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Panggung
Published by Institut Seni Budaya Indonesia Bandung
ISSN : -     EISSN : 25023640     DOI : 10.26742/panggung
Core Subject : Education,
Education
Panggung is online peer-review journal focusing on studies and researches in the areas related to performing arts and culture studies with various perspectives. The journal invites scholars, researchers, and students to contribute the result of their studies and researches in those areas mentioned above related to arts and culture in Indonesia and Southeast Asia in different perspectives.
Arjuna Subject : -
Articles 933 Documents
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E Estetika Film Pendek: Estetika Film Pendek Arda Muhlisiun Muhlisiun; RB Armantono; Subagjo Budisantoso
PANGGUNG Vol 36 No 2 (2026): Visual and Performative Semiotics in Contemporary Art and Cultural Practices: Si
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i2.4498

Abstract

This study analyzes short films, which are understood not as a condensed form of feature-length films, but as a cinematic form with its own distinct aesthetic, characterized by narrative density and stylistic precision. Through a literature review of narrative theory and film style, literature on short films, semiotics, and studies of Indonesian short films, this research demonstrates that the aesthetics of short films are constructed through the way the narrative selects the most decisive events and scenes: a single conflict, economical dialogue, gestures, objects, space, music, and image composition. Film style reinforces the narrative through the selection of shots, framing, lighting, editing, acting, and sound design, which shape the atmosphere, intimacy, and emotional tension. All these elements function as signifiers that evoke value and meaning in the name of short film aesthetics. Thus, the aesthetics of short films lie in their ability to present a tightly structured narrative, using both symbolic and functional cinematic techniques, making them effective as a medium for education, cultural representation, social critique, and artistic expression.
STUDI ORGANOLOGI SULING MANDALUNG DALAM SENI TEMBANG SUNDA CIANJURAN Nanang Jaenudin; Nita Juwita; Ade Triana Nurjaya
PANGGUNG Vol 36 No 2 (2026): Visual and Performative Semiotics in Contemporary Art and Cultural Practices: Si
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i2.4519

Abstract

Tembang Sunda Cianjuran, created by Dalem Pancaniti in the nineteenth century, has undergone continuous development, particularly in its accompanying instruments, most notably the suling (bamboo flute). Initially, only the six-hole flute and the four-hole flute were used. However, the emergence of song repertoires in the laras mandalung tuning system led to the development of a new flute variant known as the suling mandalung. This study aims to present an organological analysis of the mandalung suling within the context of Tembang Sunda Cianjuran. A qualitative research method was employed, with data collected through literature review, field observation, and interviews. The findings indicate that the suling mandalung emerged as an adaptive response to the mandalung repertoire, which could not be fully accommodated by the six-hole and four-hole flutes Physically, the suling mandalung resembles the six-hole flute but features a shorter body and smaller hole diameter to accommodate the higher acoustic frequencies of the laras mandalung tuning system. Its tuning system also refers to the sorog tuning of the six-hole flute.
Representation of Local Cultural Identity in Batik Carnival: A Socio-Semiotic Analysis of Visual Expressions in the Sendangagung Community Angga Fajar Ramadhan; Syakir Syakir; Djuli Djatiprambudi; Muhammad Ibnan Syarif
PANGGUNG Vol 36 No 2 (2026): Visual and Performative Semiotics in Contemporary Art and Cultural Practices: Si
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i2.4637

Abstract

This study aims to examine the representation of the local cultural identity of coastal communities in batik carnival costumes as a form of visual cultural expression constructed and negotiated amidst the currents of globalization. The study was conducted in Sendangagung Village, Paciran District, Lamongan Regency, using a socio-semiotic approach that focuses on the analysis of signs, symbols, visual elements, and the production of cultural meaning in batik carnival costumes. The results show that the Sendangagung Batik Carnival event functions as a medium for representing coastal cultural identity, constructed through an encoding process in the form of the natural environment and the social life of the local community. The resulting meaning is not static but is formed through a process of decoding signs constructed by the audience. This study contributes to enriching socio-semiotic studies, especially in viewing visual cultural practices as a strategic medium for representing local identity amidst the currents of globalization.

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