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All Journal IZUMI Jurnal Pendidikan Bahasa Syntax Literate: Jurnal Ilmiah Indonesia Kiryoku: Jurnal Studi Kejepangan LINGUISTIK : Jurnal Bahasa dan Sastra Journal on Education KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) PHILOSOPHICA Jurnal Bahasa, Sastra, dan Budaya Jurnal Pengabdian kepada Masyarakat Nusantara Mezurashii: Journal of Japanese Studies Journal of Mathematics Instruction, Social Research and Opinion NAWA: Journal of Japanese Studies Kagami : Jurnal Pendidikan dan Bahasa Jepang
Fauzah, Nunik Nur Rahmi
Institut Prima Bangsa Cirebon
Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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VERBA ORIRU (降りる) SEBAGAI POLISEMI DALAM BAHASA JEPANG (KAJIAN SEMANTIK) Hidayati, Yanti; Fauzah, Nunik Nur Rahmi; Hermawan, Yosua
KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) Vol 8 No 2 (2024): KLAUSA Vol 8 No 2 (2024)
Publisher : Ma Chung Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33479/klausa.v8i2.1105

Abstract

Penelitian ini membahas mengenai makna verba oriru sebagai polisemi dalam bahasa Jepang. Polisemi dalam bahasa Jepang disebut dengan tagigo. Tujuan dari penelitian ini adalah untuk mendeskripsikan makna dasar dan makna perluasan beserta hubungan antara makna dasar dan makna perluasan yang terdapat pada verba oriru dalam kalimat bahasa Jepang. Penelitian ini menggunakan metode deskriptif kualitatif (Moleong). Pengumpulan data dilakukan dengan teknik simak catat. Data penelitian diperoleh dari Korpus Ninjal nlb.ninjal.ac.jp. Data dianalisis menggunakan Kokuritsu Kokugo Kenkyuujo Kihon Doushi Handobukku dan Oubunsha Kokugojiten. Dari data yang telah dikumpulkan, ditemukan verba oriru memiliki lima makna dasar dan empat makna perluasan. Makna dasarnya yiatu: 1) gerak ke bawah oleh mahluk hidup; 2) Gerakan ke bawah melalui suatu jalur oleh makhluk hidup; dan 3) gerak ke bawah oleh benda mati; 4) kendaraan bergerak ke jalan yang lebih rendah; 5) bergerak keluar dari kendaraan. Makna perluasannya yaitu: 1) kemunculan kabut, embun es, dan embun; 2) pengunduran diri, 3) pelepasan hak dan kesempatan, dan 4) penampakan makhluk khayalan.
Verba Gakkari Suru dan Ki O Otosu sebagai Sinonim dalam Kalimat Bahasa Jepang (Kajian Semantik) Fauzah, Nunik Nur Rahmi; Setiabudi, Dyon Vilcy; Ayu, Septi
Mezurashii: Journal of Japanese Studies Vol. 7 No. 1 (2025): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i1.13112

Abstract

The Japanese language has many vocabulary words, verbs, and adjectives that have similar meanings. One of them is a verb. Examples of verbs that are synonymous in Japanese are gakkari suru and ki o otosu. Both words have the same meaning, namely 'disappointed.' This is sometimes confusing for learners who still don't understand the differences. This study aims to find out the meaning of the verbs gakkari suru and ki o otosu in Japanese sentences and to find out if the two verbs can be replaced by each other. We analyzed the meaning of the verbs gakkari suru and ki o otosu using Hirose's (1994) theory. The method in this study uses a qualitative descriptive method. The data source used in this study is the corpus nlb.ninjal.ac.jp, with data in the form of Japanese sentences that use the verbs gakkari suru and ki o otosu. We collected the data using the Simak method and the recording technique (Mahsun in Fauzah: 2022). Based on the results of the analysis, it was found that there are similarities and differences in the use of the verbs gakkari suru and ki o otosu in Japanese sentences. In general, the verbs gakkari suru and ki o otosu can replace each other, even though there will be sentences that change their meaning. For sentences that are subjective in nature, the pronouns ki o otosu cannot be applied, and for command sentences, the two verbs gakkari suru and ki o otosu can replace each other. Gakkari suru and ki o otosu have the same meaning of disappointment because something with negative nuances happens, such as disappointment due to regret or unwanted things.
Cross-Cultural Intelligence in the Acquisition of Keigo: A Case Study of Indonesian Internship Students in Japan Fauzah, Nunik Nur Rahmi; Rosalina, Utami; Dasabrina, Sakania; Aliyyah, Naylaa Dwi
Journal of Mathematics Instruction, Social Research and Opinion Vol. 4 No. 4 (2025): December
Publisher : MASI Mandiri Edukasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58421/misro.v4i4.722

