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Jurnal RISA
Published by Universitas Katolik Parahyangan
ISSN : 25488074     EISSN : -     DOI : https://doi.org/10.26593/risa
Core Subject : Engineering,
Civil Engineering, Building, Construction & Architecture
Jurnal RISA aims to contribute to scientific research, practice, and education by publishing national and international studies. The scope of this journal includes the dissemination of research findings, ideas, and reviews in the following subject areas: 1. History, Theory, and Philosophy of Architecture; 2. Housing and Settlements; 3. Architecture and Urban Design; and 4. Building Management Technology.
Arjuna Subject : Teknik (semua kategori) - Arsitektur
Articles 430 Documents
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PENGARUH BUKAAN RUANG TERHADAP SENSE OF SACRED SPACE JEMAAT (OBJEK STUDI: GEREJA ST. GABRIEL BANDUNG) Novita, Dian; L. Lukman, Aldyfra
Jurnal Riset Arsitektur Vol 7 No 01 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i01.6360.31-48

Abstract

Abstract - St. Gabriel's Church is the house of God and a place for Catholics to worship Him. St. Gabriel Catholic Church has a concept that prioritizes the relationship between human and God; between human and other people; and between human and the environment. Spatial comfort is an important factor in supporting the atmosphere of worship, therefore St. Gabriel Church strengthens the concepts with the application of passive and ecological design. The concept is applied through transparency and openness of large church buildings to the environment, to optimize natural lighting and air conditioning. This makes the physical form of St. Gabriel Church looks different from the Catholic Church in general, which is relatively closed with limited openings, to minimize noise disturbances from outside in order to form a more sacred atmosphere of worship. The experience of the room in the church will affect the atmosphere of worship and the experience of spirituality of the congregation when carrying out worship activities. The atmosphere and use of space are not only perceived through visual sense, but also through auditory and olfactory sense. Therefore, this research is interesting to be conducted, in order to understand how a design opening in a sacred building can effecting the congregation’s sense of sacred space. This study applies qualitative – descriptive approaches. The data was collected by field observation, literature studies, and disseminating questionnaires to church congregations. The data is analyzed in accordance with the theoretical studies used and also from the results of questionnaires regarding the sense of sacred space of the congregation concerning the design of openings at St. Gabriel's Church. The results showed that the sense of sacred space of the congregation can be formed, with a calm and conducive atmosphere of worship space. The building openings have an important role in shaping that atmosphere. Therefore, it can be concluded that the visual and audial quality resulting from the openings, whereas their role as role as an audio – visuals buffer are greater than the role as a light filter, will create congregations’ sense of sacred space in the St. Gabriel’s Church. Keywords: Building Openings, Catholic Church, Sense of Sacred Space.
PENERAPAN KOMPONEN MODIFIKASI STRUKTUR RISHA DALAM RANCANGAN ARSITEKTUR RUMAH TINGGAL DENGAN APLIKASI BERBASIS SMARTPHONE Joan, Marisstella; Carissa, Laurentia
Jurnal Riset Arsitektur Vol 7 No 01 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i01.6361.49-65

