ARTEKS : Jurnal Teknik Arsitektur
ARTEKS : Jurnal Teknik Arsitektur is a medium of scholarly publication published by Architecture Study Program of Universitas Katolik Widya Mandira in collaboration with Indonesian Architect Association. It serves several goals i.e. being a medium of communication, dissemination and exchange of information, and a medium of publishing scholarly research in the field of Architecture.
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333 Documents
<![CDATA[Identifikasi unsur-unsur arsitektural rumah kalang di Kotagede Yogyakarta ]]>
<![CDATA[Maria Widianingtias]]>;
<![CDATA[Sidhi Pramudito]]>;
<![CDATA[Gerarda Orbita Ida Cahyandari]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.85
<![CDATA[Identification of architectural elements of kalang house in Kotagede Yogyakarta Kalang house on Jalan Mondorakan, Kotagede is a Javanese traditional house built and owned by Javanese people by adopting architectural elements from art nouveau and art deco architecture. Kalang house reflects Javanese houses in terms of spatial aspects, roof shape, and some Javanese ornaments. Whereas the influence of art nouveau and art deco are shown from themed ornaments and are the result of stilation of flora and fauna which are different with ornamentation in traditional Javanese houses. This study aims to identify architectural elements in kalang houses and find out what factors influence the differences and similarities in the processing of architectural elements in kalang house. This study uses descriptive methods through case studies in the field with analysis through qualitative methods. Methods of data collection through direct observation, interviews, documentation and supported by literature studies. The results of this study indicate that the differences and similarities of architectural elements in homes are affected by several factors such as the owner's socio-economic (profession), history, functions and activities from the past to the present, and site conditions (dimension, form, site position of the circulation path). Through the results of this study, it is expected to be able to support the effort of preserving house building as one of Indonesia's distinctive cultural heritage, especially Kotagede.]]>
<![CDATA[Relasi antara sakralitas ritual peribadatan berjamaah dengan konfigurasi spasial arsitektur Masjid Sulthoni Plosokuning ]]>
<![CDATA[Nadya Wicitra Paramitha]]>;
<![CDATA[Purnama Salura]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 2 (2020): ARTEKS : Jurnal Teknik Arsitektur | May 2020 ~ August 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i2.103
<![CDATA[The relationship between sacred rituals of congregational worship and the spatial configuration of Sulthoni Plosokuning Mosque The design of current Mosque architecture has been found as a common phenomenon to have a similar design with other buildings such as office buildings, museums, monuments or even sculptures. The Mosque architecture, in fact, should not only accommodate pragmatic activities but also must have a spatial configuration related to the symbolic ritual activities that could stimulate the congregation’s awareness in entering the sacred space. The current research discusses the relationship between the sacred ritual of group worship and the spatial configuration of Mosque architecture. It aimed revealing how the sacred function of congregational rituals is correlated to the spatial configuration of Sulthoni Plosokuning Mosque and the specific aspects that become the indicators of the correlation. The analysis uses an elaboration of universal sacrality theory, the concept of rituals in Mosque architecture, architectural configuration theory, and architectural anatomy theory. The result of analysis showed that of the seven aspects of spatial configuration being discussed, four aspects were found to have dominant relationship with sacred ritual worship, three aspects had less dominant relations and one aspect has no relationship with the sacred ritual of worship. © 2020 Nadya Wicitra Paramitha, Purnama Salura]]>
<![CDATA[Akulturasi arsitektur lokal dan modern pada bangunan P-House, Salatiga ]]>
<![CDATA[Adityo Purnomo]]>;
<![CDATA[Bachtiar Fauzy]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 2 (2020): ARTEKS : Jurnal Teknik Arsitektur | May 2020 ~ August 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i2.112
<![CDATA[Local and modern acculturation architecture in P-House building, Salatiga Local and modern acculturated house concept is widely applied, one of which is the P-House by Budi Pradono in Salatiga. Understanding about of the existence of local and modern elements in building design method is necessary to cultivate and strengthen the local value to be preserved in the modern era and to enrich the culture itself. In the case of this P-House study we can describe the existence of local and modern values in the building into the concept of tread, shape, space, structure, and material and then to find out the dominating aspect between local and modern values of the three building segments. The results of the process will demonstrate the dominance and placement of local and modern elements chosen by Budi Pradono in designing the P-House. The study used a descriptive method to describe the study object, analytic method to dissect the study object with theory, and interpretive method in drawing conclusions in an attempt to understand the dominance of local and modern values in the design method as well as to define the form of acculturation used or classified through the design of residential buildings. © 2020 Adityo Purnomo, Bachtiar Fauzy]]>
