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Panggung
Published by Institut Seni Budaya Indonesia Bandung
ISSN : -     EISSN : 25023640     DOI : 10.26742/panggung
Core Subject : Education,
Education
Panggung is online peer-review journal focusing on studies and researches in the areas related to performing arts and culture studies with various perspectives. The journal invites scholars, researchers, and students to contribute the result of their studies and researches in those areas mentioned above related to arts and culture in Indonesia and Southeast Asia in different perspectives.
Arjuna Subject : -
Articles 943 Documents
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Estetika ESTETIKA KOREOGRAFI LINTAS TRADISI PADA KARYA TARI PRASNAYA PRAMI Ni Made Liza Anggara Dewi; Melissova Diana Kaisarovna
PANGGUNG Vol 36 No 3 (2026): Reimagining Arts and Culture: Tradition, Innovation, and Social Transformation
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i3.4650

Abstract

The development of dance demonstrates that tradition is not a static cultural inheritance but a dynamic practice continually reshaped through creative transformation. Prasnaya Prami, a Balinese welcoming dance, exemplifies this process by maintaining the Balinese choreographic system as its primary framework while drawing upon movement vocabulary from Yogyakarta classical dance as a source of creative inspiration. This study examines the cross-traditional choreographic aesthetics of Prasnaya Prami by investigating how movement transformation constructs its artistic identity. This qualitative study adopts an ethnochoreological perspective. Data were collected through participant observation, semi-structured interviews, documentation, and literature review, and were analyzed using the interactive model proposed by Miles, Huberman, and Saldaña. The transformation of movement qualities was examined through Laban Movement Analysis (Body, Space, Effort, and Shape) and further interpreted using Susan Leigh Foster’s concept of corporeality. The findings demonstrate that Prasnaya Prami preserves the presentation structure and bodily techniques of Balinese dance as its dominant choreographic identity, while integrating selected movement vocabularies derived from Yogyakarta classical dance through processes of selection, adaptation, and transformation. These transformations involve changes in body orientation, spatial organization, movement dynamics, body shape, scarf manipulation, and choreographic phrasing, resulting in a new choreographic language without displacing the fundamental identity of Balinese dance. This article argues that cross-traditional choreographic identity is constituted not by the visible proportion of different cultural traditions but by the creative transformation of movement vocabularies within a single dominant choreographic system. Accordingly, the study proposes a conceptual model of cross-traditional choreographic aesthetics in which serves as the principal mechanism through which artistic identity is constructed.
Utilization of Discarded Chainsaw Bars as Pamor Material for Keris: Product Quality and Production Cost Efficiency Analysis Kuntadi Wasi Darmojo; Basuki Teguh Yuwono; Suroto; Aga Arif Bowo; Ryvaldo Mahendra Putra; Ippei Suzuki
PANGGUNG Vol 36 No 3 (2026): Reimagining Arts and Culture: Tradition, Innovation, and Social Transformation
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i3.4812

Abstract

The scarcity and increasing cost of conventional pamor materials have encouraged the exploration of alternative materials for keris production. This study investigates the feasibility of utilizing discarded chainsaw bars as an alternative pamor material by evaluating product quality and production cost efficiency. The research employed a mixed-method approach combining experimental and case study designs. Experimental testing was conducted to assess forge-welding performance, structural integrity, and visual characteristics of the resulting pamor, while Cost–Benefit Analysis (CBA) was used to evaluate economic efficiency. The findings demonstrate that used chainsaw bars possess suitable metallurgical properties for traditional forge-welding, producing clear pamor patterns, strong interlayer bonding, and stable blade structures comparable to those made with conventional materials. In addition, the use of recycled chainsaw bars reduced production costs by approximately 20.4% – 72.1%, while supporting resource conservation and circular economy principles. The study concludes that discarded chainsaw bars represent a technically feasible, economically efficient, and sustainable alternative material for keris pamor without compromising its aesthetic quality, structural performance, or cultural values.
Desain Pakaian Luar yang Selaras dengan Konsep “Nol Limbah”: Dari Pola Datar hingga Simulasi Tiga Dimensi Irfa Rifaah; Tri Surya Hutama; Kuswinarti; Muhammad Arief
PANGGUNG Vol 36 No 3 (2026): Reimagining Arts and Culture: Tradition, Innovation, and Social Transformation
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i3.4960

Abstract

In this modern day, fashion products can be developed and visualized using 3D garment simulation software, enabling designers to transform flat pattern into three dimensional formns on digital models. While conventional flat patterns typically follow basic shapes, zero-waste design requires pattern shapes to be developed in relation to fabric dimensions and material utilization. In this study, the zero-waste concept refers to the alignment between pattern shapes and fabric utilization to minimize material waste. The research focuses on loose-fitting, unisex outerwear as the object of study. A qualitative method is employed to examine the transformation of flat patterns into three-dimensional garments. The objective is to identify simple pattern configurations that correspond efficiently with marker layouts used in fabric cutting. The findings reveal that rectangular shapes with strategically placed cut-line openings provide the most effective solution for zero-waste outerwear. These results are demonstrated through 3D garment simulation to enhance understanding of pattern transformation.

Page 95 of 95 | Total Record : 943

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