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Analisis Ketidakadilan Gender Terhadap Tokoh Perempuan Laura dalam Film Laura Menggunakan Kajian Feminisme Rahmadini, Suci Nur; Alsunah, Aditya Ansor; Nurwahidah, Lina Siti
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.329

The aim of the research is to analyze the forms of gender injustice experienced by the female character Laura in the film Laura through the lens of feminist studies. This study is grounded in the understanding that films often reflect and reinforce gendered power relations, making them important cultural texts for examining women’s experiences of oppression. Feminist theory provides the conceptual basis for identifying how patriarchal structures are represented and how they shape the narrative surrounding female characters. This research uses a qualitative descriptive-analytical method to explore scenes, dialogues, and narrative elements that construct Laura’s experiences. Data were collected using documentation techniques by identifying and recording film segments that indicate gender injustice. The analysis focuses on key feminist concepts such as marginalization, violence, subordination, and the reduction of female agency. Through this framework, the study interprets not only the visible acts of injustice but also the symbolic meanings embedded in the film’s portrayal of Laura. The findings indicate that Laura encounters various forms of gender injustice, including five instances of marginalization and four instances of violence. These portrayals reveal how the film reproduces patriarchal patterns that position women as vulnerable and socially limited. Cinematic elements—such as framing, narrative emphasis, and emotional depiction—further reinforce Laura’s disadvantaged position within the storyline. Overall, this study contributes to feminist film analysis by showing how Laura perpetuates gender-biased representations that restrict female autonomy. The research underscores the importance of feminist perspectives in uncovering power imbalances and promoting more equitable portrayals of women in contemporary media.

Distorsi Kewarasan dan Analisis Perkembangan Tokoh Utama dalam Novel Assavella dan Ballerina (Assavella 2): Perspektif Psikologi Salma, Mardiatu; Alsunah, Aditya Ansor; Nurwahidah, Lina Siti; Julianto, Cecep Dudung
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.331

The research entitled Sanity Distortion and Analysis of Main Character Development in the Novels Assavella and Ballerina (Assavella 2): A Literary Psychology Perspective aims to reveal the form of sanity distortion and the psychological development of the main characters through a literary psychology approach. These two Wattpad novels depict trauma, inner conflict, and social pressure that affect the mental condition of the characters. This research is a literature study with a qualitative descriptive method. Data in the form of narrative texts, dialogues, and monologues were collected through reading and note-taking methods. The results of the study show that the main character experiences sanity distortion due to past trauma and social pressure in Assavella, then shows the process of recovery and self-acceptance in Ballerina (Assavella 2). Thus, both novels represent a psychological journey from destruction to awareness and self-healing.

Analisis Penggunaan Bahasa Gaul Sebagai Ragam Nonformal Pada Dialog Film “Keluarga Besar” Nazmi, Alya; Alsunah, Aditya Ansor; Nurwahidah, Lina Siti; Julianto, Cecep Dudung
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.356

This study aims to analyze the use of slang as a non-formal language variety in the dialogue of the film “Big Family”. The focus of the study includes the forms of slang, their functions, and the factors influencing their use. The method used was descriptive qualitative, using listening and note-taking techniques for film dialogue containing slang. The results showed nine types of slang, consisting of slang, abbreviations, and foreign language borrowings. Slang is the most dominant form used in the film's dialogue. The use of slang serves to create a relaxed and friendly communication atmosphere, express the speaker's emotions, mark the social identity of the group, and streamline speech. Factors influencing the use of slang include the informal communication situation, the age and social background of the characters, the influence of media and globalization, and the purpose of the communication. Thus, the dialogue in the film “Big Family” represents the use of slang that reflects the linguistic reality of modern society.

Analisis Nilai Moral Perjuangan Ibu dan Anak dalam Film Mars: Kajian Sosiologi Sastra Pitriani, Pipit; Alsunah, Aditya Ansor; Nurwahidah, Lina Siti; Julianto, Cecep Dudung
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.357

Literary works are a depiction of the imaginary life of a writer. One form of literary work is film. This study aims to describe the moral values in the film entitled MARS "Mimpi Ananda Raih Semesta" by director Sahrul Gibran. This research was conducted using a descriptive qualitative method and a sociological approach to literature. The focus of this research is the moral values contained in the film which is the object of research. To classify the data, moral values according to Burhan Nurgiyantoro were used, which divide moral values into three parts, namely (1) moral values related to humans with themselves, (2) moral values related to humans with other humans in the social and natural spheres, (3) moral values related to humans with God. Data collection was carried out by document analysis through a review of scenes, dialogues, and the actions of the main characters. The results of this study indicate that in the film MARS "Mimpi Amanda Raih Semesta" there are three moral values related to oneself in the form of hard work, never giving up, patience and determination, and self-confidence. Three moral values related to others in the form of compassion, empathy, and mutual assistance. As well as two moral values related to God in the form of sincerity and the power of prayer. This film depicts a mother who persistently fights for her child's education as a form of love, sacrifice and deep faith.

