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Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Published by Institut Seni Indonesia Padang Panjang
ISSN : 19074859     EISSN : 28092937     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
GARAK JO GARIK: JURNAL PENGKAJIAN DAN PENCIPTAAN SENI diterbitkan oleh Program Studi Seni Tari ISI Padangpanjang di bawah koordinasi Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPMPP) ISI Padangpanjang. Jurnal ini terbit dua kali dalam setahun pada bulan Januari-Juni dan Juli- Desember.
Arjuna Subject : -
Articles 45 Documents
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TARI RENTAK BULIAN SEBAGAI EKSPRESI BUDAYA DAN REFLEKSI KEINDAHAN MASYARAKAT INDRAGIRI HULU PROPINSI RIAU Erlinda Erlinda; Asmaryetti Asmaryetti; Syaiful Erman
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3743

Abstract

Studies on the dance Rentak Bulian in Riau Community are kinds of discussions aboutfield empirical reality with the problems of dance as a cultural expression among its community. In addition to describing the existence of the dance, this study also analyses the reflection of its beauty by investigating its aspects of movement, musics, costumes, properties, supports, and presentation. Analysis is done descriptively, qualitative, and interpretatively. The dance of Rentak Bulian constitutes a cultural expression of the Malay community of Petalanganan Talang Mamak, Indragiri Hulu, Rengat. Although the ritual of Bulian has transformed into a performance arts, seeing from either its form, function, and meaning, the ritual's magic component must still be staged in order to fulfil its performance demand. Among the rituals are: there must be seven virgin female dancers; the dancers are in their clean period (not in menstruation), there must be a strong male dancer, the dancers are not related in blood, all dancers must acquire consents from the village elders, they must be blessed with sandalwood smoke, musical instruments must be casted, the young bunch of areka nut must be selected, and the fireplace must not be casted any spell.
INTERAKSI SOSIAL PERTUNJUKAN RONGGENG NAK MUDO PINANG SARUMPUN DI MASYARAKAT NAGARI SIMPANG MUDIAK KABUPATEN PASAMAN Niken Rahayu Jovia Putri; A.A.I.A, Citrawati; Nurmalena Nurmalena
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3745

Abstract

This writing aims to determine social interaction in performance of Ronggeng Nak Mudo Pinang Sarumpun at Nagari Simpang Mudiak community, Pasaman Regency. This Ronggeng performance is shown between the Ronggeng performers and the audience or the audience and the dancers, who interact through communication by attracting the attention of the audience through poem with the rhymes that are sung. This study used qualitative methods with data collection techniques of observation, interviews, and documentation, then analyzed using Sudariyanto social interaction theory and Alo Liliweri communication theory. The results showed that in the Ronggeng Nak Mudo Pinang Sarumpun performance, there was social interaction between the people of Simpang Mudiak and the Ronggeng performers, and the establishment of friendly intrapersonal communication through poem rhymes as message deliverer and message recipients by dancers and audiens in the Ronggeng Nak Mudo Pinang Sarumpun performance.
SASARAN SILEK JUNGUIK SATI DALAM LANGKAH AMPEK NAGARI BATU TABA KABUPATEN TANAH DATAR Yan Stevenson; Auliana Mukhti Maghfirah; Oktavianus Oktavianus; Ernawita Ernawita
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3772

Abstract

This research aims to understand the preservation of the "langkah ampek" tradition and the method of character formation among the younger generation in the Batu Taba Nagari, Tanah Datar District, and its impact on the development of silek (a traditional martial art) today. The research method used in this study is qualitative research with a descriptive analysis approach, where all the data collected in the field are compiled, described, and analyzed according to the discussed issues. The cultural theory by Jacobus Ranjabar is employed to analyze this research. In line with the research object, the results reveal that pencak silat (martial arts) has its own unique style and characteristics in both offensive and defensive techniques. The rapid development of culture and technology has had an impact on the development of silat in the archipelago, leading to a decline in the interest of the younger generation in the development of this cultural art form, resulting in a gradual erosion of the culture over time. The local richness of various silat styles in Minangkabau, which are owned by the three regions (Luhak), namely Luhak nan Tuo/Tanah Datar, Luhak Agam, and Luhak 50 Koto, is one of the cultural treasures. The phenomenon of the development of traditional silek is concerning due to the decreasing interest of the younger generation. However, in the Batu Taba Nagari, Tanah Datar District, there is a considerable enthusiasm for silek, which is well-received by the local community. The target of Junguik Sati plays a role in shaping the character of the younger generation through the Langkah Ampek pattern.
TARI TANDUAK DALAM KEHIDUPAN MASYARAKAT NAGARI LUBUAK TAROK KABUPATEN SIJUNJUNG: SUATU KAJIAN SEMIOTIKA Auliana Mukhti Maghfirah
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3773

Abstract

Tanduak dance is a traditional performing art form that is performed within the royal court, and without this dance, guests are not allowed to enter the kingdom. Over time, the dance has also been performed in community events, under the supervision of the village head. The existence of Tanduak dance is recognized by the local community as the identity of the village and a genuine cultural product of Nagari Lubuak Tarok, carrying special meanings in the lives of its supporting community. These meanings include the four colors of fabric used in the Tanduak props and the twenty-two mirrors, all of which hold significance in the dance. The aim of this research is to explore and understand the meanings embedded in Tanduak dance in Nagari Lubuak Tarok. The research method used is qualitative, collecting data through observation and studying traditional arts, particularly Tanduak dance and its environment, audio and visual documentation, and interviews with artists and the community. This research is analyzed using semiotic theory. In general, this study found the extent to which artists foster solidarity through the use of universal symbols in their artistic activities.
BERBAGAI VARIAN TARIPADA ACARA PESTA PERKAWINAN Merianti Sabriana; Ernida Kadir; Asmaryetti Asmaryetti
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3774

Abstract

This paper discusses the low appreciation of dancers for the designation of dance at weddings. Under these conditions, the bride and groom are similar to the one-day King and Queen, who deserve to be respected. Ignoring the direction of facing in dance performance as an indication of the form of joyful respect for the bride and groom becomes a problem. This neglect can be seen in the dancer's position when the show always faces the audience and turn sits back to the bride and groom as the main character in the wedding ceremony. Such behavioris called discord in Minangkabau terminology. That is, behavior that does not conform to custom. The discordant performance by the dancers and the absence of evaluation from various parties became the fulcrum of the analysis of this study was carried out. Thus, this question explains phenomena and describes reality through qualitative research, using descriptive methods, and then analyzes through various related theories, namely normative ethics theory, structural theory, and performing arts theory.

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