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Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Published by Institut Seni Indonesia Padang Panjang
ISSN : 19074859     EISSN : 28092937     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
GARAK JO GARIK: JURNAL PENGKAJIAN DAN PENCIPTAAN SENI diterbitkan oleh Program Studi Seni Tari ISI Padangpanjang di bawah koordinasi Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPMPP) ISI Padangpanjang. Jurnal ini terbit dua kali dalam setahun pada bulan Januari-Juni dan Juli- Desember.
Arjuna Subject : -
Articles 45 Documents
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KOREOGRAFI TONGGAK RASO BERBASIS SILEK Sukri, Ali
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 13, No 2 (2017): Garak Jo Garik
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

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Abstract

“TONGGAK RASO”, secara visual pada dasarnya merupakan konsep garapan untuk menghadirkan gerak dalam diri penari yang didasari pada kesadaran ruang dan waktu. Ruang dalam tubuh akan diolah secara maksimal, meskipun pada akhirnya ruang yang diolah juga menentukan waktu itu sendiri. Ruang fisik dipilih untuk mendukung ruang imajinatif yang akan dihadirkan. Budaya silek yaitu; silek tuo, silek kumango dan silek luambek untuk mengaktualisaikan ide dan gagasan melekat didalam koreografi Tonggak Raso. Elemen yang terkait dengan garapan menggunakan kaca timbal balik yang diberi bingkai sekaligus menjadi properti dalam garapan. Metode yang digunakan dalam pelahiran karya ini diantaranya, observasi, pengolahan data, studi pustaka, pemilihan pendukung karya, eksplorasi, penataan gerak, improvisasi, dan evaluasi. Koreografi ini memiliki tiga bagian, bagian pertama menggambarkan musyawarah untuk mencapai satu tujuan. Bagian kedua menggambarkan kekuatan untuk bertahan, dan bagian ketiga bagaimana penari mampu berkolaborasi untuk bertahan dengan memadukan gerak tradisi berbasis silek dan gerak-gerak tari modern.“TONGGAK RASO”, visually is a basic concept of cultivation to present the motion in the dancer based on the awareness of space and time. The space in the body will be processed optimally, although in the end the treated space also determines the time itself. Physical space is chosen to support the imaginative space that will be presented. Silek culture namely as; silek tuo, silek kumango and silek ulu ambek are used to actualize ideas inherent in Tonggak Raso choreography. The elements associated with this work is a reciprocal glass which is used and then framed, as a property in this artwork. The methods used in the delivery of this work include observation, data processing, literature study, selection of supporting works, exploration, structuring motion, improvisation, and evaluation. This choreography has three parts, the first part describes a discussion to achieve goal. The second part describes the strength to defend, and the third part is about collaborating, to survive, by combining traditional movements based on silek and the motion of modern dance.
TARI PIRIANG LANSIA DI KOTA PARIAMAN PROVINSI SUMATERA BARAT Syofia, Ninon; Yuliana, Putri
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 13, No 2 (2017): Garak Jo Garik
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Abstract

Tulisan ini bertujuan untuk membahas keberadaan tari Piriang Lansia dalam fenomena sosial masyarakat Pauh Kurai Taji Kota Pariaman Provinsi Sumatera Barat sebagai penelitian kualitatif dengan menggunakan metode deskriptif analitis. Teori atau pendapat yang digunakan adalah teori bentuk dan teori fungi oleh Soedarsono dan Y.Sumandiyo Hadi. Hasil penelitian menunjukkan, bahwa Tari Piriang Lansia merupakan sebuah tari tradisional yang yang selalu ditarikan oleh ibu-ibu lanjut usia (lansia). Tari ini dipertunjukkan sebagai hiburan dalam berbagai acara, seperti alek nagari dan helat perkawinan dan berfungsi untuk menjalin hubungan silaturrahmi dan kebersamaan antar masyarakat. This paper aims to discuss the existence of the elderly Piriang dance in the social phenomena of the Pauh Kurai Taji community in Pariaman City, West Sumatra Province as a qualitative study using descriptive analytical methods. The theory or opinion used is form theory and function theory by Soedarsono and Y.Sumandiyo Hadi. The results showed that the Elderly Piriang Dance is a traditional dance which is always danced by elderly woman (lansia). This dance is shown as entertainment in various events, such as alek nagari and marriage, it is serves to establish relationships and togetherness between the people. This dance is shown as entertainment in various events, such as alek nagari and marriage, it is serves to establish relationships and togetherness between the people.
TARI GALOMBANG DALAM KONTEKS SOSIAL MASYARAKAT KOTO KACIAK DI KABUPATEN 50 KOTA Yarlis, Yarlis; Nurfadhilah, Syifa
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 13, No 2 (2017): Garak Jo Garik
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Abstract