Abstract

Abstract - RISHA (Rumah Instan Sederhana Sehat) is a precast structural technology with a knock-down system, or in other words rebuildable, designed by the Residential Research and Development Center (R&DC) in 2004. RISHA has structural components with limited size of 1.8 m and 3 m. It was eventually developed to expand the size of the P1 component in order to obtain a various ratio for the floor area. The development of RISHA provides a big advantage in residential designs compared to conventional designs. Information technology is one of the media that is very helpful in this modern era. Not a lot of people knows how to use the CAD software, therefore the design of this application will help speed up the process of designing, building, and calculating the costs of RISHA, be it for architects, applicators, as well as potential users. The instant concept will still be fulfilled with this smartphone-based application. The purpose of this research is to continue the research of modified RISHA by designing variations of space modules to accommodate activities residential functions that are adaptive to spaces and number of occupants. In addition, this research aims to design a smartphone application prototype through the Figma website to ease the process of designing and building of RISHA house with its modified components. The method used in this research is qualitative method, namely the design of house plans with modified RISHA based on data from literature studies, and quantitative method from interviews with experienced parties in the RISHA industry to validate the use of smartphone application. As a conclusion of this research, there are three layouts that is able to accommodate human activities in residential houses. Layout A has the structure price of Rp20.976.000,00 up to Rp20.812.000,00 with urban green space as an advantage which also can be an access for daylight sources, however it requires a large site due to the asymmetrical shape of the floor plans. Layout B is the simplest design among the others, the structure costs Rp16.640.000,00 up to Rp18.224.000,00, but the drawback is this layout provides no space for the dining room, therefore it needs to be combined with the family room. Layout C is the widest layout, so it comes with the biggest structure cost which starts from Rp23.888.000,00 up to Rp24.816.000,00. The application will provide the design of residential houses and the structure costs, and users will eventually be directed to the Ministry of Public Works and Housing website to contact the applicator. This application can help applicators, architects, and potential occupants better in the process of designing and building RISHA residential houses. Keywords: Architecture design, RISHA, Information system, Aplication design, Precast concrete
STUDI PENJAJARAN CANDI BUDDHA DI PADANG LAWAS, SUMATRA UTARA DAN MATARAM KUNO Taruli Ayeris, Pininta; Prajudi Herwindo, Rahadian
Jurnal Riset Arsitektur Vol 7 No 01 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i01.6362.66-83

Abstract

Abstract - Temple architecture or candi architecture is one of the oldest architectures found in Indonesia also the world, the word ‘candi’ comes from the word candika grha which means the house of the goddess of death, but Soekmono (1977:231) said that the temple isn’t always considered a tomb, rather a temple building. The Padang Lawas Buddhist temples that were taken as research objects consisted of Bahal Temples I, II, III and Sipamutung Temple, juxtaposed with the Buddhist temples of Ancient Mataram, Central Java. The architectural elements of Padang Lawas Buddhist temples have unique architectural patterns and are different from the architecture of Javanese Buddhist temples in general. Construction estimated, from the 9th - 13th centuries for the architecture of temples in Sumatra are also supported by the fact that Srivijaya Kingdom in Sumatra, was the earliest centre of the spread of Buddhism (4th century) before Ancient Mataram. Architecture of the Buddhist temples of Padang Lawas and throughout Sumatra does not yet have clear characteristics when compared to Javanese temples, which have guidelines and characteristics that have been studied more vastly. Sumatra’s candi architecture is unique, portraying a different image from the temples in Java, thus this reason is used as a research study of the alignment study between the Buddhist temples of Padang Lawas and Ancient Mataram (Mataram Kuno). This study is done to understand the differences and similarities of the temple architecture built in different areas and the factors that influence the similarities and differences of temple architecture. Architectural data of the Buddhist temples of Padang Lawas and Ancient Mataram based on the research objects that have been mentioned with research with a descriptive-analytic qualitative approach. The architectures of the Buddhist temples of Padang Lawas and Ancient Mataram are aligned to analyse the similarities and differences with the different theories referred from various literatures, books, research paper, and digital data. Sameness, differences, and similarities are analysed from its massing composition, spatial composition, silhouettes or figure, and ornamentation. Thus, influenced by certain factors that give certain uniqueness of its architecture. In this study the factors are derived from natural factors that affect temple architecture, material and engineering factors in relation to its nature, religiousity factors affecting architectural patterns, and socio-cultural-political factors. The conclusion of the analysis is there are many similarities and differences between the Sumatran and Javanese temples within their architectural elements, consisting of mass , space, building figures, and decoration & ornamentation. Few sameness are found, nevertheless many similarities or resemblance are also found and made possible by the absorption of Javanese’s style on Sumatra’s ‘candi’ architecture which was developed based on local wisdom, religiosity, nature, materials and engineering factors. Besides the sameness and similarities, various differences are also found on the architectural elements following its external factors consisting of religiousity, environment-material-technicality, and social-culture-politics. Keywords: Candi Architecture, Buddha, Padang Lawas, Architectural elements
TATA RUANG DAN BENTUK ARSITEKTUR JAWA PADA RESTORAN PLATARAN DHARMAWANGSA DI JAKARTA Widhianingtyas, Audy; Aly, Sudianto
Jurnal Riset Arsitektur Vol 7 No 01 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i01.6364.84-99