<![CDATA[Aktivitas di alun-alun sebagai ruang terbuka publik dengan konsep lapangan, kasus studi: Alun-alun Bandung ]]>
<![CDATA[Grace Putri Dianty]]>;
<![CDATA[Yohanes Basuki Dwisusanto]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.116
<![CDATA[Activity in Bandung city square as a public open space with open field concept Bandung city square is an icon of Bandung, known by the public as a public open space with a field in the middle. The shape of the square has changed to resemble a city park with the addition of new facilities in it such as seating area, play area, sport area and so on. The changes affect its function as public space and the activities formed in it. The purpose of this study is to identify patterns of activities and their correspondence with the shape of the square as a public space in the city of Bandung. This study is carried out through stages (1) mapping the functional area based on its physical arrangement; (2) identifying activities formed in it and (3) interviewing the users. The result of the study indicates that the types of activities in Bandung city square are more diverse due to the addition of seating area, play area and renewal of the concept of the field. But besides that, the placement of shade trees in each sitting area needs to be considered so that the square is not only active at night, but also during the daytime.]]>
<![CDATA[Peran sanro bola dalam tradisi membangun rumah tradisional Bugis di Kabupaten Soppeng ]]>
<![CDATA[Asta Juliarman Hatta]]>;
<![CDATA[Iwan Sudradjat]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.119
<![CDATA[The role of sanro bola in construction of Bugis traditional house in Soppeng District The diversity of race and culture makes Indonesia a country with abundance of culture. Traditional houses which have diverse form are symbol and reflection of culture in every tribe in Indonesia. The shape and architectural value of traditional Bugis houses in Sulawesi Selatan which still remains thanks to the efforts of Bugis tribe community is an example of house-building culture which still exists today. The involvement of cultural leader such as Sanro bola in tradition of Bugis’ house-building culture is essential, because they have knowledge and experiences passed on through generations. This study aims to reveal the role of Sanro bola in preserving the traditional values of building a Bugis Soppeng house. The method of this research is qualitative with explorative analysis. The result of the study revealed that the role of Sanro bola in the process of building a traditional Bugis Soppeng house divided into 6 aspects; as leader, material selection, considering about a good time and day, house orientation, constructing of traditional houses, and application of philosophy sulapa epapa'e. These six aspects are applied by Sanro bola in both physical and non-physical with the aim of providing direction and safety for the residents of the house.]]>
<![CDATA[Dominasi ragam akulturasi lokal-moderen pada bangunan Casablancka residence, Bali ]]>
<![CDATA[Efraim Desprinto Lalu]]>;
<![CDATA[Bachtiar Fauzy]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.187
<![CDATA[Domination of local-modern acculturation in Casablancka residence, Bali The phenomenon of local-modern architecture acculturation is important to explore because it can be used as a concept of contemporary architecture (kiwari architecture). The research object in this study is Casablancka Residence building in Bali. The object of research is a new building which is still rarely studied, especially from the aspect of architectural acculturation. This research aims to uncover various forms of acculturation of local and modern architecture in terms of various aspects of the form of acculturation, also to see which one is more dominant between local and modern architecture in the Casablancka Residence building. The Archetype Theory is then used to uncover the architectural phenomenon of Casablancka Residence building. Through a descriptive-analytical-interpretative approach, the characteristic of the acculturation will be revealed. The results of this study found a stronger dominance of local elements whose outlines appear on the roofs and floors of buildings that use strong local forms and materials, while modern elements are more dominant on the walls of buildings dominated by modern glass materials. The benefits of this study are expected to contribute positively for the community to raise the awareness of the importance of locality in building and preserving local culture and architecture. The other benefits are to increase architectural knowledge for academics and practitioners.]]>
<![CDATA[Identifikasi tingkat kebisingan serta indikasi dampak desain barrier hunian di tepi jalan raya ]]>
<![CDATA[Frengky Benediktus Ola]]>;
<![CDATA[Maria Christina Prasetya]]>;
<![CDATA[Maria Risky Pratiwi Renwarin]]>;
<![CDATA[Cecilia Kitti]]>;
<![CDATA[Fiona Purwanto]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.195