Ketidakadilan Gender dan Strategi Bertahan Perempuan dalam Cantik Itu Luka karya Eka Kurniawan Nurhasanah, Siti; Indriyani, Iin; Haryadi, Ardi Mulyana; Alsunah, Aditya Ansor
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.365

Literary works function not only as aesthetic expressions but also as reflections of social realities, including issues of gender inequality. This study examines gender injustice and women’s survival strategies in Cantik Itu Luka by Eka Kurniawan, with a particular focus on the character of Dewi Ayu as the central figure. The research aims to identify the forms of gender-based injustice experienced by the female protagonist and to analyze her strategies for survival within the context of colonial patriarchy. Employing a qualitative descriptive method, this study applies feminist criticism and a sociological literary approach. Data were collected through library research and close textual analysis of relevant narrative excerpts, which were then interpreted critically. The findings reveal that Dewi Ayu experiences multiple forms of gender injustice, including negative stereotyping, sexual violence, physical and emotional abuse, and the objectification of the female body within a patriarchal colonial system. Rather than portraying resistance through overt physical rebellion, the novel represents the protagonist’s struggle through survival strategies such as bodily negotiation and endurance in oppressive circumstances. This study concludes that Cantik Itu Luka portrays women as subjects who endure layered oppression while simultaneously articulating a strong social critique of patriarchal domination.

INTEGRATING THE MEANING OF LIFE AND MENTAL HEALTH EDUCATION THROUGH THE NOVEL A PORTION OF CHICKEN MIE BEFORE DIE BY BRIAN KHRISNA Wulandari, Wulandari; Alsunah, Aditya Ansor; Nurwahidah, Lina Siti; Julianto, Cecep Dudung
Journal Of Educational Experts (JEE) Vol. 9 No. 1 (2026): JOURNAL OF EDUCATIONAL EXPERTS (JEE)
Publisher : Kopertis Region IV Jabar and Banten

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30740/jee.v9i1.351

This study aims to analyze the psychological aspects of the main character in the novel Seporsi Mie Ayam Before Death by Brian Khrisna using Sigmund Freud's psychoanalytic theory as the main foundation. The method used is a qualitative approach with content analysis techniques. The focus of the research is on the interaction of Freud's three personality structures, namely id, ego, and superego in describing the inner conflicts experienced by the character. The results of the analysis show that the conflict between the instinctive impulse (id) to avoid suffering, the mechanism of self-control (ego), and moral demands or social norms (superego) form a realistic and complex psychological picture of the character. This dynamic also reveals how the characters struggle to find meaning in life in conditions of depression and existential crisis. This study shows that Freud's psychoanalytic approach is effective for the study of literary psychology in exploring mental health problems and the search for meaning in contemporary Indonesian literary works.

THE EDUCATIONAL IMPLICATIONS OF A CHILD’S EMOTIONAL JOURNEY IN FACING THE LOSS OF A FATHER FIGURE IN THE NOVEL AYAH, WHERE IS THIS GOING? Yulyanti, Caci Selfi; Alsunah, Aditya Ansor; Nurwahidah, Lina Siti; Julianto, Cecep Dudung
Journal Of Educational Experts (JEE) Vol. 9 No. 1 (2026): JOURNAL OF EDUCATIONAL EXPERTS (JEE)
Publisher : Kopertis Region IV Jabar and Banten

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30740/jee.v9i1.352

This study aims to describe the emotional journey of children in dealing with the loss of the father figure as represented in the novel Father, This Is the Direction to Where, huh? by Khoirul Trian. This study uses a literary psychology approach with Sigmund Freud's psychoanalytic theory which includes aspects of id, ego, and superego. The research method used is qualitative descriptive with data collection techniques in the form of documentation studies through the extraction of relevant quotes from the novel. The data analysis technique is carried out using content analysis with the stages of reading the text in depth, determining the unit of analysis, classifying the data based on psychological aspects, and interpreting the meaning of the text. The results showed that the id aspect was the most dominant element with six citations, while the ego and superego aspects were found in two citations each. Thus, this novel represents the psychological process of children who experience the loss of a father in a complex and layered manner, as well as depicting psychological dynamics that are relevant to the emotional phenomena of the younger generation in the Indonesian social context.

