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Jurnal Pendidikan Seni Rupa
Published by Universitas Pendidikan Ganesha
ISSN : -     EISSN : 26139596     DOI : http://dx.doi.org/10.23887/jjpsp.v11i2.39468
Core Subject : Education, Art,
Arts Education
Jurnal Pendidikan Seni Rupa Undiksha is a scientific journal published by Jurusan Pendidikan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Pendidikan Ganesha. This journal aims to accommodate articles of research results and the results of community service in the field of education and learning about education.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 536 Documents
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KOMPONEN PENJOR HIAS DI DESA KAPAL, MENGWI, BADUNG ., I Gede Hendra Putrawan; ., Drs. I Ketut Supir, M.Hum; ., I Gusti Made Budiarta, S.Pd
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v4i1.2135

Abstract

Keberadaan bisnis penjor yang ada di Desa Kapal sangat menjanjikan untuk mengangkat perekonomian masyarakat di Desa Kapal, Mengwi, Badung, disamping itu, Penjualan komponen penjor memang sangat membantu masyarakat Bali yang ada di sekitar desa Kapal, karena dengan adanya penjualan komponen-komponen penjor hias masyarakat dengan lebih praktis dan cepat untuk mengerjakan penjor. Penelitian ini bertujuan mendeskripsikan alat, bahan yang digunakan, proses pembuatan, dan komponen yang dibuat. Teknik pengumpulan data menggunakan teknik observasi, teknik wawancara, teknik dokumentasi. Analisis data yang digunakan dalam penelitian ini adalah analisis domain yang bertujuan untuk memproleh pengertian umum, relative dan menyeluruh, analisis taksonomi untuk mengolah data lebih lanjut, lebih rinci dan mendalam. Kata Kunci : Komponen penjor, ragam hias Penjor business presence in the Kapal village was very promising to lift the economy in Kapal Village society, Mengwi, Badung. In addition, the sale of penjor component was very helpful to balinese people that are around the Kapal village, cause with the sale of ornamental components Penjor people becomes more practical and faster to work Penjor. This study aimed to describe the tools, the materials used, the manufacturing process, and the components are made. Data collection techniques used were observation techniques, interviewing techniques, and documentation techniques. Analysis of the data used in this study were domain analysis that aimed to get common sense and relatively thorough, analytical taxonomy to process the data further, more detailed and in depth. keyword : Component Of Penjor , decorative art
PEMETAAN KEGIATAN SENI RUPA BERDASARKAN LAPORAN HASIL SKRIPSI MAHASISWA PENDIDIKAN SENI RUPA FBS UNDIKSHA ., Mohammad Choirul Anam; ., Drs.Jajang S,M.Sn; ., Langen Bronto Sutrisno, S.Sn., M.A
Jurnal Pendidikan Seni Rupa Undiksha Vol 6, No 3 (2016)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (298.194 KB) | DOI: 10.23887/jjpsp.v6i3.6435

