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All Journal Jurnal Al-Tadzkiyyah Texture : Art and Culture Journal Abdi Seni Acintya Capture : Jurnal Seni Media Rekam Gelar : Jurnal Seni Budaya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Retina Jurnal Fotografi INJECT Interdisciplinary Journal of Communication
Prasetyo, Andry
Institut Seni Indonesia Surakarta
Religion Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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CARA MELIHAT Prasetyo, Andry
Acintya Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v11i1.2610

Abstract

Abstract This study discusses John Berger's book entitled: The Way of Seeing which was first printed in 1972. The purpose of this study is to urge photographers to study harder and implement critical theories about concepts and philosophies that support photography. This language urgency helps foster the critical spirit and instinct of students who are studying photography.This research departs from a literature review. Because of its basic research, with qualitative descriptive forms, it is in the search for data sources on primary and secondary data. Primary data is Berger's original work entitled How to Look, while the secondary one is a review and commentary on Berger's main work by other authors.The results of this study show the concept of thought of John Berger: Seeing the building of our existence in the world that surrounds us, therefore we can explain in words, whatever is around us. Seeing not only the affairs of the mechanical reaction of the eye organs (lens, retina, etc.) but there is the activity of choosing from so many things outside us that are visible to the eye. Keywords: John Berger, How to Look, Critical Theory, Photographer
FOTOGRAFI PANGGUNG SOLO INTERNATIONAL ETHNIC MUSIC DI KORAN SOLOPOS DAN KOMPAS TEKNIK DAN ESTETIS Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 1 No. 2 (2010)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v1i2.475

Abstract

Stage Photography is one of the branches of science photography, which is devoted to the documentation of art stage. The documenting function is similar to the function of general photography. The branch of state photography more focuses on portraying the scenes on the stage. It becomes something special for both amateur and professional photographers because it requires a high sensitivity, concentration, skills, proficiency and special carefulness. Stage photography is absolutely necessary in the modern mass media, either as a standalone news as well as illustrations to support the news writing. Stage photography with the reality of the value, will help in the mass media to provide more complete information for the audience of readers. The stage photography of Solo International Music Performed which was published in the mass media Solopos and Kompas is the result of the recording of the photographer who has a sense of sensitivity, concentration, skill, finesse and accuracy. The papers published in the mass media can not be detached from the values and aesthetics rules, considering the photos will be witnessed by thousands of the human eye.Keywords: Stage Photography, Technique and Aesthetics.
FOTOGRAFI UNTUK MEDIA MASSA Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v2i1.507

Abstract

The benefits of photography as a tool for an effective and reliable communicating, are summarized in Photo journalistic . In one side, photography has the feel of reality in detail the reliable, furthermore, photography is also a more rapidly digested, knew and understood. So the response and reaction will be given to the information that there will be more quickly and precisely. Moreover with the invention of digital technology will shorten the process of delivering information to better results and faster. Through a combination of drawings and manuscripts, photographs contained in a newspaper or magazine will give us information as is appropriate. Because the image is recorded based on trust-owned, which is something that is absolutely necessar y to inform the sustainability of human life on this earth. In addition, not only, the works of photo-journalistic produced have the factual, reality and detail that is strong, but also contains the values of the beauty of high, given the work that was created by a photojournalist eye will be seen by millions of human beings throughout the world through the mass media both print and electronically.Keywords: Photography, Mass Media, Script.
SHOT DESKRIPTIF SEBAGAI ELEMENVISUAL PROGRAM DOKUMENTER KERIS : REFLEKSI BUDAYA J AWA Sugito, S; Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 3 No. 2 (2012)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v3i2.1893

Abstract

One of the works of art and cultural traditions of Indonesia that have a high value isKris.Kris is a product of original culture created by the ancestors of Indonesia.Apart from beinga piece of art that has a high value and full of symbolic meanings,the Javanese community is stillwith confidence Kejawen believe Kris has a strength,magical power that has an influence on thelife of its owner.The documentary program is the theme of the existence of art and culturaltraditions in the midst of modern society life activities. This work has the characteristicsedutainment,meaning that in addition to providing entertainment also have purpose to provideeducation or knowledge to the audiences.The idea of this documentary is the story of theJavanese community relations with Kris, in any ceremonial activities and rituals performed bythe Javanese community,Kris never comes off as the completeness of culture that should not beabandoned.The use of shot-shot descriptive meaning the use shot more varied such as, panshots, follow shots, tracking shots, low shots, high shots, over-shoulder shot, is needed in themaking of this documentary,because shooting is mostly done on an event without scenario ordirect camera. Type of shot that is widely used among others: Long shot with reason andpurpose to be flexible to follow the area or wide when the scene moving fast, to show wherethe scene is located (showed a), to indicate progress, as well as to show how to position thesubject has a relationship with others.Type medium shot, shot like this type most commonlyencountered in film and television.This type of shot is the most save,because there is no specialemphasis to the object.Type close shot or close-up function to create a suppressive effect,withsolid images.Keywords :Documentary film,Kris,and Java culture
TURONGGO YAKSO IN ETHNO-PHOTOGRAPHY Perkasa, Mandira Citra; Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 9 No. 2 (2018)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v9i2.2063

