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Tania Intan
Fakultas Ilmu Budaya Universitas Padjadjaran
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Nursing Public Health Social Sciences Other

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Journal : Jurnal Madah

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Formulasi Romance dalam Beauty Case Karya Icha Rahmanti: Kajian Sastra Feminis Tania Intan; Vincentia Tri Handayani Tri Handayani
Madah: Jurnal Bahasa dan Sastra Vol. 10 No. 2 (2019): Jurnal Madah
Publisher : Balai Bahasa Provinsi Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31503/madah.v10i2.13

Abstract

This study aims to reveal the formulation of romance in chick lit Beauty Case (2005), the second work of Icha Rahmanti after Cintapuccino (2004). The methodological approach used is the study of feminist literature and structural analysis methods. Because chick lit always discusses women, the theoretical foundation of this research must be linked to women's perspectives, includes the ideas of Radway, Modlesky, Gill and Herdierckerhoff who were used to explore the narrative aspects of romance formulation, which included plots, characterization, and point of view. The results show that (1) although chick lit is a romance subgenre, the novel Beauty Case storyline does not follow the normative narrative standard of romance because there are changing plots. However, the end of the novel follows the romance formulation, which ends happily; (2) the main female figure in the novel does not really make a search for true love, but rather searches for identity. In addition, the portrayal of male characters also does not follow the formulation of romance that has exemplary characters; (3) the storyteller in this novel is the first single person, the main female figure, with an intimate, subjective, and limited nature of storytelling, according to the formulation of romance.
Co-Authors Aliyah Amaliatun Saleha Damayanti, Vira putri Elga Ahmad Prayoga Farida Amalia, Farida Ferli Hasanah Hasanah, Ferli Ikhtiarti, Endang Mega Subekti Muhamad Adji Nany Ismail Nur Afifah Vanitha Binti Abdullah Nurul Hikmayaty Nurul Hikmayaty Saefullah Prayoga, Elga Ahmad Prima Agustina Mariamurti Prima Agustina Mariamurti Ratna Ratna Ratna Ratna Rijati, Sri Rosiana, Lia Saefullah, Nurul Hikmayaty Saepudin, Eli Apud Silvi Satiakemala Sri Rijati Sri Rijati Wardiani Susi Machdalena Tri H, Vincentia Trisna Gumilar Vincentia Tri Handayani Witakania Sundasari Som Yadi Mulyadi