Abstract

Abstrak Penelitian deskriptif ini bertujuan (1) mendeskripsikan bidang kesenirupaan yang telah diteliti oleh mahasiswa Jurursan Pendidikan Seni Rupa (JPSR), FBS, UNDIKSHA dalam karya skripsinya.(2) mendeskripsikan hasil pemetaan materi penelitian kesenirupaan berdasarkan laporan skripsi mahasiswa JPSR, FBS, UNDIKSHA. Sumber data berasal dari Jurusan Pendidikan Seni Rupa dan perpustakaan UNDIKSHA. Penulis mencoba untuk menyusun database berupa data tertulis (teks) dan digital (citra), kemudian memetakan ulang dengan memanfaatkan software Microsoft Excel 2007 sebagai alat pendataan untuk mempermudah pekerjaan dan menata sesuai dengan tempat dan kategori yang berlandaskan pada judul penelitian. Database ke -1 Bahan database adalah hasil penelitian lulusan JPSR sejak tahun 1993-2014 terdiri atas 266 mahasiswa yang melakukan penelitian sebagai bahan laporan skripsi dengan tema penelitian : Seni Lukis , Seni Patung, Seni Keramik, Seni Ukir, Seni Tekstil, Ragam Hias, Seni Prasi, Seni Kriya Logam, Desain, Wayang, Seni Anyaman, Kerajinan, Kajian Seni, Proses Kreatif, Pendidikan Seni. Dari tahun 1993-2014 ternyata mahasiswa JPSR, banyak melakukan penelitian yang berkategori tentang Kerajinan sebanyak 71 peneliti, Kajian Seni sebanyak 52 peneliti dan Pendidikan Seni sebanyak 48 peneliti. Tempat yang paling banyak diteliti oleh mahasiswa JPSR di Bali. Database ke-2 hasil pemetaan database ke-1 berdasarkan tempat dan jenis atau kategori penelitian kemudian memilah berdasarkan kelompok yang sama jenis penelitanya dan tempat penelitiannya. Kemudian di petakan berdasarkan tempat penelitian agar mudah melihat asal tempat penelitian berada. Kata Kunci : Pemetaan, Skripsi, Kategori Abstract This descriptive researching aims (1) to describe the field arts which has been researched by the art department students (ADS), FBS, UNDIKSHA in the work of the thesis art. (2) describe the mapping of research material art reported by student thesis art, FBS, Undiksha. The source of data derived from the Department of Education Arts and Undiksha library. The author tries to compile a database in the form of written data (text) and digital (image), then remap by using the software Microsoft Excel 2007 as a data collection tool to easily working and organize the place and the categories are based on the title of the thesis art students researching. Database first Material database is the result of graduate research JPSR since 1993-2014 consisted of 266 students who conduct research as a thesis report by research themes: Painting, Sculpture, Ceramic Art, Carving, Textile Art, Decorations, Prasi Arts, Art Craft Metal, Design, Puppet, Woven Arts, Crafts, Art Studies, Creative Process, Art Education. From the year 1993-2014 ADS student turns, a lot of researcher that are categorized 71 researchers Craft, Art Studies 52 researchers and as many as 48 investigators Arts Education. The most widely studied and researched by students Art are in Bali. Database (2) mapped by site and type or category of the study and then sort based group of the same kind and research. Then mapped based on a study in order to easily see the origin place of where the research was. keyword : Mapping, Thesis, Category
LAYANG-LAYANG BEBEAN DI DESA UNGASAN, KECAMATAN KUTA SELATAN, KABUPATEN BADUNG ., Siti Meisaroh; ., Drs. I Gusti Nyoman Widnyana; ., Drs. Gede Eka Harsana Koriawan
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (491.07 KB) | DOI: 10.23887/jjpsp.v4i1.4256

Abstract

Penelitian ini bertujuan untuk mengetahui (1) bahan dan alat dalam proses pembuatan layang-layang bebean, (2) proses pembuatan layang-layang bebean, (3) nilai visual dan estetis layang-layang bebean di Desa Ungasan Kecamatan Kuta Selatan Kabupaten Badung. Jenis penelitian yang digunakan adalah penelitian deskriptif kualitatif. Subjek penelitian ini adalah pembuat layang-layang bebean yang ada di Desa Ungasan Kecamatan Kuta Selatan Kabupaten Badung. Metode pengumpulan data yang dilakukan adalah menggunakan metode observasi, wawancara, dokumentasi, rekontruksi, dan kepustakaan. Hasil penelitian menunjukkan bahwa (1) bahan dan alat yang digunakan dalam pembuatan layang-layang yaitu: bambu Santong, kain parasut, tali tambang, benang nilon, benang kasur, benang jahit, tali plastik/tali pancing, pisau, meteran kayu, meteran kain, golok, gergaji, gunting benang, gunting kain, mesin jahit, cutter, jarum jahit, pensil, dan penggulung benang, (2) Proses pembuatan layang-layang bebean dapat dibagi menjadi beberapa bagian yaitu dimulai dari; menyiapkan bahan dan alat, memotong bambu sesuai ukuran, memasang tulang sehingga menjadi kerangka layang-layang bebean, membuat pola pada kain, memasang kain penutup pada kerangka layang-layang, membuat dan memasang goangan, dan yang terakhir memasang tali timbang dan tali penarik layang-layang bebean, (3) Secara visual layang-layang memiliki unsur-unsur garis, bidang, dan warna. Sedangkan secara Estetik layang-layang bebean mengandung prinsip harmoni pada keserasian penyusunan kerangka dan prinsip kontras pada perpaduan warnanya. Sedangkan asas yang terkandung dalam desain layang-layang bebean adalah asas proporsi, kesederhanaan, kesatuan, serta keseimbangan yang bersifat simetris.Kata Kunci : layang-layang bebean, nilai visual, nilai estetik This study aims to determine (1) materials and tools in the process of making a bebean kites, (2) the process of making a bebean kites, (3) visual and aesthetic values bebean kites in Ungasan Village, South Kuta District, Badung Regency. Type of research is descriptive qualitative research. The subjects were bebean kites makers in the Ungasan Village, South Kuta District, Badung Regency. The method of data collection was performed using the method of observation, interviews, documentation, reconstruction, and literature. The results showed that (1) the materials and tools used in the manufacture of bebean kites, namely: Santong bamboo, parachute cloth, rope, nylon yarn, thread mattresses, sewing thread, plastic string / fishing line, knives, wooden meter, cloth meter, machetes, saws, scissors yarn, fabric scissors, sewing machine, cutter, sewing needles, pencils, and bobbin, (2) the process of making a bebean kites can be divided into several parts which starts from; preparing materials and tools, bamboo cut to size, put the bones to become bebean kite frame, making patterns on cloth, put the cloth covering the kite frame, making and installing goangan, and the last weigh put straps and rope towing bebean kites, (3) visually kite has the elements of line, shape, and color. As for the Aesthetic bebean kites contains the principle of harmony in harmony preparation of the framework and principles of the blend color contrast. While the principles embodied in the design of the bebean kites is the principle of proportion, simplicity, unity, and balance are symmetrical.keyword : bebean kites, visual values, aesthetic values
PADMA PANJALU JAYATI MOTIF TENUN IKAT BASED ON THE RELIEFS OF THE KEDIRI KINGDOM TEMPLE Wiguna, Frans Aditia; Permana, Erwin Putera
Jurnal Pendidikan Seni Rupa Undiksha Vol 10, No 1 (2020)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (581.538 KB) | DOI: 10.23887/jjpsp.v10i1.27902

