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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 452 Documents
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Media cat Minyak dan Pendukungnya Gozali, Amir
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i2.311

Abstract

The artwork must not only be measured/ assessed from the outside impression of the observer but also the good and bad quality of the physical. It depens how the process works is made, for the quality of course work rwquired precision in the selection of good materials and application of proper techniques in making a painting. Media oil paint, began to be known/discovered in the 15th century (the time Renisance in Europe). This medium was found closely related to the spirit if the Renaissance itself is the rebirth of ideas, thoughts Ancient Greek and Roman times are based on human reason(rationalism) and values of humanity (humanism) and the view that humans are used as a source all actions. As a result of the industrial revolution had improved oil paints in term of shape as it begins to be mass produced. Form of oil paint which originally separate between base material and developed into oil and solids in the form of a paste-like tube packaging at this time with different brands and package sizes. This makes oil paint more and more popular today because it has the character of a flexible and practical in its use.Keywords : painting,medium,oil paint
Simbolis Bentuk Dan Seni Hias Pada Istana-Istana Raja Bugis Sulawesi Selatan Yunus, Pangeran Paita; Soedarsono, R.M.; -, Sp. Gustami
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v3i2.313

Abstract

The cosmologic view of the Buginese tribe assumes that this macrocosmos (the universe) is arranged into three levels: Boting langi (the upper world), Ale kawa (the middle world), Uri’ Li’yu’ (the Under world). As the centre from the three parts of this universe is Boting Langi (the highes sjy), the place of Dewata SeumaE (God) to lie down. This view is represented in the traditional house building seen as the microcosmos. So, the traditional house of the Buginese is devided also into three levels (stacks), those are: Rekkeang (top floor) viewed as the head of the human being, Alle bola (the body of the house) viewed as the body, and Awabola (space underneath of the house) viewed as the leg of the human being. The three parts are centered at Posi bola or the house navel. The result of this research is hoped to enrich the knowledge treasury in the art sector, mainly the plastic arts related to the decorated arts obtained in the Buginese kings’ palace. Keyword: decorated art, Buginese tribe.
Studi Penciptaan Karya Seni Rupa Wayang Beber Menggunakan Teknik Kolase Dengan Memanfaatkan Koran Bekas Zarkasi, Much. Sofwan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v3i2.315

Abstract

Research the creation of works of art that took the title of the Creation Studies Fine Art Wayang Beber Using Collage Techniques Used by Utilizing newspaper, in 2011 by Much. Sofwan Zarkasi aims to open up wide open opportunities related to creativity in the art tradition in an increasingly globalized environment and create works of art beber puppets using collage techniques using newsprint as an alternative form in viewing works of art beber puppet that had been used paint manufacturer with natural dyes and painting techniques. The basic idea of this research is that there are opportunities that exist related to creativity and experimentation in the tradition-dimensional work of art as the development of an increasingly globalized era, as well as the opportunity to present a stimulus and a new perspective related beber puppet who started rare existence. The creation of art works using puppets beber tekonik collage using old newspapers is an engineering development ever undertaken in the work of art is a collage using feathers (hair painting) and collages using decoration technique that has been there on the puppet beber is using decoration techniques which is a technique attached using glue and old newspapers that has been there and selected according to the color needs. The method is applied in the creation of the work on this research is a method of experimentation is the process of conducting experiments that put forward from design planning, preparation and realization of the work in the media. Keywords : arts, puppet, beber, paper, collages
Degradasi Seni Reduksi Kreatifitas Dalam Arus Globalisasi Iksan, Nur
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v3i2.317

Abstract

As human beings that be dynamic creatures, they should not compromise or ended by neutralized from the authenticity offering from the outside. They should optimize their having potential to reveal the reality and they involvement in any process that they must be a subject of the process if they want to ben gebuine self.This portion will put them on the holistic of knowledge that became the foundation for life. This knowledge as a foundation for the improvement of the meaning of life into a personal selft and forming themselves freely and be aware of his actions. A konswensi to be faced with the choice of putting the authority that based on autonomous, and appreciation for the confidence with which to create a form of human responsibility for the existence. Humans created to “be authentic”. there are two elements of human to act creative. They are the productive capacity and the ability to rekonstruktif. every human being has the potential for resulting in literary works, independence be important factor fr themselves with “intact” and put the position by way of productivity in order to meet their needs. Creativity (the essence of art) this boils down to whether it’s the creation of something that could be used by others or just for personal expression. Here the creation of a literary work does not mean he has to paint, play music, play movies, and art is actually an activity that has an important role in human life, and in some perspectives of art is one aspect that must  be fulfilled for people in need of aesthetic or beauty. As a tool for reflection and raise awareness in personal, to response any issues.Here the subjectivity has a vital role in a terms of beautiful sense that have relation with a sense of satisfaction problems in human beings, there is fundamental need and absurd in its fulfillment.Moreover, the reality of the dynamic, demanding for human to always be example, the primordial man with several tolls in the ritual that aimed to worshiping the gods. The appearance of gods as projections is be the substances that embodiment of sublime everything that in needs are absurd. That is something similar that can be found in every human being in compliance with the terms that are beautiful. keywords : creativity, art,authentic.
Lukisan Wakidi Dalam Semiotika Kemalasari, Rita
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v3i2.319

Abstract

Nature unfold as a teacher maybe this minang proverb is a guidance for a wakidi in creating paintings with a naturalist genre his loving of minagkabau nature led him to remain faithful to paint the beauty of nature till the rest of his life, and in he is being well known as the mooi indie personage. Even though wakidi is not from west sumatera, but as a founding father of tradition, social behavior, and kinship system that belongs to the societies. No wonder there is a lot of researchers who want to explore and critize because his artwork has so much meaning and marks contained threin. By using various approchment as in this writing which is a combination between trichotomy icon, index, symbol and cannotative semiotics. keywords:nature, wakidi painting, semiotic.
Kaligrafi Arab Dalam Seni Lukis Kaca Cirebon Gozali, Amir
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v3i2.321

