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All Journal Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia ATAVISME JURNAL ILMIAH KAJIAN SASTRA Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Jurnal Ilmiah Lingua Idea AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE Jurnal Kajian Wilayah Metahumaniora Idea : Jurnal Studi Jepang Jurnal ABDINUS : Jurnal Pengabdian Nusantara Kalatanda : Jurnal Desain Grafis dan Media Kreatif Jurnal Sastra Indonesia
Amaliatun Saleha
Fakultas Ilmu Budaya, Universitas Padjadjaran
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences

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Beyond Anpanman the (Super)hero: Investigating Figures of Hero and Idol in BTS’s Songs Lestari Manggong; Amaliatun Saleha
Jurnal Lingua Idea Vol 12 No 1 (2021): June 2021
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jli.2021.12.1.3435

Abstract

Released in May 2018, the song “Anpanman” by the world’s most popular K-Pop boy group to date, BTS, shares the idea of being a hero by setting an example from the Japanese superhero Anpanman. Anpanman, whose head is made of red bean paste-filled pastry, is well-known for his superpower ability to share parts of his head to those in need. This humble and self-sacrifice mode of helping others seems to be the basic idea of the song, to represent what BTS is about. This essay aims to further dissect the song lyrics of “Anpanman” to show the ambivalence presented between the concept of hero and superhero (termed here as (super)hero). The discussion goes further to juxtaposing the concept of hero/superhero with idol, a term used as another one of BTS’s songs “Idol”. Considering that in K-Pop, being an idol is practically a dream job, it is therefore paramount that in discussing the songs, this essay highlights the paradox of what it means to be a hero/superhero with an idol. Within the frame of network analysis, the discussion is conducted specifically along the line of the effects that digital culture has, which helps the spreading of BTS’s popularity and persona globally. In this light, this essay argues that beyond the songs, a problematic view on what it means to be a hero and an idol is projected. Ultimately, the discussion concludes that such an ambivalent view potentially leads to a reconceptualization of a superhero figure.Released in May 2018, the song “Anpanman” by the world’s most popular K-Pop boy group to date, BTS, shares the idea of being a hero by setting an example from the Japanese superhero Anpanman. Anpanman, whose head is made of red bean paste-filled pastry, is well-known for his superpower ability to share parts of his head to those in need. This humble and self-sacrifice mode of helping others seems to be the basic idea of the song, to represent what BTS is about. This essay aims to further dissect the song lyrics of “Anpanman” to show the ambivalence presented between the concept of hero and superhero (termed here as (super)hero). The discussion goes further to juxtaposing the concept of hero/superhero with idol, a term used as another one of BTS’s songs “Idol”. Considering that in K-Pop, being an idol is practically a dream job, it is therefore paramount that in discussing the songs, this essay highlights the paradox of what it means to be a hero/superhero with an idol. Within the frame of network analysis, the discussion is conducted specifically along the line of the effects that digital culture has, which helps the spreading of BTS’s popularity and persona globally. In this light, this essay argues that beyond the songs, a problematic view on what it means to be a hero and an idol is projected. Ultimately, the discussion concludes that such an ambivalent view potentially leads to a reconceptualization of a superhero figure.
Subjectivity and Mother-Daughter Relationship in Frog Under a Coconut Shell Novel by Josephine Chia Novia Nurul Ulfah; Aquarini Priyatna; Amaliatun Saleha
Jurnal Sastra Indonesia Vol. 13 No. 1 (2024): March
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsi.v13i1.3099