Abstract

Woven cloth is made diverse in various regions in the archipelago, especially in Java Island, where each region has its own uniqueness and special characteristics in terms of motif and colors. the Difference be caused by location geographical, beliefs, customs and the surrounding natural conditions including flora and fauna, each region has certain differences and uniqueness as well as contacts or relationships between regions. “Its history can be observed from the batik motif itself, including painting of plants, animals and stories of antiquity” (Prasetyo, 2010:28). Design is a framework of form or design and motif are a style (Indonesian Dictionary, 1990:200). The stage of analyzing the main problem in this study is the weaving model/ weaving design/ weaving motif with the reliefs of the legacy temples of Kediri Kingdom, this study was reviewed qualitatively. To find out the dynamics of ikat waving design in Kediri, the problem formulation is how do weaving models in Kediri by applying designs/ motifs from temple reliefs? Culture can be observed from two points of view. First, limiting culture from an artistic point of view (temple relief). Second, are looking for a new motif model for Kediri weaving.
Pewarna Batik Alami di Tjok Agung Indigo Desa Pejeng Kecamatan Tampaksiring Kabupaten Gianyar ., Anak Agung Gede Rai Sedana; ., I Wayan Sudiarta, S.Pd,M.Si.; ., Drs.Jajang S,M.Sn
Jurnal Pendidikan Seni Rupa Undiksha Vol 5, No 1 (2015)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (547.856 KB) | DOI: 10.23887/jjpsp.v5i1.4715

Abstract

Penelitian yang bersifat deskriptif kualitatif ini bertujuan untuk mengetahui tentang (1) Jenis-jenis tumbuhan yang dimanfaatkan sebagai sumber pewarna batik alami di Tjok Agung Indigo, (2) Proses pembuatan zat pewarna alami batik di Tjok Agung Indigo, (3) Jenis-jenis kain yang digunakan dalam pembuatan batik di Tjok Agung Indigo. Teknik pengumpulan data yang digunakan adalah teknik observasi, wawancara, dan pendokumentasian, kemudian dianalisis secara deskriptif dengan metode analisis domain dan taksonomi. Hasil penelitian menunjukan bahwa (1) Jenis-jenis tumbuhan yang dimanfaatkan sebagai sumber zat pewarna alami di Tjok Agung Indigo adalah tingi atau secang sebagai sumber warna merah, tom sebagai sumber warna biru dan jelawe atau delima sebagai sumber warna kuning. (2) Proses pembuatan zat pewarna alam di Tjok Agung Indigo dilakukan dengan 2 cara yaitu melalui proses ekstraksi dan fermentasi. (3) Jenis-jenis kain yang digunakan dalam pembuatan batik di Tjok Agung Indigo adalah kain kanvas, kain sutera, kain sutera krep, kain katun, kain fual, kain 100s, kain blacu,Kata Kunci : batik, sumber pewarna alami. This descriptive qualitative study is aimed at at finding out (1) kinds of plants used as natural dyes on batik at Tjok Agung Indigo, (2) the process of how to make natural dyes substances for batik at Tjok Agung Indigo, (3) kinds of fabric used to make batik at Tjok Agung Indigo. The data were obtained through observation, interview, and documentation, and then were analyzed descriptively using domain and taxonomy analysis. The result of the study showed that (1) kinds of plants used as natural dyes on batik at Tjok Agung Indigo were Ceriops Tagal or Caesalpinia Sappan L. to get the red colour, Indigofera Tinctoria to get the blue colour, and Terminalia Belerica or Punica Granatum to get the yellow colour. (2) the process of making natural dyes substances was done through 2 ways, such as extraction and fermentation. (3) kinds of fabric used to make batik at “Tjok Agung Indigo” Company were canvas, silk, crepe silk, cotton, fual, 100s, and blacoo. keyword : batik, natural dyes.
KAJIAN VISUAL KERAJINAN JUKUNG-JUKUNGAN DI DESA AMED, KECAMATAN ABANG, KABUPATEN KARANGASEM ., I Made Rosis Ariwangsa; ., I Wayan Sudiarta, S.Pd,M.Si.; ., Drs.Agus Sudarmawan, M.Si.
Jurnal Pendidikan Seni Rupa Undiksha Vol 5, No 1 (2015)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v5i1.5947

