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<![CDATA[A comparative study on spatial configuration of human settlements in Riparian Area (Case studies : Old Kampoong and Colonial Settlements in Palembang ]]>
<![CDATA[Adiyanto, Johannes]]>;
<![CDATA[Romdhoni, M. Fajri]]>;
<![CDATA[Warlika, Hendi]]>
<![CDATA[ IPTEK Journal of Proceedings Series No 3 (2017): 8th International Conference on Architecture Research and Design 2016 ]]>
Publisher : <![CDATA[Institut Teknologi Sepuluh Nopember ]]>
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DOI: 10.12962/j23546026.y2017i3.2437
<![CDATA[Palembang is the city which is divided by Musi River. Palembang is also one of the oldest city in Indonesia. Many old settlements were built in riparian area. This geographic condition of Palembang becomes background of this research. The research questions are: what is the discrepancy between Kampoong and Colonial Settlements in spatial configuration? Does the Musi River have influence in spatial configuration on that case? This research using the space syntax analysis with the following three steps of analysis: convex map analysis, axial map analysis and visibility graph analysis. For case studies, this research names two different settlements: old Kampoong (3-4 Ulu and 10 Ulu) and Colonial settlements (Komperta Plaju and Komperta Bagus Kuning) and we use Kampung Kapitan (7 Ulu) for the comparation. As the result of this research shows that between Kampoong and Colonial Settlements have some discrepancies in spatial configuration. In Kampoong, they have a small ‘void space’, many streets between houses and the organic patterns. In Colonial settlements, the spatial configuration is planned well with grid pattern. In context influences of Musi River to the settlements, only Bagus Kuning complex that has a closed relationship with rivers because those settlements have a connection between inner ‘void space’ with riparian ‘void space’.]]>
<![CDATA[Pendampingan Konservasi Arsitektur Tradisional Melalui Pengembangan Desa Wisata ]]>
<![CDATA[Johannes Adiyanto]]>;
<![CDATA[Maya Fitri Oktarini]]>;
<![CDATA[Harini Mutiara Hapsari]]>;
<![CDATA[Meivirina Hanum]]>;
<![CDATA[Nando Al Farizi]]>;
<![CDATA[Nyayu Arista Mahdalena]]>
<![CDATA[ JPPM (Jurnal Pengabdian dan Pemberdayaan Masyarakat) VOL. 6 NOMOR 1 MARET 2022 JPPM (Jurnal Pengabdian dan Pemberdayaan Masyarakat) ]]>
Publisher : <![CDATA[Lembaga Publikasi Ilmiah dan Penerbitan (LPIP) ]]>
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DOI: 10.30595/jppm.v6i1.7319
<![CDATA[Rumah Baghi ditemui pada desa-desa perbukitan di Sumatera Selatan. Arsitekturnya merupakan satu kepaduan dengan kehidupan keseharian masyarakat tradisional. Kurangnya pengenalan akan arsitektur ini menyebabkan banyak rumah ditelantarkan. Kegiatan pendampingan bertujuan memperkenalkan, mempresentasikan, dan mensosialisasikan potensi arsitektur lokal kepada masyarakat di Desa Perapau, salah satu desa perbukitan. Pembangunan kesadaran akan arsitektur tradisional melalui skenario pengembangan wisata warisan. Hasil pendampingan menunjukkan bahwa pelestarian bangunan tradisional memerlukan dua pendekatan, yaitu aturan dan keuntungan. Aturan dapat berupa adat istiadat yang mengikat masyarakat dalam melakukan perubahan atas rumah adat dan keuntungan berupa sumber penghasilan tambahan bagi pemilik.]]>
<![CDATA[ARSITEKTUR DAN AIR (Kasus: Kota Palembang) ]]>
<![CDATA[Johannes Adiyanto]]>
<![CDATA[ ATRIUM: Jurnal Arsitektur Vol. 3 No. 2 (2017): ATRIUM: Jurnal Arsitektur ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian pada Masyarakat (LPPM) Universitas Kristen Duta Wacana Yogyakarta ]]>
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DOI: 10.21460/atrium.v3i2.14
<![CDATA[Title: Architecture and Water (Palembang Case) The total area of Indonesia consists of a total land area of 1,904,569 km2 and a sea area of 7.900.000 km2. Indonesia's geographical location has two rainy and dry seasons, tropical climate and high humidity and sunshine throughout the year. This condition is also reinforced by the location of Indonesia located on two continents, Asia and Australia. Thus Indonesia is not only about land but also waters. This general description becomes the basic of understanding the case study of Palembang city. The case of Palembang was appointed to see the consequences of 'water' in the course of city development and the traces of its