Abstract

Islamic culture transformation process continues to this day, the puppet is one proof of the continuity of historical reflection Indonesian culture resulting from the transformation of culture has characterized the culture of the archipelago. In addition it is also the object of puppets in the creation of works of art of Islamic calligraphy in Indonesia. Islamic Calligraphy has been media creativity of the artist to realize the creation of Islamic art that characterized the archipelago. During its development, calligraphy works, both produced by palace artist and artist from outside the palace, has managed to absorb the local cultture and accomplishment in calligraphy. In connection with this, mucullah calligraphy works in the form of works of calligraphy with the puppet motif adapted well in the archipelago, especially in Cirebon. Glass painting in Cirebon could not be separated from the cultural history of Cirebon that culture is the crystallization of several from the cultures that influence it. In the history of Cirebon culture influences from Arabic, Chinese, and Central and East Java.Acculturation in Cirebon culture integrated with peace, so that glass painting in Cirebon if observed bring a breath of uniqueness and distinctive character. Islamic Calligraphy in Cirebon is a mean of channeling creative art reflection of this artist.The trustee in Cirebon by successfully combining creative Islamic calligraphy art with elements of local art. So the calligraphy appears Cirebon identity. Traditional decorative patterns that have been developed previously distilir so as to produce beautiful calligraphic work without losing his character. Some works of calligraphy Panembahan which is stylized decorative patterns that emerge in the form of a charming figural calligraphy, monumental and filled with elements of local genius. Islamic Calligraphy presence in Indonesia has emerged as the archipelago cultures  capable of moving the tradition of thinking and notices, which is capable of touching the existence, cultivate ideas, open intuition, imagination cast a meaning behind the verses as a source of expression and creativity to create works that bercitra archipelago. Keywords: Glass painting, Cirebon, Islamic Calligraphy.
Efek Remasan Kertas Dalam Penciptaan Seni Lukis Putra, Ida Bagus Komang Sindu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v3i2.323

Abstract

In art work creating, ideas often come inspired by situation that is lokk loke lightly, petty, spontaneous thing. This article submit in invention process of artistic and full of aesthetics paintng creating technique. The exploration to the observation toward paper that has kneading process that causes knead texture effect as a technical marker that important in painting visualization. The paper effect is visualized in realistic and deformative way in accordance to psychological and aesthetic need of the meaning of the paper effect that is recorded in a metaphoric way. Through the concept of paper as an obtuary that cross the memories of pas experiences, these art works will become strong cultural and environmental memories analogy of many problems that emerge in contemporary art of painting. Keywords: paper, psychology, aesthetic, painting and metaphor
Studi Penciptaan Batu Bata Ekspos Bermotif Lokal Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v3i2.325

Abstract

The focus of this study is divided into two major parts, the first is the search for material composition mixture of clay as the main material of brick making and the second is the development of product design to conventional brick-patterned brick exposed locally. The long term goal of this research in addition to improving product variants that have a competitive national and global markets. Research design in the creation of this study is exploratory research, a process of “trial and see” or controlled trial. Techniques of data collection was conducted by researchers observations (the process of making brick and clay soil sampling is used), interviews brick craftman in the district. Mojolaban (associated with a brick making technology) and literature searches (related on the clay-forming elements and some chemical elements as reinforcing material clay). Data is processed and tested in the laboratory with a ceramic combustion process, then selected a mixture of clay formula which is most suitable for making bricks. After successfully making quality bricks (strong and precision), then make the exposed brick with ornamnetal motifs develop tradition of batik motifs develop in Surakarta. Keywords : brick,ornamnet, batik 
Seniman Dalam Perputaran Pasar Seni Rupa Wulandari, Retno
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i1.333

Abstract

After the booming, Indonesian art of painting come in to the era of the rise and the fall of the art of painting that happen very fast and drastic. Artists are often suddenly shocked and not ready to face a long famine era, because they are not ready and do not supply themselves with knowledge of their own art creating technique and infrastructure that built Indonesian art of painting market. It is only fitting that artists realize and ready to get in to the system that create art of painting market, because they have to behave as stakeholder for their own works, whether they want to or not. The principles “Art for Art” and “Art for Market” have to pass and to do in harmony without forcing to sacrifice the idealism in art work creating. Cooperation in all line, including artists, curators, art galleries, collectors, market and press, have to be ran in balance. Although it can not be denied that there are still many artists are “lazy” to get in and collaborate with one of those stakeholders. But, when artists start to have contact with market, the collaboration have to do for good cooperation and communication, because, however, market is one of the things that will establish Indonesian art of painting in the future, with focus on works quality and how the artist will survive in the world of art working.Keywords:  artist, gallery, collector, market
Dinamika Garis Dalam Sketsa Analisis Karya Ipe Ma' aroef Dan Fadjar Sidik Suyasa, I Nyoman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i1.337

Abstract

It is often said that the sketch is the most authentic trail, the exit from the artists themselves. Sketches reflect not just motor work, spontaneity, but also are difficult to be released from the documentary and a biography of the artist. Sketches are personal records in the form of visual and lines as its main element. Line shape can give birth once textures, tones, shades, and a certain volume, so as to give birth to a special character or disposition of a person. Character is owned by Ipe Ma'aroef and Dawn. They had a long journey in the creative process and the line is breath in his work. Pure lines of the sketch they showed strong character, who rarely owned by the artist now. Key words: Dynamics, outline, sketch, Ipe Ma'aroef and Fajar Sidik

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