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All Journal Parataksis: Jurnal Bahasa, Sastra, dan Pembelajaran Bahasa Indonesia Jurnal Pembelajaran Bahasa dan Sastra
Lubis, Alpiani
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Humanities Education Languange, Linguistic, Communication & Media Other

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MAKNA METAFORA CINTA DALAM LAGU BATAK TOBA “RAPHON HO DAN PENGARUHNYA TERHADAP NILAI-NILAI ROMANTIS DALAM MASYARAKAT BATAK TOBA Purba, Asriaty R; Sianipar, Trynanda; Harniko Pasaribu, Jefri; Lubis, Alpiani; Saragih, Risdo
Parataksis: Jurnal Bahasa, Sastra, dan Pembelajaran Bahasa Indonesia Vol. 8 No. 1 (2025): Parataksis: Jurnal Bahasa, Sastra, dan Pembelajaran Bahasa Indonesia
Publisher : Universitas PGRI Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31851/parataksis.v8i1.18109

Abstract

Suku Batak Toba memiliki warisan budaya penting salah satunya adalah lagu Batak Toba. Lagu batak toba sangat sering menggunakan metafora dalam lirik-liriknya untuk menyampaikan berbagai realita kehidupan, maupun percintaan. Salah satu lagu Batak Toba yang mencolok dalam hal ini adalah “Raphon Ho”. Lagu ini dinyanyikan oleh Jun Munthe dan sebagian liriknya mengandung berbagai metafora yang mencurahkan perasaan cinta, ketulusan, dan kesetiaan. Penelitian ini bertujuan untuk menganalisis makna metafora cinta yang terkandung dalam lirik lagu “Raphon Ho” serta mengidentifikasi pengaruh lagu ini terhadap nilai-nilai romantis dalam masyarakat Batak. pada lirik lagu ini menunjukkan bahwa metafora cinta di dalam lagu ini tidak hanya berfungsi sebagai ungkapan perasaan pribadi, tetapi juga mengandung nilai-nilai romantis yang kuat dalam masyarakat Batak Toba, seperti kesetiaan, pengorbanan, dan kesempurnaan cinta. Lagu “Raphon Ho” juga berperan dalam membentuk dan memperkuat pandangan masyarakat Batak mengenai hubungan asmara dan pernikahan
Changes in the Architectural Function of the Bolon House of the Toba Batak Ethnic Group from Social Function to Tourism Object Lubis, Alpiani; Silaban, Immanuel; Siregar, Eka Silviana; Manullang, Doan Yohannes; Saragih, Anggun Yuni Sarah
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 6 (2025): November 2025: in progress
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i6.956

Abstract

This study aims to uncover changes in the social function of the Bolon House, the factors causing the changes, and their impact on the meaning and cultural values of the Toba Batak people. This study uses a descriptive qualitative approach with document-based analysis (documentary research). This approach was chosen because the study focuses on literature reviews and secondary data relevant to the changes in the function of the Bolon House, without conducting direct observations in the field. Data sources in this study consist of primary and secondary data, namely books, scientific articles, undergraduate theses, dissertations, and academic journals on Toba Batak architecture, as well as cultural tourism, as well as documentary data, namely digital archives, reports from local governments/tourism offices, and policy documents related to cultural preservation and tourism development. Data analysis was carried out through data reduction stages, sorting information from literature and documents relevant to the topic of changes in the function of the Bolon House. Categorization groups the data into themes: the traditional social function of the Bolon House, factors of change, implications for tourism, and cultural preservation. Although the change in function has the potential to reduce its sacred and social value, the existence of the Bolon House in the tourism sector also opens up opportunities for preservation, promotion of cultural identity, and empowerment of the local economy. Thus, this transformation needs to be managed wisely so that the Bolon House continues to function as a traditional architectural heritage that has sustainable social, cultural, and economic significance.
Co-Authors Harniko Pasaribu, Jefri Manullang, Doan Yohannes Purba, Asriaty R Saragih, Anggun Yuni Sarah Saragih, Risdo Sianipar, Trynanda Silaban, Immanuel Siregar, Eka Silviana