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INDONESIA
Abdi Seni
Published by Institut Seni Indonesia Surakarta
ISSN : 20871759     EISSN : 27232468     DOI : 10.33153
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
urnal Abdi Seni memiliki fokus pada hasil pengabdian dan pemberdayaan kepada masyarakat, baik itu pengabdian dosen maupun KKN yang dilakukan oleh mahasiswa dalam bidang seni. Cakupan jurnal Abdi Seni memiliki ranah keilmuan di bidang seni rupa dan desain ataupun seni pertunjukan (Tari, Karawitan, Pedalangan, Teater, Etnomusikologi, dll), yang mampu memberikan banyak manfaat untuk masyarakat serta menambah literasi dalam berkesenian.
Arjuna Subject : -
Articles 256 Documents
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Menumbuhkembangkan Potensi Promosi Desa Wisata dengan Sentuhan Seni di Desa Watukarung, Pringkuku, Pacitan, Jawa Timur Cito Yasuki Rahmad
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4150

Abstract

Cultural diversity and natural beauty make the southern part of Java, particularly the coastal villages, well-known for tourist objects, both cultural and natural. Watukarung Village is one of the most fascinating tourist destinations in Pacitan Regency. Watukarung Village, in addition to natural beach attractions, offers beautiful views. Watukarung Village contains tourism assets with the potential to be developed. The potentials of Watukarung Village may immediately stimulate tourist growth, which will have an impact on the community around tourism. On the other hand, the positive potential of Watukarung Village people in the face of limitations must be fostered. These issues must be resolved by enhancing the existing potential through the use of art in the promotion of tourism villages through trainings. This activity is very beneficial to the people of Watukarung Village because it allows village residents to upgrade their skills in developing community resources and natural resources in the village, allowing the community to actively participate in developing their village’s potential through creative fields with a touch of art.  
Kreativitas Sanggar Sang Citra Budaya Surakarta dalam Pelatihan Tari Masa Pandemi Covid-19 Hartanto Hartanto
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4212

Abstract

 This report is the result of Community Service with the theme of ‘Creativity of Sang Citra Budaya Art Studio Surakarta in Dance Training during the Covid-19 Pandemic.’ The purpose of the training is to accommodate the talents, abilities and enrichment in the field of dance for the art studio students. The targets of the activity are students and teachers at the art studio. The training activities are carried out using the dialogical method, the lecture method, the demonstration method, and the drill method. The output of this activity is to direct and make students develop creativity in learning dance. The result of the creativity in training activity is the creation of the offering dance “Sesaji Nur Citra Laksita” and Wayang Bocah “Dewa Ruci”.
Penguatan Budaya Tenun ATBM Lurik Khas Pedan Klaten Moh. Rusnoto Susanto; Rahayu Retnaningsih; Flora Grace Putrianti; Shafa’ Selimanorita; Puspa Eka Ayu Febriana
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4219

Abstract

It is very rare to find an integrated textile industry center in Indonesia until now, apart from the integrated textile industry with Pekalongan batik in Central Java which is synergistic with the growth of the fashion business and the proliferation of tailor and fashion design. However, this landscape can be found in Pedan Klaten District, which is a center for ATBM weaving production whose business growth is getting stronger into an integrated area. The original ATBM weaving of Pedan Klaten has been known to be very skilled and detailed in its workmanship so that the resulting product is very smooth and compact, with the main motif called lurik. The participatory approach of the colleague team and partners of the Lurik Pedan ATBM Weaving MSMEs with various strengthening programs includes: design training, technical development workshops, IPR regulations and other E-Commerce strengthening activities. This article is intended to explain field findings with a clear, objective, systematic, and careful description of the facts obtained. The results of the MSME assistance program for 1 year made impacts as follows; (1) The Lurik Pedan brand encourages the pioneering of an integrated cultural tourism industry area. (2) Strengthening the Marketing Communication (MARCOM) system as an effort to increase sales turnover and strengthen business strategy. (3) The strategy of strengthening the ATBM weaving culture for traditional Lurik weaving craftsmen in Pedan Klaten
Penari Berhijab dalam Perspektif Masyarakat sebagai Ajang Dakwah melalui Kesenian Muhamad Parhan; Cindy Anugrah Pratiwi; Rika Agustina; Salsa Nurul Aini
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4161