Abstract

This research discusses how the subjectivity and mother-daughter relationship are depicted in the autobiographical novel Frog under a Coconut Shell (2002) by Josephine Chia, a writer from Singapore. This autobiography tells the story of the daughter’s relationship with her mother, which was based on a patriarchal cultural environment and challenging economic conditions. The novel's relationship between mother and daughter shows the ambivalence regarding the constructed female subjectivity. This research aims to show how the mother’s subjectivity in the autobiography is built through the relationship of the mother and daughter, which is presented through narrative descriptions and dialogue. This research uses a qualitative method with an autobiographical narrative approach based on the theory of motherhood and mothering, especially regarding the relationship between mother and daughter. The results of this research show that the subjectivity of the mother character builds relationships with her daughter. This relationship shapes the daughter’s life by manifesting the mother’s hopes for her daughter. However, this subjectivity must still obey patriarchy to make the hopes can be realized. In addition, this autobiography also shows that the mother’s function as a fulfiller of needs also applies to a daughter who fulfills the mother’s needs. Based on the findings in this research, it is expected that it can be a reflection that the relationship between mother and daughter can be a source of subjectivity for both sides.
HOMEIRA QADRI’S DANCING IN THE MOSQUE (2020): REPRESENTING CULTURAL NORMS IN CONSTRUCTING GENDER STEREOTYPES Mohammadi, Noria; Rahayu, Lina Meilinawati; Saleha, Amaliatun
Metahumaniora Vol 14, No 3 (2024): METAHUMANIORA, DESEMBER 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v14i3.58658

Abstract

Homeira Qaderi’s memoir, Dancing in the Mosque (2020), portrays how cultural norms construct gender expectations and perpetuate stereotypes. Using a dual narrative structure that intertwines Shah Pesar’s magical adventures with Qaderi’s poignant reflections illustrates how Qaderi skillfully employs focalization to shed light on the cultural limitations imposed on Afghan women, blending realistic storytelling elements. This study utilizes Bal’s theory of focalization alongside Genette’s concept of zero focalization to analyze the narrative shift from an omniscient narrator to a first-person perspective. By applying these theories, we examine how the shift in perspective highlights emotional intricacies and sharp feminist critique, while also revealing the narrative control and the lens through which the characters’ experiences are portrayed. We investigate the marginalization of women through the issues of constrained mobility, loss of identity, and legal disenfranchisement. By centering on Qaderi’s perspective, the text critiques societal and legal structures that diminish women’s value while foregrounding their struggle for agency and self-definition in a patriarchal society. This study underscores the broader ramifications of gender narratives in Afghanistan, highlighting the resilience of women as they resist cultural suppression.
DAMAR KAMBANG: RESISTANSI PEREMPUAN MADURA ATAS BUDAYA NORMATIF Hermawati, Diyana Mareta; Priyatna, Aquarini; Saleha, Amaliatun
Fon : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 20 No 1 (2024): Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/fon.v20i1.8888

Abstract

ABSTRAK: Tulisan ini mendiskusikan perempuan Madura dalam novel Damar Kambang karya Muna Masyari, penulis asal Madura, yang melakukan perlawanan atas budaya normatif. Muna Masyari dikenalsebagai penulis Madura dengan karakteristik karya yang mengangkat budaya Madura. Dalam novel Damar Kambang, Muna Masyari menarasikan tiga perempuan dengan sudut pandang “aku” narator perempuan dalam pergulatan pernikahan. Metode close reading dengan teknik membaca dan mencatat digunakan untuk mengurai permasalahan penelitian. Data yang dikumpulkan berfokus pada sudut pandang “aku” narator perempuan, keterkaitan tokoh, peristiwa, dan alur yang menunjukkan bahwa novel Damar Kambang menempatkan perempuan Madura tidak sebagai objek. Perempuan Madura dalam institusi pernikahan pada novel Damar Kambang secara berulang ditampilkan mempertanyakan dan menunjukkan diri sebagai subjek. Protes terhadap norma mengenai peran dan identitas perempuan Madura serta tengka (tatakrama Madura) ditampilkan melalui penggambaran karakter perempuan yang memutuskan melakukan hubungan seksual di luar pernikahan, dominasi hubungan seksual dalam pernikahan terhadap laki-laki, dan penyerahan diri pada laki-laki yang tidak dicintai sebagai bentuk pelunas utang.KATA KUNCI: Damar Kambang; gender; perempuan Madura; resistansi DAMAR KAMBANG: MADURESE WOMEN’S RESISTANCE TO NORMATIVE CULTURE ABSTRACT: This article discusses Madurese women in the Damar Kambang novel by Muna Masyari, a writer from Madura, who fights against normative culture. Muna Masyari is known as a Madurese writer with works highlighting Madurese culture. In the Damar Kambang novel, Muna Masyari narrates three women from the perspective of the female narrator’s “I” in their marriage struggles. The close reading method and note-taking techniques are used to analyze the issues in the novel. The data collected focuses on the female narrators “I” point of view, the relationship between characters, events, and plot, which shows that Damar Kambang’s novel places Madurese women not as objects. Madurese women in the institution of marriage in the Damar Kambang novel repeatedly display judgment and show themselves as subjects. Protests against Madurese norms for women’s roles and indentity as well as “tengka” (Madurean etiquette) are represented by the portrayal of the characters’ decision to have sexual relations outside of marriage, the dominance of sexual relations within marriage over men, and surrendering herself to a men she doesn’t love as a form of paying off her debt.KEYWORDS: Damar Kambang; gender; Madurese womens; resistance
Konsep Ikumen dalam Anime Buddy Daddies Anindyasti, Farah Shakhira; Risagarniwa, Yuyu Yohana; Saleha, Amaliatun
IDEA : Jurnal Studi Jepang Vol 6, No 1 (2024): Idea : Jurnal Studi Jepang
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/idea.v6i1.9602