Abstract

The idea of a photographic creation entitled Turonggo Yakso in Ethnophotography is a follow-up in addressing the disappearance of the handwritten textbook of the founder of the art of Turonggo Yakso, which contains important notes on the art of Dongkol Village society. The book contains about the history of the art of Turonggo Yakso, the design of motion, and all the rules regarding the Baritan ceremony. The purpose of the creation of this work in an attempt to re-collect records in the form of text data from the interview results of the artists Turonggo Yakso, and visual data from the show performances which are packaged in ethnophotographic photos. The process of creating this work using the ethnophotographic method supported by Dipti Desai ie Pseudo-Ethnography or "Pseudo" ethnography, where the creator not follow the ethnographic methods strictly, but rely more on field data from interviews by informants and environmental observations. The creation of this work presents ethnophotographic works about the folk art of Turonggo Yakso in Dongko community, Trenggalek regency, East Java province from preparation, during the performance, to the end of the show.   
THE AESTHETICS OF AGUS LEONARDUS’ POSTCARD PHOTOGRAPHY ON YOGYAKARTA SOCIO-CULTURAL ACTIVITIES Yuniar, Anang Ma'ruf Bagus; Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4386

Abstract

This text aims to assess the aesthetic value of Agus Leonardus' Yogyakarta social and cultural activities-themed postcard photography works from both ideational and technical perspectives. This research adopts a qualitative interpretative approach, describing the postcard photo works as data. The analysis utilizes Soedjono's aesthetic theory, which encompasses both technical and ideational aspects. The results of this study indicate that Agus Leonardus' photos ideationally highlight ideas and themes related to social and cultural activities in Yogyakarta. On a technical level, they demonstrate a skillful combination of various visual elements, such as lines, shapes, and lighting. The arrangement of these visual elements in Leonardus' works is carefully considered, ensuring that each photo complements and supports one another, thereby enhancing the aesthetic value of the overall collection.
PEMBIASAAN POLA DAN PERILAKU BERPIKIR POSITIF PESERTA PELATIHAN KARAWITAN DI KOMUNITAS TERAS BUDAYA: - Prasetyo, Andry; Setiawan, Sigit
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 2 (2023): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i2.5971

Abstract

Potensi seni yang dimiliki seorang anak kerap kali tidak disadari oleh orang sekitar bahkan dirinya sendiri, sehingga potensi yang ada tidak dapat diasah atau dikembangkan menjadi lebih baik lagi. Kecenderungan ini membuat anak-anak menutup diri atas potensi seni yang dimilikinya. Melalui seni dapat mengajarkan kebiasaan baik dan bermanfaat untuk menciptakn kualitas sumber daya manusia yang unggul di masyarakat.Tujuan: Penelitian ini bertujuan untuk mengaarkan perilaku dan cara berpikir yang baik kepada generasi muda melalui media seni karawitan Metode: Teknik pengambilan data yaitu teknik observasi, teknik wawancara dan teknik studi dokumen dengan menggabungkan pendekatan Psikologi yang mematangkan konsep pelatihan secara sistematis. Langkah yang digunakan untuk mencapai tujuan program ini adalah mengurai roadmap kegiatan, identifkasi potensi, masalah dan kebutuhan masyarakat Mojoroto, membentuk rencana intervensi melalui pendampingan dan pelatihan seni, studi banding, upaya pembentukan sanggar di Mojoroto.. Simpulan: Pemikiran dan perilaku positif pada anak-anak dapat memberikan kontribusi yang signifikan terhadap perkembangan kualitas hidup mereka secara keseluruhan di Mojoroto. Dengan berfokus pada pemikiran dan perilaku positif, anak-anak dapat lebih memahami dan beradaptasi dengan situasi yang mereka pelajari, sehingga menghasilkan kinerja yang lebih baik dan kesuksesan hidup mereka secara keseluruhan.
Survival Strategies Of Indonesian Photojournalists In The Social Media Era: A Competency-Based Practices Study Andry Prasetyo; Wahyu Novianto; Taufik Murtono
INJECT (Interdisciplinary Journal of Communication) Vol. 10 No. 2 (2025)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v10i2.5718

Abstract

The digital disruption caused by social media has precipitated a crisis of relevance for professional photojournalists, blurring the lines between journalistic integrity and amateur content. While existing literature predominantly examines these structural shifts as external threats, there is limited research on the internal, agentic responses employed by practitioners to sustain their professional viability. This study examines the survival strategies used by elite Indonesian photojournalists (APFI award winners) in the era of social media. Employing a qualitative case study approach within an interpretivist framework, in-depth interviews were conducted with 13 award-winning members of Pewarta Foto Indonesia (PFI). The findings reveal that survival is not achieved by competing with the immediacy of social media, but through a "Strategy of Distinction." This strategy comprises three pillars: (1) Adaptive Competence, where technical mastery elevates to critical visual literacy; (2) Institutional Capital, utilizing awards and certifications as verification mechanisms; and (3) Ethical Rigidity, utilized as a strategic market differentiator against unverified user-generated content. This research contributes to media management theory by reframing competence as a proactive defense mechanism and highlighting the role of professional organizations as vital "survival infrastructures" rather than mere associations.
Co-Authors Agus Heru Setiawan Albertus Widya Dewanta Alfreda, Muhammad Bayu, Emirsyah Choirul Mahfud Dewanta, Albertus Widya Guntur Guntur Khairunisa, Amira Kristiyanto, Michelle Gracia M ali nurhasan islamy Michelle Gracia Kristiyanto Novianto, Wahyu Perkasa, Mandira Citra Perkasa, Mandira Citra Pitaloka, Dea Putri s sugito, s Seno Gumira Ajidarma, Seno Gumira Sigit Setiawan Soewarlan, Santosa Taufik Murtono Yuniar, Anang Ma'ruf Bagus