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All Journal Open Access Indonesia Journal of Social Sciences Indonesian Community Empowerment Journal Open Access Indonesia Journal of Social Sciences Enigma in Economics Enigma in Cultural
Caelin Damayanti
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Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Social Sciences

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Journal : Enigma in Cultural

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Curating Dissent: Indigenous Artistic Interventions as Counter-Narratives in Settler-Colonial Archives Mary-Jane Wood; Caelin Damayanti; Dian Rahayu; Sandro Louise Oliveirra; Muhammad Hasan
Enigma in Cultural Vol. 3 No. 1 (2025): Enigma in Cultural
Publisher : Enigma Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61996/cultural.v3i1.101

Abstract

Settler-colonial archives have historically functioned as instruments of state power, perpetuating narratives that erase or marginalize Indigenous peoples' histories, knowledges, and sovereignties. This study investigated the growing phenomenon of contemporary Indigenous artistic interventions within these institutions, framing them as critical acts of "curating dissent" that challenge the archival claim to objective truth. This research employed a qualitative, comparative case study methodology to analyze three distinct, institutionally-sanctioned artistic interventions in major settler-colonial archives in Canada, Australia, and New Zealand between 2020 and 2024. A multi-modal data collection strategy included visual analysis of the artworks, textual analysis of archival records, and thematic analysis of 25 semi-structured interviews with artists, curators, and community members. The analysis revealed three primary strategies of intervention: (1) "Re-contextualization and Juxtaposition," which disrupts colonial classifications by placing Indigenous epistemologies alongside archival records; (2) "Embodied Knowledge and Affective Encounters," which uses performance and sensory elements to reanimate ancestral connections within the archive; and (3) "Digital Sovereignty and Archival Remixing," which leverages digital tools to reclaim and re-narrate colonial documents. Institutional responses ranged from enthusiastic collaboration to forms of negotiated resistance and containment. In conclusion, within the specific context of sanctioned projects, Indigenous artistic interventions function as potent decolonial practices that create new spaces for Indigenous knowledge and memory to flourish. This study proposes the concept of "Archival Acupuncture," a theoretical framework for understanding how these targeted, therapeutic interventions can systemically alter the narrative body of the archive to foster restorative justice. These acts signal a critical shift, demanding archives become active partners in a more just future.
Virtual Veneration: A Critical Inquiry into the Sacralization and Valorization of Digital Heritage in the Metaverse Ifah Shandy; Kevin Setiawan; Khalil Jibran; Caelin Damayanti
Enigma in Cultural Vol. 3 No. 2 (2025): Enigma in Cultural
Publisher : Enigma Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61996/cultural.v3i2.111

Abstract

The emergence of the metaverse presents a paradigm shift for how cultural heritage is experienced and valued. While technical digitization is well-studied, the socio-cultural processes by which digital objects acquire profound, quasi-sacred meaning remain critically underexplored. This study undertakes a critical inquiry into "virtual veneration," examining the mechanisms through which digital artifacts are sacralized and valorized within metaverse environments. A sequential explanatory mixed-methods design was employed. Phase one involved a qualitative thematic analysis of three leading metaverse platforms (Decentraland, The Sandbox, VRChat) to identify key features of value creation. Phase two was a large-scale quantitative analysis of behavioral data from a diverse cohort of 10,000 users within the Virtual Artifact Interaction Model (VAIM), a controlled experimental environment. Acknowledging the philosophical limits of measuring "sacredness," we developed a composite "Index of High-Value Collective Attention" (HVCA) based on metrics of dwell time, interaction frequency, and social signal amplification to operationalize the behavioral markers of veneration. The qualitative analysis revealed three core themes: "The Architecture of Awe," "Ritualized Communitas," and "The Aura of Scarcity." The quantitative analysis demonstrated that "Community Narrative" was the most powerful predictor of an artifact's HVCA score (), far exceeding the impact of authenticity or scarcity. A significant synergistic effect was found between environmental conditions of "Exclusive Access" and "Ritualistic Interaction" (), confirming that architectural framing and social protocols work in concert. Social proof directed 65.4% of user attention, indicating that valorization is a socially contingent and path-dependent process. In conclusion, the sacralization of digital heritage is a complex socio-technical process contingent on platform design, community ritual, and perceived authenticity. However, this study concludes that these mechanisms, particularly when mediated by speculative economies, create a "networked aura" that functions as a political inversion of Walter Benjamin's original concept, re-ritualizing art for markets. The findings suggest the emergence of a "hyper-sacred"—emotionally potent but ontologically unmoored—posing profound ethical and philosophical questions for the future of cultural value.
Co-Authors Aman Suparman Andi Fatihah Syahrir Anies Fatmawati Aylin Yermekova Benyamin Wongso Dais Susilo Danila Adi Sanjaya Delia Tamim Dian Rahayu Emir Abdullah Gayatri Putri Hesti Putri Ifah Shandy Jasmila Tanjung Jovanka Andina Kevin Setiawan Khalil Jibran Mary-Jane Wood Muhammad Hasan Neva Dian Permana Nurwijayanti Sandro Louise Oliveirra Sarah Armalia Susi Diana