Abstract

Pantai Amed terletak di ujung timur pulau Bali, di Desa Amed ,Kecamatan Abang, Kabupaten Karangasem, Propinsi Bali. Kehidupan masyarakat di Desa ini sebagian besar penduduknya bermata pencaharian sebagai nelayan. Di pesisir pantai terdapat perajin yang membuat kerajinan jukung-jukungan.Jukung-jukungan tersebut menyerupai bentuk jukung yang sebenarnya dan juga bisa dibongkar pasang, sehingga sangat menarik untuk diteliti. Berdasarkan hal tersebut penelitian ini bertujuan untuk mendeskripsikan (1) keberadaan kerajinan jukung-jukungan, (2) alat dan bahan yang digunakan, (3) proses pembuatan kerajinan jukung-jukungan, (4) wujud kerajinan jukung-jukungan. Objek penelitian adalah kajian visual kerajinan jukung-jukungan di Desa Amed, Kecamatan Abang, Kabupaten Karangsem. Teknik pengumpulan data yang digunakan adalah teknik (1) observasi, (2) wawancara, (3) pendokumentasian, (4) kajian pustaka. Instrumen penelitian meliputi (1) pedoman observasi, (2) pedoman wawancara, (3) kamera. Analisis data terdiri dari (1) analisi domain dan (2) analisis taksonomi. Hasil penelitian ini menunjukkan bahwa kajian visual kerajinan jukung-jukungan di Desa Amed terdiri atas (1) bentuk, (2) warna, (3) garis, (4) motif hiasan pada bidak. Kata Kunci : Kajian visual, kerajinan, jukung-jukungan Amed beach is located at the eastern tip of Bali Island, in Amed Village, Abang subdistrict, Karangasem, Bali Province. The majority of the population in the village is predominately fishermen. On the coast, there are artisans who make handicrafts named jukung-jukungan. Jukung-jukungan are similar to the actual boats and also can be assembled, so it is very interesting to be studied. Based on explanation above, this research aims to describe (1) the existence of jukung-jukungan handicraft, (2) the tools and materials that are used, (3) the process of making jukung-jukungan handicraft, (4) the form of jukung-jukungan handicraft. The object of this research is the study of visual of jukung-jukungan craft in Amed village, Abang subdistrict, Karangasem regency. The data collection techniques used in this research are (1) observation, (2) interview, (3) documentation, (4) study of literature. Research instruments include (1) guidelines for observation, (2) interview, (3) camera. Data analysis consisted of (1) the domain analysis and (2) analysis of taxonomy. These results of this study indicate that visual assessment craft of jukung-jukungan in Amed Village consists of (1) shape, (2) the color, (3) line, (4) motif decoration on the pawn. keyword : visual studies, crafts, jukung-jukungan
KERAJINAN ANYAMAN HIASAN LAMPU BERBAHAN ROTAN DI TRANSIT BALI ART SHOP SUKAWATI, GIANYAR ., I Gede Made Feri Wijaya; ., Drs. I Gusti Nyoman Widnyana; ., Drs.Mursal
Jurnal Pendidikan Seni Rupa Undiksha Vol 6, No 2 (2016)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (518.945 KB) | DOI: 10.23887/jjpsp.v6i2.8001

