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Estetika Teknikal Memotret Impresi Gerak Dalam Fotografi Panggung Octaviano, Amoga Lelo; Nindhia, Cok Istri Puspawati
Prabangkara : Jurnal Seni Rupa dan Desain Vol 21 No 1 (2017): Prabangkara
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (10633.682 KB)

Abstract

Fotografi panggung merupakan pemotretan terhadap segenap aktivitas yang terjadi dalam pementasan seni pertunjukan, yang memiliki berbagai karakteristik dan keunikan seperti tercermin dalam pola gerak (movement) tertentu, penggunaan kostum dan setting, serta penggunaan tata cahaya yang beragam. Secara khusus hasil pemotretan fotografi panggung dapat dihadirkan sebagai karya seni fotografi melalui pemilihan efek tematis tertentu dan pendekatan kreatif-estetik. Bermuara atas pengalaman memotret ‘melukis dengan cahaya’ serta ungkapan perasaan estetik akan fotografi gerak (movement photography). Berbekal kecanggihan apparatus fotografi digital, perangkat keras maupun perangkat lunak, banyak memberi pilihan kemudahan dan kebebasan berolah-kreasi menuangkan perasaan estetiknya. Namun tentu saja kepekaan estetik menjadi yang utama terkait bahasa ungkap fotografi yang terklasifikasi sebagai fotografi seni maupun fotografi ekspresi. Oleh karenanya, yang menjadi pijakan dasar atas bahasa ungkap ini adalah kesadaran estetik terhadap elemen-elemen unsur seni dan memadukannya dengan kemampuan teknis pemotretan. Pemilihan fokus pemotretan pada gerakan aktor sebagai pola dasar kreasi, diwujudkan sebagai karya seni fotografi panggung atas pertimbangan estetik ide kreatif (ideasional) dan kemampuan teknis pemotretan (teknikal). Teknik pemotretan yang digunakan melalui berbagai pertimbangan yang berorientasi pada kemungkinan-kemungkinan implementasi praktis, sehingga dihasilkan tematis karya foto tercipta, yakni freezed, blurred, dan multiple-images sebagai karya fotografi seni. 
Desain Ilustrasi Foto Pada Baju Kaos Dengan Media Fotografi Digital Pendukung Pariwisata Budaya Di Pura Tanah Lot Dan Taman Ayun I Made Saryana; Anis Raharjo; Amoga Lelo Octaviano
Mudra Jurnal Seni Budaya Vol 33 No 1 (2018): Februari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v33i1.313

Abstract

Penelitian ini bertujuan untuk mengembangkan industri kreatif dengan menerapkan fotografi digital melalui pengembangan produk instan dengan desain ilustrasi foto pada baju kaos. Pemilihan Obyek wisata Pura Tanah Lot Tabanan dan Pura Taman Ayun Badung Bali, dijadikan obyek penelitian karena obyek wisata tersebut selalu ramai dikunjungi wisatawan. Pengumpulan data dilakukan dengan observasi, wawancara dan studi pustaka. Data yang diperoleh dari hasil observasi dan wawancara dianalisis dengan menggunakan metode penciptaan seni, sehingga hasil análisis dapat dijadikan pedoman atau konsep dasar dalam pengembangan produk sovenir baju kaos. Penelitian ini dilakukan dengan (1) Mengidentifikasi berbagai jenis sovenir baju kaos yang dijual pada kawasan obyek wisata Tanah Lot Tabanan dan Pura Taman Ayun Badung Bali, baik dari bahan, desain ilustrasinya serta teknik pembuatannya. (2) Menganalisis harga, tingkat penjualan, serta bahan, desain ilustrasinya dan teknik pembuatannya.  (3). Melakukan eksperimen desain ilustrasi foto dengan fotografi digital dan pengolahan melalui komputer. (4) Pembuatan ilustrasi foto dan menerapkannya dengan fotografi dan sablon digital pada baju kaos.This research started with observation of several tourism destinations  in Bali such as Tanah Lot in Tabanan and Taman Ayun Badung. The observation is that by taking pictures of tourists and then selling it on photo printed  paper, profit margins are minimized. Furthermore, selling t-shirts as souvenirs on which the design is lacking in representation of the location show restricted and minimized monetization capabilities. Based on these observations, the researcher intends to conduct research while creating an innovative product which is capable of representing the aforementioned locations. Through implementation of digital photography and patternization modalities, designed photos can instantaneously be printed on the t-shirt, and automatically it may be worn by tourists. This technique can prove to have drastic impact upon the profit margins of vendors in comparison to conventional modalities. The aim of the research is to develop creative industry by applying digital photography through the development of instant product through creative design on t-shirts. The option to choose Tanah Lot and Taman Ayun temples because these toruism objects are of the most favorite tourism destinations steadily receive visitation from many tourists from all around the world. This research focuses on (1) The identification of T-shirts as souvenirs sold in Tanah Lot temple in Tabanan and Taman Ayun temple in Badung, based on  fabric, lllustration design and the production techniques. (2) Price analysis, seeling rank, fabric, illustration design and production techniques; (3) To conduct experimental photography llustration design through digital photography and computer-driven image processing; (4) The production of photo llustration and digital patterns on t-shirts. Data collection is taken based on observation, interviews and library research. The data is analyzed using art creation method therefore it can be used as guidance or a basic concept in developing t-shirts as souvenirs
IMAJINASI POTRET WAJAH WANITA DALAM FOTOGRAFI EKSPRESI DENGAN TEKNIK PHOTOGRAM I Made Wirawan Putra Gunantra; Ida Bagus Candrayana; Amoga Lelo Octaviano
Retina Jurnal Fotografi Vol 1 No 1 (2021): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v1i1.326