architectural artifacts. Then how the latest development of Palembang city, is still oriented to the water or have forgotten the water as the face of the city? The purpose of this discussion is to show the development of the city, especially Palembang, related to its natural geographical conditions. Explore this descriptive paper using a historical study approach with chronic descriptive methods. Chronic descriptive method is a method of translation as it is with a note on events that are considered important in a particular location. Descriptive descriptive results show that the city of Palembang has left the water, the icon of the Musi River is placed as a 'separator / distinguishing / distance maker' rather than 'union' between Ilir and Ulu. Geographical natural conditions are not placed as a basis in the implementation and development of Palembang City.]]>
<![CDATA[PERSPEKTIF KONSERVASI ARSITEKTURAL PADA MASYARAKAT JAWA ]]>
<![CDATA[Johannes Adiyanto]]>
<![CDATA[ ATRIUM: Jurnal Arsitektur Vol. 1 No. 1 (2015): ATRIUM: Jurnal Arsitektur ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian pada Masyarakat (LPPM) Universitas Kristen Duta Wacana Yogyakarta ]]>
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DOI: 10.21460/atrium.v1i1.35
<![CDATA[Title: Architectural Conservation Perspective In Javanese Community Traditionally, Indonesian, with tropical climate, use wooden material for their building. The consequences of that material and the tropical climate is building cannot durable compare stone material. The building needs renewal more frequently and sometimes reconstruction.This study focus in Java building (houses) and their culture. In Javanese manuscripts (primbon), repairing the house is the same level with build the new one. To repair or to build the house for Javanese is not only the technical aspect (like structure or the form), but also about the connection with nature and their expectation in the future. Based on that understanding what the meaning of the conservation in Javanese culture? The subject for this study is architectural Javanese manuscripts (Primbon, Kawruh Kalang, and Kawruh Griya). This study uses hermeneutics method by Paul Ricouer. There are three steps: step one is to build the conservation understanding in Javanese culture, using content analysis. Step two is validation. This step using Ngibikan Village for case study. Step three is discussion. This step exploring the philosophical aspect in Javanese culture and compare with Ricouer thinking about „history,memory and forgetting?. The result of this exploration studies that for Javanese culture, conservation not only discuss about building. Based on Javanese philosophy that live only „stop? for drink (urip mung mampir ngombe), the conservation is a process, not result; the conservation is dynamic or change, not permanent or unchanged.]]>
<![CDATA[Perwujudan Bentuk Arsitektur Berbasis Aktivitas Sehari-hari: Studi Kasus: Pendekatan Maya Lin dan Eko Prawoto ]]>
<![CDATA[Johannes Adiyanto]]>
<![CDATA[ ATRIUM: Jurnal Arsitektur Vol. 7 No. 2 (2021): ATRIUM: Jurnal Arsitektur ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian pada Masyarakat (LPPM) Universitas Kristen Duta Wacana Yogyakarta ]]>
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DOI: 10.21460/atrium.v7i2.157
<![CDATA[Title: Architectural Forming in Daily Activities (Case Study: Maya Lin and Eko Prawoto Approach) Form is the based architecture. The idea of architecture can come true in the form. Architecture can become a container of human activities because form and space. This paper focusses on architectural form. The main question in this paper is how the architect creating their form’s based on their daily activities? This paper used qualitative phenomenology method to phenomenology hermeneutics approach. This method place the daily activities of responding. The cases are Maya Lin’s Vietnam Veteran Memorial and House of Eko Prawoto’s. Their cases were interpreted with Mangunwijaya thinking with written at Ragawidya. This paper shows that architectural form is a manifestation of the contemplation proses and from daily activities. The forming of architectural form is also a process of expression of the deposition of experiencing in the past time which carried out continuously. The result of forming is not an astonishing form, but familiar with everyday life.]]>