Abstract

Abstract - Indonesia’s rich culture can be reflected by its traditional architecture, one of which is Javanese architecture with its meaningful philosophies. Unfortunately, the existence of traditional Javanese architecture in this modern era is fading. Plataran Dharmawangsa exists as an example of the preservation of Javanese architecture which is still popular today, even though it has undergone some adjustments both in function and design. This has sparked an interest on studying the space and form of Javanese architecture in Plataran Dharmawangsa restaurant in Jakarta. In order to obtain answers for the question, a study for theories to underlie this research was conducted. The theory studied are theories of spatial layout and form of Javanese architecture, in terms of orientation, zoning and spaces, forms of traditional-building, space-forming elements (head-body-feet concept), structure and construction, and ornamentation. A summary as analysis tool is then obtained. In Chapter 3, the object of research, Plataran Dharmawangsa, is presented related to the theory of Javanese architecture that has been studied in chapter 2, starting from aspects of orientation, zoning, space, mass, space-forming elements, structures, and ornaments, through photographs and descriptions. This presentation focuses on the Sedap Malam Room, Kenanga Room, Melati Room, Kantil Room, and Surau. In Chapter 4, the application of spatial layout and form of Javanese architecture to the object is analyzed using the analytical tools from chapter 2, the results are determined by parameters of ‘appropriate’, ‘adjusted’, or ‘not suitable’, and then summarized. In Chapter 5, it is concluded that the spatial layout and form of Javanese architecture at the Plataran Dharmawangsa restaurant in Jakarta can be found with slight adjustments in three aspects. In terms of space, aspects of spatial orientation and zoning have shifted due to geographical factors and different function. In terms of form, the adjustment is in the aspects of the elements that make up the space, especially the wall variables which are now combined with more transparent materials. This supports harmony with nature and unites the diversity of facades at Plataran Dharmawangsa. These application of layout and form of Javanese architecture are now a characteristic and an added value for Plataran Dharmawangsa restaurant, with restaurant’s activities that can still be well accommodated. Keywords: spatial layout, form, Javanese architecture, restaurant, Plataran Dharmawangsa, Jakarta
PENGARUH INTERIOR BERGAYA ARSITEKTUR NEO-GOTIK TERHADAP KUALITAS AKUSTIK PADA GEREJA KATOLIK ST. YUSUF GEDANGAN SEMARANG Soelistyo, Finka; Sutanto, Handoko
Jurnal Riset Arsitektur Vol 7 No 01 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i01.6370.100-116

