cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Reizki Habibullah
Contact Email
reizkihabibullah@gmail.com
Phone
+6281372370131
Journal Mail Official
jurnalsorai@gmail.com
Editorial Address
Jl. Ki Hadjar Dewantara No.19, Kentingan Jebres Surakarta, Indonesia
Location
Kota surakarta,
Jawa tengah
INDONESIA
Sorai: Jurnal Pengkajian dan Penciptaan Musik
Published by Institut Seni Indonesia Surakarta
ISSN : 24073938     EISSN : 26849445     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to music creation, music studios, and ethnomusicology. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics include: 1) Review of Nusantara Music 2) Sociology of Music 3) Anthropology of Music 4) World Music Culture 5) Digital Music Studies 6) Archaeology of Music 7) Intercultural Studies of Music 8) Ethnography of Music 9) Music and Multicultural Education 10) Music Criticism 11) Musician Profile and Thought 12) Artistic Review of the Music Creation Process.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 122 Documents
 8   9   10   11   12 
TUKANG RABAB DAN KABA RABAB PASISIA DALAM ACARA BARALEK DI NAGARI TALAO Maiben alpandi; Mistortoify, Zulkarnain
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 1 (2024): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i1.6074

Abstract

The study "Tukang Rabab dan Kaba Rabab Pasisia dalam Acara Baralek di Nagari Talao, Sumatra Barat" explores the competencies and presentation of kaba rabab pasisia in baralek events. This performance reveals the richness of Minangkabau culture, from a warm opening to a meaningful core story. Through poetic lyrics and captivating music, Kaba enriches understanding of Minangkabau cultural values. Tukang Rabab, as cultural guardians, adeptly perform rabab pasisia and master Minangkabau language and literature. Social interaction is key to their competence, living within the community of rabab pasisia artists and exchanging knowledge and skills. Despite facing modernization challenges, the art of rabab pasisia remains relevant and valuable. The participation of tukang rabab in cultural events, art training, and preservation projects strengthens Minangkabau identity and cultural heritage. This performance fosters community solidarity and serves as a platform for learning life values, enriching and preserving Minangkabau cultural identity, and encouraging the younger generation to uphold ancestral traditions
KELOMPOK MUSIK CV. BINTANG GRUP: MEDIA MERAWAT IDENTITAS ADAT BATAK MELALUI MUSIK DI SOLO RAYA Barasa, Zepanya Saputra; Setiawan, Aris
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 1 (2024): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i1.6158

Abstract

Migration is an activity that has become a tradition for the Batak people. The migration destinations extend beyond the island, one of which is in the Solo Raya area. The identity of the Batak community remains preserved during migration because their original customs and culture continue to be an integral part of their daily lives. The purpose of this journal is to explore the cultural life of the Batak community and the steps they have taken to preserve their traditional identity through music, specifically through CV. Bintang Group. The research method used in this journal is qualitative, collecting data through observation, interviews, literature studies, and several other methods. The findings indicate that the Batak community, represented by CV. Bintang Group, has successfully preserved their traditional identity through various means. These include teaching Batak music to their children, participat ing in cultural events outside of traditional Batak ceremonies, possessing a complete set of traditional Batak instruments, and being active on social media. The conclusion of this research is that the Batakcommunity has successfully maintained their traditional identity even while living in distant lands.
NEGOSIASI MUSIKAL DAN SOSIO-KULTURAL PADA KESENIAN GANJURAN DI PURA WISNU SAKTI KLATEN Supriyadi; Setiyono, Budi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 1 (2024): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i1.6240

Abstract

Ganjuran is a type of music that is a mixture of two types of music, namely Jathilan and Baleganjur music. This assimilation began with an identity polemic between Javanese and Balinese musicality which was felt by most Hindus in Klaten. The polemic turned out to be prolonged, until finally Pemuda Pura Wisnu Sakti offered a solution to blend the two musicalities. In carrying out assimilation, Pemuda Pura Wisnu Sakti apparently carried out musical and socio-cultural negotiations with various elements to find an ideal. Next, to describe the negotiations, Yuniawan’s negotiation strategy theory was used. The method used in this research is qualitative, descriptive analytic in nature. As a result, it was identified that there were musical negotiations which included instruments and playing patterns as well as socio-cultural negotiations which included identity, satisfaction of players and listeners, and suitability of musicality with worship. These results show that music can be used as a tool to maintain identity in a friendly way.
A JOURNEY WITHOUT A MAP: CHALLENGES AND STRATEGIES FOR INDIE MUSIC TO CROSS NATIONAL MARKETS Aryandari, Citra; Hendrawan, Danu
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.6384

