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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 452 Documents
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Problem Sosial Masyarakat Marginal Dalam Konsep Pewarnaan Lukisan Impresionisme Merta, I Made Suka
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i1.339

Abstract

Human are individual as well as social beings. A social beings means that they live in the midst of others or living in a community defined as a society. Various social issues arise in the big city.  The development of a city brought many victims; the marginalized society is one of it.  The marginalized society is a group of people which are marginalized or excluded from the development, so they do not have any chance to obtain the benefit of the development. They frequently got systemic violence committed by the state (the authorizer).Those ideas then were manifested on an artwork of impressionism coloring concept. Impressionism is a style of painting which is characterized chiefly by concentration on the general impression of strong lighting, with emphasis on the color display and not the form. Specifically, the illustrated impression is the impression of light reflection on an object / invisible objects, especially sunlight because it has unlimited color richness. Colors used by the writer are mostly bold colors, i.e. bright colors. A bold black color is also used to create an atmosphere of misery, anguish, and gloom. Color used in the writer’s artwork is a description of few colors and displayed with an opaque technique / block.   Key terms: marginal, impressionism
Batik Sebagai Sarana Penanaman Nilai-Nilai Budaya Dan Pembentukan Karakter Bangsa Shokiyah, Nunuk Nur
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i1.343

Abstract

Batik is one of the world heritage that was had the Indonesian nation and it is essential to be introduced to the younger generation. Batik is a technique of drawing, painting, or providing color on cloth to get a certain pattern and it was given color with tutup celup system. The process of batik is very detail, the procedure consist of Nglowong, nembok, medel, ngerok, bironi, ntogo, sag, washing, and pressing. The process of making batik so requires patience and precision to achieve optimal results. Batik activities are conducted continuously with direct or indirect that will affect the person's character. Character is influenced by environment such as social values​​, experience and education. Batik activities that were taught for children both in the school and the family will be very influential in the formation of the child character. Children are trained to be patient, thorough, and independent. Besides, it also helps children to learn more about own nation culture , then it can strengthen the nation character and it  is as bastion of global culture influences. Key words: Batik, Cultural Velue, national character
Ironi Dalam Memori Ruang Waktu Analisis Trauma Jiwa Sebagai Ide atau Refleksi karya Dengan Pendekatan Psikoanalisis Freud Wahyudi, Tri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i1.347

Abstract

In psikoanalitika viewpoint, experiences during early life can and will shape his personality during later life, so that psychological problems in adulthood will be influenced by childhood trauma or difficulty. As adults most people do not remember that there's something to be started when they were still traumatized childhood and memories of the trauma will be hidden in their subconscious. Theory of psychoanalysis based on the application of the theory developed by Freud to focus on the structure and function of human thought in practical scientific and continues to influence the ideas, opinions, mindset and actions of their day-to-day. The first innovation is Freud when he recognized a different mindset between the conscious mind and the subconscious mind. Under the influence of the subconscious thoughts and feelings are allocated out of place, where they can be put together and expressed through an abstract shape in which the objects can be a symbol of another incident.Analysis with Freud's theory as well as to analyze the work of artists who use the subject of personal experience to present ideas in the works he made, in the course of his work meyisakan various problems that are hidden from the memory of the past as well as to convey no meaning in every image ironic paradox sometimes unintentionally created in game visual artists at work in the fields or created in the space of expression for the artist or artist author. Keyword: Psychoanalysis Freud, the idea of â€‹â€‹the work from artists, Irony, Memory space Time
Perancangan Mainan "Odong-Odong" Sebagai Media Edukasi Tradisi Lokaluntuk Anak Usia 1-5 Tahun Zarkasi, Much. Sofwan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i1.351

Abstract

This article is a summary of the research that has been conducted by the author, titled “Designing Toys” Odong-odong “As Media Education Local Traiding For Children Aged 1-5 Years”. this study is to reintroduce the children intheir world, which according to the present writer has been captured by the electronic mass media capitalists. Media odong-odong toys are usually only as a medium of entertainment media modified as local tradition based art education game,expected results of this designs is able to inspire people to develop and be differentiation products are much in demand by the children, which will indirectly increase the interest odong0odong to play, and also increase income enterpreneurs and artisans odong-odong. On the other side, the nature of entertainment media education is expected that children will be more familiar with local traditions and art imprint will continue until they later grow up, so they do not visually cultural identity tercaput of local cultural roots. This is important, because the issue is what actually became the main issue in the development of national identity.Keywords : odong-odong, media education, children, traditions.
Kathe Kollwitz Kekelaman Dan Kepedihan Dalam Karya Seni Cetak Grafisnya Mahendrapati, Nawangseto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i1.355

