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Representing Local Cultural Identity in The Sarafal Anam Oral Tradition: A Semiotic Study of The Bengkulu Tengah Community Perina Anita Sari; Martha Heriniazwi Dianthi; Dilmai Putra
Journal of Multidisciplinary Research Vol. 2 No. 4 (2026): July
Publisher : Utami Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70963/jmr.v2i4.695

Abstract

This study aims to analyze the representation of cultural identity contained in the Bishahri poem within the Sarafal Anam tradition of the Bengkulu Tengah community. Sarafal Anam is a religious oral tradition that developed as a result of the acculturation between Islamic teachings and local cultural practices. The tradition involves the recitation of prayers and poetic praises dedicated to Prophet Muhammad, which are commonly performed during social and religious ceremonies such as childbirth celebrations, family thanksgiving events, and Islamic religious commemorations. This research applies a qualitative approach using Roland Barthes’ semiotic analysis, which focuses on three levels of meaning: denotation, connotation, and myth. The research data were obtained through textual analysis of the Bishahri poem, interviews with traditional leaders, religious figures, and Sarafal Anam practitioners, as well as documentation of the tradition. The findings indicate that at the denotative level, the poem describes the birth of Prophet Muhammad through symbols such as light, the full moon, and noble attributes. At the connotative level, these symbols signify spiritual guidance, moral perfection, and hopes for blessings in human life. At the mythological level, these symbols construct a collective belief that Prophet Muhammad represents the ultimate source of spiritual and moral light for humanity. Furthermore, the Sarafal Anam tradition functions not only as a religious ritual but also as a medium for representing the cultural identity of the Bengkulu Tengah community, strengthening social solidarity and preserving local cultural values transmitted across generations.
Gaya Komunikasi Media Podcaster Dalam Konten Podcast Pwk Di Channel You Tube Has Creative Taufik Bawazir; Dilmai Putra; Martha Heriniazwi
Jurnal Multidisiplin Dehasen (MUDE) Vol 5 No 1 (2026): Januari
Publisher : LPPJPHKI Universitas Dehasen Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37676/mude.v5i1.9559

Abstract

The development of information and communication technology has given rise to new media that have changed the way humans interact, one of which is podcasts. Podcasts, as on-demand audio media, are now increasingly popular, including in Indonesia. One of the most popular podcasts is Podcast Warung Kopi (PWK), hosted by Praz Teguh on the HAS Creative YouTube channel. Praz Teguh is known for his relaxed, open, and expressive communication style, which creates a fluid, warm, and meaningful conversation atmosphere. This study aims to understand Praz Teguh's communication style and the types of questions he uses in the Warung Kopi Podcast (PWK). The research method used is descriptive qualitative with non-participant observation and documentation techniques on PWK episodes with Indro Warkop. The analysis was conducted using Robert W. Norton's Communicator Style Measure concept, which classifies communication styles based on verbal and nonverbal characteristics. The results show that Praz Teguh uses a combination of relaxed, open, and expressive styles. He often uses humor, spontaneity, and everyday language that makes the conversation feel close to the audience, while also slipping in reflective and humanistic values. This communication style has proven to be able to build emotional closeness with listeners and increase audience engagement. This research is expected to contribute theoretically to the development of communication science, particularly the study of podcaster communication styles, and to serve as a practical reference for content creators in building meaningful interactions with audiences in the digital media era.
Analisis Komunikasi Kelompok Pada Komunitas Vespa Bengkulu Bersatu Dalam Membentuk Identitas Sosial Trio Ardito; Sapta Sari; Dilmai Putra
Jurnal Multidisiplin Dehasen (MUDE) Vol 5 No 1 (2026): Januari
Publisher : LPPJPHKI Universitas Dehasen Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37676/mude.v5i1.10033

Abstract

This study analyzes how group communication within the Vespa Bengkulu Bersatu community contributes to shaping the members’ social identity. This research is grounded in Henri Tajfel’s Social Identity Theory, which consists of three main dimensions: social categorization, social identification, and social comparison. Using a qualitative approach, the study collected data through in-depth interviews, participatory observation, and documentation. The findings reveal that group communication strengthens solidarity, forms a collective image, and differentiates the group from others. Symbols, touring activities, shared values, jargon, and both offline and digital interactions play significant roles in shaping strong social identity and fostering a sense of belonging within the community.