REPRESENTASI KEPRIBADIAN TOKOH UTAMA DALAM FILM LA TAHZAN: CINTA, DOSA, LUKA. KAJIAN PSIKOLOGI SASTRA SIGMUND FFREUD Yulliandri Amelia; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
Anafora: Jurnal Penelitian Mahasiswa Pendidikan Bahasa dan Sastra Indonesia Vol 6 No 1 (2026)
Publisher : Prodi Pendidikan Bahasa dan Sastra Indonesia, FKIP, UNIKU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/ajpm.v6i1.312

ABSTRAK: Penelitian ini bertujuan untuk mendeskripsikan representasi kepribadian tokoh utama dalam film La Tahzan: Cinta, Dosa, Luka berdasarkan kajian psikologi sastra Sigmund Freud yang meliputi aspek id, ego, dan superego. Film ini dipilih karena menampilkan konflik rumah tangga yang kompleks serta dinamika emosional tokoh utama akibat perselingkuhan, sehingga menarik untuk dikaji dari sudut pandang psikologis. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif analitik. Data penelitian berupa dialog, adegan, serta ekspresi tokoh utama yang merepresentasikan aspek id, ego, dan superego. Teknik pengumpulan data dilakukan melalui observasi teks terhadap film, sedangkan teknik analisis data meliputi reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa aspek id pada tokoh utama tercermin melalui dorongan emosi yang muncul secara sponta akibat pengkhianatan. Aspek ego tampak melalui tindakan nyata tokoh utama dalam merespons konflik dengan mempertimbangkan realitas yang dihadapi, baik melalui pengendalian diri maupun tindakan langsung. Sementara itu, aspek superego terlihat melalui kesadaran moral tokoh utama, seperti rasa bersalah, empati, simpati, serta sikap memaafkan. Dengan demikian, film La Tahzan: Cinta, Dosa, Luka merepresentasikan pergulatan batin manusia secara kompleks melalui struktur kepribadian id, ego, dan superego. KATA KUNCI: psikologi sastra; id ego superego; tokoh utama; film La Tahzan; kepribadian tokoh > REPRESENTATION OF THE MAIN CHARACTER'S PERSONALITY IN THE FILM LA TAHZAN: LOVE, SIN, WOUND. LITERARY PSYCHOLOGY REVIEW OF SIGMUND FFREUD ABSTRACT: This study aims to describe the representation of the main character’s personality in the film La Tahzan: Cinta, Dosa, Luka based on Sigmund Freud’s literary psychology, which includes the aspects of id, ego, and superego. The film was selected because it presents complex marital conflicts and the emotional dynamics of the main character resulting from infidelity, making it relevant to be examined from a psychological perspective. This study employs a qualitative approach using a descriptive-analytic method. The research data consist of dialogues, scenes, and expressions of the main character that represent the aspects of id, ego, and superego. Data collection techniques were carried out through textual observation of the film, while data analysis techniques included data reduction, data presentation, and drawing conclusions. The results of the study indicate that the id aspect of the main character is reflected through spontaneous emotional impulses arising from betrayal. The ego aspect is shown through the main character’s concrete actions in responding to conflict by considering the realities faced, either through self-control or direct actions. Meanwhile, the superego aspect is reflected in the main character’s moral awareness, such as feelings of guilt, empathy, sympathy, and an attitude of forgiveness. Thus, the film La Tahzan: Cinta, Dosa, Luka represents the complex inner struggle of human beings through the personality structure of id, ego, and superego. KEYWORDS: literary psychology; id ego superego; main character; La Tahzan film; character personality

ANALISIS SEMIOTIKA ROLAND BARTHES ATAS LAGU “DI AKHIR PERANG” NADIN AMIZAH Dela Ayu Puspita; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
Anafora: Jurnal Penelitian Mahasiswa Pendidikan Bahasa dan Sastra Indonesia Vol 6 No 2 (2026)
Publisher : Prodi Pendidikan Bahasa dan Sastra Indonesia, FKIP, UNIKU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/ajpm.v6i2.296

