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All Journal English and Literature Journal Puitika DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Andalas International Journal of Socio-Humanities Arif: Jurnal Sastra dan Kearifan Lokal Jurnal Linguistik Terapan
Aryana Nurul Qarimah
Universitas Sam Ratulangi
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : puitika

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Peralihan Fokalisasi serta Ambiguitas Narator dan Tokoh sebagai Strategi Defokalisasi pada Narasi Novel Seperti Dendam, Rindu Harus Dibayar Tuntas Karya Eka Kurniawan Komariya, Siti; Prades Pratiwi, Dyani; Nurul Qarimah , Aryana
Puitika Vol. 21 No. 1 (2025)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v21i1.692

Abstract

Magical realism is a branch of science that is still relevant to be discussed today. Defocalization, which is a strategy of magical realism, is one of the ways to define a magical realism narrative by using a distinctive strategy in its storytelling style. Two forms found in the defocalization strategy are focalization switching and narrator ambiguity. The purpose of this study is to reveal the shift of focalization which then affects the ambiguity of the narrator. The theory used is magical realism by Wendy B. Faris by highlighting the Defocalization section. The novel Seperti Dendam, Rindu Harus Dibayar Tuntas has two forms of defocalization strategies and narrator ambiguity as part of the defocalization strategy offered in the form of ambiguous dialogue narration. From the switch of focalization, the ambiguity of the narrator emerges, which makes the narrative more confusing. This study found that in this novel several narratives contain focalization switches which then cause ambiguity in the position of the narrator. However, the novel also asserts that the switch of focalization and ambiguity of the narrator are not influenced by something magical because the role of the narrator and the character is more than the role of something else (magical).
Formasi Ideologi dalam Cerita Pendek “God Sees Truth, But Waits” Karya Leo Tolstoy Qarimah, Aryana Nurul; Pratiwi, Dyani Prades; Komariya, Siti
Puitika Vol. 21 No. 2 (2025):
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v21i2.735

Abstract

Formasi ideologi dalam cerita pendek “God Sees the Truth, But Waits” menjadi fokus utama penelitian ini, khususnya terkait bagaimana berbagai ideologi direpresentasikan dan dinegosiasikan dalam cerita. Dengan menggunakan kerangka hegemoni Antonio Gramsci, penelitian ini memandang teks bukan hanya sebagai cerita moral, tetapi sebagai ruang kontestasi ideologi. Pendekatan kualitatif diterapkan dengan desain analisis wacana kritis melalui teknik close reading untuk mengidentifikasi struktur naratif, penokohan, dialog, dan simbol sebagai penanda ideologis. Hasil penelitian menunjukkan bahwa tradisionalisme, materialisme, anarkisme, humanisme, dan spiritualisme hadir dan saling berinteraksi melalui hubungan ideologi kontradiktif, korelatif, dan subordinatif. Materialisme tampak sebagai ideologi dominan pada awal narasi, sementara spiritualisme secara bertahap menjadi ideologi penengah melalui transformasi tokoh utama. Pergeseran ini menunjukkan adanya negosiasi ideologi yang berlangsung melalui mekanisme konsensus alih-alih paksaan sebagaimana konsep hegemoni Gramsci. Penelitian ini menyimpulkan bahwa “God Sees the Truth, But Waits” tidak hanya menampilkan nilai moral dan spiritual, tetapi juga merepresentasikan ideologi kolektif yang mencerminkan pandangan sosial-politik Tolstoy sebagai pengarang.
Co-Authors Dyani Prades Pratiwi Karina Yunita Utari Komariya, Siti Prades Pratiwi, Dyani Pratiwi, Dyani Prades RANUNTU, GARRYN CHRISTIAN Saputra, Buyung Ade Serliah Nur