Abstract

Indie or independent music is created and distributed independently without the intervention of major record labels. The development of the internet and digital platforms provides opportunities for indie musicians to disseminate their work, but they still face difficulties in distribution and promotion to penetrate the national music market. This research aims to identify the barriers to digital distribution and promotion faced by local indie bands and find effective digital distribution and promotion strategies to penetrate the national market. The method used is in-depth interviews with indie musicians, independent label owners, music aggregators, and support staff involved in digital distribution. Qualitative data from the interviews will be analyzed to find themes, answer patterns, and explain respondents' perspectives comprehensively. The results of this research are expected to provide an in-depth understanding of the distribution and promotion problems faced by indie bands and formulate solutions in the form of appropriate strategies to expand their market reach to the national level and increase their visibility and popularity.
PENGGUNAAN DAN FUNGSI LAGU DODA IDI (STUDI KASUS: SAFIRA AMALIA 41 PROJECT OFFICIAL BIREUEN ACEH) Eka Karina, Angga; Bagus Gede Surya Peradantha, Ida; Setiaji, Denis
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.6387

Abstract

Aceh memiliki lagu pengantar tidur yang disebut dengan doda idi. Doda idi biasanya dinyanyikan oleh seorang ibu untuk membuat anaknya tertidur lelap. Tradisi menyanyikan doda idi ini sudah mulai bergeser sejalan dengan perkembangan zaman. Artikel ini bertujuan menjelaskan bagaimana penggunaan dan fungsi lagu doda idi studi kasus Safira Amalia 41 Project Official. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi kasus. Pengumpulan data dihasilkan dari observasi langsung ke studio 41 Project Official, dokumentasi rekaman audio-visual, dan wawancara mendalam kepada penyanyi, komposer, team artistik dan informan eksternal. Analisis lagu doda idi menggunakan pendekatan use and fungtion Alan P. Meriam. Hasil penelitian ini adalah lagu doda idi memiliki kegunaan sebagai pertunjukan budaya dalam konteks menidurkan anak, konteks pembelajaran seni budaya di sekolah-sekolah, dan konteks tradisi turun tanah anak (peutren aneuk). Adapun lima fungsi lagu doda idi yaitu: (1) fungsi penghayatan estetis yang memperkuat hubungan batin seorang ibu dan anaknya; (2) fungsi hiburan kepada pelantun dan penikmat; (3) fungsi komunikasi yang menyampaikan pesan moral dan membangkitkan semangat patriotik generasi muda; (4) fungsi memperkuat norma-norma sosial yang sejalan dengan Qanun Syari’at Islam; (5) fungsi pelestarian dan stabilitas kebudayaan Aceh yang disajikan dalam tradisi peutren aneuk dan konten youtube 41 Project Official.
GERAK SINKRON: PERAN GERAK DAN MUSIK BAGI HUBUNGAN INTERPERSONAL ANAK USIA DINI Yuda Oktadus, Henry; F.A. Yaqin, Ahmad
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.6600

Abstract

Musical activities are often said to promote positive social experiences; however, certain conditions can hinder the success of children's social interactions during these activities. For instance, overly challenging musical tasks, unresolved interpersonal conflicts, and high levels of competition in group music settings may introduce pressures that inhibit collaboration and social engagement. Therefore, it is essential to investigate the factors that are crucial for fostering successful social dynamics in children's group musical activities. This article aims to explore how movement elements can influence the social interactions within these group settings. Hove and Risen's (2009) concept of interpersonal synchronization is employed to explain how feelings of safety and enjoyment emerge during movement-based music activities. This framework aligns with Hirschi's (1969) model, which outlines the prerequisites for forming social bonds in collective activities. Qualitative data were collected at Hanacaraka Edukids Montessori School Kindergarten in Yogyakarta through semi-structured interviews with three teachers and sixteen of the thirty-two participating children. The data were then analyzed using Schreier's (2014) content analysis procedures. The findings suggest that incorporating movement into group music activities can enhance children's positive mood, which, in turn, fosters positive interactions and strengthens friendships within the group. Keywords: music and movement, early childhood, interpersonal relationship
IDENTITAS JAKARTA MELALUI KARYA KREATIF LALEILMANINO BERJUDUL DJAKARTA Malya Faiza Ayudira; Ela Yulaeliah; Warsana
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.7216

Abstract

The creativity in the musical work titled "Djakarta", created by the alliance of producers and songwriters: Laleilmanino, was inspired as a gift for Jakarta’s 497th anniversary in 2024. This research aims to understand how musical creativity can represent the cultural identity of a metropolitan city through the fusion of traditional Betawi music (tehyan and kendang) with easily accessible pop music elements. A qualitative method is used to observe the phenomenon of creativity in Laleilmanino’s song "Djakarta." In its creation process, the song demonstrates that "Djakarta" successfully produces a musical product with a pop identity that is catchy yet retains its traditional roots. This fusion led "Djakarta" to be nominated for the 2024 AMI Awards as Best Pop Music Arrangement.
CAOSAN DI PADEPOKAN TJIPTA BOEDAJA LERENG MERAPI: Bentuk Aktifitas Pembelajaran Karawitan Di tengah Sajian Ritual Persembahan Gending Bagi Leluhur Widianto, Suwandi; Sunarmi; Sarwanto
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.7249