Abstract

This article provides an overview of the implications of Islamic science and art. Not many dancers wearing hijab when dancing, because it is considered something unusual. Various stigmas appear in the perspective of society when they see dancers wearing hijab. One of the stigmas given is that women or girls wearing hijab are not supposed to dance because often the movements performed can invite lust, for instance, through erotic movements that could trigger lust especially in men who are not family members of the women. The dancers wearing hijab, on the other hand, appear to be conveying an implicit message of Islamic preaching. Every dance, in fact, has meaning and serves as a medium for the dancer’s self-actualization through movements. With this phenomenon in mind, this study was conducted to collect, conclude, and share understanding from many perspectives on hijab-wearing dancers. To obtain larger data, this study used a qualitative method with descriptive analysis. This research could be used as a reading source to open up fresh perspectives for society and to encourage hijab-wearing women to express themselves limitlessly when doing activities such as dancing.
Menceritakan Bancah Birunguik, Memperagakan Silek Luncua Mendendangkan Balam-balam : Pelatihan Repertoar Baru Randai di Solok Selatan Dede Pramayoza; Emri Emri; Susas Rita Loravianti
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4180

Abstract

This paper describes the implementation of the Randai Creation Workshop in South Solok Regency, which was carried out by ISI Padangpanjang Community Service Team. The workshops are carried out with problems solving approach and artistic research, which are oriented towards finding answers to problems through the practice of artwork creation. The process of creating Randai began with shared research for folklore that developed in South Solok, using the Focus Group Discussion (FGD) method, which resulted in findings in the form of the Bancah Birunguik story, which was then processed together as a screenplay. The process of creating Randai continued with the creation of Legaran with the method of practical mentoring, which departed from the repertoire of Silek Luncua, a silek genre that developed in South Solok. The last process of the workshop, also employing the method of practical assistance, is the blending of movements with sounds. This process is codified as an aspect of Randai musicality, using the Balam-Balam sung from Saluang Panjang tradition, a type of South Solok traditional song, as the main guide. The results of the workshop are several scenes of Randai as an embryo that can be developed into the typical Randai repertoire of South Solok.
Ekplorasi Komposisi Choir Nusantara pada Karya Musik Metal Kelompok Djiwoastra Wahyu Purnomo; Bondan Aji Manggala; Denis Setiaji
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4229

Abstract

The activity of creating musical works based on Community Service activities with the  title  “Exploration  of  Harmonious  Composition  Techniques  and  Interlocking Vocal Techniques in Metal Musical Works of the Djiwoastra Group” seeks to express musical works that show the marriage between Nusantara aesthetics and Western aesthetics through working on choir vocal compositions. The agreement to collaborate in composing music with an emphasis on the Gregorian choir composite strategy that explores Nusantara vocal forms such as Senggakan and Gerongan (Javanese), as well as the Balinese Kecak vocal interlocking technique is a problem solving point in overcoming the problem of diversity in metal music production techniques required by Djiwoastra music group as partners. The Participation Action Research method is prioritized in this activity. This activity is a vehicle for realizing mutual understanding between the team implementing the activity and the metal music group Djiwoastra, in order to strengthen each other’s potential for the challenges of musical works based on the internalization of diverse experiences. Community service activities that aim to solve problems in balancing the aesthetics of music between West and East have been achieved to some extent by strengthening the trans-medium composite technique of Javanese vocal forms such as Senggakan, Gerongan, and Balinese Kecak which are packaged in a gregorian choral style, which can become a new techniques mastered by partners to develop subsequent works
Pelatihan Visual Story Telling sebagai Pengembangan Potensi Diri dan Kemandirian Siswa Tuna Rungu SLB YKK Kabupaten Pacitan Unik Dian Cahyawati; Purwastya Pratmajaya Adi Lukistyawan; Agus Heru Setiawan; Johan Ies Wahyudi; Setyo Tohari Caturiyanto
Abdi Seni Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i2.4568