Artikel ini bertujuan untuk membahas tari Galombang pada masyarakat Koto Kociak Nagari VII Koto Talago Kecamatan Guguak Kabupaten Lima Puluh Kota. Penelitian ini adalah penelitian kualitatif dengan metode deskriptif analitis. Dalam hal ini peneliti mendeskripsikan apa yang diperoleh di lapangan kemudian dianalisis sesuai dengan permasalahan yang berhubungan dengan fenomena sosial dalam kehidupam masyarakat pemiliki tari Galombang. Teori yang digunakan adalah teori bentuk oleh Nanik Sri Prihatini dan teori fungsi. Teori tersebut digunakan untuk menjawab permasalahan yang telah dirumuskan. Tari Galombang tetap eksis sampai saat sekarang dan aktif di tengah kehidupan masyarakat Koto Kociak yang berfungsi untuk upacara pesta perkawinan, upacara pengangkatan pengulu, dan upacara penyabutan tamu. Tari Galombang pada masyarakat di atas disajikan khusus oleh ibu ibu lansia, hal ini merupakan suatu fenomena yang perlu dibahas.This article aims to discuss Galombang dance of the Koto Kociak Nagari VII Koto Talago, Guguak District, Lima Puluh Kota Regency communities. This research is qualitative research with descriptive analytical method. In this case, researcher described what was obtained in the field and then analyzed it according to the problems related to social phenomena in the lives of the Galombang dance owner (communities). The theory used are the form theory by Nanik Sri Prihatini and function theory. The theory is used to answer the problems that have been formulated. Galombang dance still exists until now and active in the midst of the life of the Koto Kociak community. Which has a functions for wedding party ceremonies, the appointment ceremony for the penghulu, and also for the guest welcoming ceremony. Galombang dance on the community above is specifically presented by elderly woman, this is a phenomenon that needs to be discussed. 
MUSIK TARI KURENAH UWAIK UWAIK MK, Asri
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 13, No 2 (2017): Garak Jo Garik
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Abstract

Paket Musik Tari Kurenah Uwaik-uwaik fungsional sebagai peringatan dan bahan renungan jika diusia senja terkadang tingkah laku dan pola hidup kembali seperti anak-anak, minta diperhatikan, dimanja dan terkadang sangat sensitif. Musik tari Kurenah Uwaik Uwaik terinspirasi dari tingkah laku nenek-nenek dalam kesibukan sehari-hari yang penuh dengan keunikan dan kelucuan yangmenggelitik lagi mengasyikkan. Istilah Uwaik-uwaik berasal dari sebutan untukpara ibu-ibu lanjut usia (lansia) di sekitar Danau Maninjau. Eksistensi kehidupansosial para Uwaik-uwaik ini cukup dinamis yang menyimbolkan sifat “tua-tuakeladi-makin tua makin menjadi” dan gambaran itulah yang sering terjadi dikehidupan lansia. Hasil karya Musik Iringan dari Tari Kurenah Uwaik-uwaikmerefleksikan memori terhadap dunia nenek-nenek yang termasuk fenomenal dimata para cucunya yang harus dihadapi dengan penuh kesabaran. The Kurenah Uwaik-uwaik dance and music package are functionally as awarning and reflection material, when human are aged, the behavior and lifepatterns are quite same as children. They ask for attention, they are spoiled, and sometimes very sensitive. Kurenah Uwaik Uwaik's dance and music is inspired by grandmother's behavior in daily routines, which is full of uniqueness and humor that intriguing and exciting. Uwaik-uwaik is a term that comes and used for elderly mothers (grandmother) around Lake Maninjau. The existence of the Uwaik-uwaik social life is quite dynamic which symbolizes the nature of thisphrase "tua-tua keladi-makin tua makin menjadi" and it is often happens in thelives of the elders. The work of Kurenah Uwaik-uwaik dance and music, reflectsthe memory about the world of grandmothers, which is phenomenal in the eyes of their grandchildren who must faced them with patience.
KOREOGRAFI KUAU DALAM PERSPEKTIF ALAM FAUNA Riswani, Riswani; Saputra, Mugi Ari
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 13, No 2 (2017): Garak Jo Garik
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Abstract