Abstract

Penelitian ini bertujuan untuk mendeskripsikan bagaimana konsep ikumen yang digambarkan di dalam anime Buddy Daddies. Anime tersebut menceritakan tokoh Kazuki Kurusu dan Rei Suwa yang tidak memiliki dasar pengasuhan sama sekali, harus belajar mengasuh anak bernama Miri. Metodologi penelitian yang digunakan adalah metode kualitatif deskriptif dengan teori utama representasi Stuart Hall, serta konsep keluarga, dan konsep ikumen. Hasil penelitian ini menunjukkan bahwa kedua tokoh tersebut digambarkan sesuai dengan konsep ikumen, yaitu melakukan kegiatan domestik, seperti memasak, menasehati dan menegur anak, menjahit, serta kegiatan publik, seperti bersosialisasi dengan orang tua lainnya, berkonsultasi dengan guru untuk mengetahui keadaan anaknya, berbelanja kebutuhan anak. Selain kegiatan ikumen, terdapat penjabaran mengenai pentingnya gaiken (penampilan luar) bagi orang Jepang yang ditampilkan pada anime Buddy Daddies ini.
Edukasi Pemasaran Varian Makanan Berbahan Dasar Ubi Di Desa Sayang, Kecamatan Jatinangor Amalia, Rosaria Mita; Saleha, Amaliatun; Ardiati, Riza Lupi
Jurnal ABDINUS : Jurnal Pengabdian Nusantara Vol 4 No 2 (2021): Volume 4 Nomor 2 Tahun 2021
Publisher : Universitas Nusantara PGRI Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29407/ja.v4i2.14498

Abstract

Sayang Village in Jatinangor Subdistrict is one of the villages whose agricultural products produce tuber variants, one of which is sweet potato. The processing agricultural products into culinary products is one of the factors that can help improve the community's economy. In addition to processing ingredients into food variants that have been known, modification of these types of preparations is quite important to maintain the selling power of these products. This PPM activity aims to introduce modifications to the variation of processed sweet potatoes that have been carried out by the people in Japan as well as to introduce ways of food marketing. This activity is conducted through the method of observation in the field with the technique of tapping records and the method of plunging directly into the field through direct practice (education and socialization) of making food. The theory used to study this problem comes from Setiawan Sabana (2001). Conditions in the field show that the community, especially women, consisting of mothers and young children, shows a high interest in the creation of new foods and education on the marketing of these products.
Co-Authors Aida Anwariyatul Fuadah Anindyasti, Farah Shakhira Aquarini Priyatna Elly Setiawan Sutawikara Friandini, Asri Rizki Hermawati, Diyana Mareta Hilda Septriani Lestari Manggong Lina Meilinawati Rahayu, Lina Meilinawati Mauliddhea Sakina Rahmi Mohammadi, Noria Muhamad Adji Nandang Rahmat Novia Nurul Ulfah Patra Aditia Riza Lupi Ardiati Rosaria Mita Amalia Sri Rijati Wardiani Stefani Ratu Lestari Tania Intan Ulfah Raihan Yuyu Yohana Risagarniwa