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Dimas Eko Saputro
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GUS MARCH-PHILLIPS’ TRANSFORMATIONAL LEADERSHIP IN CULTIVATING SUPPORTIVE ENVIRONMENT IN THE MINISTRY OF UNGENTLEMANLY WARFARE FILM Dewi Syifanaya Firdausy Nurdin; Qurrota A'yunin; Romadhona Resa Ayu Sari; Bagus Pratama Wijayanto; Rommel Utungga Pasopati; Cahyaningsih Pujimahanani; Dimas Eko Saputro
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This study examines the reason behind transformational leadership is portrayed, namely the idea of cultivating a supportive environment, as exemplified by Gus March-Phillips in Guy Ritchie's film The Ministry of Ungentlemanly Warfare. The movie, which is set during World War II, emphasizes how Gus's leadership promotes friendship, and fostered a more inclusive and supportive work environment where team members feel valued and engaged. The research demonstrates Gus's capacity to build strong trust-based relationships with his followers, and allowing members to express their concerns freely through a qualitative examination of significant conversations and situations. The results show behind Gus’ cultivating a supportive environment and regard for motivated to contribute, which are hallmarks of transformational leadership, can improve team cohesiveness and personal development.
PSYCHOANALYSIS, MORALITY, AND IDEOLOGY PERSPECTIVES IN QUENTIN TARANTINO’S PULP FICTION MOVIE Yoshua Veron Handika Putra Siadari; Nasywa Nuzula Ramadhani; Anicleta Yuliastuti; Ni Nyoman Sarmi; Rommel Utungga Pasopati; Dimas Eko Saputro
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This article examines the complex relationships by understanding the perspectives of ideology, morality, and psychoanalysis. The main characters of this movie are Vincent Vega and Jules Winnfield. Pulp Fiction was directed by Quentin Tarantino in 1994. The authors of this article employ a qualitative method, which allows the reader to learn more about the object's background. The study demonstrates how these three viewpoints influence the characters' actions and the plot by looking at the psychological motivations, ethical issues and ideological factors at play in the movie. A deeper understanding of how Pulp Fiction deals with issues of identity management, ethical standards, and society's impact is made possible by the examination of these perspectives. The film offers an interesting story that challenges audiences to consider human nature and the idea of redemption in a morally unstable society. In conclusion, this movie is full of various literary devices and meanings, making it important to be underlined within psychoanalysis, morality and even ideology perspectives.
POSEY’S ALTRUISM AND HER HIGH EMPATHETIC DEEDS IN MITCH ALBOM’S NOVEL FOR ONE MORE DAY Riska Dewi Ramadhani; Happy Julia Rahmadianti; Novanda Lukwita Hakim; Rommel Utungga Pasopati; Rindrah Kartiningsih; Dimas Eko Saputro
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This paper examines the relationship between altruism and high empathetic deeds through the character Posey in Mitch Albom’s For One More Day. Altruism, as a selfless concern for the welfare of others based on a genuine desire to help them, is directly related to the capacity for empathy—especially when one does so without expecting anything in return. Using qualitative literary analysis, this study focuses on Posey’s emotional sensitivity and selfless actions toward her son, Charley Benetto, and those around her. Drawing on theories of empathy and altruism, this study explores key scenes that demonstrate Posey’s ability to understand and respond to the emotional needs of others with compassion. The study’s findings suggest that Posey’s altruism is rooted in her high empathy, which manifests in her caring, nurturing, and emotional support. In conclusion, Posey’s character demonstrates how empathy is a driving force behind altruistic behavior in literature and in human life.
CHILDHOOD TRAUMA IN PARAMORE’S SONG THE ONLY EXCEPTION Astika R. Pratiwi; Rizal Rafiuddin; Firdausy Alya Hasana; Lisma Ayu Arditha; Rommel Utungga Pasopati; Ni Nyoman Sarmi; Dimas Eko Saputro
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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>This study investigates the representation of childhood trauma in Paramore’s song The Only Exception by analyzing its figurative language through the lens of trauma theory. Using a qualitative descriptive approach, the research explores how the lyrics articulate the long-term psychological effects of witnessing parental conflict and how figurative devices, such as metaphor, personification, hyperbole, paradox, and repetition, convey the narrator’s emotional struggles. Drawing on Herman’s (1992) and Perry’s (2001) theories of trauma alongside contemporary scholarship on childhood adversity, this study demonstrates that the song reflects trauma not only as an individual experience but also as a cultural narrative. The results highlight how trauma manifests in avoidance strategies, mistrust of love, and fear of intimacy, yet also reveal the possibility of resilience and gradual healing. By positioning popular music as literature, the research underscores how songs can serve as testimonies of private pain that become accessible to a wider audience, turning trauma into a shared cultural text. In conclusion, this study contributes to the fields of literature, cultural studies, and psychology by showing how music operates as both artistic expression and psychological discourse.
Co-Authors Anicleta Yuliastuti Astika R. Pratiwi Bagus Pratama Wijayanto Cahyaningsih Pujimahanani Dewi Syifanaya Firdausy Nurdin Firdausy Alya Hasana Happy Julia Rahmadianti Lisma Ayu Arditha Nasywa Nuzula Ramadhani Ni Nyoman Sarmi Novanda Lukwita Hakim Pasopati, Rommel Utungga Qurrota A'yunin Rindrah Kartiningsih Riska Dewi Ramadhani Rizal Rafiuddin Romadhona Resa Ayu Sari Yoshua Veron Handika Putra Siadari