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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 452 Documents
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Lukisan Tabik Karya Bibit Waluya Sebagai Parodi Visual Dan Ekspresi Kritik Identitas Anggoro, Albertus Rusputranto Ponco
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.281

Abstract

Painting, as one form of matter creation of art works not only offer an aesthetic experience, imagination and sensory perception for their apreciations but also knowledge. The work of art seen from perspectif hermeneutics is an autonomous artistic phenomenon in the interpret-tation of meaning.To understand the hidden or latent meaning of a painting of hermeneutic theory is needed to unravel the particular text or set of potential marks. The painting, entitled adieu, the work of Seeds 'Jrabang'  Waluya is the subject of art is interpreted by using the rules of hermeneutics to understand its role as a visual parody of criticism and expression of identity. Keywords: Painting, Works of Art, Hermeneutics, Interpretation, Pa-rody, Criticism
Kajian Seni Lukis Lekra Dengan Pendekatan Fenomena Estetik Cholis, Henri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.283

Abstract

LEKRA (1950) is a cultural institution established by the PKI. LEKRA brings an artistic concept with the background of party ideology oriented worship Mark, Lenin, and Mao. LEKRA form of art is Socialist Realism, but different with Social Realism that grows in America.Many Indonesian artists who take shelter in LEKRA institutions including: Tarmizi, Affandi, S. Soed-joyono, Henk Ngantung, Hendra Gunawan, Basuki Resobowo, Joko Pekik, also Bumi Tarung studio in Yogyakarta. Situation and political conditions in this country are always changing, bringing art LEKRA find their own fate, in the early turnout revered PKI, which was marginalized in the New Order regime, and now the work of the former painter LEKRA become prey items of art collectors by selling value fantastic and in terms of value of works of art LEKRA a sign of an era of vulgar chaos . Keywords: LEKRA, Art, Ideology. PKI.
Studi Penciptaan Game Komputer Pembelajaran Perbendaharaan Kata Budaya Rachman, Anung
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.285

Abstract

Mastery of multimedia applications, content, and aesthetics is an integral Trichotomy in the design of inter-active learning games. All three must function in proportion if a developer of multimedia applications to achieve optimal results in education. In this study the learning game was created by local cultural vocabulary. The work is the result of a combination of educational content of local culture and aesthetics of multimedia.The work of "game culture" not only offers information about culture, but further, this work aims to provide learning using a humanistic ap-proach. Lessons are presented in the form of multimedia games and animations intended to be a beauty to the learner to display the difference to the lesson as usual. Key words: games, animation, local culture
Bentuk-Bentuk Kearifan Lokal Dalam Kehidupan Masyarakat Indonesia Sebagai Sumber Gagasan Berkarya Seni Rupa Syamsiar, Syamsiar
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.287

Abstract

Indonesia is an archipelagic nation which has approximately 1128 race, with plenty of cultural diversity and varied, each region contributing to the local distinctiveness of the culture in the form of customs, language, architecture, music, dance, decoration, fashion district, traditional food, and others. History shows us about how the local arts of the past are able to adapt the art that comes from outside and is able to transform the local culture in Indonesia, and has produced many stunning works of art in the form of prehistoric art, classical and traditional arts other. The values of life that grows in society tribes in the area of Indonesia, which relies on the wisdom of the natural environ-ment is a source of cultural wealth of a nation that needs to be maintained and preserved. Indonesia is a cha-llenge for artists today to be able to create works of art that has the characteristics or character in his work, with roads dug indigenous people of Indonesia to be imple-mented in his artwork.Keywords: Local Wisdom, and Artwork
Transformasi Penciptaan Seni Lukis Bali Suyasa, I Nyoman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i2.299

Abstract

Painting as one means of creating works of art activity experienced a fairly rapid developments changes.This transformation can not be denied again because of the demans of users and the development of technological developments, as well as occuring in the world of art in Bali. Transformation of visual styles in painting in Bali is what will be discussed in this article, of Balinese traditional painting (painting Kamasan), semi traditional painting or so called modern painting (a focus on Pita Maha art and young artists), until in modern painting. Keyword : transformation, painting,Bali
Alice in Wonderland versus "Alice in Wonderland": Praktik Apropriasi Dalam Teks (Komik) Poskolonial Anggoro, Albertus Rusputranto Ponco
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i2.301

Abstract

Children's novel Alice's Adventures in Wonderland by Lewis Carrol (fisrt published in 1865 in England) is one of the literary works of the 19th century which still popular as tales children. A myth that, once created the film version (1903), better known by the title of Alice in Wonderland represents the spirit of colonialism and imperialism. Alice's Adventures in Wonderland represent peoples of Europe who sailed the seas, explore alien worlds without a map that led to the occupation; Alice is a nation of "civilized" that comes in foreign lands., whisch they consider to disorder and "uncivilized", for make it civilized. Emerging resistance-cultural rsistance by the colonized, among which are appropriatied of colonial texts. They do imitation (mimicry) to mock (mockery). In the perspective of postcolonial resistance-resistance was studied and identified to understand the impacts of colonialism that still exists today. Comic / manga works Katherin alice in Wonderland is practice of appropriation : comics / manga that made a lot of time post-colonial after political decolonization in Indonesia.Keywords : colonialism,imperialism,orientalism,postcolonial,abrogation,appropriation,mimicry,mockery,comics,manga
Mengantarkan Seni Grafis Indonesia Menuju Pada Kematian Mahendrapati, A. Nawangseto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i2.303