Abstract

Abstract - The church as a place of worship is required to have an ideal acoustic quality, without forgetting other aspects. St. Joseph’s Church Semarang is one of the historic buildings in Semarang with a Neo-Gothic architectural style, with a little Gothic influence. In the Neo-Gothic era, the design of a church was more emphasized on the liturgical aspect so that the proportions of the space tended to be gigantic. Another feature of Neo-Gothic architecture is the presence of large columns in the interior, an elongated floor plan, and the use of materials such as stained glass, solid wood, and marble floors. These features of Neo-Gothic churches can potentially affect acoustical qualities such as sound distribution, speech definition, reverberation time, and acoustic defects. In this study, observations will be made on the effect of Neo-Gothic architectural style interiors on acoustical quality using post-occupancy evaluation methods with quantitative and qualitative approaches. This study discusses the theory of Neo-Gothic architecture and the theory of the ideal acoustical quality of the church, then compares the theory with the results of tests and observations in the field, calculations, and simulations using software. This is done to find out how the acoustical quality of the church with the parameters of sound distribution, speech definition, and reverberation time using direct sound sources or loudspeakers. It also discusses the placement of loudspeakers. Qualitative data in the form of people's perceptions of voice articulation and voice intelligence are also used to support the results of calculations and testing. The results showed that the Neo-Gothic interior style of St. Joseph’s Church Semarang has an influence on the acoustical quality of the worship space in terms of several parameters of the acoustical quality of the church. The plan of the church is rectangular, causing the distribution of sound to be uneven in the seating area of ​​the people at the back. The existence of large columns in the interior of the worship room causes acoustical defects in the form of acoustical shadows. The volume of space that is too large due to the high ceiling and the shape of the ceiling that follows the rib vault structure system causes the reverberation time to be high or not ideal. In addition, the reflection on the ceiling also causes acoustical defects in the form of long delayed reflection, which reduces speech definition. The interior material which is entirely reflective material also contributes to the high value of the reverberation time which also has an impact on the low level of speech intelligibility, caused by the lack of diffusion. Placement of the existing loudspeaker in the worship room of St. Joseph’s Church Semarang is proven to be effective in helping to improve voice distribution, speech intelligibility, and reduce acoustical defects in the form of sound shadows, but it is less effective on speech intelligibility and affects long delayed reflection. Keywords: Worship Space, Neo-Gothic Architecture, Acoustic Quality, St. Joseph’s Catholic Church Gedangan Semarang
KAJIAN KARYA ARSITEKTUR C.P. WOLFF SCHOEMAKER DAN HENRI MACLAINE PONT DITINJAU DARI PRINSIP ARSITEKTUR NUSANTARA Lawiguna, Handoyo; Prajudi Herwindo, Rahadian
Jurnal Riset Arsitektur Vol 7 No 02 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i02.6600.117-135

Abstract

Abstract - Charles Prosper Wolff Schoemaker and Henri Maclaine Pont are two Dutch Architects who worked in the Dutch East Indies in 1900 – 1940 period. In this period, architectural identity of Nusantara is being sought by some Dutch architects due to the development of new architectural thinking that involve localities. This thought arises because the old idea doesn’t fit with the geographical context, that the Dutch or “western” architectural thinking still dominating the design. Those two architects, Schoemaker and Pont are two figures that loud enough sounding their toughts and idealism about Nusantara architecutal identity until they often arguing at several forums and papers, initiating their own ideas for developing Nusantara architectural identity. Both are estimated use architectural approach of Nusantara but from two different perspective. This research uses descriptive method with qualitative approach by describing objects from those figures and compare them with Nusantara architectural theories that written by Prof. Josef Prijotomo. Data collected by field observation and literature study. Data grouped by the variables, namely room order, structure – construction- materials, and building figure. Analysis technique are done with connecting data with Nusantara architectural theory and interpret with other theories that support the research for reading the Nusantara architecture at the objects. The result of this research come to a conclusion, that in Schoemaker’s works, Nusantara architecture interpreted with functional and aesthetics approach, that the functional aspect linked with room comfort and the relation with local climate. The aesthetic aspect made by ornament that related with temple. Schoemaker’s design approach is modern – local, that come from modern thought and added some local elements. Contrasts with Schoemaker, Pont almost all local architecture thought applied in his buildings. Pont can read the local context until the root and learn the history, the culture, so that the architecture getting more contextual with the local nature, social, and culture. In his works, Pont almost applied Nusantara architectural theories in room order, structure – construction – materials, or the building figure so it can be concluded that Pont design approach is local – modern, developing and enrich local architecture with modern thought and technologies that can accompany and compelent Nusantara architecture. Keywords: Nusantara architecture, Schoemaker, Pont, modern – local, local - modern
ADAPTIVE REUSE PADA GEDUNG PERTUNJUKAN DE MAJESTIC SEBAGAI BANGUNAN CAGAR BUDAYA GOLONGAN A DI KOTA BANDUNG Victoryana, Jessica; Dibyo Hartono, Harastoeti
Jurnal Riset Arsitektur Vol 7 No 02 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i02.6601.136-150