Abstract

KERAJINAN ANYAMAN HIASAN LAMPU BERBAHAN ROTAN DI TRANSIT BALI ART SHOP SUKAWATI, GIANYAR I Gede Made Feri Wijaya, I Gst. Nyoman Widnyana, Mursal Jurusan Pendidikan Seni Rupa Universitas Pendidikan Ganesha Singaraja, Indonesia e-mail : feriwijaya40@yahoo.com Gungman_art@yahoo.com Buyungmursal@gmail.com ABSTRAK Penelitian ini membahas mengenai kerajinan anyaman hiasan lampu berbahan rotan di “Transit Bali Art Shop”. Alasan dari penelitian ini adalah melihat benda seni kerajinan ini memiliki keunikan dalam penggunaan bahan, bentuk, dan modifikasi yang dilakukan. Berkaitan dengan hal tersebut muncul pemikiran untuk mengetahui lebih dalam mengenai alat dan bahan, proses serta jenis-jenis kerajian yang dihasilkan di “Transit Bali Art Shop”. Penelitian ini bertujuan untuk mengetahui (1) Alat dan bahan pembuatan kerajinan anyaman, (2) Proses pembuatan anyaman rotan untuk hiasan lampu (3) Mendeskripsikan jenis-jenis hiasan lampu berbahan rotan di “Transit Bali Art Shop”. Jenis penelitian yang digunakan adalah penelitian deskriptif kualitatif. Subjek penelitian ini adalah Proses Pembuatan Kerajinan Anyaman Hiasan Lampu Berbahan Rotan di “Transit Bali Art Shop” Sukawati, Gianyar. Metode pengumpulan data yang dilakukan adalah menggunakan metode observasi, wawancara, dokumentasi, dan kepustakaan. Hasil penelitian menunjukkan bahwa (1) Alat dan bahan yang digunakan dalam pembuatan kerajinan hiasan lampu berbahan rotan di “Transit Bali Art Shop” Sukawati, Gianyar antara lain: gunting rotan, gunting besi, pengelasan, kompor perak (semprot), kuas dan mesin kompresor. Sedangkan bahan yang digunakan antara lain: rotan jadi (sudah diproses), kulit rotan (foc), kawat besi, cat polibest, cat luxor, melamin, tinner, kain rayon, lem fox, hardener dan bahan tambahan seperti lidi kelapa, manggar. (2) Proses pembuatan anyaman rotan untuk hiasan lampu yaitu: pembuatan desain, proses kerangka, pengecatan kerangka, proses lilitan dengan kulit rotan pada kerangka, proses kerangka anyaman (peniangan), proses penganyaman, proses pengomporan, proses finishing yang dilakukan dengan dua teknik yaitu dengan teknik finishing melamin gloss dan teknik finishing pewarnaan luxor dan penambahan bahan tambahan seperti kain rayon, lidi, dan manggar. (3) Jenis-jenis hasil kerajinan hiasan lampu berbahan rotan adalah: silinder ruet, siluet ruet, boks ruet, apolo ruet, silang ruet, opal ruet, basabasi ruet, kerucut ruet, silinder tumpuk ruet, bola ruet, bola ruet tanpa rangka, botol ruet, daun ruet, ufo ruet, keong ruet, tulip thailand ruet, bawang lidi ruet, silinder variasi ruet.Kata Kunci : Kerajinan, Ayaman rotan, Jenis hiasan lampu WICKER CRAFT FOR LIGHTS DECORATION WHICH IS MADE UP USING RATTAN AT TRANSIT BALI ART SHOP SUKAWATI, GIANYAR I Gede Made Feri Wijaya, I Gst. Nyoman Widnyana, Mursal Departmen of Seni Rupa Ganesha Education University Singaraja Singaraja, Indonesia e-mail : feriwijaya40@yahoo.com Gungman_art@yahoo.com Buyungmursal@gmail.com Art Education Department This research discuss about wicker craft for lights decoration which is made up using rattan in “Transit Bali Art Shop”. The purpose of this research is to examine the craft thing that has unique characteristics in the use of material, form, and modification that being done. Based on that fact, the researcher wants to know deeper about the tools and materials, the process, and also kinds of craft that is produce in “Transit Bali Art Shop”. This research aims to know (1) The tools and materials in making the wicker craft, (2) The process in making rattan wicker for lights decoration, (3) To describe the kinds of lights decoration which is made up using rattan in “Transit Bali Art Shop”. This research is a descriptive qualitative research. The subject of this research is The Process of Making Wicker Craft for Lights Decoration which is made up Using Rattan in “Transit Bali Art Shop” Sukawati, Gianyar. The method of collecting data in this research is using observation method, interview, documentation, and literature review. The result of the study shows that (1) The tools and materials that is used in making wicker craft for lights decoration from rattan in “Transit Bali Art Shop” Sukawati, Gianyar such as, rattan scissors, iron scissors, welding, silver stove (spray), brush, and compressor engines. While the materials used include: rattan (processed), leather rattan (foc), iron wire, polibest paint, luxor paint, melamine, thinner, rayon fabric, glue fox, hardener, and some additional materials like coconut sticks, manggar. (2) The process of making rattan wicker craft for lights decoration are making the design, the process of making frame, painting the frame, the process of twisting the rattan in the frame, the process of making the wicker (peniangan), the wicker process, the heating process, the finishing process which is done by two technique such as finishing technique using gloss melamine and finishing technique using luxor paint and adding some materials like rayon fabric, sticks, and manggar. (3) The kinds of wicker craft product for lights decoration which is made up using rattan is complex cylinder, complex silhouette, complex box, complex apolo, complex cross, complex oval, complex basabasi, complex cone, complex piles cylinder, complex ball, complex ball without frame, complex bottle, complex leaves, complex UFO, complex snail, complex Thailand tulip, complex sticks of onion, and complex variation of cylinder.keyword : Keywords: craft, rattan wicker, kinds of lights decoration.
Analisis Gambar Montase Karya Kelas VI MI Pemban Ajie Desa Pejanggik Kecamatan Praya Tengah Lombok ., Indrianti Amilda Pratami; ., Drs.Agus Sudarmawan, M.Si.; ., I Gusti Made Budiarta, S.Pd., M.Pd
Jurnal Pendidikan Seni Rupa Undiksha Vol 6, No 1 (2016)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (203.732 KB) | DOI: 10.23887/jjpsp.v6i1.8553