Kuau adalah nama burung yang oleh masyarakat Jambi dianggap sakral sementara di Kalimantan burung Kuau dianggap Agung. Untuk menggarap konsep, pengkarya menghasilkan dua karakter yang berbeda dari kedua wilayah dan makna filosofsis burung kuau dengan menggunakan properti sayap yang berbentuk setengah lingkaran seperti kipas. Ekslporasi gerak terkait dengan pengembangan dari tingkah laku burung Kuau yang divisualisasikan dengan karakter pengkarya. Metode yang digunakan dalam pelahiran karya ini diantaranya, observasi, pengolahan data, studi pustaka, pemilihan pendukung karya, eksplorasi, penataan gerak, improvisasi, dan evaluasi. Dalam karya ini terdiri dari tiga bagian, bagian pertama menggambarkan bagaimana karakter burung kuau yang berada di Jambi yang dianggap oleh masyarakat bahwa burung kuau adalah burung yang sakral, bagian kedua menggambarkan burung kuau yang berada di Kalimantan yaitu yang berkarakter lebih atraktif dan bersifat agung oleh masyarakat suku Dayak, dan bagian ketiga menggambarkan interpretasi pengkarya terhadap filosofi Burung Kuau. Kuau is the name of a bird that is considered sacred by the people of Jambi whilein Borneo the Kuau bird is considered as supreme (grand). To work on the concept, the creator produces two different characters from the two regions and the philosophical meaning of the kuau bird by using wing properties that aresemicircular like a fan. Exploration of motion is related to the development of thebehavior of the Kuau bird which is visualized by character of the creator. Themethods used in the delivery of this work include observation, data processing, literature study, selection of supporting works, exploration, structuring motion,improvisation, and evaluation. This work consists of three parts, the first pardescribes how the character of the kuau birds in Jambi, which is considered bythe community that the bird is a sacred, the second part depicts the kuau bird iBorneo, which has more attractive and noble by Dayak tribes, and the third partdescribes the about an interpretation of the philosophy of the Kuau bird from creators perspective.
TARI KURENAH BERBASIS PERILAKU ANAK Hardi, Hardi
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 13, No 2 (2017): Garak Jo Garik
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Abstract

Tulisan ini merupakan hasil karya tari inovatif yang bersumber dari gerak-geraksilat dan gerak keseharian perilaku anak.. Perwujudan karya tari tidak terlepasdaya imajinatif pengkarya sebagai masyarakat akademis dalam memahamifenomena sosial dalam kehidupan masyarakat terutama fenomena perilaku anak. Proses kreatif dalam pembentukan karya tari merupakan interpretasi darifenomena sosial budaya perilaku anak dalam bersosialisasi antar sesama. Dengan dasar ini karya tari yang bertemakan sosial diberi judul : Kurenah dengan landasan koreografi. Hasil karya disajikan dalam rangka Festival Lomba Seni Siswa Nasional (FLS2N) se kota Bukittinggi April 2017.This paper is a result of innovative dance work that comes from the motion ofmartial arts and the daily motion of children's behavior. The realization of danceworks is inseparable from the imaginative power of the creator as an academicsociety in understanding social phenomena in people's lives, especially thephenomenon of child behavior. The creative process in forming dance works is an interpretation of socio-cultural phenomena about children's behavior insocializing among others. On this basis a social theme dance is titled: Kurenahwith the basis of choreography. The work is presented in the framework of theNational Student Art Competition Festival (FLS2N) throughout the city ofBukittinggi in April 2017. 
SASARAN SILEK JUNGUIK SATI DALAM LANGKAH AMPEK NAGARI BATU TABA KABUPATEN TANAH DATAR Yan Stevenson; Auliana Mukhti Maghfirah; oktavianus oktavianus; Ernawita Ernawita
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
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Abstract

Pencak silat martial arts have their own style and characteristics, both in attack and defense. The very rapid development of culture and technology has an impact on the development of silat in the archipelago. One oBeladiri pencak silat memiliki gaya dan ciri khas masing-masing baik dalam penyerangan serta pertahanan. Perkembangan yang sangat begitu pesat terhadap budaya dan teknologi memiliki dampak terhadap perkembangan silat di nusantara. Salah satunya berkurangnya minat generasi muda terhadap perkembangan seni budaya silat yang membuat terjadi pergeseran serta semakin tergerusnya budaya seiring berjalannya waktu. Kekayaan lokal dalam berbagai aliran silek (silat) di Minangkabau yang dimiliki oleh ketiga Luhak (daerah) yaitu, Luhak nan tuo/Tanah Datar, Luhak Agam ( daerah agam) dan Luhak 50 koto ( daerah 50 Kota). Fenomena perkembangan silek tradisi sangat miris untuk kondisi sekarang dengan berkurangnya minat generasi muda, akan tetapi pada daerah nagari Batu Taba Kabupaten Tanah Datar memiliki antusias yang cukup baik dan diterima oleh kalangan masyarakat sekitarnya. Sasaran Junguik Sati ini memiliki peran dalam pembentukan karakter generasi muda pada saat sekarang ini dengan memiliki ragam dan pola Langkah Ampek. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana pelestarian langkah ampek dan bentuk metode pembentukan karakter generasi muda nagari Batu Taba Kabupaten Tanah Datar terhadap perkembangan silek saat ini. Metode yang digunakan dalam penelitian ini adalah  metode penelitian kualitatif dengan pendekatan deskriptif analisis. Tahapan penelitian yang dilakukan adalah literatur, observasi, dokumentasi serta wawancara
METODE PENCIPTAAN TARI KONTEMPORER “TUBUHKU, PUISI YANG BERGERAK” Ali Sukri; Sahrul N
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3755