Abstract

Abstract - De Majestic Performing Art Building is a cultural heritage building type A in the Bandung City. The building that is located at Braga Street 1, Bandung was built in the early 1920 with the original labelled as Concordia Bioscoop. De Majestic was the first cinema that is established in the Bandung City and was the first cinema that show the first film in the city. Unfortunately, the heyday of De Majestic Building only lasted until the year of 2002, where conservation and replacement of the function were carried out. Throughout its age, this building has undergone several conservation efforts along with the times, as well as changes in the management. The changes that have been done including; Gedung Bioskop Majestic, Asia Africa Cultural Center, New Majestic, Gedung Pertunjukan De Majestic. This building also has a fairly dark history that occurred in 2008, this has caused a lot decrease in public interest in visiting and using this building. With this condition, the building has received less attention as a cultural heritage building in the city of Bandung, even though the physical condition of the building itself can be categorized as well-maintained and can still be optimized. Therefore, this research leads to an evaluation of De Majestic Building of its function in order to recreate a worthwhile study to increase the vitality and maximize the potential of the building. This study uses descriptive methods and qualitative evaluation, by examining the physical and operational conditions of De Majestic Building. After those, an analysis is also applied regarding the alignment of the area where the building stands, and the allocation of the area in accordance with the Bandung City regulations that have been set by the government. This research also refers to theories related to building conservation, principles of adaptive reuse process, regulations governing cultural heritage buildings in Indonesia. The result of this research is an idea and a new function idea that has gone through the analysis process which means it has the greatest potential to be implemented in the De Majestic Building. The selected new function idea have gone through analysis such as the define of its location, historical value, building characteristics, space requirements, and the potential of the building for the area. The existence of a new function is expected to increase the vitality of the building and interest in visiting buildings and areas, as well as restore values that have begun to fade in this modern era among the community. With the new function ideas, local and non-local people can participate in maintaining, protecting, and utilizing the existence of Cultural Heritage Buildings in the Bandung City. Keywords: Conservation, Cultural Heritage Building, Adaptive Re-Use, De Majestic Bandung
CITRA DESA TRUSMI SEBAGAI WADAH AKTIVITAS MASYARAKAT Farrel Malik Hakim, Julian; Pujianto, Franseno
Jurnal Riset Arsitektur Vol 7 No 02 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i02.6602.151-168

Abstract

Abstract - The image is a visualization that formed by the interaction between human as an observer and an object. The visualization is an impression of an object to be easier to remember by the observer. The image in architecture has a role to give a picture to the observer about the structure of a space or region. The observer will have a picture of the space whenever remembering it. The appearance of the image will be different according to who the observer is. Building an image of a particular place is needed because it will create meaning or value for the one that has been there to build a connection to the place. If anyone remembers there is a memory left there, anyone has a tendency to value the place. Trusmi Village in Cirebon already has an identity as a village that full of batik artisan and still preserves their culture. This identity is still preserved since they still doing things that related to the ancestors’ tradition and batik crafts. This study aims to understand the influence of daily activities and traditional activities carried out by the community on the image-forming elements in Trusmi Village. The place to carry out activities will be identified by the community as an element forming the image of Trusmi Village. The method used is quantitative, data obtained from literature studies, direct observations in the field, and interviews with residents of Trusmi Village. Observations focused on the activities of the residents and their places of activity, which were then mapped out by activities in the village. Then, from the activity data, it will be analyzed with image-forming elements so that it can be seen the path used for the activity, the edge that becomes the boundary of the activity space, the district found as the center of activity, nodes that become the point gathering, and landmarks that guide activity orientation. The conclusion of this study, it was found that the "Image of Trusmi Village" can be found based on the analysis of the place where community activities are carried out in Trusmi Village. This shows the influence of the residents' daily activities and activities carried out as a tradition informing the physical picture of Trusmi Village. Trusmi Cirebon village can be concluded as a village whose image is easy to remember because in this village you can find the Main Path which is the place for daily activities, Strong Edge which is a continuous wall of batik showrooms on the Main Path, District Center for Ritual and Commercial Activities, Anchor Nodes, and Landmarks are used to direct the community within the village and visitors from outside the village. Key Words: Activity, ancestors’ tradition, batik, image-forming element, Trusmi Cirebon Village
PERWUJUDAN GAGASAN “COMPLEXITY AND CONTRADICTION IN ARCHITECTURE” OLEH ROBERT VENTURI PADA ARSITEKTUR PURI AGUNG KARANGASEM BALI Beatrix Hendrata, Ilona; Saliya, Yuswadi
Jurnal Riset Arsitektur Vol 7 No 02 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i02.6604.169-183