Abstract

Berawal dari pengamatan pencipta pada saat semester 5 dalam mata kuliah kamar gelap, pencipta mendapatkan ide untuk membuat photogram dengan memadukan keahlian pencipta dalam membuat sketsa gambar dan imajinasi potret wajah wanita dengan teknik photogram. Dengan tujuan untuk membuat sebuah karya dengan visualisasi imajinasi potret wajah wanita dengan Teknik photogram sehingga menampilkan karya yang menarik dari segi teknikal, ideasional, maupun hasil akhirnya.Dari ide di atas pencipta melakukan metode observasi mengenai proses pembuatan photogram dengan mempertimbangkan Teknik-teknik yang sesuai dengan tahapan kamar gelap. Kemudian dilanjutkan dengan membuat sketsa dan diwujudkan melalui proses photogram di kamar gelap. Dari hasil perwujudan di kamar gelap pencipta melalukan scanning untuk dijadikan media file yang merupakan hasil akhir dari penciptaan karya photogram.Imajinasi potret wajah wanita dengan Teknik photogram dapat ditarik kesimpulan: untuk memvisualisasikan photogram yang unik dan menarik dengan visual imajinasi potret wajah wanita pencipta harus melakukan proses pencetakan di kamar gelap serta melakukan eksperimen melalui pembakaran di enlager dan didukung dengan properti yang sesuai dengan ide pencipta. Melalui karya fotografi kamar gelap mengenai proses photogram ini diharapkan mampu menginspirasi dan memperkenalkan pada masyarakat luas serta membangkitkan tentang Teknik-teknik photogram. Hasil karya Photogram yang di ciptakan sebanyak 15 karya yang berjudul: Kembang Desa Kekinian, Wanita Eksitis, Wanita Afrika, Wanita Gaisha, Wanita Fashionoable, Bulan Pernikahan, Shower Flower, Wanita Dalam Kerudeng, Amarah Dalam Tenang, Wanita Bunga Tunjung, Wanita Rambut Pendek, Wanita Si Kupu-Kupu Malam, Tatapan Manis Wanita, Queen Of Nature.
SEPEDA ONTHEL DALAM FOTOGRAFI STILL LIFE DENGAN TONAL WARNA SEPIA I Made Dennis Penn Yohan Kayansa; Cokorda Istri Puspawati Nindhia; Amoga Lelo Octaviano
Retina Jurnal Fotografi Vol 1 No 1 (2021): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v1i1.328

Abstract

Sepeda onthel tetap langgeng dikalangan tertentu di tengah gempuran produksi berbagai macam sepeda modern. Bentuk klasik dari sepeda onthel menarik untuk dijadikan karya fotografi still life dengan lokasi pemotretan di kota Heritage Denpasar Bali. Untuk mengetahui cara memvisualisasikan serta teknik yang digunakan dalam proses penciptaan karya sepeda onthel dalam fotografi still life dengan tonal warna sepia. Penciptaan karya fotografi ini berawal dari melakukan observasi lapangan, ekplorasi dan eksperimen dalam melakukan pemotretan. Dari hasil pemotretan dilanjutkan dengan proses pemilihan foto terbaik, dan tahap akhir dilakukan proses editing tonal sepia dan pencetakan karya. Selain itu penulis juga menggunakan adanya teori estetika untuk membantu proses pembuatan karya sepeda onthel. Dalam penciptaan karya ini penulis dapat menarik kesimpulan untuk mengetahui visualisasi sepeda onthel serta teknik-teknik yang digunakan. Melalui karya fotografi still life mengenai sepeda onthel dalam fotografi still life dengan tonal warna sepia ini diharapkan kepada masyarakat mengenal dan melestarikan sepeda kuno ini sedangkan kendala saat pemotretan adalah Pandemic Covid 19 yang menghambat kebebasan dalam eksplorasi lapangan.
PROSES PEMBUATAN LENGIS TANDUSAN DI DESA DAWAN KLOD, KABUPATEN KLUNGKUNG DALAM FOTOGRAFI STORY Ida Ayu Eka Shanti; Amoga Lelo Octaviano; I Made Bayu Pramana
Retina Jurnal Fotografi Vol 1 No 2 (2021): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v1i2.791

