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All Journal IZUMI ATAVISME JURNAL ILMIAH KAJIAN SASTRA Diglosia Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Jurnal Ilmiah Lingua Idea AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE Jurnal Kajian Wilayah Metahumaniora Idea : Jurnal Studi Jepang Jurnal ABDINUS : Jurnal Pengabdian Nusantara Kalatanda : Jurnal Desain Grafis dan Media Kreatif ELOQUENCE: Journal of Foreign Language Midang Jurnal Sastra Indonesia Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Amaliatun Saleha
Fakultas Ilmu Budaya, Universitas Padjadjaran
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences Other

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Beyond Anpanman the (Super)hero: Investigating Figures of Hero and Idol in BTS’s Songs Lestari Manggong; Amaliatun Saleha
Jurnal Lingua Idea Vol 12 No 1 (2021): June 2021
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jli.2021.12.1.3435

Abstract

Released in May 2018, the song “Anpanman” by the world’s most popular K-Pop boy group to date, BTS, shares the idea of being a hero by setting an example from the Japanese superhero Anpanman. Anpanman, whose head is made of red bean paste-filled pastry, is well-known for his superpower ability to share parts of his head to those in need. This humble and self-sacrifice mode of helping others seems to be the basic idea of the song, to represent what BTS is about. This essay aims to further dissect the song lyrics of “Anpanman” to show the ambivalence presented between the concept of hero and superhero (termed here as (super)hero). The discussion goes further to juxtaposing the concept of hero/superhero with idol, a term used as another one of BTS’s songs “Idol”. Considering that in K-Pop, being an idol is practically a dream job, it is therefore paramount that in discussing the songs, this essay highlights the paradox of what it means to be a hero/superhero with an idol. Within the frame of network analysis, the discussion is conducted specifically along the line of the effects that digital culture has, which helps the spreading of BTS’s popularity and persona globally. In this light, this essay argues that beyond the songs, a problematic view on what it means to be a hero and an idol is projected. Ultimately, the discussion concludes that such an ambivalent view potentially leads to a reconceptualization of a superhero figure.Released in May 2018, the song “Anpanman” by the world’s most popular K-Pop boy group to date, BTS, shares the idea of being a hero by setting an example from the Japanese superhero Anpanman. Anpanman, whose head is made of red bean paste-filled pastry, is well-known for his superpower ability to share parts of his head to those in need. This humble and self-sacrifice mode of helping others seems to be the basic idea of the song, to represent what BTS is about. This essay aims to further dissect the song lyrics of “Anpanman” to show the ambivalence presented between the concept of hero and superhero (termed here as (super)hero). The discussion goes further to juxtaposing the concept of hero/superhero with idol, a term used as another one of BTS’s songs “Idol”. Considering that in K-Pop, being an idol is practically a dream job, it is therefore paramount that in discussing the songs, this essay highlights the paradox of what it means to be a hero/superhero with an idol. Within the frame of network analysis, the discussion is conducted specifically along the line of the effects that digital culture has, which helps the spreading of BTS’s popularity and persona globally. In this light, this essay argues that beyond the songs, a problematic view on what it means to be a hero and an idol is projected. Ultimately, the discussion concludes that such an ambivalent view potentially leads to a reconceptualization of a superhero figure.
PELATIHAN PENULISAN AUTO/ BIOGRAFI DAN WIKIPEDIA DI KOMUNITAS KELOMPOK SASIKIRANA DANCE CAMP Aquarini Priyatna; Lina Meilinawati; Tisna Prabasmoro; Amaliatun Saleha; Muhamad Adji; Mega Subekti
Midang Vol 1, No 1 (2023): Midang: Jurnal Pengabdian Kepada Masyarakat, Februari 2023
Publisher : Unpad Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/midang.v1i1.44468