Abstract

The storytelling method is one method that influences student learning. With storytelling, students can make a mind map of the information they get and the ideas they want to convey. Students with special needs (deaf) need their method of storytelling. The PKM Photography Study Program from ISI Surakarta conducted photography training as a storytelling medium for students attending YKK Pacitan Elementary School, East Java. Through photo media, deaf students can easily convey ideas and assist in teaching and learning. In addition, this training improves students’ photography ability using DSLR and smartphone cameras. Students participating in photography training as a storytelling medium demonstrate their ability to take pictures of objects and write descriptions as a whole storytelling unit summarized in a photo catalog containing the works of all photography training participants as storytelling.
Kesenian Eco-print Hapazome pada Tekstil sebagai Antitesis Environmentally Unfriendly Textile Dyestuff Sri Utami; Igb Bayu Baruna Ariesta; Nyoman Ayu Permata Dewi
Abdi Seni Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i2.4230

Abstract

Today’s fashion business is concerned about the environmentally unfriendly or ecologically unfavorable problem of textile industry waste. It is well recognized that dyes have hazardous effects on living organisms, and industrial textile waste in general can be in the form of effluents (liquid waste) including dye residual substances.  Because it contaminates the water, textile dye waste is particularly unfavorable to the environment. Based on this, researchers design a textile using the Hapazome dyeing technique, which is an eco-friendly method of dying. This method falls under the category of eco-printing or natural printing. Hapazome technical art is one of the Japanese art which means leaf-dye. By hitting the leaf’s top surface against a piece of fabric, researchers apply Hapazome technique which can create a copy of the leaf’s motif form on fabric.  The motifs designed by researchers in the creation of textiles were chosen from one of Balinese cultures, that is, Balinese script. The choice of Balinese script as the primary theme for creating textile designs attempts to demonstrate one of Balinese local identities. Thus, the nuances and characteristics of the local Balinese are built into the fabrics that researchers created. Using the approach of art creation, research is done on the art of eco-printing Hapazome on textiles as the antithesis of environmentally unfriendly textile dyestuff. The method of art creation is a way of systematically putting a work of art into real.
Workshop Kreatif Karakter Wayang Material Limbah Sebagai Media Pengenalan Seni Tradisi Untuk Siswa Sd Negeri VI Mojosongo Surakarta Subandi Subandi; Basnendar Herry Prilosadoso; Rahel Olivia Chandra
Abdi Seni Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i2.4226

Abstract

Wayang has a lengthy history in Indonesia, with each part of the archipelago having its own distinctive development and legends. Until today, wayang has remained a typical feature of each region’s culture. The phenomena of extremely strong globalization current flow today, where in the increasingly fragile state of the nation’s morals with the emergence of hedonistic and individualistic cultures, impacted life among the younger generation. The fading awareness of moral principles passed down through centuries run by ancestors has begun to be altered by norms and rules from the west, which do not correspond to the conditions of the original society.  One of the solutions to counteract or reduce the foreign culture is through cultural arts.  This activity serves as the effort to preserve traditional art, especially wayang and as a medium of character education for elementary school students.  The implementation of activities is at a public elementary school, SD Negeri Mojosongo VI Surakarta. The method in carrying out this introductory activity prioritizes participants and mentors activeness, supported by the use of media and effective and efficient training models with the aim that training materials being well-accepted by the trainees, the elementary school students.  In accordance with this, the design for this creative workshop refers to David Gibson’s concept of designing phases divided into three broad groups: planning, design, and implementation. Meanwhile, the stages of activity implementation involve three approaches: mutual, personal, and collaboration. This Paper Waste Wayang is neatly packaged to support the kids in creatively playing while learning; also, this activity contributes to the wayang preservation.
Pembinaan dan Pengembangan Seni Masyarakat Desa Kaliurang Kecamatan Srumbung Kabupaten Magelang Jawa Tengah Farid Azzani Prasanaya
Abdi Seni Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i2.4280

Abstract

The mentorship and development of art potential in Kaliurang Village Community, Srumbung District, Magelang Regency, Central Java is one of the community service programs that aims to develop the art activities in the area. The performing arts in Kaliurang Village include Langen Taya, Karawitan Aji Budaya, Wayang Wong, and Dance. This community service program is also an initial step supported by the Kaliurang Village government as an effort to reactivate the arts in the area which is currently taking a break due to the Covid-19 pandemic. The purpose of this service is to overcome problems in every art in the field, one of which is the lack of knowledge and basic art skills possessed by art performers in the area. The learning method in this activity uses discussion, lecture, and experimental methods. The output of this community service activity is the performances of each art group.

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