ABSTRAK: Penelitian ini mengkaji makna yang terkandung dalam lirik lagu Di Akhir Perang karya Nadin Amizah dengan menggunakan teori semiotika Roland Barthes. Analisis semiotika Roland Barthes dalam penelitian ini menitikberatkan pada tiga tataran pemaknaan, yaitu denotasi, konotasi, dan mitos yang terkandung dalam lirik lagu tersebut. Metode penelitian yang digunakan adalah kualitatif interpretatif dengan teknik pengumpulan data berupa studi dokumentasi. Data penelitian diperoleh dari lirik lagu serta sumber pustaka yang relevan. Hasil penelitian menunjukkan bahwa makna denotatif dalam lagu ini menggambarkan kondisi pascakonflik, makna konotatif merepresentasikan konflik batin dan luka emosional dalam hubungan interpersonal, sedangkan makna mitos membangun pemahaman budaya bahwa cinta dipersepsikansebagai perjuangan emosional yang sarat dengan pengorbanan dan penderitaan. Penelitian ini diharapkan dapat memberikan kontribusi dalam kajian semiotika terhadap karya musik populer Indonesia. KATA KUNCI: lirik lagu; semiotika Roland Barthes; denotasi; konotasi; mitos > ROLAND BARTHES’ SEMIOTIC ANALYSIS OF NADIN AMIZAH’S SONG “Di Akhir Perang” ABSTRACT: This study examines the meaning contained in the lyrics of the song "Di Akhir Perang" by Nadin Amizah using Roland Barthes' semiotic theory. Roland Barthes' semiotic analysis in this study focuses on three levels of meaning: denotation, connotation, and myth, contained in the song's lyrics. The research method used is qualitative interpretative with data collection techniques in the form of documentation studies. The research data were obtained from the song's lyrics and relevant literature sources. The results show that the denotative meaning in this song depicts post-conflict conditions, the connotative meaning represents inner conflict and emotional wounds in interpersonal relationships, while the mythical meaning builds a cultural understanding that love is perceived as an emotional struggle filled with sacrifice and suffering. This research is expected to contribute to the semiotic study of Indonesian popular music. KEYWORDS: song lyrics; Roland Barthes` semiotics; denotation; connotation; myth

PENCARIAN MAKNA HIDUP TOKOH UTAMA NOVEL SEPORSI MIE AYAM SEBELUM MATI : KAJIAN PSIKOLOGI SASTRA Fiam Musahlah; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
J-KIP (Jurnal Keguruan dan Ilmu Pendidikan) Vol 7, No 2 (2026): JUNI
Publisher : Faculty of Teacher Training and Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/j-kip.v7i2.22998

Penelitian ini bertujuan untuk menganalisis proses pencarian makna hidup tokoh utama dalam novel Seporsi Mie Ayam Sebelum Mati karya Brian Khrisna dengan menggunakan pendekatan psikologi sastra. Fokus penelitian diarahkan pada dinamika psikologis tokoh utama yang mengalami krisis eksistensial, kehampaan makna hidup, serta perubahan batin sepanjang alur cerita. Krisis tersebut muncul akibat tekanan hidup, kegagalan personal, serta perasaan kehilangan yang berkelanjutan sehingga mendorong tokoh pada kondisi putus asa dan keinginan untuk mengakhiri hidup. Metode penelitian yang digunakan adalah metode kualitatif deskriptif dengan teknik analisis teks. Data penelitian berupa kutipan dialog, narasi, dan monolog batin tokoh utama yang merepresentasikan kondisi psikologisnya. Analisis data dilakukan melalui proses reduksi, klasifikasi, dan interpretasi data berdasarkan konsep psikologi sastra. Landasan teori yang digunakan adalah teori logoterapi Viktor E. Frankl, khususnya konsep kehampaan eksistensial serta tiga sumber makna hidup, yaitu nilai pengalaman, nilai sikap, dan nilai kreatif. Hasil penelitian menunjukkan bahwa tokoh utama mengalami krisis eksistensial yang ditandai oleh perasaan hampa, kehilangan harapan, dan kecenderungan bunuh diri. Namun, melalui pengalaman sederhana, relasi kemanusiaan, serta perubahan sikap dalam memaknai penderitaan, tokoh utama secara bertahap mampu menemukan kembali makna hidupnya secara lebih bermakna dan manusiawi dalam konteks kehidupan sosial sehari-hari..

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