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Reizki Habibullah
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reizkihabibullah@gmail.com
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jurnalsorai@gmail.com
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Jl. Ki Hadjar Dewantara No.19, Kentingan Jebres Surakarta, Indonesia
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INDONESIA
Sorai: Jurnal Pengkajian dan Penciptaan Musik
Published by Institut Seni Indonesia Surakarta
ISSN : 24073938     EISSN : 26849445     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to music creation, music studios, and ethnomusicology. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics include: 1) Review of Nusantara Music 2) Sociology of Music 3) Anthropology of Music 4) World Music Culture 5) Digital Music Studies 6) Archaeology of Music 7) Intercultural Studies of Music 8) Ethnography of Music 9) Music and Multicultural Education 10) Music Criticism 11) Musician Profile and Thought 12) Artistic Review of the Music Creation Process.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 122 Documents
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JEJAK MAJAPAHIT: KOMPOSISI MUSIK PROGRAMA BERDASARKAN CERITA LEGENDA AIR MAJAPAHIT DI NEGERI EMA Maitimu, Frengky; Lestari, Dewi Tika
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5651

Abstract

The history of Air Majapahit is one of the events of the arrival of Princess Majapahit in Negeri Ema which has been told orally from generation to generation. The history of Majapahit Water can be proven true by the existence of Majapahit kingdom relics in the form of heirloom spears, Gamelan, Betel places and Majapahit springs which are still well preserved in Negeri Ema. Based on this phenomenon, it was then used as a nonmusical concept to work on a musical composition. The composition of Traces of Majapahit is a narrative program musical work which contains elements of the history of Air Majapahit, which was created in the form of varied music and using western instruments. The process of creating the musical composition Traces of Majapahit went through several stages, namely (1) exploration of literature regarding musical disciplines and observation of Majapahit water history; (2) processing the relationship between musical elements and nonmusical concepts as a basis for the construction of musical compositions; (3) cultivating musical elements into variations using the main theme development procedure from Leon Stein’s theory; (4) presentation of the work in orchestra format. This work contains cultural value in the almost forgotten relationship between the Majapahit kingdom and Negeri Ema, so that through this work it is hoped that the history of Air Majapahit will be preserved.
GENDER LANANG SEBAGAI MANIFESTASI BUDAYA AREK DALAM KARAWITAN JAWA TIMURAN Muzaqqi, Ahmad; Handayaningrum, Warih; Rahayu, Eko Wahyuni
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 1 (2023): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i1.5666

Abstract

Gender lanang is a dominant instrument in the karawitan gagrak Jawa Timuran, which illustrates how the dialectics of arek culture society are so egalitarian, outspoken, which distinguishes between Surakarta and Yogyakarta styles, with a psychological, social, and cultural approach, how the gender lanang instrument with a high tone depicts the character of arek society in dialect, which in fact the gender lanang instrument uses high notes.
KONSEP MUSIK JAZZ FUSION BALI PADA KOMPOSISI SANGHYANG LEGONG KARYA INDRA LESMANA Fardian, Fardian
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5683

Abstract

Jazz Fusion music is one of the music styles currently developing in Bali. The characteristics of Jazz Fusion include combining two musical concept approaches, between local music concepts (Balinese tradisi) and foreign music (western), which results in a different Jazz musical identity. One musical work, Sanghyang Legong, describes the situation of Balinese Jazz Fusion music. Sanghyang Legong musical work results from a collaboration between famous Indonesian jazz musician Indra Lesmana and Balinese gamelan musicians I Made Subandi (alm.) and I Wayan Sudiarsa. This work uses Gending Sanghyang as a source of inspiration developed through a jazz music aesthetic approach. This composition received great appreciation from the music community inside and outside Bali. After being mass-produced in 2017, Sanghyang Legong attracted over 36,000 monthly views on YouTube, Spotify, and Apple Music. This article aims to educate the reader on the composer’s creative process, the resultant musical form, and the work’s significance. The formulation of the problem includes (1) the process of creation, (2) musical form, and (3) implications of Sanghyang Legong composition. The research method uses a qualitative design with a descriptive approach to musicology. Data collection through documentation and interviews. Analysis through the stages of data reduction, data presentation, and conclusion. The elaboration of instruments and playing techniques of Gamelan Singapraga, Suling (Balinese Flute), and Balinese Gending Vocal Style showed the concept of Jazz Fusion music in the composition of Sanghyang Legong. The song has five parts: Solo, Intro, Verse, Chorus, and Interlude. This work has an impactful implication for the sustainability of tourism and Bali’s creative economy.
HIERARKI ORGANISASI & TRANSMISI PENGETAHUAN HASIL PRODUKSI PERTUNJUKAN PADA MANAJEMEN YOGYAKARTA ROYAL ORCHESTRA (STUDI KASUS: PERTUNJUKAN RARÉ RUMPAKA YOGYAKARTA ROYAL ORCHESTRA) Setianjaya, Iwan; Dyah Fitriasari, Rr. Paramitha; Mulyana, Aton Rustandi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5704

