza

PENGARUH BUKAAN RUANG TERHADAP SENSE OF SACRED SPACE JEMAAT (OBJEK STUDI: GEREJA ST. GABRIEL BANDUNG) Novita, Dian; L. Lukman, Aldyfra
Jurnal Riset Arsitektur Vol 7 No 01 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i01.6360.31-48

Abstract - St. Gabriel's Church is the house of God and a place for Catholics to worship Him. St. Gabriel Catholic Church has a concept that prioritizes the relationship between human and God; between human and other people; and between human and the environment. Spatial comfort is an important factor in supporting the atmosphere of worship, therefore St. Gabriel Church strengthens the concepts with the application of passive and ecological design. The concept is applied through transparency and openness of large church buildings to the environment, to optimize natural lighting and air conditioning. This makes the physical form of St. Gabriel Church looks different from the Catholic Church in general, which is relatively closed with limited openings, to minimize noise disturbances from outside in order to form a more sacred atmosphere of worship. The experience of the room in the church will affect the atmosphere of worship and the experience of spirituality of the congregation when carrying out worship activities. The atmosphere and use of space are not only perceived through visual sense, but also through auditory and olfactory sense. Therefore, this research is interesting to be conducted, in order to understand how a design opening in a sacred building can effecting the congregation’s sense of sacred space. This study applies qualitative – descriptive approaches. The data was collected by field observation, literature studies, and disseminating questionnaires to church congregations. The data is analyzed in accordance with the theoretical studies used and also from the results of questionnaires regarding the sense of sacred space of the congregation concerning the design of openings at St. Gabriel's Church. The results showed that the sense of sacred space of the congregation can be formed, with a calm and conducive atmosphere of worship space. The building openings have an important role in shaping that atmosphere. Therefore, it can be concluded that the visual and audial quality resulting from the openings, whereas their role as role as an audio – visuals buffer are greater than the role as a light filter, will create congregations’ sense of sacred space in the St. Gabriel’s Church. Keywords: Building Openings, Catholic Church, Sense of Sacred Space.

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