Abstract

Abstract - Postmodern architecture was initiated around the 1960s, when architects who were supported by the ideas of philosophers and writers saw that modern architecture was no longer in accordance with the times because of the inability to answer the specific cultural context in an architectural work. A character named Robert Venturi is one who plays an important role in the development of Postmodern Architecture with various ideas, the most famous of which is "Less is Bore" which responds to the architectural motto "Less is More" in Modern architecture. Robert Venturi wrote several books, including "Complexity and Contradiction in Architecture" which contains Robert Venturi's Postmodern ideas. Postmodern architecture which has eclectic and hybrid thinking is also developing rapidly in Indonesia, especially on the island of Bali as one of the cultural centers. The architecture that characterizes the island of Bali is the temple as a place of worship and the castle as the residence of the Balinese kingdom. Puri Agung Karangasem is located in the center of Amlapura City, a kingdom in East Bali. It was founded at the end of the 19th century by Anak Agung Anglurah Ktut Karangasem who was appointed as Stadholder II. Puri Agung Karangasem applies the concept of a blend of several cultures in its architecture. Balinese architecture, colonial architecture according to the development period, and there is Chinese influence. This research is qualitative with descriptive-analytical approach. The data that has been collected will be processed by comparing, grouping and summarizing. The study will look for Venturi's ideas in "Complexity and Contradiction in Architecture" which are reflected in the architecture of Puri Agung Karangasem. The results of the study show that many of Venturi's ideas are realized in terms of mass and spatial planning, building figures and ornamentation resulting from acculturation of the three cultures. This proves that before Postmodern Architecture developed in 1960 and Venturi issued the idea, Puri Agung Karangasem on the island of Bali had implemented this concept in the construction of the Puri since more than 60 years earlier. Keyword: Castle, Bali, Robert Venturi, Postmodern Architecture
EVALUASI PENERAPAN KONSEP BIOKLIMATIK PADA RAD+AR HQ Tumpak Ahimsa Sirait, Benno; Gunawan, Yenny
Jurnal Riset Arsitektur Vol 7 No 02 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i02.6605.184-195

Abstract

Abstract - Bioclimatic architecture has existed since the 20th century, but its development in Indonesia has only recently been seen. Architecture in Indonesia often imitates or plagiarizes architecture in foreign countries with different climates. As a result, building created with such notions are uncomfortable for users and also wasteful of energy use. Indonesia's location in a tropical climate has not yet been widely developed for its application in present day architecture. This research begins by examining bioclimatic architecture in Jakarta and RAD+ar HQ building as the object of study with the concept of bioclimatic architecture. Furthermore, physical data collection, environmental condition measurement data, and perception interview data were carried out to conduct an assessment of how the application of the bioclimatic concept in RAD+ar HQ buildings and how building users' perceptions of comfort in RAD+ar HQ/ buildings were taken. From this study, it was found that the application of the bioclimatic concept to the RAD+ar HQ building was not fully due to the different initial concepts and modifications due to the limitations of the pandemic conditions, which concerned air circulation between users of the building. Most of the users of RAD+ar HQ buildings already feel comfortable thermally and visually, but not all users feel comfortable thermally, this can be caused by thermal conditions where the majority of the rooms are outside the standard of thermal comfort. Although bioclimatic principle was applied to the architecture, the bioclimatic principles have not been applied entirely. Key Words: bioclimatic architecture, tropical architecture, RAD+ar Headquarters

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