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All Journal HUMANIS Paramita: Historical Studies Journal IZUMI JAS (Journal of ASEAN Studies) Panggung Aksara Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra JAPANEDU: Jurnal Pendidikan dan Pengajaran Bahasa Jepang TOTOBUANG Jurnal Madah Japanese Research on Linguistics, Literature, and Culture Metahumaniora Idea : Jurnal Studi Jepang Stilistika: Jurnal Pendidikan Bahasa dan Sastra Intermestic: Journal of International Studies Widyaparwa Panggung Aksara
Yuyu Yohana Risagarniwa
Universitas Padjadjaran
Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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MODALITAS EPISTEMIK PENGUNGKAP PERKIRAAN (SHI) SOUDA DAN PADANANNYA DALAM BAHASA INDONESIA: KAJIAN SINTAKSIS DAN SEMANTIK Nurfitri, Nurfitri; Risagarniwa, Yuyu Yohana; Kadir, Puspa Mirani
Aksara Vol 26, No 1 (2014): Aksara, Edisi Juni 2014
Publisher : Balai Bahasa Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2420.232 KB) | DOI: 10.29255/aksara.v26i1.144.57-66

Abstract

Konstruksi kalimat bahasa Jepang terdiri atas proposisi medai) dan modalitas( modariti). Modalitas epistemik adalah semua yang menunjukkan sikapepistemik pembicara terhadap informasi atau peristiwa (proposisi). Verba bantu (shi) souda adalah bentuk yang termasuk ke dalam modalitas epistemik dan melekat pada kata dasar (/goki) verba dan ajektiva sehingga bekerja dalam kalimat predikatif ( /jutsugo bun). Secara semantis, verba bantu (shi) souda digunakan untuk mengungkapkan perkiraan pembicara berdasarkan tanda. Verba bantu ini dipadankan dengan adverbia kelihatannya, tampaknya, dan sepertinya dalam bahasa Indonesia. Padanan verba bantu (shi) souda dalam bahasa Indonesia mengalami transposisi karena perbedaan tipologi bahasa. Secara sintaksis, verba bantu (shi) souda berada di belakang proposisi, sedangkan adverbia kelihatannya, tampaknya dan sepertinya dapat berpindah posisi dalam bahasa Indonesia. Secara semantis, verba bantu (shi)souda dengan adverbia kelihatannya, tampaknya, dan sepertinya memiliki kesamaan makna semantis. Verba bantu (shi) souda menunjukkan perkiraan berdasarkan tanda, sedangkan adverbia kelihatannya, tampaknya, dan sepertinya menunjukkan keteramalan inferensial. Data yang digunakan dalam penelitian ini berasal dari novel Norwegian Wood, Botchan, Shin Suikoden, dan novel karya Kicchin.
Kajian Budaya Fotografi Potrait dalam Wacana Personalitas Iskandar, Andang; Sobarna, Cece; Mulyana, Deddy; Risagarniwa, Yuyu Yohana
PANGGUNG Vol 24, No 3 (2014): Identitas dalam Bingkai Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v24i3.127

