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Arina Isti'anah
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Fakultas Sastra, Universitas Sanata Dharma, Jl. STM Pembangunan, Mrican, Catur Tunggal, Depok, Sleman Yogyakarta 55281)
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INDONESIA
Journal of Language and Literature
ISSN : 14105691     EISSN : 25805878     DOI : https://doi.org/10.24071/joll
Journal of Language and Literature presents articles on the study of language and literature. Appropriate topics include studies on language, translation, and literary texts. To be considered for publication, articles must be in English.
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Articles 24 Documents
Search results for , issue "Vol 25, No 2 (2025): October" : 24 Documents clear
Unveiling the Linguistic Landscape of Educational Spaces in a Remote Indonesian Area Raja, Fransiskus Dinang; Sina, Maria Wisendy; Siregar, Renol Aprico
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.11926

Abstract

The signs materialized in the linguistic landscape (LL) symbolize what people believe about the language. Hence, most studies of LL focus on both language use and language ideology. While the study of LL is quite general worldwide, it is relatively new in East Nusa Tenggara, especially for those investigating LL in the educational setting. This study aimed to 1) find what language patterns and languages are exposed in the LL of the educational setting in Maumere City, NTT province, and 2) find the language ideology as the basis of why certain language was used and other language was rarely used. This research employed a qualitative case study. Data were obtained through documentation and interviews with 9 informants from 8 high schools and 1 university. The data were analyzed in three steps of qualitative data analysis: data condensation, data display, and conclusion drawing. The results indicated that there were three sign patterns, namely, monolingual, bilingual, and multilingual signs. There were 7 languages used in the three sign patterns above, namely Indonesian, English, Indigenous languages, Sanskrit, Japanese, German, and Latin. The situation represented through the school and university landscape manifested the language ideology. Interviews with informants revealed four main themes: language policy influencing language practice, language as a learning tool, language as a school identity marker, and language as a symbol of culture. These results are expected to provide a wider insight into the LL study in Indonesia.
The Representations of and the Responses toward Hybridity in Indonesia: A Systematic Review Sunardi, Dono; Yulianto, Wawan Eko; Wilujeng, Lilis Lestari
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.11666

Abstract

This study examines the pervasive nature of hybridity in Indonesia, recognizing modern Indonesia as a nation shaped by the dynamic interaction of diverse influences. Acknowledging varying acceptance levels of this reality, the research synthesizes studies on hybridity in the country from the past fifteen years (2009-2024) to map the multifaceted landscape of hybrid identity. Through close reading and observation, the project investigates three core areas: (1) identifying primary loci where hybridity manifests; (2) exploring constituent elements contributing to hybrid identities, tracing their origins; (3) analyzing the spectrum of responses to hybridity. Analysis reveals that studies of hybrid identity in Indonesia encompass nearly all forms of cultural expression, spanning literature, culinary, architecture, music, and performance. This ubiquity highlights hybridity's deep integration into Indonesian cultural life. Contributing elements are equally diverse, drawing from Indonesia's rich tapestry of ethnic communities and global interactions shaping the archipelago over centuries. This confluence of local and global influences creates a dynamic cultural mosaic. The study finds that the dominant response to hybridity in Indonesia is one of embrace and celebration. Most research emphasizes the positive aspects of cultural fusion, highlighting the creativity and innovation born from blended traditions. However, some studies express concern about hybridity potentially threatening perceived essential values within specific cultural expressions. These contrasting perspectives underscore the ongoing dialogue surrounding hybridity in Indonesia and the need for nuanced understandings of cultural evolution. This research offers a comprehensive overview of current scholarship on hybridity in Indonesia, providing valuable insights into the dynamic interplay of cultural influences shaping Indonesia’s identity.
The Baylan in Modern Detective Fiction: The Rise of a Precolonial Character in Postcolonial Time Torres, Ruth Clare Garde
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.11106