Abstract

This research aims to reassemble the presence of hierarchical sketches in the work scheme that applies in the performance management of the Yogyakarta Royal Orchestra through a case study of the Raré Rumpaka 2023 performance. The study of performance management at the Yogyakarta Royal Orchestra is researched through the approach of management and bureaucracy. The effort was made to see the depth of the relationship that can be found between the orchestra’s performance governance and the royal bureaucracy. Another research focus is to see the extent to which knowledge transmission can be found from the journey of performance activities consisting of the preparation process, implementation to closing. This research uses a descriptive qualitative method to look at the phenomena of problems and events that occur in the research arena. The data was collected through interpersonal interview procedures with resource persons with research schemes including observation, field notes and processing of field documentation results. The data analysis process is carried out based on four stages, namely data collection, data reduction, data presentation and conclusion making. The results of the research attempt to reveal the openness of information in the implementation of the Raré Rumpaka performance, which focuses on the managerial management system of the Yogyakarta Royal Orchestra consisting of the existence of the royal bureaucratic system, the hierarchical work scheme that applies, and the results of knowledge transmission generated after the performance.
PENDIDIKAN KARAKTER MELALUI PEMBELAJARAN MUSIK LOKAL TRADISIONAL GONDANG OGUONG PADA ANAK-ANAK OLEH SALMAN AZIS Habibullah, Reizki; Purwanto, Sigit; Sofyan, Nora Putri
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 1 (2023): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i1.5719

Abstract

This research aims to uncover how Salman Azis teaches the local-traditional music Gondang Oguong, not just as practical training but also as an effort to instill education for character-building values, particularly within the cultural context of Malay in Kampar, to his students. The focus of this research is on the character education values embedded in the Gondang Oguong performance and how Salman Azis carries out the process of instilling these values. To gather information related to these issues, this research employs an ethnographic approach and draws upon the theory of character construction in music education. The results of this research are expected to provide insights and serve as a reference for the development of character education methods through local-traditional music instruction.
MAINTENANCE OF THE MAMANDA KUTAI MUSIC ECOSYSTEM SUSTAINABILITY OF ORIGINAL MUSIC IN THE MAMANDA PANJI BERSERI GROUP Fikri Yassaar Arrazaq; Yofi Irvan Vivian; Zamrud Whidas Pratama
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 1 (2025): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v18i1.7167

Abstract

The existence of traditional music in Mamanda Kutai theater art remains well-preserved by the Mamanda Panji Berseri group, as demonstrated by the consistent core patterns of piul and babon, as well as the relatively unchanged use of accompanying instruments. This preservation is particularly noteworthy given the significant developments observed in most other groups. This qualitative study aims to examine how the traditional Mamanda music ecosystem is systematically maintained by the Mamanda Panji Berseri group. The research employs a combination of desk and field methods, grounded in an ethnomusicological perspective. The findings indicate that various interrelated components within the ecosystem contribute to its sustainability, including learning systems, musicians and communities, contextual and structural frameworks, regulatory support and infrastructure, and the music industry. Furthermore, the study underscores that the role of the traditional Mamanda Kutai musical accompaniment ecosystem within the Mamanda Panji Berseri group still requires further optimization to enhance its long-term sustainability and broader impact.
MODERNIZATION IN TOBA BATAK CULTURE: A DESCRIPTIVE STUDY OF MUSICAL CHANGES IN THE SAUR MATUA CEREMONY IN SIBOLGA CITY Sihotang, Wendis Kristover; Purba, Krismus; Joko Tri Laksono
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 1 (2025): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v18i1.7215

Abstract

Modernization brings significant changes in various aspects of community life, including social, economic, political, and cultural, through the presence of technology. The city of Sibolga on the West Coast of North Sumatra is a multi-ethnic area, inhabited by Minang, Nias, Chinese, Javanese, and Batak Toba groups, with Batak Toba as one of the largest sub-ethnic groups. As times change, the Batak Toba community in Sibolga has also experienced the impact of modernization, especially in the implementation of the traditional saur matua ceremony. The modernization process encourages adjustments in the procedures of the ceremony to remain relevant to people's current lives. Some traditional elements are still maintained, but there are changes, especially in the aspect of traditional music which is now adapted to current needs and tastes. This study uses a qualitative ethnographic method to explore socio-cultural dynamics, especially the traditional music practices of the Batak Toba in the saur matua ceremony in Sibolga. The results of the research show that the change in music in this ceremony is influenced by the entry of Christian values, so that the community seeks to integrate religious teachings with tradition. The music used is now mixed, combining Western instruments with Batak musical instruments, and featuring a repertoire of Batak Toba instrumental music with modern compositions such as Palti Raja. This transformation has generated various community reactions, both support and criticism, which reflect the dynamics between the preservation of tradition and adaptation to the times.
CREATIVITY AND THE ROLE OF NINIEK DARYONAGORO IN UTILIZING USED GOODS INTO MUSIC IN SURAKARTA Anggara, Refa Tri; Teti Darlenis
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 1 (2025): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v18i1.7579