Abstract

Aktivitas menulis dapat dianggap sebagai sebuah proses pendokumentasian sejarah tentang seni tari di Indonesia. Relatif belum banyaknya dokumentasi mengenai sejarah perkembangan seni tari di Indonesia terutama yang terdapat di ruang digital Indonesia menjadi salah satu alasan penting diselenggarakannya kegiatan PPM yang melibatkan mahasiswa KKN dan kelompok penari Sasikirana KoreoLAB & Dance Camp (SKDC) Bandung. Kegiatan yang dilangsungkan sebanyak dua sesi ini memfokuskan pada dua hal. Yang pertama adalah menumbuhkan kesadaran para penari mengenai pentingnya aktivitas menulis itu sendiri. Selanjutnya adalah mengenai pengenalan fitur-fitur wikipedia sebagai ruang digital tempat untuk memublikasikan hasil tulisan dari para peserta yang terlibat dalam kegiatan penulisan tersebut. Tulisan ini ditujukan untuk mengungkapkan dan mendeskripsikan gambaran kegiatan pelatihan penulisan auto/biografis dan pengenalan fitur Wikipedia yang dilangsungkan dan kontribusinya dalam proses pendokumentasian sejarah perkembangan seni tari di Indonesia. Kegiatan ini setidaknya dianggap mampu menggugah kesadaran tentang pentingnya aktivitas menulis sebagai bagian penting dari usaha untuk menunjukkan kepedulian mereka terhadap perkembangan seni tari di Indonesia. Hal itu terlihat dari relatif besarnya minat para penari yang terlibat dalam acara dan juga kuantitas serta kualitas jumlah artikel yang berhasil diunggah pada situs Wikipedia.org di acara penutupan.
PENYAJIAN RUANG NARATIF DAN IMPLIKASI MAKNANYA PADA NOVEL JR UENO EKI KOUEN GUCHI KARYA YU MIRI Ananda, Dika Dean; Adji, Muhamad; Saleha, Amaliatun
Diglosia : Jurnal Pendidikan, Kebahasaan, dan Kesusastraan Indonesia Vol 8, No 1 (2024): Februari
Publisher : Universitas Majalengka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31949/diglosia.v8i1.5490

Abstract

Not only as a background to the plot, space can also be used as the center of the story or act as a helper for the story.  Space can also have symbolic meaning that plays a role in enriching the world of the story.  This research discusses the narrative space in the Japanese novel JR Ueno Eki Kouen Guchi (2014) by Yu Miri.  In this novel, space is the main driver of the story.  This research aims to explain narrative space strategies using the spatial narratology perspective described by Ryan, Foote, and Azaryahu (2016).  The research results show that the construction of space in this novel shows the existence of certain patterns that build the world in the story.  This pattern shows the implication of meaning through the relationships between spaces.  This relationship provides context for the actions taken by the characters and the events that appear in the novel.  Through space construction, the circumstances surrounding the entire text can be identified.  This shows that narrative space constructs the world in the novel by providing context for the things that happen in the story plot.Keywords: narratology, narrative space construction, JR Ueno Eki Kouen Guchi
Subjectivity and Mother-Daughter Relationship in Frog Under a Coconut Shell Novel by Josephine Chia Novia Nurul Ulfah; Aquarini Priyatna; Amaliatun Saleha
Jurnal Sastra Indonesia Vol. 13 No. 1 (2024): March
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsi.v13i1.3099

Abstract

This research discusses how the subjectivity and mother-daughter relationship are depicted in the autobiographical novel Frog under a Coconut Shell (2002) by Josephine Chia, a writer from Singapore. This autobiography tells the story of the daughter’s relationship with her mother, which was based on a patriarchal cultural environment and challenging economic conditions. The novel's relationship between mother and daughter shows the ambivalence regarding the constructed female subjectivity. This research aims to show how the mother’s subjectivity in the autobiography is built through the relationship of the mother and daughter, which is presented through narrative descriptions and dialogue. This research uses a qualitative method with an autobiographical narrative approach based on the theory of motherhood and mothering, especially regarding the relationship between mother and daughter. The results of this research show that the subjectivity of the mother character builds relationships with her daughter. This relationship shapes the daughter’s life by manifesting the mother’s hopes for her daughter. However, this subjectivity must still obey patriarchy to make the hopes can be realized. In addition, this autobiography also shows that the mother’s function as a fulfiller of needs also applies to a daughter who fulfills the mother’s needs. Based on the findings in this research, it is expected that it can be a reflection that the relationship between mother and daughter can be a source of subjectivity for both sides.
HOMEIRA QADRI’S DANCING IN THE MOSQUE (2020): REPRESENTING CULTURAL NORMS IN CONSTRUCTING GENDER STEREOTYPES Mohammadi, Noria; Rahayu, Lina Meilinawati; Saleha, Amaliatun
Metahumaniora Vol 14, No 3 (2024): METAHUMANIORA, DESEMBER 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v14i3.58658