Abstract

 This research combines the conventions set by Jeremy Black and Francisco Demetrio on Detective fiction and the Philippine shaman,  setting them against Ana Micaela Chua’s ideas on Alternative epistemologies. Using these conventions as a means to  analyze selected stories in  Jonathan A. Baldisimo and Ferdinand Benedict G. Tan’s graphic novel series Trese to establish the characteristics  of the baylan, a new, purely Filipino type of detective.  The study will use Francisco Demetrio’s study on the baylan to set the conventions on this pre-colonial character. Jeremy Black’s study on Sherlock Holmes will be used to establish the traditional detective model. This model  uses logic and reasoning and rejects the supernatural as a solution to the case. Both conventions will be challenged using Ana Micaela Chua’s study on alternative epistemologies which argues that the investigative methods in Trese are not a rejection of logic, but rather an expansion of it. These studies were chosen  to help establish the existence of a purely Filipino detective in the character of Alexandra Trese,  a babaylan madirigma and protagonist detective of the series. The study aims to differentiate the Filipino protagonist detective from the Western Holmes model by analyzing Alexandra Trese and her role as babaylan mandirigma  not only as a new form of protagonist detective but as a postcolonial version of the baylan. The main argument being that by defying the Western model of investigation and being grounded in Filipino culture, the babaylan madirigma  is a new form of protagonist detective unique to the Philippines.
The Equivalence of Human Versus Google Translation: A Case Study of Translating Natural Science Writings Arum, Aulia Addinillah; Ma'shumah, Nadia Khumairo
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.10468

Abstract

Although recent advancements in machine translation have improved lexical and grammatical accuracy, assessing its effectiveness in rendering contextually and semantically accurate translations remains inadequate. This gap overlooks how systems like Google Translate handle specialized terms and subtle shifts in language style, particularly when working with field-specific texts. The objective of this study was to evaluate the performance of Google Translate in rendering natural science texts from English into Indonesian, with particular focus on its semantic accuracy when compared to human translation. The data consisted of 76 sentences drawn from six scientific texts, which were segmented into 41 single words as well as 35 multi-word phrases obtained from professional ProZ translator portfolios, and subsequently translated using Google Translate. The translations were analyzed for inaccuracies, classified as under-translation, over-translation, and mistranslation, drawing on Baker’s (1992) theory of propositional meaning and also Nida’s (1964) receptor-oriented framework. The analysis revealed that while Google Translate frequently produced grammatically correct structures, it often failed to generate contextually appropriate or domain-specific terms, resulting in semantic inequi-valence with human translations. The findings indicate that these limitations are not inherent to the lexical output itself, but rather emerge from the system’s inability to capture nuanced meanings, specialized registers, as well as situational contexts. Therefore, human translators remain indispensable in ensuring accuracy and reliability in field-specific translations, whereas machine translation is best positioned as a supportive tool for general comprehension.
Proximity of Women Representations: Male Writers' Panorama in Selected Prose Fiction Seño, Johniel Acala; Dimaano, Matilda H
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.12077

Abstract

This study explores how male writers portray women in prose fiction and how these portrayals reflect or differ from real-life gendered experiences across historical periods. The study aimed to (1) analyze the differences in the portrayal of Filipino women’s representation in terms of morals and decision-making in different periods and (2) investigate how prose fiction written by Filipino male authors reveals the proximity of women’s representation to real-life gender experiences. A descriptive-qualitative research design was employed, using content analysis and narrative analysis to examine five selected prose fictions from the Pre-Colonial Period (900-1565), Spanish Period (1565-1898), Early 20th Century Period (1901-1950), 20th Century Period (1951-2000), and for 21st Century or Contemporary Period (2001-Present).  Feminist literary criticism guided the interpretation of each text. Significant findings reveal that Filipino women’s morals and decision making in precolonial and late 20th century periods were largely conformed to social norms, whereas Spanish, early 20th, and 21st century periods were often exhibited moral deviance and assertive decision making. The findings revealed that women were represented in distinct roles that evolved through time, from cultural leaders and nurturers to silent sufferers and survivors. While some female characters conformed to social norms, others defied them, showing inner strength and resistance. These representations reflect actual challenges faced by women, such as limited power, emotional labor, and objectification. In conclusion, the selected male-authored prose fiction closely mirrors gendered realities and highlights the gradual shift toward recognizing women’s strength and evolving roles in society.
The Commodification of Childhood: Simulacra in The Boss Baby (2017) Septiani, Ayu Kusuma; Nuri, Zalifa
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.10755