<![CDATA[ARSITEKTUR SEBAGAI MANIFESTASI IDENTITAS INDONESIA ]]>
<![CDATA[johannes adiyanto]]>
<![CDATA[ NALARs Vol 21, No 2 (2022): NALARs Volume 21 Nomor 2 Juli 2022 ]]>
Publisher : <![CDATA[Universitas Muhammadiyah Jakarta ]]>
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DOI: 10.24853/nalars.21.2.139-150
<![CDATA[Arsitektur secara umum dipahami sebagai ilmu bangunan. Namun bagaimana latar belakang munculnya pemikiran arsitektur terutama dalam perspektif politik dan kebangsaan tidak banyak di bahas.Paper ini melihat bagaimana suatu bangsa – dalam hal ini Indonesia – menempatkan arsitektur sebagai sebuah identitas kebangsaannya. Kasus waktu yang dipakai dalam paper ini adalah masa pemerintahan Sukarno, Suharto dan Joko Widodo. Pembacaan kasus arsitektur menggunakan cara baca semiotika, yang menempatkan karya arsitektur sebagai simbol yang dipersepsi oleh penerima simbol tersebut. Metode penulisan menggunakan metode sejarah yang sinkronik dan diakronik.Hasil pembahasan menunjukkan bahwa dari ketiga Presiden Indonesia tersebut menempatkan ‘arsitektur’ sebagai simbol identitas. Arsitektur diposisikan sebagai sarana komunikasi terhadap kebijakan-kebijakan politik identitasnya. Perbedaan dari ketiganya adalah lebih pada pendekatan arsitektur yang digunakan. Masa Presiden Sukarno menggunakan arsitektur modern sebagai sarana mempersatukan keberagaman arsitektural dan menunjukkan jati diri kesetaraan dengan bangsa lain. Hal yang penting sebagai salah satu negara yang baru merdeka saat itu. Masa Suharto justru sebaliknya menempatkan keberagaman arsitektural sebagai identitasnya atau menggunakan pendekatan arsitektur regionalisme, walau dengan pendekatan sentralistik dalam kebijakan politiknya dengan perundang-undangan yang mengikat. Pemerintahan Joko Widodo menggunakan keberagaman arsitektur namun dalam kemasan yang lebih mengkini dengan istilah arsitektur nusantara mengkini. Disini terlihat bahwa arsitektur dimaknai sesuai dengan pemimpin yang berkuasa saat itu. Arsitektur menjadi mempunyai kaitan erat dengan pemilihan pendekatan politik saat pemerintah itu berkuasa.]]>
<![CDATA[THE PRESERVATION OF RIVERBANK SETTLEMENT AS A TOURISM POTENTIAL IN THE CITY OF PALEMBANG, SOUTH SUMATERA ]]>
<![CDATA[Maya Fitri Oktarini]]>;
<![CDATA[Adiyanto Johannes]]>;
<![CDATA[Listen Prima]]>
<![CDATA[ INDONESIAN JOURNAL OF URBAN AND ENVIRONMENTAL TECHNOLOGY VOLUME 4, NUMBER 2, APRIL 2021 ]]>
Publisher : <![CDATA[Universitas Trisakti ]]>
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DOI: 10.25105/urbanenvirotech.v4i2.8305
<![CDATA[Aim: This study examines the current living culture of riverbank residents by observing the choice of factual house and the house preferences. A house is the physical characteristic of cultural products indicating the current living culture. The riverbank settlements are part of the historical development of the city of Palembang. Methodology and Results: This research focuses on the physical form of residential buildings from the perspective of socio-cultural preservation. Restoring the characteristics of the riverbank area is a necessary potential. The design process can be directed toward technical innovation, social aspect and the use of materials that correspond to the features of the area. Furthermore, the cultural ecological interaction has created a living culture in the riverbank. This is evident in the constructed houses of residents with structure, technology, and material conforming to the fluctuating conditions of the ecosystem. The settlement’s characteristics generate an image of a river city, which have also become a tourist attraction in Palembang. However, the living culture has changed due to the innovation in building technology, the shift in the focus of development, and the availability of natural resources which diminish these features. Conclusion, significance and impact of study: This will encourage tourists to visit the developed areas with a preservation approach, integrating new cultural living with the conservation of the river city features for tourism interest. Furthermore, the preservation of tourism activities are not only unchanged, but also an adaptation flexibility to continuously look for new forms for the symbiosis between man and nature.]]>
<![CDATA[Kekayaan Arsitektural Kampung Arab di Palembang ]]>
<![CDATA[Johannes Adiyanto]]>;
<![CDATA[Anjuma Perkasa Jaya]]>;
<![CDATA[Dessa Andriyali Armarieno]]>