Abstract

Homeira Qaderi’s memoir, Dancing in the Mosque (2020), portrays how cultural norms construct gender expectations and perpetuate stereotypes. Using a dual narrative structure that intertwines Shah Pesar’s magical adventures with Qaderi’s poignant reflections illustrates how Qaderi skillfully employs focalization to shed light on the cultural limitations imposed on Afghan women, blending realistic storytelling elements. This study utilizes Bal’s theory of focalization alongside Genette’s concept of zero focalization to analyze the narrative shift from an omniscient narrator to a first-person perspective. By applying these theories, we examine how the shift in perspective highlights emotional intricacies and sharp feminist critique, while also revealing the narrative control and the lens through which the characters’ experiences are portrayed. We investigate the marginalization of women through the issues of constrained mobility, loss of identity, and legal disenfranchisement. By centering on Qaderi’s perspective, the text critiques societal and legal structures that diminish women’s value while foregrounding their struggle for agency and self-definition in a patriarchal society. This study underscores the broader ramifications of gender narratives in Afghanistan, highlighting the resilience of women as they resist cultural suppression.
Konsep Ikumen dalam Anime Buddy Daddies Anindyasti, Farah Shakhira; Risagarniwa, Yuyu Yohana; Saleha, Amaliatun
IDEA : Jurnal Studi Jepang Vol 6, No 1 (2024): Idea : Jurnal Studi Jepang
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/idea.v6i1.9602

Abstract

Penelitian ini bertujuan untuk mendeskripsikan bagaimana konsep ikumen yang digambarkan di dalam anime Buddy Daddies. Anime tersebut menceritakan tokoh Kazuki Kurusu dan Rei Suwa yang tidak memiliki dasar pengasuhan sama sekali, harus belajar mengasuh anak bernama Miri. Metodologi penelitian yang digunakan adalah metode kualitatif deskriptif dengan teori utama representasi Stuart Hall, serta konsep keluarga, dan konsep ikumen. Hasil penelitian ini menunjukkan bahwa kedua tokoh tersebut digambarkan sesuai dengan konsep ikumen, yaitu melakukan kegiatan domestik, seperti memasak, menasehati dan menegur anak, menjahit, serta kegiatan publik, seperti bersosialisasi dengan orang tua lainnya, berkonsultasi dengan guru untuk mengetahui keadaan anaknya, berbelanja kebutuhan anak. Selain kegiatan ikumen, terdapat penjabaran mengenai pentingnya gaiken (penampilan luar) bagi orang Jepang yang ditampilkan pada anime Buddy Daddies ini.
Edukasi Pemasaran Varian Makanan Berbahan Dasar Ubi Di Desa Sayang, Kecamatan Jatinangor Amalia, Rosaria Mita; Saleha, Amaliatun; Ardiati, Riza Lupi
Jurnal ABDINUS : Jurnal Pengabdian Nusantara Vol 4 No 2 (2021): Volume 4 Nomor 2 Tahun 2021
Publisher : Universitas Nusantara PGRI Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29407/ja.v4i2.14498

Abstract

Sayang Village in Jatinangor Subdistrict is one of the villages whose agricultural products produce tuber variants, one of which is sweet potato. The processing agricultural products into culinary products is one of the factors that can help improve the community's economy. In addition to processing ingredients into food variants that have been known, modification of these types of preparations is quite important to maintain the selling power of these products. This PPM activity aims to introduce modifications to the variation of processed sweet potatoes that have been carried out by the people in Japan as well as to introduce ways of food marketing. This activity is conducted through the method of observation in the field with the technique of tapping records and the method of plunging directly into the field through direct practice (education and socialization) of making food. The theory used to study this problem comes from Setiawan Sabana (2001). Conditions in the field show that the community, especially women, consisting of mothers and young children, shows a high interest in the creation of new foods and education on the marketing of these products.
DAMAR KAMBANG: RESISTANSI PEREMPUAN MADURA ATAS BUDAYA NORMATIF Diyana Mareta Hermawati; Aquarini Priyatna; Amaliatun Saleha
Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 20 No 1 (2024)
Publisher : Pendidikan Bahasa dan Sastra Indonesia Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/fhzjxz31

