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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 452 Documents
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Pengembangan Souvenir Berbahan Kertas Koran Berupa Lukisan Wayang Beber Di Surakarta Zarkasi, Much. Sofwan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v5i2.411

Abstract

Firstly, the basic idea of this study, is an awareness of the presence of associated opportunities creativity and eksperimentation in the handicraft products made from waste newspapers materil collaburated with artwork tradition, that is wayang beber, as a unique selling point that can increase the sale value  of handicraft products. The novelty in this research is twofold : 1) to study this form of visual materials and techniques used in the manufacture of wayang beber image are different than usually the process of working on image wayang beber is using tradition techniques “sungging” that is painting techniques using natural dyes as well as the manufacturer, so in this study, art works of wayang beber made with collage technique, it is a technique using glue stick and newspapers and without any dye. 2) until now the souvenir or craft art with materials such as newspaper products wayang beber artworks using waste newspaper material on canvas has never existed.Keywords : wayangbeber, souvenir, newspaper
Visualisasi Banalitas Kejahatan Dalam Seni Lukis Jayanata, Banny
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v5i2.413

Abstract

According to crimes which happens belong to our lives, crimes always give effects and impacts in our daily life as human being. Despite we have some feelings about crimes as a negative side of life, we should not beingso full-ignorance on it. Crime has its values like some moralities have. Ignore crime only make itmore invisible and undetected, by other name: make it more dangerous. In this project, writer means to bring crime into surface of life, using art for its medium. By art, we can express so many ideas and feelings we have, without being explicit showing or critisyzing. Crimes can be seen in a different way, not always in a dicotomic way: opposite of a goodness and beautiness.Keywords: Crime, banality, violence, art and painting.
Simbolisme Ragam Hias Sisik Batik Demak Adisukma, Wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v5i2.415

Abstract

Sisik ornament on Demak’s Batik is considered as cultural form, artifact that is contains self representation discourse which is framed by cultural ideographic aspect. However, Demak’s Batik vanished for hudred years from Demak society and emerged in 2006. Therefore, there is cultural communication that vanished in Demak society, particularly it is connected to meaning or value system which is contained in sisik ornament Demak’s Batik for life of Demak’s society. Therefore, it is essential to observe about sisik ornament as particular motif of Demak and the symbolism of sisik ornament on Demak’s Batik and the implication to Demak’s life society. The approach that is used is cultural approach. This approach observes sisik ornament on Demak’s Batik as culture and as part that is never divide, even become the cultural center of Demak’s society.Keywords: Demak’s Batik, Sisik Ornament, Simbolism
Estetika Seni Lukis Kaligrafi Karya Syaiful Adnan Auliya, Aghni Ghofarun; Shokiyah, Nunuk Nur
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v5i2.417

Abstract

This research is a descriptive qualitative research. The object under study is the aesthetic value of the art of calligraphy Saiful Adnan. The author uses the techniques of data collection through literature review, observation, and interviews. The validity of the data using triangulation of data by utilizing the data sources and review interviews that have been conducted.Analysis of the data used are data reduction, data presentation, inference, and interpretation of data. To explain the aesthetics of painting calligraphy Saiful Adnan using interpretation approach Susanne K. Langer's aesthetic theory. The results of the study explained that, the character of the Arabic calligraphy art kaligarfi Adnan Saiful different from raw calligraphy character has evolved over the years. The character is known as khatkaligarfiSyaifuly. Calligraphy character formation through several internal and external factors. Internal factors include environmental factors Adnan Saiful place of origin, education factors, and spiritual factors. The external factors include factors phenomena that occur in the community and form factors of artistic calligraphy. The process has led to the formation of the character of the aesthetic value of the art of calligraphy Saiful Adnan symbolic color, shape, composition, and verses from the Qur'an with the meaning of the beauty of Islamic values in each painting calligraphySaiful Adnan. Keywords: Aesthetics, painting calligraphy, Saiful Adnan, Syaifuly.
Dampak Negatif Perusakan Hutan Sebagai Sumber Inspirasi Penciptaan Karya Semi Lukis -, Yulianto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v5i2.421