Abstract

Makalah ini menguraikan pertunjukan gending (komposisi musik tradisional Jawa) yang diadakan di Padepokan Tjipta Boedaja di lereng Gunung Merapi di Magelang. Kegiatan ini dikenal sebagai Caosan, sebuah pertunjukan musik yang melibatkan permainan berturut-turut sekitar sepuluh hingga sebelas gending. Meskipun pada dasarnya merupakan praktik keagamaan, Caosan juga memiliki fungsi pendidikan dalam studi karawitan (musik tradisional Jawa), yang bermula dari niat untuk mencegah tidur siang di sore hari pada malam Kamis dan Selasa Kliwon—waktu yang dianggap sakral oleh anggota Padepokan. Untuk mencegah tidur selama periode ini, sebuah klenengan (pertemuan musik gamelan) diselenggarakan, yang sekaligus mengajarkan para anggota cara memainkan gamelan. Tersirat dalam acara tersebut adalah konsep “nggendong ngindit”, yang mengacu pada penyelesaian dua tugas yang saling berhubungan secara bersamaan—di sini, pembelajaran musik terjadi bersamaan dengan sebuah ritual. Caosan dapat dianggap sebagai acara keagamaan, meskipun pelaksanaannya tidak kaku atau khidmat seperti ibadah formal. Sebaliknya, ia memungkinkan suasana santai di mana kesalahan dalam bermain dapat diterima. Dalam keadaan darurat, seperti letusan gunung berapi atau grup musisi yang tidak lengkap, Caosan dapat dibatalkan. Namun, niat untuk tetap terjaga selama malam suci berlanjut melalui percakapan informal. Romo Yoso Sudarmo memanfaatkan Caosan sebagai platform untuk membentuk kelompok pangrawit (pemain gamelan), yang terutama diambil dari pemain wayang orang tradisional. Saat ini, Caosan telah berkembang menjadi praktik budaya yang menarik, meskipun jumlah penontonnya masih sedikit. Ini bukan acara wisata religi melainkan konser karawitan yang dimaksudkan sebagai persembahan kepada para leluhur, dengan harapan membawa kedamaian, keselamatan, dan kebahagiaan bagi masyarakat Padepokan. Kata Kunci : Caosan, Nggendong ngendit, Ritual, Pembelajaran Karawitan
MORAL CONFLICT AND AESTHETIC FREEDOM: A STUDY OF CONTEMPORARY MUSIC PHILOSOPHY FROM THE PERSPECTIVE OF IMMANUEL KANT AND FRIEDRICH NIETZSCHE Saragih, Kantri Sajojo
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 1 (2025): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v18i1.7157

Abstract

The evolution of contemporary music has created a tension between universal moral demands and artistic expressive freedom. This study analyzes this dialectic through the philosophical lenses of Immanuel Kant and Friedrich Nietzsche. Kant emphasizes aesthetics as a universal experience bound by morality, while Nietzsche liberates art from traditional conventions in favor of transgressive creative expression. The research examines radical works such as 4'33" (John Cage) and atonal music (Schoenberg) as rejections of classical aesthetic norms. The findings demonstrate that contemporary music becomes an arena for clashing values between Kantian moral order and Nietzschean deconstruction of traditional values. This conflict reflects the modern cultural dilemma of either maintaining universal principles or embracing boundless creative freedom. Using a qualitative philosophical approach, this study highlights contemporary music's dual role as both social critique and aesthetic experiment that transforms artistic paradigms.
HIP HOP MUSIC OF SIANTAR RAP FOUNDATION AT PEMATANGSIANTAR, NORTH SUMATERA Sinaga, Dea; Amir Razak; I Nyoman Cau Arsana
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 1 (2025): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v18i1.7223

Abstract

This research examines how Siantar Rap Foundation (SRF) integrates traditional Batak musical elements into the modern hip hop genre through creative musical practices. SRF does not merely adopt hip hop as a global trend, but also fuses it with Batak identity and values through the selection of instruments, musical arrangement, the use of Batak-language lyrics, and the strengthening of visual identity in every performance. Using a qualitative method and an ethnomusicological approach, this research explores the mechanisms of cultural integration in SRF’s works and their impact on the cultural identity of Batak youth. The findings reveal that SRF has successfully created a phenomenon of musical hybridity that is relevant to contemporary developments and capable of reaching national and even global audiences. Through strategies such as consistent music production, live performances in various cities, digital media utilization, and the reinforcement of Batak visual culture, SRF demonstrates that hip hop music can serve as a dialogic space between local and global cultures. This study is expected to enrich the discourse on music, culture, and identity, as well as inspire other musicians to explore local culture through global music genres.

Page 10 of 13 | Total Record : 122

 8   9   10   11   12 

Filter by Year

2019 2025


Reset
Filter By Issues
All Issue Vol. 18 No. 1 (2025): July Vol. 17 No. 2 (2024): December Vol. 17 No. 1 (2024): July Vol. 17 No. 1 (2024) Vol. 16 No. 2 (2023): December Vol. 16 No. 2 (2023) Vol. 16 No. 1 (2023): July Vol. 16 No. 1 (2023) Vol. 15 No. 2 (2022) Vol 15, No 1 (2022) Vol 14, No 1 (2021) Vol 14, No 2 (2021) Vol 13, No 2 (2020) Vol 13, No 1 (2020) Vol 12, No 2 (2019) Vol 12, No 1 (2019) Vol 11, No 2 (2018) Vol 11, No 1 (2018) More Issue