Abstract

Lengis Tandusan is coconut oil that is traditionally processed and has a distinctive aroma, since the COVID-19 pandemic the production and distribution of lengis Tandusan has been slow. However, this home-based business is still running, it can even continue to grow so as to provide creative ideas by visualizing the Process of Making Lengis Tandusan in Dawan Klod Village, Klungkung Regency in Story Photography and aiming to develop creativity and apply photography techniques in the creation of works. The creation of this photographic work began with collecting data through scientific books, journals and news. The creation process carried out direct observations in the field, conducted interviews on the manufacture of barren lengis in order to obtain complete data and took photos. From the results of the photo shoot, it is continued with the process of selecting the best photos, followed by the editing and printing process and the final stage, namely the exhibition. The result of the creation of the process of making barren lengis in the arrangement of 15 photographic works with the title A Coconut Picker, Coconut Middleman, Separating Coconut Shells, Peeling Coconuts, Grated Coconut Flesh, Grated Coconut Flesh, Coconut Squeezing, Woman Taking Saang, Nandusin, Stirring Coconut Milk, Filtering Klengis, Final Process, Lengis Tandusan, Mepes Klengis and Saur. The techniques used in the creation of this work include frog eye view, eye level, bird eye view, high angle, framing and lighting utilizing natural light from sunlight and artificial light from external flash as fill in light or additional light in the process of shooting the work. photography. Keywords: Lengis Tandusan, Dawan Klod Village, Klungkung, Traditional, Story Photography
IMAJINASI KEINDAHAN IKAN CUPANG HIAS DALAM FOTOGRAFI SENI Dede Bilal Kurniawan; Amoga Lelo Octaviano; I Made Bayu Pramana
Retina Jurnal Fotografi Vol 1 No 2 (2021): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v1i2.794

Abstract

The limitation social is a tactical move that is applied by the government in the prevention of transmission of the virus Covid-19. The time duration of the entry into force of the social restrictions that are long enough, so that people trying to find positive activities that can be done at home respectively. Maintain betta fish ornamental is one of the positive event that the author did. Ornamental betta fish is a kind of freshwater fish that can be found and spread in tropical waters. Ornamental betta fish has the form type of the fins and tail are unique and colorful. This is the basic idea for the author to explore imajination the beauty of betta fish ornamental in art photography. In the process of the creation of masterpieces of photography the author uses the method of creation by making observations of the object so created an idea. Of the idea continued stage design with imagination and collection references. After that, further to stage a photo shoot and stage image processing by combining the theory of aesthetic and color theory to produce photographic works in accordance with the theme that is created. Betta fish have the beauty of fin shapes and colors that are very interesting unique if visualized in art photography with obstacles are looking poses betta fish which is in accordance with the wishes of the author. The result of the creation of this work the author is steeped in the beauty of betta fish decorative from a variety of fins and the color is unique. The author did a photo shoot in the studio with the use of artificial light in the form of flash). Keywords : Imagination, Beauty, Betta Fish, Art Photography
ESTETIKA FOTO PREWEDDING KARYA HENDRA LESMANA Abdee Rangga Bhaskara Prakosa; Amoga Lelo Octaviano
Retina Jurnal Fotografi Vol 3 No 2 (2023): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v3i2.1057