Abstract

ABSTRACT Portrait Photography is a representation of similarity in the form of two-dimensional human fi- gure. Portrait photography gives a personal good indication of the owner’s portrait, portrait subjects and photographers. Personality photographic work representing one’s personal character. This study aims to explain the problems of cultural studies in the discourse on photography portrait personality. This research method using literature review of the literature both books, journal articles and research reports, especially portrait photography in cultural studies. The study provides an overview of cul- tural studies on four issues for portrait photography: first, photography as a representation. Portrait is where negotiations between the photographer with the subject of self-representation (model). Se- cond, diaspora photographers. Photographers Indonesian Chinese (Peranakan) as cultural brokers in the post-colonial period. The difference between the Peranakan culture and totok also distinguished in the profession of social groups in studio photography. Third, the identity of the portrait. Family’s photo album as a way structured ourselves, and cultural identities through ritual memory. Fourth, photography as a medium of cultural domination. Photography is a meaning synthesis of subject and object photos. Keywords: cultural studies, portrait photography, personality, discourse  ABSTRAK Fotografi potrait merupakan representasi kemiripan figur manusia dalam bentuk dwimatra. Fotografi potrait memberikan indikasi personal baik pada pemilik potrait, sub- jek potrait maupun fotografer. Personalitas karya fotografi yang mewakili pribadi bahkan karakter seseorang. Penelitian ini bertujuan untuk menjelaskan permasalahan kajian buda- ya pada fotografi potrait dalam wacana personalitas. Metode penelitian ini menggunakan metode kajian pustaka dari berbagai literatur baik buku, artikel jurnal dan laporan pene- litian fotografi khususnya potrait dalam kajian budaya. Hasil penelitian ini memberikan gambaran empat permasalahan kajian budaya pada fotografi potrait yaitu pertama, foto- grafi sebagai representasi. Potrait merupakan tempat negosiasi antara fotografer dengan representasi-diri subjek (model). Kedua, diaspora fotografer. Fotografer China Indonesia (peranakan) sebagai broker budaya di masa poskolonial. Perbedaan budaya antara per- anakan dan totok dibedakan juga dalam kelompok sosial profesi dalam studio fotografi. Ketiga, identitas dalam potrait. Album foto keluarga sebagai sebuah cara untuk menstruk- turisasi diri, identitas dan budaya melalui ritual ingatan. Keempat, fotografi sebagai me- dia dominasi budaya. Fotografi adalah sintesis pemaknaan dua subjek yang-memotret dan yang-memandang. Kata kunci: kajian budaya, fotografi potrait, personalitas, wacana
Gairaigo in The Covid-19 Pandemic Era: A Study of Transformational Generative Phonology S, Irzam Sarif; Risagarniwa, Yuyu Yohana; Sunarni, Nani
JAPANEDU: Jurnal Pendidikan dan Pengajaran Bahasa Jepang Vol 6, No 2 (2021): JAPANEDU Volume 6 Issue 2, December 2021
Publisher : Universitas Pendidikan Indonesia (Indonesia University of Education)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/japanedu.v6i2.32363

Abstract

Transformational Generative Phonology is a phonological theory that treats the distinguishing feature as the smallest unit and connects the distinguishing features and lexicons with phonological rules. This research has been conducted by several previous researchers, but study regarding the object in the Covid-19 pandemic is still limited. The purpose of this study was to explain the phonological process and phonological rules of foreign loan words into Japanese using transformational generative phonological approach. This study used descriptive qualitative method. Sources of the data were obtained from vocabularies or terms that appeared during the Covid-19 period. The results of this study indicated that there were six phonological rules which include, 1) the addition of the phoneme [u] at the end of words; 2) the addition of the phoneme [o] at the end of the word; 3) Addition of phoneme [u] in the middle of the word, 4) Addition of phoneme [o] in the middle of the word; 5) Addition of phoneme [k] at the end of the word, and; 6) Substitution of phoneme [l] to [r]. So that the implementation of this research was to create a rule to make it easier for foreign learners of Japanese to understand the sound changes that occur in Japanese lingual units.
MODALITAS EPISTEMIK PENGUNGKAP PERKIRAAN (SHI) SOUDA DAN PADANANNYA DALAM BAHASA INDONESIA: KAJIAN SINTAKSIS DAN SEMANTIK Nurfitri Nurfitri; Yuyu Yohana Risagarniwa; Puspa Mirani Kadir
Aksara Vol 26, No 1 (2014): Aksara, Edisi Juni 2014
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2420.234 KB) | DOI: 10.29255/aksara.v26i1.144.57-66

Abstract

Konstruksi kalimat bahasa Jepang terdiri atas proposisi medai) dan modalitas( modariti). Modalitas epistemik adalah semua yang menunjukkan sikapepistemik pembicara terhadap informasi atau peristiwa (proposisi). Verba bantu (shi) souda adalah bentuk yang termasuk ke dalam modalitas epistemik dan melekat pada kata dasar (/goki) verba dan ajektiva sehingga bekerja dalam kalimat predikatif ( /jutsugo bun). Secara semantis, verba bantu (shi) souda digunakan untuk mengungkapkan perkiraan pembicara berdasarkan tanda. Verba bantu ini dipadankan dengan adverbia kelihatannya, tampaknya, dan sepertinya dalam bahasa Indonesia. Padanan verba bantu (shi) souda dalam bahasa Indonesia mengalami transposisi karena perbedaan tipologi bahasa. Secara sintaksis, verba bantu (shi) souda berada di belakang proposisi, sedangkan adverbia kelihatannya, tampaknya dan sepertinya dapat berpindah posisi dalam bahasa Indonesia. Secara semantis, verba bantu (shi)souda dengan adverbia kelihatannya, tampaknya, dan sepertinya memiliki kesamaan makna semantis. Verba bantu (shi) souda menunjukkan perkiraan berdasarkan tanda, sedangkan adverbia kelihatannya, tampaknya, dan sepertinya menunjukkan keteramalan inferensial. Data yang digunakan dalam penelitian ini berasal dari novel Norwegian Wood, Botchan, Shin Suikoden, dan novel karya Kicchin.
Conceptual Metaphor about Corona Virus: Cognitive Semantic Analysis Irzam Sarif S; Yuyu Yohana Risagarniwa; Nani Sunarni
Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra Vol 5, No 1 (2021): ERALINGUA
Publisher : Makassar State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eralingua.v5i1.13951