Abstract

Graphic arts (printmaking) is composing the image through the printing process with the purpose of reproduction or reproduce. History of graphic arts at first in Europe in the late 14th-century woodcut print used to make fabric patterns and print images for the following religious texts images-picture of a saint. Until the late 19th century graphic art has a role an informative function, as the dissemination of knowledge and as a medium of expression.The pioneers of graphic art in Indonesia is a visual artist,painter and sculptor,who found an alternative in the art print. Baharoedin M.S. and Mochtar Apin that makes a set of graphic works to be sent to countries that have recognized the sovereignty of Indonesia in 1946, is the painter. Momentum is regarded as heroic and patriotic moment that marked the birth of graphic arts in Indonesia.Talks abaout the art of graphic printing (printmaking) in Indonesia is always dwell on the issues concerning the position of inferiority issues in art map. Diversity techniques and material and assist in the creation of works of an artistic achievement of expression. But the opposite happened, as if the graphic arts lazy to move to find new things and seem like less sluggish blood.The development of graphic art certainly does not escape the role arts education institutions because, in general the new graphic art can be studied in educational institutions because of the workmanship is in need of facilities such as a studio representative and supported by the equipment that had to be there. Beyond that not a lot of agencies or organizations that facilitate or support the activities of the graphic arts. Therefore it is necessary to form a powerful synergy of inter-related infrastructure and support every movement printmaking Indonesia and able to spur a more lively movement or at least make an effort to slow death.Keyword : graphic arts, lethargy, effort, synergy
Lomografi Sebagai Komoditas Dan Media Ekspresi Masyarakat Urban Wahyudi, Johan Ies
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i2.305

Abstract

Digital carema technology is growing rapidly at this very indulgent lovers of photography, the image recording media facilities are also equiooed with sophisticated large data storage capacity and with a slim shape, making analog cameras are being abandoned. Analog camera is considered impractical because of the media are still using celluloid film recorder with a limitied number of photos, and not to mention the cost and time wasted to process film and print. This condition contrasts with the results of digital camera images that can be dircttly transferes and enjoyed on a computer screen. So if the world of analogue photography has been forgotten? Through the media Lomografi, analog photography as finding a new passion.LOMO is a phenomenon that is present in the digital age. LOMO cameras are still using celluloid film as a media recorder. The uniqueness of the camera and the images produced by LOMO camera makes quite a lot of people start experimenting to try it, so Lomografi in its development could create their own communities. In this article the author describes aspects of existence Lomografi, which begins by looking at commodities as a form of community Lomografi urban youth as this part of the tool to actualize themselves in their group who later gave birth to the consumtion of lomo cameras that serves as a lifestyle and a medium of expression for urban society.Keywords : Lomografi, expression media, lifestyle
Fusi Seni Dan Teknologi Mendorong Metamorfosis Bentuk Karya Seni Rupa (Studi penciptaan karya Video Performance) Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i2.307

Abstract

The presence of cameras,film,and video has created a synthesis between the art world's imagination with technology of mechanical reproduction. The birth of photography and cinema has brought great changes in human culture. A break in to level the concept of separation of art and technology. It is unceniable that the trend of development of contemporary art lately, so intersect at all with the development of existing technology, particulary information technology and recording media. This is evident with the emergence of several new genres in the contemporary art of Indonesia and the world.With a background as above, then the author of experimenting to make multi-media art works that exploit information technology and recording media. And this paper is the result of the experimentation process of making the work of Video Peformance. This genre according to the most interesting writers of the genres that exist in other new media art, it is associated from its long history as well as the mutation process when in contact with technological developments.Keywords : art, technology, video, performance art
Mengukur Wayang Ukur Karya Ki Sukasman -, Sukirno
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i2.309

Abstract

wayang Purwa, is one kind of puppet that has distinctive characteristics with humans in it a reflection of disposition. Typology thus, hard to find from a variety of ethnic art that is in the archipelago. Distinctive shape with a depiction of what is known than what is seen, is a distinctive characteristic of said visually unique way. In the development of new wayang come with a variety of concepts and styles pakelirannya, not to mention also the doll child. Since the days of Demak until now always appear wanda wanda new in order perfected. One is the "puppet measure/wayang ukur" Ki Sukasman creation of Jogja. The advantages of measuring Ki Sukasman puppet is no loss of character of child. Although if the observed puppet Sukasman Ki gauge is truly the work of individual expression of Ki Sukasman, but wanda perupaan puppet that characterize each of the characers in the puppet is not left, so when I saw a figure measuring puppet, people can still recognize it. Tjis is discussed in this article.Keywords : puppet measure, Ki sukasman

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