Abstract

This study examines the role of cross-cultural intelligence in the acquisition of keigo (a variety of Japanese polite language) by Indonesian students participating in internship programs in Japan. With a qualitative approach, 9 participants from Institut Prima Bangsa and STBA Yapri were involved through questionnaires and interviews. The results show that students have high motivation to learn keigo, both for professional purposes and to maintain social relationships. Students' cross-cultural awareness can be seen from the understanding that keigo is a language skill as well as a cultural competence. The independent learning strategies used include memorizing, imitating supervisors, and utilizing digital media. The findings confirm that real interactions more influence the acquisition of skills in the workplace than learning in the classroom. This research emphasizes the importance of integrating cross-cultural intelligence in Japanese language learning and recommends the development of curriculum and internship programs based on real practices and digital technology.
Analisis Diakronik pada Kata “Geisha” dalam Perspektif Masyarakat Luas Iklas, Muhamad; Arief, Faisal Nur; Fauzah, Nunik Nur Rahmi
NAWA: Journal of Japanese Studies Vol. 2 No. 2 (2025): September 2025
Publisher : Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69908/nawa.v2i2.45207

Abstract

This study examines the diachronic semantic evolution of the term geisha from the Edo era to the Reiwa period, highlighting how its meaning has shifted in response to changing social, cultural, political, and global influences. Using Stephen Ullmann’s theory of semantic change specialization, generalization, amelioration, and pejoration alongside Stuart Hall’s theory of cultural representation, the data collection method is carried out through a literature review that involves the application of Geisha language from several historical periods (Edo, Nishijima, Zaisho, Shoka, Reiwa). In addition, we gathered information in the form of content analysis from mainstream media as well as academic writing to understand current perspectives. We also requested data regarding searches of the Japanese corpus and commonly used translations to identify shifts in meaning for further analysis. Data analysis is conducted using the theory of change proposed by Stephen Ullmann (1962) in the context of semantics. The types of meaning changes include pejoration, elevation, generalization, and specialization. This research reveals that geisha initially referred to male entertainers before becoming specialized as a term for female artists highly skilled in traditional Japanese arts such as music, dance, and conversation. This study concludes that the meaning of geisha has never been fixed but has continually evolved through complex discursive processes. It demonstrates that diachronic semantic analysis is not only essential in understanding linguistic development but also crucial in unpacking shifting cultural identities and global misrepresentations over time.
Peningkatan Produksi Kopi dan Sirup Mangrove dengan Mengusung Digipreneurship di Pesisir Pantai Mundu Cirebon Rosalina, Utami; Guntur, Mochamad; Fauzah, Nunik Nur Rahmi; Qudwatullatifah, Ratri Nuryani; Fiana, Fauziah Al; Hidayatullah, Lukman Hakim Nur
Jurnal Pengabdian kepada Masyarakat Nusantara Vol. 5 No. 4 (2024): Jurnal Pengabdian kepada Masyarakat Nusantara (JPkMN) Edisi September - Desembe
Publisher : Lembaga Dongan Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55338/jpkmn.v5i4.4218

Abstract

Artikel ini membahas strategi peningkatan produksi dan pemasaran kopi mangrove melalui pendekatan digipreneurship di pesisir Kecamatan Mundu, Kabupaten Cirebon. Tujuan penelitian adalah mengintegrasikan konsep digipreneurship, yang menggabungkan digitalisasi dan kewirausahaan, untuk meningkatkan produksi dan memperluas jangkauan pemasaran kopi mangrove. Metode yang digunakan adalah pendekatan deskriptif kualitatif dan kuantitatif. Data dikumpulkan melalui observasi, pelatihan, dan wawancara dengan masyarakat setempat. Hasil penelitian menunjukkan bahwa penerapan digipreneurship dalam produksi kopi mangrove berpotensi meningkatkan pendapatan dan kesejahteraan masyarakat pesisir. Dengan memanfaatkan teknologi digital, pemasaran kopi mangrove dapat menjangkau pasar yang lebih luas, sekaligus memperkuat ekonomi lokal yang berkelanjutan. Simpulan menunjukkan bahwa integrasi digipreneurship secara signifikan berperan dalam peningkatan produksi dan kesejahteraan ekonomi masyarakat.
MAKNA VERBA 流れる‘NAGARERU’ SEBAGAI POLISEMI DALAM KALIMAT BAHASA JEPANG (KAJIAN SEMANTIK) Diahtantri Riannisa, Tiara; Lestin, Silvia; Fauzah, Nunik Nur Rahmi
Kagami : Jurnal Pendidikan dan Bahasa Jepang Vol. 16 No. 2 (2025): Kagami: Jurnal Pendidikan dan Bahasa Jepang
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/kagami.162.02

