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All Journal Jurnal Dimensi DKV Seni Rupa dan Desain Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Journal of Social Humanities and Education: Scripta Humanika
Ekananda Haryadi
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Arts Humanities Education Social Sciences

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Estetisasi Kesedihan dalam Konten Digital: Analisis Humaniora atas Ekspresi Emosional di Era Budaya Digital Daniel Marlasputra Simbolon; Ekananda Haryadi
Jurnal Sosial Humaniora dan Pendidikan Vol 1 No 2 (2025): November: Jurnal Sosial Humaniora dan Pendidikan: Scripta Humanika
Publisher : CV SCRIPTA INTELEKTUAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.65310/zzwbrw75

Abstract

This study explores the phenomenon of aestheticizing sadness in digital content as a form of emotional expression in the digital culture era. Using a qualitative approach and content analysis methods on academic literature and humanities theory, this study maps aesthetic practices in visual, narrative, and communal dimensions. The results show that digital content emphasizing sadness functions as a means of emotional communication that allows individuals to express themselves while building intense and collective social interactions. This aesthetics of sadness creates an immersive experience that strengthens online community solidarity and shapes a flexible yet consistent digital identity. These findings contribute to the understanding of digital humanities, sociology of emotions, and cultural studies by emphasizing the importance of aesthetics as a mechanism of interpretation and social interaction in the virtual world. This study recommends further research on the psychological, social, and cultural implications of the aestheticization of emotions in digital media.
Perancangan Media Infografis SOP Keselamatan Kerja (K3) Pada Lingkungan Industri Manufaktur Daniel M Simbolon; Bambang Tri Wardoyo; Meily Christina; Ekananda Haryadi; Menul Teguh Riyanti; Wegig Murwonugroho; Yosua Reydo Respati; Dikdik Adikara Rachman; Tommy Hari Prihatanto; Leonardus Aryo Gitoprakoso Widyarto
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 5 No. 1 (2026): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v5i1.8640

Abstract

Occupational Health and Safety (OHS) is a crucial aspect in manufacturing industries due to the high risk of workplace accidents caused by heavy machinery, chemical substances, and intensive production activities. Companies usually provide Standard Operating Procedures (SOP) as safety guidelines; however, SOPs are often delivered in long textual formats that are less engaging, making workers reluctant to read or difficult to understand quickly. This study aims to design an infographic-based SOP media as an effective visual communication tool to improve workers’ understanding of safety procedures. The research applies a qualitative method with a design approach through workplace observation, interviews with HSE personnel, literature review, and design validation using questionnaires. The results produce infographic media in the form of posters and signage presenting PPE usage procedures, hazard warnings, and evacuation steps using safety color codes, icons, and readable typography. The conclusion indicates that infographic SOP media is more effective than text-based SOP because it improves readability, comprehension, and workers’ memory of safety procedures.
LOGO AZKO DALAM PERSPEKTIF SEMIOTIKA ROLAND BARTHES: KONSTRUKSI IDENTITAS VISUAL MELALUI REBRANDING: AZKO Logo in the Perspective of Roland Barthes’ Semiotics: Constructing Visual Identity through Rebranding Harris Effendi; Ekananda Haryadi
Jurnal Dimensi DKV: Seni Rupa dan Desain Vol. 10 No. 2 (2025): Jurnal Dimensi DKV Seni Rupa dan Desain
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/jdd.v10.i2.24153

Abstract

AZKO Logo in the Perspective of Roland Barthes’ Semiotics: Constructing Visual Identity through Rebranding. This study examines the AZKO logo through Roland Barthes’ semiotic framework, focusing on three layers of meaning: denotation, connotation, and myth. Using a qualitative approach, the analysis explores visual elements capital, which are letters “AZ” and “KO,” the red dot, and the dominant use of red that constructs meanings beyond their graphic form. Findings reveal that the logo functions not only as a visual identity but also as a symbolic medium representing completeness, collaboration, openness, and adaptability. The rebranding from Ace Hardware Indonesia to AZKO illustrates a strategic shift that communicates efficiency, courage, and professionalism, while producing myths of modernity and local independence. Academically, this research contributes to visual semiotics by highlighting logos as ideological communication tools. Practically, it provides insights for companies seeking to reinforce local identity through rebranding. Future research is encouraged to explore culture-based logo designs, conduct global-local rebranding comparisons, and investigate consumer perception to better understand public interpretations.
PERANCANGAN IDENTITAS VISUAL OBJEK WISATA CURUG LUHUR SUKABUMI SEBAGAI STRATEGI PENGUATAN CITRA MELALUI PENDEKATAN DESIGN THINKING: DESIGNING THE VISUAL IDENTITY OF CURUG LUHUR TOURISM DESTINATION IN SUKABUMI AS A STRATEGY FOR IMAGE ENHANCEMENT THROUGH A DESIGN THINKING APPROACH Harris Effendi; Dida Nurhaida; Fajar Rezandi; Erin Valencia; Ekananda Haryadi
Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Vol. 8 No. 3 (2025): Jurnal Seni dan Reka Rancang
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/jsrr.v8i3.24821

Abstract

Designing The Visual Identity Of Curug Luhur Tourism Destination In Sukabumi As A Strategy For Image Enhancement Through A Design Thinking Approach. Tourism destinations require strong and consistent visual identities to communicate their unique character and enhance recognition among visitors. Curug Luhur, a natural attraction in Sukabumi, currently lacks a coherent logo, tagline, and visual guideline, resulting in weak brand visibility. This research aims to strengthen the image of Curug Luhur tourism destination through the design of a visual identity using the Design Thinking approach. The study was conducted collaboratively with local residents and village authorities, following the stages of empathize, define, ideate, prototype, and test. The final design, featuring waterfall and foliage elements in turquoise tones, effectively reflects the natural charm of Curug Luhur. A perception test involving 30 respondents yielded over 85% positive responses in terms of aesthetics, readability, and meaning relevance. The resulting visual identity guideline serves as a strategic tool to ensure communication consistency and reinforce destination branding. Beyond visual outputs, this research also contributed to enhancing community capacity in creative visual promotion and supporting the growth of local creative economy initiatives related to tourism.
Co-Authors Bambang Tri Wardoyo Daniel M Simbolon Daniel Marlasputra Simbolon Dida Nurhaida Dikdik Adikara Rachman Erin Valencia Fajar Rezandi Harris Effendi Leonardus Aryo Gitoprakoso Widyarto Meily Christina Menul Teguh Riyanti Tommy Hari Prihatanto Wegig Murwonugroho Yosua Reydo Respati