Abstract

One of the consequences of postmodernity is characterized by the rapid increase in materialistic needs. Materialism fuels the production and consumption of commodities, often exploited through marketing and advertising. The film The Boss Baby later became one of the films that discussed the theme of commodity in its narrative as it tries to present the simulated reality that commodifies childhood experience, depicted through the film. This study aims to examine the commodification of childhood and how Baudrillard's simulacra theory explains this phenomenon. This research is a qualitative study focusing on the phenomenon of commodification of childhood using the film The Boss Baby as the main subject for analysis. The results of this study show that the meaning of commodification found in The Boss Baby film is that it depicts how childhood is being commodified through Baby Corp., baby formula, parental love and affection, and toys. The analysis of Baudrillard's thoughts on simulacra in The Boss Baby film and commodification shows a match between the phenomenon that exists in the reality of a postmodern society depicted in The Boss Baby film, describing the simulated reality where babies are produced and managed as if they were products. It shows how modern society commodifies human life, relationships, and values.
Food and Memory as Portrayed in Crying in H Mart Memoir by Michelle Zauner Melano, Daniel; Saragih, Mike Wijaya
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.10887

Abstract

Crying in H Mart, a memoir by Michelle Zauner, describes how Michelle, as the main character, recalls her memories through Korean food. After her mother died, she tried to keep connected with her mother through the activity that they did together related to Korean food. Some activities included cooking, eating, visiting restaurants, preparing food, etc. While reconnecting to her memory, Michelle also tried to keep connected with the heritage that her mother had given to her, which is a Korean identity. This study aims to show the connection between food, memory, and culture in the Crying in H Mart memoir. The writers use a descriptive qualitative method with a close reading of the memoir.  Abarca's concept of Holistic Culinary is needed to analyze the connection between food, memory, and culture portrayed in the memoir. The result shows that the connection of food, memory, and culture enabled Michelle to reconnect to her experience with her family, especially her mother. From reconnecting to her past, Michelle's emotions were triggered. The way Michelle reconnected to her past makes her keep connected with her mother's heritage and explore the Korean culture more through interacting with Korean people, doing self-cultural exploration, and promoting Korean culture.
Hell on Earth 2024: Metaphors of Genocide in the Gaza Strip, Palestine Silma, Vannisa Najchati; Sutami, Hermina
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.11086

Abstract

Metaphors play a crucial role in shaping how society understands and responds to conflicts, such as the genocide in Gaza by Israel. Metaphors can illustrate the impact of events, direct global attention to injustices, and deepen the understanding of the scale and intensity of the humanitarian crisis in the region in a way that is more easily comprehensible. In the international media coverage of Al-Jazeera, metaphorical expressions are often used to describe Israel’s attacks and the suffering that occurred in the Gaza Strip, Palestine. The purpose of this study is to explain the concepts produced from the use of metaphorical expressions related to Israel’s genocide in the Gaza Strip in Al-Jazeera news articles. This study applies Lakoff and Johnson's conceptual metaphor theory and Charteris-Black's critical metaphor analysis. Based on the analysis, four metaphorical concepts of the Gaza genocide were identified: ISRAEL’S AGGRESSION IS GAZA’S GENOCIDE, THE GAZA GENOCIDE IS A CATASTROPHE, PALESTINIANS ARE NOT HUMAN, and GAZA IS A GHOST TOWN. The metaphor concepts depict a social reality schema in the form of identity, force, scale, and unity/multiplicity that reflects the social reality of violence, oppression, and dehumanization. The four metaphor concepts show the process of Israel’s attacks, a depiction of life in the Gaza Strip, the dehumanization of Palestinians, and the impact of Israel’s genocide on Gaza. These are closely related to Israel’s colonialism practices which aim to control the region through occupation, land stealing, and the erasure of Palestinian identity and rights.
Ambivalent Occidentalism in Mochtar Lubis’s Cold War Literature Maut dan Cinta  Taufiqurrohman, Muhammad; Sudibyo, Sudibyo; Manshur, Fadlil Munawwar
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.12538

