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Pengembangan Diri Melalui Sosialisasi Public Speaking Pada Karang Taruna Dukuh Brajan Malik Fajar Sidik; Nur ‘Aini Purwaningsih; Viona Sebastian Nolani; Rahmat Wisudawanto; Sigit Andrianto; Esfandani Peni Indreswari
Jurnal Pengabdian Masyarakat Sains dan Teknologi Vol. 2 No. 4 (2023): Desember : Jurnal Pengabdian Masyarakat Sains dan Teknologi
Publisher : Fakultas Teknik Universitas Cenderawasih

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58169/jpmsaintek.v2i4.232

Abstract

Karang Taruna is a youth organization in society which is used as a place for the growth and development of the young generation, which is based on awareness and social responsibility in society in the local area. In interacting between humans, good communication is certainly needed so that the message we want to convey to the person we are talking to can be received and easily understood. The method of this service is lecture and discussion. The informants or subjects in this service are members of the youth organization who are residents of Dukuh Brajan, Sindon Village. The result of this service is that public speaking outreach can provide benefits for the young people of Dukuh Brajan in forming and developing themselves. The conclusion from the service carried out by the author is that public speaking outreach can be an effort to develop the potential of the young people of Dukuh Brajan
Integrasi Visual Learning dan Gamifikasi dalam Pelatihan Public Speaking untuk Meningkatkan Kepercayaan Diri Mahasiswa Asrama Bibit Unggul Surabaya Zahrotul Munawwaroh; Dhelittya Finaliyani Putri; Mohammad Syarrafah; Reza Mehdi Fauzi; Sigit Andrianto
ABDIKAN: Jurnal Pengabdian Masyarakat Bidang Sains dan Teknologi Vol. 4 No. 2 (2025): Mei 2025
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55123/abdikan.v4i2.5137

Abstract

Disparities in higher education access for underprivileged families in Indonesia perpetuate intergenerational poverty cycles. In response, the Surabaya City Government launched the program “Satu Keluarga Satu Sarjana” through full funding and accommodation at the Bibit Unggul Dormitory. Observations by the community service team and focus group discussions (FGDs) with the Surabaya Social Agency revealed that academic competence alone, without strengthening effective communication skills, risks hindering the competitiveness of students from underprivileged backgrounds. Using a Community-Based Participatory Research (CBPR) approach, the team designed a public speaking training intervention integrating visual learning techniques and gamification. The methodology included: (1) anxiety-level surveys, (2) workshops on public speaking techniques and visual-based presentation strategies, (3) practical simulations, (4) gamified role-playing scenarios, and (5) collaborative feedback sessions. Active participation of students ensured contextual relevance. Evaluation results demonstrated significant improvement in self-confidence (pre-test-post-test) and the ability to articulate ideas. This community service initiative not only addresses psychological barriers but also establishes a sustainable soft skills development model for marginalized communities, while aligning with the Sustainable Development Goals (SDGs) in reducing educational inequality.
Hardcore Music as a Medium for Social Critique and Cultural Resistance: An Ethnographic Study of the Surabaya Hardcore Community (SBHC) Pradana, Jimmy; Ririn Puspita Tutiasri; Sigit Andrianto
International Journal of Social, Economic, and Business Vol. 2 No. 1 (2025): September 2025
Publisher : Lavish Opulent Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.1512/sy2nyw46

Abstract

This study aims to examine how Hardcore music is utilized by the Surabaya Hardcore Community (SBHC) as a medium of social criticism and a form of resistance against various forms of domination, including those exerted by the state, institutions, and mainstream culture. As a subculture, Hardcore music has evolved not only as a form of musical expression but also as a symbolic act of defiance against dominant values perceived as oppressive.This research employs a qualitative approach using ethnographic methods, including in-depth interviews, participant observation, and focus group discussions, to understand the cultural practices, symbolic meanings, and social dynamics within the SBHC community.The findings indicate that Hardcore music plays a crucial role in shaping the community’s collective identity and in conveying socio-political messages. Lyrics addressing issues such as social injustice, oppression, poverty, and critiques of capitalism serve as key tools for voicing dissent and building collective awareness. Moreover, the SBHC community demonstrates strong solidarity through various social and collaborative activities, utilizing music as a means to strengthen social ties and expand networks of resistance.Music is not merely regarded as a form of entertainment, but as a powerful medium of cultural communication to express resistance, advocate for alternative values, and challenge the hegemony of popular culture. This study highlights how music subcultures like Hardcore provide a significant articulatory space for the pursuit of freedom of expression and social justice.