Abstract

Ekspressionis artist Kathe Kollwitz was a woman from Germany who has a major reputation as a graphic artist, althought he began his career as a painter and ended by making sculptures. His works done by combining technical masteryof the powerful, often shocking and disturbing, images were shown to the whole message strong. The overall theme of his work is mainly social and political, but the quality of emotional expression that is not chaotic. Kolwitz Kathe works that use black and white and the use of lighting effects felt very tense and dramatics. Facial expression and position objects depicted actually can represent feelings.This article discusses the background of the creation of works of graphic art prints by Kathe Kollwitz aesthetic approach. What factors underlying the creation of works of Kathe Kollwitz dark and gripping, and whether the expression of fellings like Kathe Kollwitz poured through his work with graphic print art techniques.Keywords : printmaking, dramatically, Kathe Kollwitz, Therapy
Komunitas Airbrush Indonesia Dalam Rana Seni Rupa Lestari, Dina
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i2.359

Abstract

Indonesia Airbrush community was founded in 2007 by MG. Pringgotono, an airbrush artist from Jakarta. Members that are joining this community came from different places in Indonesia such as Jakarta, Yogyakarta, Bandung, Lampung, Palembang, Solo, Tanggerang, Tuban, Serang, Bekasi, Pematang Siantar, Ngawi, Bali, Kediri, Bangka Belitung and many more. This community was build as a reaction to respond the influence of commercial industry on airbrush developmental image branding by making a change and expanding to the realm of visual art. Their vision and mission is to support the Indonesian airbrush artists, mapping, and collecting data and archive of Indonesian airbrush development by providing information and developing Indonesian airbrusher as a preparation for the creative era. Some of their program is to hold a workshop, an airbrush art exhibition, compiling Indonesian airbrush art work catalogues, held an Indonesian airbrush artist meeting gathering, arranging an airbrush competition and operating  an airbrush website which is Airbrush Indonesia websites. Keyword: Airbrush, Indonesia, Community and Visual Art
Ekspresi Anak-Anak Petani Tradisional Taram Dalam Lukisan -, Hanafi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i2.361

Abstract

The agricultural sector is a sector that has stratesis role in national economic development structure. This is a sector that does not get serious attention from the government in nation building. Ranging from protection, credit to none other policies that benefit the sector. Agricultural development programs that were never targeted goals even further plunges in the destruction of this sector, and also farming in Indonesia is still a lot that mengarap farm with traditional systems. When we look at the lives of farmers villages Taram Harau Sub District Fifty Cities of West Sumatra province rich in natural tones, surrounded by hills are fresh sounds, and also worked on his rice field farmers still use traditional tools. Taram seen from the way farmers work their fields, who are still using tools tradisioanal painstakingly family survival. There appears an impression that inspires the heart to express it in a painting, thus giving special value of the beholder. Painting to be made in this work, starts from the fact that occur in the environment around the residence and family home writer, born of a family of low income farmers. This situation prompted the authors to express their anxieties, pressures, and ketikberdayaan see the reality of what happened. In the work will be made only writer to express anxieties heart to see and feel what is happening within the family. Forms of his paintings are not made ​​of natural background and activities of farmers in general, but only as an expression depicts peasant children with realist style, which is an imitation of a painting depicting the actual object. Keywords: expression of the kids, agriculture, economy.
Transformasi Kreatif Fobia Pada Karya Seni Lukis Tryamei, Tito
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i2.365

Abstract

Creation of art work “Creative Transformation of Phobia on Painting Art Work” basically is subjective realization or personal expression. It’s a very common thing, because for translate feeling and emotion to visual language supported by experience of using media and technique. Generally, phobia caused having experience of fear, shyness and fault that there are pressed into sub conscious. For me, as artist, fear can be a positive influence, it is source of imagination to create visual objects. I’m use this phenomena fot theme creation of art works, ang I hope it can be treatment or decrease my fear. Keywords: creative, fobia, painting
Performance Art Antara Media Penyadaran, Kepentingan Pasar Dan Partisipasi International Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i2.369

Abstract

Good performance art is work that managed to amaze the public. Successfully influenced public to observe every detail. Instead, the public will demand the uniqueness of the event that makes it willing to pay attention to the performance, detailed for detailed. From the above explanation affirmation finally appeared a question, when a performance art relies heavily once with the right choice of space and how the public (audience or the audience), thus creating a unique event and can amaze the public. In the video performance, no other consciousness to show more conceptual performance: performance scene that has been designed, presented in video media. May be more readily as experimentation on attempted filmed theater, but completely abandoned the live performance itself, because of the possibility of a repetition of the scene to be there. As an avant-garde art (avant garde) as described above,” originality” and the seriousness of the challenges of performance art gets a modern capitalist society. Performance art that was originally to be agents of change in the value of the community, the are deflected by spearheading the advertising to market interests. keywords : performance art, agent of change, ambient media
Batu Sebagai Simbol Pribadi Dalam Karya Seni Lukis Rizky, Muhammad
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i2.371

Abstract

Stone is represent object owning interesting characteristic, exotic, and have multifariously of symbol which not yet to exploration, specially will become symbol having the character of personal. Combination between experience of person among social reality, where stone as object at the same time to be subject  which personate symbol of personality ( metaphor). Along with style combination of surrealistic and of minimalistic, created masterpiece make an impression on ' in' and is free.Keywords: stone, symbol, artistic of paint

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