Abstract

The research entitled "Creativity and Niniek's Role in Utilizing Used Goods into Music in Surakarta" is based on the phenomenon of the emergence of sounds from used goods. Innovation in engineering used goods and arrangement techniques carried out by Niniek are interesting aspects to be studied further. This research uses a qualitative method with a phenomenological approach, with Niniek S.M Daryonagoro as the main subject. To answer the formulation of the problem, this study utilizes Rhodes 4P creativity theory (person, process, press, and product) and the concept of individual roles according to Setyadi. The final stage after going through the analysis found several conclusions. Niniek's background growing up in an art environment played an important role in encouraging her creativity in developing music based on used goods. Niniek's consistency and creativity are reflected in the historical journey of the presence of used goods music. In addition, Niniek's role has been proven to be able to increase the interest of students and the Surakarta community in music, as well as providing indirect education regarding the use of used goods as a music medium through the performances held.
THE IMPACT OF MUSIC ON MOTOR DEVELOPMENT IN EARLY CHILDHOOD AT ALMA PAUD POS BAKALAN VILLAGE KALINYAMATAN DISTRICT JEPARA REGENCY Enggar Febriyanti , Monalisa; Rustandi Mulyana, Aton
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 1 (2025): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v18i1.7648

Abstract

This research aims to explore and describe in depth the influence of music on motor development in early childhood at POS PAUD ALMA Bakalan Village, Kalinyamatan, Jepara. The research method used is qualitative with participatory techniques, interviews, and content analysis of the data collected. Research participants involved PAUD teachers and early childhood children at POS PAUD ALMA. Data was collected through direct observation of children's activities when exposed to music, interviews with children and PAUD teachers, as well as content analysis of children's responses to musical experiences in the classroom. Data analysis resulted in the finding that the use of music in the context of early childhood education at ALMA PAUD POS has a positive impact on children's motoric development. Through music, children show improved gross and fine motor skills, as well as motor coordination abilities. Apart from that, music also creates a fun environment and motivates children to develop their motor skills. This research contributes to understanding the role of music as an effective learning tool and can help improve the motor skills of young children. The implications of this research can be the basis for further development in the context of early childhood education at POS PAUD and provide guidance to educational practitioners to integrate music more effectively in the learning process.
PERUBAHAN KONSEP PRA PERTUNJUKAN MENJADI PERTUNJUKAN MUSIK HUMOR NYIOER MELAMBUAI Aji, Nurseto Bayu; Muliana, I Nengah
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 15 No. 2 (2022)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i2.4461

Abstract

Penelitian ini dilatarbelakangi oleh persoalan dinamika pertunjukan terutama persoalan konsep dan pertunjukan sebuah kelompok musik khususnya Band Humor “Nyioer Melambuai”. Fenomena perubahan konsep sebelum pertunjukan hingga eksekusinya pada pementasan di atas panggung, menjadi sebuah persoalan menarik terutama berkaitan dengan perubahan-perubahan yang terjadi. Perubahan konsep pra pementasan hingga pertunjukan di atas panggung menjadi kebiasaan kelompok Nyioer Melambuai di setiap pentasnya. Hal tersebut pada akhirnya menjadi ciri khas Nyioer Melambuai terutama berkaitan dengan proses kreativitasnya. Penelitian ini membahas mengenai proses perubahan konsep pra pertunjukan ke pertunjukan kelompok band humor Nyioer Melambuai. Bagaimana fenomena tersebut terjadi, faktor-faktor  apakah yang mengakibatkan perubahan-perubahan tersebut, hingga kedua hal tersebut dapat terjadi pada kelompok “Nyioer Melambuai”. Landasan yang digunakan untuk membedah persoalantersebut yakni menggunakan konsep kreativitas, improvisasi, dan perubahan. Definisi landasan konsep tersebut menjadi diaplikasikan pada fenomena di dalam kelompok “Nyioer Melambuai”. Metode kualitatif yang dilakukan dalam proses penelitian menggunakan “Field Reasearch” atau penelitian lapangan, untuk mendapatkan sejumlah data melalui observasi, wawancara, hingga studi lapangan. Fenomena terjadinya perubahan konsep ke pertunjukan faktor-faktornya, dideskripsikan  melalui pemaparan analisis data lapangan. Pada akhirnya penelitian ini memperlihatkan gejala umum praktik-praktik perubahan konsep pra pertunjukan ke pentas di atas panggung di kalangan kelompok musik humor khususnya Nyioer Melambuai. Perubahan-perubahan tersebut terjadi melalui sejumlah faktor. Perubahan tersebut baik pada akhirnya merupakan sebuah bentuk strategi dan kreativitas untuk mencapai kesuksesan sebuah pentas, khususnya oleh Nyioer Melambuai.

Page 12 of 13 | Total Record : 122

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