<![CDATA[ Archvisual: Jurnal Arsitektur dan Perencanaan Vol 2 No 1 (2022): Archvisual ]]>
Publisher : <![CDATA[Program Studi Teknik Arsitektur, Fakultas Teknik, Universitas Sriwijaya ]]>
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DOI: 10.55300/archvisual.v2i1.1500
<![CDATA[Palembang merupakan salah satu kota di Indonesia yang mempunyai sejarah panjang. Selain itu Palembang juga berperan sebagai kota bandar atau kota perdagangan. Salah satu golongan pedagang yang kemudian berhuni di Palembang adalah Kaum Hadrami yang datang dari Hadramaut. Dua kampung tua tempat warga pedatang Hadrami ini tinggal adalah Kampung Al Munawar dan Kampung Assegaf. Paper ini menggunakan metode penelitian semotika dalam arsitektur yang menempatkan elemen bangunan di kedua kampung ini sebagai tanda yang dibaca secara makna denotasi dan kontasi. Paper ini menunjukkan bahwa wujud bangunan di kedua kampung ini terkait dengan kedekatan sosial ekonomi warga dengan penguasa saat itu, yaitu Kesultanan Palembang Darussalam dan juga pemerintah Hindia Belanda. Hasil dari penelitian dapat menjadi rujukan bagi penelitian lanjutan dan program pengembangan kota khususnya Kota Palembang.]]>
<![CDATA[Relasi Sistem Kekerabatan pada Arsitektur Tradisional di Desa Prapau Semende Sumatra Selatan ]]>
<![CDATA[Syahfira Dwinda]]>;
<![CDATA[Christina Gantini]]>;
<![CDATA[Johannes Adiyanto]]>
<![CDATA[ Arsir: Jurnal Arsitektur Vol 8 No 1 (2024): Arsir ]]>
Publisher : <![CDATA[Universitas Muhammadiyah Palembang ]]>
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DOI: 10.32502/arsir.v8i1.88
<![CDATA[Traditional architecture is a cultural heritage resulting from the lives of traditional communities, encompassing both art and architectural knowledge. Similar to traditional architecture in many other regions of the Indonesian archipelago, traditional Semende architecture represents cultural heritage with variations in function, ornamentation, and form, often referred to as "Rumah Baghi." In daily life, the Semende indigenous community has established a robust inheritance law, deeply influenced by their kinship system. Notably, they place special emphasis on the eldest daughter's position as a principle within their customary concept known as "Tunggu Tubang." This kinship system distinguishes them from other cultures and imparts a unique characteristic to Semende's traditional architecture. This research aims to examine how the Tunggu Tubang kinship system influences the physical manifestation of Semende's traditional architecture. The research employs a qualitative descriptive methodology, involving data collection through field observations, interviews, and relevant literature studies. The findings reveal that within the Semende indigenous society, the Tunggu Tubang kinship system is vividly reflected in the architecture. The spatial arrangement within the Rumah Baghi signifies social structure and hierarchy, exterior ornamentation symbolizes the characteristics of matrilineal kinship, and traditional architecture reflects the principles of robust matrilineal inheritance.]]>
<![CDATA[Kekayaan Arsitektural Kampung Arab di Palembang (Kasus Kampung Al Munawar dan Kampung Assegaf) ]]>
<![CDATA[Johannes Adiyanto]]>;
<![CDATA[Anjuma Perkasa Jaya]]>;
<![CDATA[Dessa Andriyali Armarieno]]>
<![CDATA[ Archvisual: Jurnal Arsitektur dan Perencanaan Vol. 2 No. 1 (2022): Archvisual JAP, Agustus 2022 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Sriwijaya ]]>
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DOI: 10.55300/e6bd4506
<![CDATA[Palembang is a historic city in Indonesia. Palembang serves as a port and a trading hub in addition. The Hadrami, who hailed from Hadramaut, were one tribe of traders who subsequently made Palembang their home. The Hadrami immigrants reside in the two historic villages of Al Munawar and Assegaf. In this study, architectural components in these two villages are used as signs that can be interpreted based on their denotation and connotation. This research method is known as semotics in architecture. This essay demonstrates how the socioeconomic proximity of the villagers to the ruling authorities at the time—namely the Palembang Darussalam Sultanate and the Dutch East Indies—is related to the shape of the buildings in these two villages. The result of the result would be a basis of next studies and also program of city development, especially in Palembang City.]]>