Abstract

Abstract. Conceptual metaphors are the result of mental construction, conceptualization of the experience of human life. In Japanese, metaphorical features are often found in conveying information so that information can be easily understood. This study aimed to describe the conceptual metaphors found at the Japanese Prime Minister's Press Conference, Shinzo Abe on March 14 and 28, 2020 through the official website kantei.go.jp. The research method used was descriptive qualitative analysis. Data were collected by taking text that contained metaphorical elements and then selected. Data selection was based on the basic principle of metaphor, which was the mapping from the source domain to the target domain. Then the data were classified based on the type of metaphor by Lakoff and Johnson and the type of image scheme by Cruse and Croft. Based on the study done, there were three types of conceptual metaphors, 1) Structural metaphors with conceptuals meaning of enemy, medical treatment, control, and mind; 2) Orientational metaphors with conceptual meaning of disadvantage, and approval; 3) Ontological metaphors with conceptuals meaning of finance, and emotion. In addition, there were also six types of image schemes, namely the image scheme of Strength, Existence, Identity, Scale, Space, and Unity.Keywords: Conceptual Meaning, Press Conference, Cognitive Semantic, Image Scheme
Understanding the Use of O and Ga Particles in Japanese Sentences for Japanese Language Learners Rahma Fitri Alifah; Puspa Mirani Kadir; Yuyu Yohana Risagarniwa
IZUMI Vol 9, No 2 (2020)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.9.2.147-154

Abstract

Joshi or particle is a class of words that cannot change the form, other than that Joshi cannot stand itself. Joshi must be attached to another class of words to gain meaning. In the Japanese language, one of the joshi groups that can connect noun and noun or noun and verb or adjective called the kakujoshi category, two of them are o and ga particles. One of the functions of o and ga particles have the same function as an object marker; many Japanese language learners still have difficulty in using o and ga particles as an objective marker. This research is how Japanese language learners' understanding of using o and ga particles in Japanese sentences. The method used the quantitative and questionnaire technique. This research concludes that many respondents have passed the advanced level in the Japanese language proficiency test, and need more than two years for study. However, the understanding of Japanese learners in the use of o and ga particles are still at the intermediate level.
Kajian Budaya Fotografi Potrait dalam Wacana Personalitas Andang Iskandar; Cece Sobarna; Deddy Mulyana; Yuyu Yohana Risagarniwa
PANGGUNG Vol 24, No 3 (2014): Identitas dalam Bingkai Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (200.023 KB) | DOI: 10.26742/panggung.v24i3.127