Abstract

ABSTRAK: Tulisan ini mendiskusikan perempuan Madura dalam novel Damar Kambang karya Muna Masyari, penulis asal Madura, yang melakukan perlawanan atas budaya normatif. Muna Masyari dikenal sebagai penulis Madura dengan karakteristik karya yang mengangkat budaya Madura. Dalam novel Damar Kambang, Muna Masyari menarasikan tiga perempuan dengan sudut pandang “aku” narator perempuan dalam pergulatan pernikahan. Metode close reading dengan teknik membaca dan mencatat digunakan untuk mengurai permasalahan penelitian. Data yang dikumpulkan berfokus pada sudut pandang “aku” narator perempuan, keterkaitan tokoh, peristiwa, dan alur yang menunjukkan bahwa novel Damar Kambang menempatkan perempuan Madura tidak sebagai objek. Perempuan Madura dalam institusi pernikahan pada novel Damar Kambang secara berulang ditampilkan mempertanyakan dan menunjukkan diri sebagai subjek. Protes terhadap norma mengenai peran dan identitas perempuan Madura serta tengka (tatakrama Madura) ditampilkan melalui penggambaran karakter perempuan yang memutuskan melakukan hubungan seksual di luar pernikahan, dominasi hubungan seksual dalam pernikahan terhadap laki-laki, dan penyerahan diri pada laki-laki yang tidak dicintai sebagai bentuk pelunas utang.
Tubuh Perempuan dalam Nove Jatisaba (2024) Karya Ramayda Akmal: Ambivalensi Tubuh Perempuan dalam Karya Ramayda Akmal Jatisaba Rahman, Cinda Amilia; Priyatna, Aquarini; Saleha, Amaliatun
ELOQUENCE : Journal of Foreign Language Vol. 5 No. 1 (2026): APRIL
Publisher : Language Development Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58194/eloquence.v5i1.3133

Abstract

Background: This article examines Ramayda Akmal’s Jatisaba, which portrays the female body as a complex social construct shaped by power relations. Purpose: The aim of this study is to articulate the ambivalence of the female body. Method: The study employs close reading within a narratological framework, drawing on theory of focalization and concept of narrative voice to analyze shifts in the position of the protagonist, as both character and narrator. The analysis focuses on narrative moments that depict embodied experiences, particularly the ambivalence of the female body as it emerges through storytelling strategies. More broadly, the discussion of the female body refers to Beauvoir’s The Second Sex, while the specific issue of bodily ambivalence is addressed through the works of Young and Priyatna. Results and Discussion: The findings indicate that Jatisaba depicts the female body as ambivalent, oscillating between an awareness of its position as the Other and its attempts to negotiate a space of subjectivity within constraining social structures. This ambivalence surfaces through internal focalization and the female narrative voice, which reveal Mae’s capacity to narrate her emotions while simultaneously reinforcing her position as a body that is controlled, objectified, and disciplined by patriarchal institutions. Conclusions and Implications: Jatisaba demonstrates that the ambivalence of the female body arises from the protagonist’s internal conflicts, social pressures, and patriarchal structures. The study’s implication is to open further exploration into the ambivalence of women’s bodies within the broader landscape of Indonesian literature.
Mitos dan Konstruksi Kecantikan yang Dibangun dalam Iklan Jepang SK II “Bareskin Chat”: Analisis Kajian Semiotika Barthes & Wolf Yuliani, Risa; Adji, M.; Saleha, Amaliatun
IZUMI Vol 11, No 2 (2022)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.11.2.113-122

Abstract

Women and beauty are something that is very attached for granted. Based on its history, beauty standards for women have been created for a long time. However, several beauty products have defined the existing beauty stereotypes, namely advertisements on SK II. This study shows how beauty construction works in women in SK II advertisements. This study applies the semiotic method using a qualitative approach. Therefore, the data collection technique in this study uses a literature study by applying a study of books, notes, literature, and various reports related to the issue to be solved. This study shows that women&#039;s beauty is represented far and even better in these advertisements than the myth of ideal beauty standards created by the mass media and the general public today. Women tend to lack self-confidence and the temptation to compare their appearance to others. <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor
Co-Authors Adji, M. Aida Anwariyatul Fuadah Ananda, Dika Dean Anindyasti, Farah Shakhira Aquarini Priyatna Diyana Mareta Hermawati Diyana Mareta Hermawati Elly Setiawan Sutawikara Friandini, Asri Rizki Hilda Septriani Lestari Manggong Lina Meilinawati Lina Meilinawati Rahayu Mauliddhea Sakina Rahmi Mega Subekti Mohammadi, Noria Muhamad Adji Nandang Rahmat Novia Nurul Ulfah Patra Aditia Rahman, Cinda Amilia risa yuliani Riza Lupi Ardiati Rosaria Mita Amalia Sri Rijati Wardiani Stefani Ratu Lestari Tania Intan Tisna Prabasmoro Ulfah Raihan Yuyu Yohana Risagarniwa