Abstract

Penelitian ini bertujuan untuk mengetahui (1) elemen gambar montase kelas VI di MI Pemban Ajie Desa Pejanggik Kecamatan Praya Tengah Lombok, (2) proses pembuatan gambar montase kelas VI di MI Pemban Ajie Desa Pejanggik Kecamatan Praya Tengah Lombok, (3) Mendeskripsikan tema gambar montase kelas VI di MI Pemban Ajie Desa Pejanggik Kecamatan Praya Tengah Lombok. Penelitian ini menggunakan metode (1) observasi (2) wawancara (3) dokumentasi (4) fokus grup diskusi (FGD) dan (5) kepustakaan. Jenis penelitian menggunakan metode deskriptif kualitatif. Hasil penelitian ini adalah (1) elemen gambar montase anak ditunjukkan oleh foto-foto jurnalistik sebagai media karya seni yang telah menunjukkan atau memvisualkan unsur-unsur garis, bidang, warna, bentuk dalam perwujutannya. anak menyertakan goresan-goresan dan warna pada gambar montase; (2) proses gambar montase anak dari menggunting, menempel dan merespon tempelannya. Dengan menambahkan berbagai garis, warna, teks, bentuk alam (tumbuhan), hewan, bentuk-bentuk awan, matahari, jalanan. Teknik penempelan ada yang digunting ditempel secara utuh sesuai dengan foto jurnalistik yang ada, tetapi ada yang obyek manusianya digunting-gunting sehingga bagian tubuh manusia bisa ditukar-tukar antara badan yang satu dengan yang lain; (3) tema gambar montase karya anak-anak menurut kurikulum SD 2013 pada buku siswa dan guru terdapat 9 tema diantaranya selamatkan mahluk hidup, persatuan dalam perbedaan, tokoh dan penemuan, globalisasi, menuju masyarakat sehat, kepemimpinan, bumiku, menjelajah angkasa luar. Kata Kunci : analisis, gambar, montase This study aimed to determine (1) the image element montage class VI in MI Devel Ajie Village Pejanggik District of Praya Central Lombok, (2) the process of making a picture montage of class VI in MI Devel Ajie Village Pejanggik District of Praya Central Lombok, (3) describing the theme of the picture montage class VI in MI Ajie Rural Devel Pejanggik Praya District of Central Lombok. This study useed (1) Observation, (2) interviews, (3) documentation, (4) focus group discussion (FGD), and (5) literature. This type of study used descriptive qualitative method. The results of this study were; (1) the child element montage images shown by the photographs of journalism as a media artwork that has been demonstrated or visualize the elements of line, shape, color, embodiment form, children include scratches and color in the picture montage; (2) the children's picture montage of cutting, sticking and its respond by adding a variety of lines, colors, textures, shapes of nature (plants), animals, shapes of clouds, the sun, the streets. Mechanical attachment was cutting out taped in full accordance with existing photojournalism, but there is a human object-scissors cut also. So that the human body can be exchanged between the agencies with each other; (3) theme image montage works of the children of the elementary school curriculum in 2013 in a book of students and teachers, there were 9 themes including the save sentient beings, unity in diversity, character and discovery, globalization towards a healthy society, leadership, my earth, exploring outer space.keyword : analysis, picture, montage
PROSES KREATIF MOHAMMAD UBAITUL QOMAR, SENIMAN KALIGRAFI TABANAN ., Nurur Rahman; ., Drs.Jajang S,M.Sn; ., Drs.Agus Sudarmawan, M.Si.
Jurnal Pendidikan Seni Rupa Undiksha Vol 6, No 1 (2016)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v6i1.8740