Abstract

ABSTRACT Portrait Photography is a representation of similarity in the form of two-dimensional human fi- gure. Portrait photography gives a personal good indication of the owner’s portrait, portrait subjects and photographers. Personality photographic work representing one’s personal character. This study aims to explain the problems of cultural studies in the discourse on photography portrait personality. This research method using literature review of the literature both books, journal articles and research reports, especially portrait photography in cultural studies. The study provides an overview of cul- tural studies on four issues for portrait photography: first, photography as a representation. Portrait is where negotiations between the photographer with the subject of self-representation (model). Se- cond, diaspora photographers. Photographers Indonesian Chinese (Peranakan) as cultural brokers in the post-colonial period. The difference between the Peranakan culture and totok also distinguished in the profession of social groups in studio photography. Third, the identity of the portrait. Family’s photo album as a way structured ourselves, and cultural identities through ritual memory. Fourth, photography as a medium of cultural domination. Photography is a meaning synthesis of subject and object photos. Keywords: cultural studies, portrait photography, personality, discourse  ABSTRAK Fotografi potrait merupakan representasi kemiripan figur manusia dalam bentuk dwimatra. Fotografi potrait memberikan indikasi personal baik pada pemilik potrait, sub- jek potrait maupun fotografer. Personalitas karya fotografi yang mewakili pribadi bahkan karakter seseorang. Penelitian ini bertujuan untuk menjelaskan permasalahan kajian buda- ya pada fotografi potrait dalam wacana personalitas. Metode penelitian ini menggunakan metode kajian pustaka dari berbagai literatur baik buku, artikel jurnal dan laporan pene- litian fotografi khususnya potrait dalam kajian budaya. Hasil penelitian ini memberikan gambaran empat permasalahan kajian budaya pada fotografi potrait yaitu pertama, foto- grafi sebagai representasi. Potrait merupakan tempat negosiasi antara fotografer dengan representasi-diri subjek (model). Kedua, diaspora fotografer. Fotografer China Indonesia (peranakan) sebagai broker budaya di masa poskolonial. Perbedaan budaya antara per- anakan dan totok dibedakan juga dalam kelompok sosial profesi dalam studio fotografi. Ketiga, identitas dalam potrait. Album foto keluarga sebagai sebuah cara untuk menstruk- turisasi diri, identitas dan budaya melalui ritual ingatan. Keempat, fotografi sebagai me- dia dominasi budaya. Fotografi adalah sintesis pemaknaan dua subjek yang-memotret dan yang-memandang. Kata kunci: kajian budaya, fotografi potrait, personalitas, wacana
Bahasa dan Ekonomi: Alih Kode dan Campur Kode Bahasa Melayu Malaysia ke dalam Bahasa Indonesia Nani Darmayanti; Nurul Hikmayaty; Yuyu Yohana Risagarniwa
Madah: Jurnal Bahasa dan Sastra Vol. 9 No. 2 (2018): Jurnal Madah
Publisher : Balai Bahasa Provinsi Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31503/madah.v9i2.70

Abstract

Penelitian ini dilatarbelakangi derasnya kunjungan wisatawan dari Malaysia ke Bandung, Indonesia, untuk berwisata belanja di Pasar Baru, Bandung. Kunjungan wisata belanja itu selain berdampak pada ekonomi juga berdampak pada bahasa yang digunakan penjual kepada pembeli ketika bertransaksi. Tujuan penelitian ini adalah (1) mendeskripsikan bentuk alih kode dan campur kode antara bahasa Melayu Malaysia dan bahasa Indonesia dalam situasi transaksi di Pasar Baru, Bandung, dan (2) mendeskripsikan latar belakang fenomena itu. Penelitian ini menggunakan metode deskriptif dengan pendekatan sosiolinguistik. Hasil penelitian menunjukkan bahwa (1) alih kode terjadi pada tataran kalimat dan campur kode berlaku pada tataran kata bahasa Melayu Malaysia ke dalam bahasa Indonesia; (2) pada umumnya alih kode dan campur kode yang terjadi dilatarbelakangi motif ekonomi, yaitu penjual mengubah gaya bahasanya menjadi bahasa Melayu Malaysia agar barang dagangannya dibeli oleh para wisatawan Malaysia.
FENOMENA UNGKAPAN TRADISIONAL BAHASA SUNDA DI KOTA BANDUNG: KAJIAN SOSIOLINGUISTIK [The Phenomenon of Sundanese Language Traditional Expression in Bandung City: Sociolinguistics Analysis] Asri Soraya Afsari; Cece Sobarna; Yuyu Yohana Risagarniwa
TOTOBUANG Vol. 8 No. 1 (2020): TOTOBUANG, EDISI JUNI 2020
Publisher : Kantor Bahasa Provinsi Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/ttbng.v8i1.217