Abstract

This article revisits Maut dan Cinta (1977), a seminal Cold War-era novel by Indonesian author Mochtar Lubis, to examine how the text engages with cultural imperialism in postcolonial Indonesia through its complex portrayal of the Occident. Employing Martin Suryajaya’s “wide-close-deep” methodology—a three-pronged framework for literary analysis—the study situates Lubis’s work within Indonesia’s Cold War cultural politics, highlighting the author’s contested ideological stance. Through the lenses of Occidentalism and cultural imperialism, the analysis reveals Lubis’s profound ambivalence toward Western influence: while critiquing Western hegemony and cautioning against uncritical adoption of Western values, his works simultaneously echo the capitalist Bloc’s anticommunist rhetoric, and his cultural-intellectual networks remain entrenched in Western capital. This paradox deepens with Lubis’s selective embrace of Western liberalism, which coexists with a striking silence on capitalism’s role in perpetuating global inequality. Crucially, his vehement rejection of communist internationalism starkly contrasts with his reluctance to address capitalism’s transnational exploitation of the Global South—a contradiction epitomized by his protagonist Sadeli’s distorted view of the Occident and the characters’ failure to recognize global capitalism’s neocolonial and culturally imperialist dynamics. By unpacking these tensions, the study argues that Lubis’s ambivalence in Maut dan Cinta reflects the broader ideological fissures of postcolonial intellectual resistance during the Cold War, caught between anti-imperialist critique and complicity in hegemonic structures. 
Speech Act Analysis in “Mayonaka no Doa”: A Pragmatic Study of Japanese-English Bilingual Lyrics Handayani, Wiwik Retno
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.10924

Abstract

Analysis of speech acts in song lyrics is crucial to understanding how language functions as a communication tool rich in meaning and emotion. The Japanese song Mayonaka no Doa (Stay with Me), sung by Miki Matsubara in 1979, has now stolen attention again in the era of social media. Its repeated popularity on various platforms makes this song an interesting topic for study based on speech act theory. This research aims to recognize and examine the statements found in the song’s lyrics while also investigating how language use conveys the emotions and scenarios faced by the singer and how it connects with the feelings and experiences of the listeners. By doing so, this study seeks to highlight the profound impact of the song’s lyrics on both the performer and the audience, showing the ways in which language serves as a powerful emotional tool for communication. This research employs a distinctive qualitative descriptive analysis with a pragmatic perspective, distinguishing it from conventional studies in the discipline. The researcher assessed each verse of the lyrics to identify locution, illocution, and perlocution. The study results show that various locutionary speech acts play a role in conveying information, emotions, and circumstances. The illocutionary speech acts in these lyrics include expressive, directive, assertive, and commitment, each reflecting a complex communication dimension. In addition, the perlocutionary speech act indicates that the lyrics of this song have a profound emotional impact on the listeners, influencing their emotions, hopes, and thoughts. This finding illustrates the beauty of language in music and the audience’s active role in the communication process. It provides insight into how lyrics can serve as a means of deep emotional expression for listeners, strengthening the connection between music and human experience.  

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