Abstract

Penelitian ini bertujuan untuk mendeskripsikan (1) biografi Mohammad Ubaitul Qomar, seniman kaligrafi Tabanan; (2) dari mana datangnya sumber gagasan dan konsep seni kaligrafi Mohammad Ubaitul Qomar; dan (3) bagaimana perwujudan konsep dan perwujudan gagasan kaligrafi Muhammad Ubaitul Qamar. Penelitian ini merupakan penelitian deskriptif kualitatif. Teknik pengumpulan data dilakukan dengan observasi, wawancara, pendokumentasian, dan life history. Sasaran dalam penelitian ini adalah Mohammad Ubaitul Qomar. Data dianalisis menggunakan open coding, axial coding, dan selective coding. Hasil temuan dari penelitian ini yaitu (1) Mohammad Ubaitul Qomar terlahir 21 tahun silam, tepatnya pada tanggal 14 Juni 1994 di Desa Pupuan, Kecamatan Pupuan, Kabupaten Tabanan. Sejak di bangku sekolah dasar Ubai sudah mengenal kaligrafi kemudian mendalami kaligrafi di Sukabumi, Jawa Barat, tepatnya di LEMKA (Lembaga Kaligrafi Alquran). Beberapa kali ikut MTQ (Musabaqah Tilawatil Quran) dan memperoleh beberapa penghargaan dalam bidang kaligrafi Arab; (2) konsep dalam penggubahan kaligrafinya banyak datang dari lingkungan sekitar baik itu dari sumber daya manusia maupun dari sumber daya alam. Ide juga berasal dari pemesan yang mengajukan gagasannya kepada Ubai untuk direalisasikan atau negosiasi dan kesepakatan diantara kedua belah pihak. Konsep yang digunakan yaitu bentuk-bentuk geometris, alam, arsitektur (bentuk bangunan), abstraksi, luar angkasa, dan mushaf Alquran; (3) Alat dan bahan yang digunakan adalah pensil, penghapus, spidol, penggaris, gunting, cutter, jangka, pena, kuas, ember, alas, kertas, triplek dinding, kanvas, tinta, cat, dan pigmen. Tahapan dalam proses penggubahan kaligrafinya yaitu proses sketsa, pembuatan mal, pengaplikasian mal, pewarnaan pola dasar, pemberian motif hias, penulisan ayat, dan finishing. Jenis khat yang digunakan adalah khat naskhi, tsulutsi, farisi, diwani, diwani jali, riq’ih, dan kufi. Jenis iluminasi yang digunakan adalah motif arabes, motif bunga dan ranting, motif tali dan rantai, serta motif geometris. Jenis kaligrafi yang digubah adalah kaligrafi naskah, hiasan mushaf, dekorasi, dan kontemporer.Kata Kunci : proses kreatif, seniman, kaligrafi arab This study aimed to describe (1) the biography of Mohammad Ubaitul Qomar, Tabanan calligraphy artists; (2) where the ideas and the art concept of calligraphy of Mohamad Ubatul Qomar come from, and (3) how the embodiment of the concept and idea calligraphy of Muhammad Qamar Ubaitul are. This research is a qualitative descriptive study. The data were obtained by doing observation, interview, documentation, and life history. The target of this research is Mohammad Ubaitul Qomar. The data were analyzed by using open coding, axial coding, and selective coding. The findings of this study are (1) Mohammad Ubaitul Qomar who was born 21 years ago, precisely on June 14, 1994 in Pupuan village, the district of Pupuan, Tabanan. Ubai has been familiar with calligraphy since studied in elementary school, then he studied calligraphy in Sukabumi, West Java, precisely in LEMKA (Qur'an Calligraphy Institute). He had participated in MTQ (Musabaqah Tilawatil Quran) for several time and earned several awards in the field of Arabic calligraphy; (2) the concepts in the composition of calligraphic come a lot from the surrounding environment both from human resources and natural resources. The idea also comes from subscribers who proposed the idea to Ubai to be realized or negotiated and also the agreement between the two parties. The concept used are the geometric forms, nature, architecture (houses), abstraction, aerospace, and Qur'an Manuscripts; (3) Tools and materials used are pencils, erasers, markers, rulers, scissors, cutter, compass, pens, brushes, buckets, mats, paper, plywood walls, canvas, ink, paint and pigment. The stages in the process of composing calligraphic are the processes of sketching, mal manufacturing, mal application, archetype staining, giving decorative motif, writing verse, and finishing. The types khat used are khat naskhi, tsulutsi, farisi, diwani, diwani jali, riq'ih, and kufi. Meanwhile, the types of illumination used are arabes motifs, florals and twigs, rope and chain motifs and geometric motifs. Thus, Types of calligraphy composed are calligraphy script, ornate Manuscripts, décor, and contemporary.keyword : creative process, the artist, arabic alligraphy
Hiasan Perahu Nelayan Di Desa Perancak, Kecamatan Jembrana, Kabupaten Jembrana ., Ida Bagus Made Pandit Parastu; ., Drs.Agus Sudarmawan, M.Si.; ., I Gusti Made Budiarta, S.Pd
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (726.19 KB) | DOI: 10.23887/jjpsp.v4i1.2119