Abstract

Hendra Lesmana is a commercial photographer who usually accepts pre-wedding photo shoot projects. Pre-wedding photos used to record moments of happiness welcoming a new life that will soon be lived by the second bride and groom. Marriage is a moment in life that is expected to create happiness and can achieve common goals later. In a pre-wedding photo shoot, many aspects need to be prepared, such as the location of the photo shoot, timing, concept determination, and approach with the client or object to be used. The object of research discussed is the work of pre-wedding photos that will be done in 2021 by Hendra Lesmana. Aesthetic theory of photography used in ideational and technical. Hendra Lesmana always takes photos in three different perspectives, namely, wide angle, medium, and close up. In nature photos he also always uses the sun as the main lighting in producing a photo. A good aesthetic role is needed in creating quality photo works. Keywords: Photography Aesthetics, Prewedding, Hendra Lesmana
REPRESENTASI DAMPAK KEKERASAN SEKSUAL TERHADAP PEREMPUAN DALAM FOTOGRAFI EDITORIAL Aditya Ridwan Effendy; Amoga Lelo Octaviano; I Made Saryana
Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i2.1142

Abstract

FOTOGRAFI STILL LIFE MINIATUR MOBIL EROPA SEBAGAI MEDIA PROMOSI TUKSEDO STUDIO I Made Ananda; I Ketut Sida Arsa; Amoga Lelo Octaviano
Retina Jurnal Fotografi Vol 3 No 2 (2023): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v3i2.1235

Abstract

The era of digitalization is one of the factors that opens the door to the global market. Digitalization makes it easier for local producers to advertise their products through social media, with Still Life Photography. The internship at Tuksedo Studio is carried out to improve knowledge, photography skills, and understand the conditions of the industrial world firsthand. With the problems studied regarding the use of Still Life in miniature European cars at Tuksedo Studio as a promotional medium, including the process and how it impacts. The internship program aims to know, understand, and master the Still Life used at Tuksedo Studio as a promotional medium on Instagram. This writing uses the method of observation, interviews, and documentation. During this MBKM internship, the author gained more knowledge at Tuksedo Studio than at university because college learning activities were more limited while internships gained experience using the Blackmagic Pocket Cinema Camera 4K camera, Tokina Lens 12-28mm f./4 AT-X Pro , Sigma 18-35mm F1.8 DC HSM Lens APS-C For Canon , Zhiyun CRANE 3 Lab Handheld Stabilizer. Using software to support the editing such as Adobe Lightroom, Adobe Photoshop, Davinci Resolve, Adobe Indesign, Adobe PremierePro. The knowledge gained while in college such as Still Life Techniques, Basic Photography Techniques, Use of Lenses and the effects of each lens, is useful in carrying out the internship. So between theory and practice gained in college, it is appropriate and useful in an internship at Tuksedo Studio.
EKSPERIMEN FILTER KREATIF DALAM FOTOGRAFI PRE-WEDDING DI MAXHELAR PHOTOGRAPHY Ketut Wisnu Jaya Wardana; I Made Bayu Pramana; Amoga Lelo Octaviano
Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i2.1285

Abstract

This study discusses Creative Filter Experiments in Pre-wedding Photography at Maxhelar Photography. This creative filter experiment in Pre-wedding Photography aims to show innovations about creative filters that can be used in Pre-wedding Photography. The purpose of this research is to find out how the results of creative filters are used in Pre-wedding Photography. This study also explains how to make creative filters and how to use creative filters in Pre-wedding Photography, this research also aims to be a reference and also hone creativity when doing prewedding photo shoots for writers and other photographers. The source studies used in this research are from journals, books and articles related to Pre-wedding photography, creative filters and understanding of work. The implementation method used when conducting the research is the method of observation, interviews, and work practices as well as several sources of data used, namely primary and secondary data. The results of this study indicate that creative filters in pre-wedding photography are new innovations that can be applied in pre-wedding photography, and as a support for beautifying the results of the photo shoot.
Co-Authors Abdee Rangga Bhaskara Prakosa Aditya Ridwan Effendy Arkaan Zamiir Tagsya Farid Aswin Wicaksono BAYU PRAMANA, I MADE Cokorda Istri Puspawati Nindhia Dede Bilal Kurniawan Dimas Haryadi Farhan Adityasmara I Dewa Gede Mahadita Sudaya I Gusti Ade Dinda Pramesti I Ketut Sida Arsa I Made Ananda I Made Dennis Penn Yohan Kayansa I Made Itza Mahendra I Made Saryana I Made Wirawan Putra Gunantra I Wayan Gede Arjita Ida Ayu Eka Shanti Ida Bagus Candra Yana Ida Bagus Nyoman Anggastya Kadek Agastia Dwi Paranatha Ketut Wisnu Jaya Wardana Nengah Adia Wiratna Ni Ketut Elsa Setiani Ni Luh Putu Indiara Satya Mahayani Nindhia, Cok Istri Puspawati Putu Agus Bratayadnya Raharjo, Anis