Abstract

The creation of the concept for the performance My Body, Poetry That Moves is summed up from social reality. This concept is inseparable from the results of observations of the reality of the community where the phenomenon occurs. The results of the observations will be an important note for the creator. The observation results can be used as a basis and it can be concluded that in the era of modernization, with the rapid development of technology, it has positive and negative effects on the younger generation and society. On the positive side, the Indonesian nation has progress in the fields of communication and information, intellectual progress and thinking and so on. Meanwhile, the negative side of the Indonesian nation is unconsciously experiencing a tremendous setback, namely the erosion of morals, mentality, values which eventually becomes an instantaneous life. The process of creating My Body, Moving Poetry is carried out in several stages, namely contemplating the ideas presented and developed, rebuilding the empirical, reading various books as sources and supports in explaining concepts and observing the creation techniques. At the next level, the phenomenon captured is disclosed by pouring it into the form of body text which is expressed through the properties presented and contextual issues that contain message content. In the process of creating the artist, he pours out and marries the concept of contemporary body and choreography with a mix of local content and Minangkabau ideom.
TARI INDANG PADUSI DI KAMPUNG BUDAYA NAGARI JAWI JAWI KABUPATEN SOLOK SUMATERA BARAT: DALAM PERSPEKTIF ETIKA DAN ESTETIKA Yudhitia Wardi; Erlinda Erlinda; Yarlis Yarlis
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3756

Abstract

This research title is Female Indang dance in cultural village Nagari Jawi Jawi, Solok Regency, West Sumatra from an ethical and aesthetic perspective. The purpose of this research is to find out about Female Indang dance from an ethical and aesthetic point of view. In this research writing, the writer used a qualitative method that is a description of the analysis, which means all data obtained, both written data and data in the field, are described and then analyzed according to the research problem. The theory that the writer used in this research is the ethical theory proposed by K. Bertens, he stated that ethics can be divided into descriptive ethics and normative ethics and, an aesthetic theory proposed by Dharsono Sony Kartika, he stated that there are five conditions of beauty, namely: unity, harmony, symmetry, balance, and conflict (contras).The beauty of this dance can be seen by its shape and by the value contained in the female Indang dance. Judging from the skill of movement, makeup, and costumes, Dendang (verse) has its own beauty of form and value. Female Indang dance is a dance work sourced from male Indang dance. The presence of female Indang dance experienced pros and cons, especially from Ninik Mamak circles who thought it was unethical for a Baselo woman to dance in public. Along with the times and if women still maintain the provisions, maybe female dancers today can be tolerated.
FENOMENA PERTUNJUKAN ORGEN TUNGGAL: STUDI KASUS ARTIS PENDUKUNG NAGARI TIKU KABUPATEN AGAM PROVINSI SUMATERA BARAT Juli Boru Nauli; Adriana Gusti; Ninon Syofia
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3742

Abstract

This paper discusses the Commercialization of Single Orgen Performances: A Case Study of Supporting Artists in Nagari Tiku, Agam Regency, West Sumatra Province. This paper is a qualitative research with descriptive analysis method, which describes and describes according to the data obtained in the field according to the phenomenon that actually happened then this data was analyzed. The theory used in this research is the commercialization of single organ performances: the case study on this artist is the economic theory proposed by Muhammad Dinar and Muhammad Hasan and the performance theory proposed by Sal Murgiyanto. In addition, the supporting theory is the sociological theory proposed by J. Dwi Narwoko-Bagong Suyanto ed, and the theory of Potts. The results of the discussion obtained in the study are, The swaying performances of supporting artists in the single organ on Tang Bungkuih Night were originally intended as entertainment, but now there are performances by the supporting artists of the single organ as an arena to seek profit with a high selling price, so they sacrifice their self-esteem. as women to meet economic needs. On the one hand, there was a shift in the values of Religion, Customs, and Education during the single organ show at Malam Tang Bungkuih..

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