Abstract

In Japanese there are verbs that have multiple meanings or are called polysemy (tagigo). This study aims to describe the basic meaning and extended meaning of nagareru verbs, as well as the relationship between its meaning as a polysemy in Japanese sentences. The research data comes from the ninjal corpus. The research method used is a descriptive qualitative method. The data collection was done by listening and note-taking techniques. In this study, the data were analyzed based on the theory of basic meaning and expansion meaning of nagareru verbs from kokugo.jitenon.jp online dictionary. The author has found 46 data with 10 data of basic meaning, and 36 data of expansion meaning. The analysis found that nagareru verbs have four basic meaning categories and ten extended meanings. The basic meaning categories of nagareru verbs are moving liquids, moving objects following the movement of liquids, movement of objects by wind and liquids coming out of the body. The expanded meanings are exile or banishment, something spreading, change of time, blood relationship or lineage, annulment, wandering aimlessly, tending towards bad, loss of ownership, miscarriage, and illegal sale. However, the use of the verb nagareru with the meaning of ‘miscarriage’ is difficult to find.
Fungsi dan Konteks Kandoushi pada Anime Taisho Otome Otogibanashi Anwar, Aulia Arifbillah; Fauzah, Nunik Nur Rahmi; Gunawan, Gevieri
Linguistik : Jurnal Bahasa dan Sastra Vol 11, No 1 (2026): LINGUISTIK : Jurnal Bahasa dan Sastra
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/linguistik.v11i1.%p

Abstract

Penelitian ini mengkaji penggunaan kandoushi dalam anime Taish? Otome Otogibanashi dengan pendekatan pragmatik, bertujuan untuk mendeskripsikan fungsi kandoushi berdasarkan klasifikasi Masuoka dan Takubo serta konteks situasi penggunaannya berdasarkan teori SPEAKING dari Dell Hymes. Penelitian ini menggunakan metode deskriptif kualitatif dengan sumber data berupa dialog dan monolog tokoh dalam anime episode 1 hingga 12, yang dikumpulkan melalui metode simak dengan teknik catat dan dianalisis secara kontekstual. Hasil penelitian menunjukkan bahwa terdapat 12 data kandoushi yang terbagi ke dalam empat kategori, yaitu kandou (2 data) sebagai penanda ekspresi emosional, outou (3 data) sebagai respons terhadap ujaran mitra tutur, yobikake (2 data) sebagai penarik perhatian dan penginisiasi tindakan, serta aisatsugo (5 data) sebagai salam dan ungkapan sosial, yang keseluruhan fungsinya sangat dipengaruhi oleh relasi penutur dan mitra tutur, setting interaksi, serta tujuan komunikasi.
Co-Authors Aliyyah, Naylaa Dwi Anwar, Aulia Arifbillah Arief, Faisal Nur Citra Dewi Citra Dewi Dasabrina, Sakania Diahtantri Riannisa, Tiara Fiana, Fauziah Al Gunawan, Gevieri Hermawan, Yosua Hidayati, Yanti Hidayatullah, Lukman Hakim Nur Iklas, Muhamad Lestin, Silvia Mochamad Guntur Nadya Ayasmin Qudwatullatifah, Ratri Nuryani Ratri Nuryani Qudwatullathifa Riza Mawarni Rosalina, Utami Septi Ayu, Septi Setiabudi, Dyon Vilcy Theodore Kristianto Gunawan Ulfiyah, Evi Utami Rosalina Virga Putra Darma Wawan Agung Gumelar Yanti Hidayati