Abstract

The purpose of this study is  describing the existence and utilization of Sundanese language traditional expressions in Bandung speech community today. The method  was  descriptive. Data collection techniques was done by direct interviews with informants in the field using Sundanese and in natural situation communication. The main informant was a culture-supporting community who  really known-well the traditional expressions. The informant was assumed,  at least, to understand it as a form of culture. Moreover, notes techniques was used too. The analytical method  used distributional. The results showed that: there are 206 data traditional expressions which is still known by the people in Bandung. The sub-district that is still familiar with traditional expressions is Ujungberung with a percentage of 100%. The sub-district that is unknow-well of traditional expressions is Sumur Bandung with a percentage of 15%. In terms of usage, Sundanese language traditional expressions are still used in the domain of: family, intimate, neighborliness, education, government, employment, and religion. The function of using expessions is to remind, to advise, to admonish, to calm, to affirm, to appeal, and to express  the feelings. Penelitian ini bertujuan untuk mendeskripsikan eksistensi dan penggunaan ungkapan tradisional bahasa Sunda yang ada di lingkungan masyarakat tutur Kota Bandung dewasa ini. Metode yang digunakan deskriptif. Teknik pengumpulan data dilakukan dengan cara wawancara langsung kepada informan di lapangan dengan menggunakan bahasa Sunda dan dalam situasi yang asli (natural situation communication). Informan utama yang dipilih adalah masyarakat pendukung budaya yang memahami ungkapan tradisional. Informan tersebut diasumsikan paling tidak mengetahui ungkapan tradisional sebagai sebuah bentuk kebudayaan. Di samping itu, digunakan pula teknik catat. Metode analisis yang digunakan adalah distribusional. Hasil analisis menunjukkan bahwa: ungkapan tradisional yang masih dikenal oleh masyarakat tutur di Kota Bandung berjumlah 206 data. Kecamatan yang masih mengenal ungkapan tradisional dengan baik adalah Ujungberung dengan jumlah persentase 100%. Kecamatan yang sudah tidak lagi mengenal ungkapan tradisional dengan baik adalah Sumur Bandung dengan jumlah persentase 15%. Dari segi penggunaan, ungkapan tradisional bahasa Sunda masih digunakan dalam ranah: keluarga, kekariban, ketetanggan, pendidikan, pemerintahan, kerja, dan agama. Fungsi penggunaan ungkapan untuk mengingatkan, menasihati, menegur, menenangkan, mengiaskan, mengimbau, dan mengungkapkan perasaan.
Pengembangan Alat Analisis Humor dalam Komik Jepang Akhmad Saifudin; Yuyu Yohana Risagarniwa; Elvi Citraresmana; Inu Isnaeni Sidiq
Japanese Research on Linguistics, Literature, and Culture Vol 1, No 2 (2019): May
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (288.353 KB) | DOI: 10.33633/jr.v1i2.2502

Abstract

The main objective of this study is to develop a theoretical tool to analyze humorelements in Japanese comic (manga). The authors narrow the definition of “tool” as atheoretical framework that can be used in an inductive research. Developing this tool isof importance since evaluating the quality of humor in comic is difficult and subjective,due to the inclusion of humor as a cognitive and cultural product (Hurley et al, 2011).The authors strongly emphasize that this study was a theoretical review one. Weaimed to develop a theoretical foundation pertaining to semiotic analysis in humorousmanga products. To achieve the aim, we applied qualitative content analysis to buildthe foundation inductively. The authors identify that in order to analyze humor inmanga, Berger’s theory of humor techniques (1976, 1993) can be utilized to explorecomical effect in manga. Furthermore, Wilson and Sperber’s framework (2004) canalso be used to evaluate the context of situation pictured in manga. The former theoryis imperative since it highlights the function of drawing representation to buildhumorous atmosphere, while the latter functions to decode the meaning and purposeof humor created by manga creators. To conclude, a theoretical contribution can bewithdrawn from the discussion in this study. However, to really measure Japanese’scognitive and cultural values of humor expression, further application of this analysistool needs to be established in a wider and more comprehensive set of data.
Co-Authors Akhmad Saifudin Amaliatun Saleha Aman Aman Andang Iskandar Andang Iskandar, Andang Anindyasti, Farah Shakhira Ardiyati, Riza Lupi Asri Soraya Afsari Aulia, Dhannisa Cece Sobarna Dade Mahzuni Deddy Mulyana Ekaning Krisnawati Elvi Citraresmana Erlina Zulkifli Mahmud Inu Isnaeni Sidiq Ira Natasha Naomi Purba Irzam Sarif S Leli Yulifar Muhammad Irsan Muhammad Reza Rustam, Muhammad Reza Nani Darmayanti Nani Sunarni Nani Sunarni Naomi Purba, Ira Natasha Nurfitri Nurfitri Nurfitri Nurfitri, Nurfitri Nurul Hikmayaty Puspa Mirani Kadir Rahma Fitri Alifah Roberto Masami Prabowo Rosaria Mita Amalia S, Irzam Sarif Taufik Ampera Taufik Ampera Taufik Ampera, Taufik