Abstract

Penelitian ini bertujuan untuk mendeskripsikan : (1). Bentuk dan struktur perahu nelayan di desa Perancak, (2). Jenis hiasan, ornamen dan gambar yang ada pada perahu nelayan di desa Perancak, (3). Nilai estetis dan makna simbolis dari hiasan, ornamen dan gambar pada perahu nelayan di desa Perancak. Objek penelitian ini adalah perahu nelayan di desa Perancak, Kecamatan Jembrana, Kabupaten Jembrana. Teknik pengumpulan data yang digunakan adalah teknik observasi, teknik wawancara, teknik dokumentasi, dan teknik kajian pustaka. Instrumen penelitian yang digunakan adalah buku catatan, pedoman observasi, pedoman wawancara dan kamera. Analisis data terdiri dari analisis domain dan analisis taksonomi. Hasil penelitian ini menunjukkan bahwa bagian utama perahu nelayan di Perancak adalah badan, tiang-tiang, landangan serta panggungan. Hiasan pada perahu meliputi : (1). Ornamen, gambar, tulisan dan plangkiran pada badan, (2). Tabing, jambulan serta kubah masjid pada tiang, (3). Pola gambar dan hiasan pada landangan, (4). Bentuk dan gambar pada panggungan, serta (5). Hiasan pada tali perambat. Setiap jenis hiasan dan aspek di dalamnya memiliki nilai estetis dan makna simbolis di balik tampilan visualnya. Kata Kunci : hiasan, perahu nelayan, bentuk, gambar This study aimed to describe : (1). The shape and structure of the fishing boats in Perancak village, (2). Types of decoration, ornaments and pictures that were on fishing boats at Perancak village, (3). Aesthetic value and symbolic meaning of the decorations, ornaments and pictures on fishing boats at Perancak village. The object of this study was the fishing boat at Perancak village, Jembrana sub district, Jembrana Regency. The data collection techniques used were observation technique, interviewing technique, documentation technique and review of the literature technique. The research instruments used were note book, observation guide, interviewing guide and camera. The data analysis consisted of domain analysis and taxonomic analysis. The results of the study shown that a major part of fishing boats at Perancak were body, poles, landangan and panggungan. The decorations on boat covered : (1). Ornaments, pictures, written languange and plangkiran on the body, (2). Tabing, jambulan and the vault of mosque in the pole, (3). Image patterns and decorations on landangan, (4). Shapes and images on panggungan, and (5). Ornaments on propagation rope. Every kind of decorations and aspect in it has an aesthetic value and symbolic meaning behind its visual appearance. keyword : decorations, fishing boat, shape, picture

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