<![CDATA[Identification of noise level and indication of its impact on residential barrier design in street edge The effect of noises toward human body not only disturb the hearing organs, it can also disturb other human body parts and in some cases may results in reduction of work’s efficiency. This study aims to assess the noise level in residential areas on the edge of the city of Yogyakarta highway and to find any indication of the impact on building design and barriers by homeowners to reduce noise. This research is quantitative associative. Data obtained from measurements and field observations. The results showed that the noise level in residential areas on the edge of the highway, class II street and local roads in the city of Yogyakarta did not meet the standard values of LTNI and LNP. The design of buildings and barriers as a noise reduction factors for the highway was found with a percentage of 100% on the Jalan Bung Tarjo segment, 85.7% on the Jalan Ki Penjawi segment, 20.83% on the Jalan Juminahan segment, 52.08% on the Jalan Bausasran segment, 13.37% on the Jalan Suryodiningratan segment, and 10.7% on the Jalan Mangkuyudan segment. Therefore, the people of Yogyakarta are not fully aware of the high level of road noise.]]>
<![CDATA[Penerapan konsep kejawen pada rumah tradisional Jawa ]]>
<![CDATA[Bintang Padu Prakoso]]>;
<![CDATA[Herman Wilianto]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 2 (2020): ARTEKS : Jurnal Teknik Arsitektur | May 2020 ~ August 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i2.219
<![CDATA[The application of kejawen concept on Javanese traditional houses Javanese society has a unique philosophy of life. It is known as kejawen and is applied in daily life, manifested in symbols and rituals pertaining to their houses. A house for the Javanese is not merely a place to live, but it is also a place to represent many symbols reminding the philosophy that gives power to the owner. Javanese traditional houses have already been previously researched, but many of these researches emphasized more on the physical aspects, rather than on philosophy of kejawen, which try to comprehend the reality intuitively. In order to gain a deep understanding on this matter, field observation was carried out for certain period of time, using descriptive qualitative approach. The research result shows that the Javanese house shows a perfect union between macro cosmos and micro cosmos. Omah’or house is derived from the word "Om"and “Mah”. ’Om’ means the father of space and "Mah" ‘lemah’/land means the mother of the earth. ‘Omah’ for Javanese people is a manifestation of macros and micro cosmos. © 2020 Bintang Padu Prakoso, Herman Wilianto]]>
<![CDATA[Konsistensi ruang pangimaman, liwan, dan pawestren di Masjid Pathok Negara Ad-Darojat Babadan, Bantul, Yogyakarta (1970-2019) ]]>
<![CDATA[Denny Huldiansyah]]>;
<![CDATA[Tarcicius Yoyok Wahyu Subroto]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 2 (2020): ARTEKS : Jurnal Teknik Arsitektur | May 2020 ~ August 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i2.248
<![CDATA[The consistency of pangimaman, liwan, and pawestren in Masjid Pathok Negara Babadan, Bantul, Yogyakarta (1970-2019) Masjid Pathok Negara Babadan is one of four Pathok Negara Mosques which act as the eastern border of the state in the era of Sultanate of Yogyakarta. The Mosque has gone through many physical alterations especially within its current spaces. However, behind these alterations there are spaces whose existence have been consistent since the mosque was established until now. This raises questions such as what are the consistent spaces in Masjid Pathok Negara Babadan and what affects the consistency of those spaces. This study uses qualitative-descriptive method in order to collect data and informations about the development of floorplans and spaces in Masjid Pathok Negara Babadan. The analysis is conducted by using diachronic method and Cartesian Coordinat System (CCS). The findings of the study reveal that the existence of pangimaman, liwan, and pawestren are consistent space in Masjid Pathok Negara Babadan. This consistency is affected by the palace’s authority as the owner of sultanate’s mosques (kagungan dalem), including Masjid Pathok Negara Babadan itself. © 2020 Denny Huldiansyah, Tarcicius Yoyok Wahyu Subroto]]>
<![CDATA[Penilaian kualitas estetika elemen arsitektural bangunan Kolonial di Jalan Basuki Rahmat, Malang ]]>
<![CDATA[Syamsun Ramli]]>;
<![CDATA[Antariksa]]>;
<![CDATA[Herry Santosa]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.250
<![CDATA[Assessment of aesthetical quality of architectural elements of Colonial buildings in Jalan Basuki Rahmat, Malang The characters of a building are formed by several elements, one of them is an architectural element. The architectural element can be assessed using aesthetic judgment scales. Aesthetic value is closely related to public perception. The Colonial buildings in Jalan Basuki Rahmat have distinctive character that worth to be preserved. Assessment of building aesthetic is the initial step in the effort to preserve colonial buildings. This study aims to assess the aesthetic quality of the architectural elements of Colonial buildings in Jalan Basuki Rahmat. Questionnaires are used to collect data, and Aesthetic measurement is carried out using the semantic differential scale. The community members are requested to judge the aesthetic quality of the buildings based on their own perceptions by looking at photos. Data were analyzed using descriptive statistics, independent samples test, and linear regression. The research results showed that the architectural element that had the most significant impact on the aesthetic quality of Colonial buildings were the façade. The Colonial building with the highest aesthetic value is the Church of the Sacred Heart of Jesus Malang.]]>