Abstract

The negative impact of forest destruction in nature giving out a deep meaning for the author. One thing that is of concern and disquiet the author is able to provide a source of inspiration in the creation of the work. The exploration process makes an inspiring turn into something even more special is the theme of creation. The theme of this study of the of art is the impact of forest destruction. Background and a strong visual concept could produce visual elements according to the style1 personal authors, ranging from lines, colors, and forms a new metaphor. Deliberately and non deliberately during the process of creation is sometimes able to provide an interesting shape or composition that has not been thought about at the beginning of the work of art (sketches). In the creation of the work, the author tries to create some of the works in the form of works of art in the style and shape according to the character and aesthetic achievement that is owned by the author.Keywords: natural, experimentation, painting
Kajian Visual Gambar Beber Karya Soegeng Toekio Tahun 2011-2012 Chaidir, Muhammad
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v5i2.425

Abstract

This thesis examines the visual images beber from Soegeng Tekio 's art work in 2011-2012. Soegeng Toekio began a cultural approach to explore the myths, legends, folklore and also a source of other lexis, including the history and ritual activities as well as a theme in his work concept. This type of research is descriptive qualitative study using a theoretical approach Monroe Beardsley. Based on the elements of art, we can conclude that Soegeng Toekio has managed to cultivate such a wayang beber beber image into the form of work that characterizes his work. For example Soegeng Toekio using comics in the shape of the face as he explained the picture, but the shape of posture using realistic proportions. In addition Soegeng Toekio also has a strong character lines in sunggingnya concept and the theme of his work is always related to cultural traditions that exist in Indonesia archipelago. Keywords; beber image, the process was working, meaning.
Kajian Tehnik Menggambar Wayang Beber Gaya Pacitan Joko Sri Yono Gozali, Amir; -, Sutriyanto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v6i1.431

Abstract

This study aimed to Pacitan style wayang beber, which has the characteristics of a very complicated background and has a very interesting artistic value. Of the two also has a different procedure for the manufacture especially when applying the colors used. This study examines the anatomy of the body found in wayang beber, either the main character or some other supporting cast. Anatomy directed against members of the body found in various types of puppets such as the eyes, nose, mouth, ears, hands, feet up used clothing and accessories. In addition, this study will reveal some of the symbols contained in the background, where the background can be seen from the condition and location that is happening in each scene. In this study, the object is wayang beber with emphasis minitik studies on aspects of the art techniques and media apparently namely the manufacture of Pacitan style wayang beber Sri Yono Joko work. To solve some of the issues raised using a direct approach to the puppeteers, craftsmen and artists who are still there, especially Joko Sri Yono as an artist who holds the grip Pacitan style wayang beber, and a review of the existing literature. By using some of the theoretical approach is expected to answer the problem.Keywords: Wayang Beber, Style, Pacitan
Pemaknaan Alam Dalam Karya I Made Arya Palguna Suyasa, I Nyoman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v6i1.433

Abstract

Interactions between humans and nature around a lot to do with the creation of works of art both in terms of motivation and the creation of the result later. Nature provides its own meaning for each artist to be disclosed into work, Made Arya Palguna are artists who give their own meaning to nature admired to be disclosed into works of art. The relationship between individuals (Palguna) with nature in orbit consciousness as human beings living in the traditional and modern voltage. Palguna familiar and even close to the surrounding nature, but it does not cause admiration closeness to the outward forms, but the essence in it. More interpret nature as a part of the creative process to uncover the hidden meaning in nature.Keywords: nature, meaning, and Palguna
Studi Manajemen Penyelenggaraan Pameran Seni Rupa Di Bentara Budaya Yogyakarta Indratmo, Effy; Handayani, Tri Lestyo
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v6i1.437

Abstract

This study discusses about: Bentara Budaya Yogyakarta, management of art exhibitions and curatorial system organizing art exhibitions in Bentara Budaya Yogyakarta. This type of research is descriptive and qualitative object under study is the process of organizing an art exhibition in 2012, and observing and recording systems curatorial art exhibitions in Bentara Budaya Yogyakarta. Data collection techniques such as literature study, observation, interviews, and documentation. The validity technique used is the triangulation of data by leveraging data sources and methods review informant. Data analysis using flow models of analysis (flow models). To explain the process of the management of art exhibitions and curatorial system organizing art exhibitions using the guidebook written by Mikke Susanto. The results showed that: the process of organizing curatorial art exhibitions in Bentara Budaya Yogyakarta in its implementation is divided into two types, namely the initiative of artists and gallery managers initiative. Observing the results of the exhibition of art based on the typology and periodization of time organizing art exhibitions, visible differences between the initiative of artists and galleries initiatives in terms of time organizing exhibitions and art galleries pemakiaan procedures.Keywords: arts management, curatorial, Bentara Budaya Yogyakarta
Teater Garasi Seni Rupa Media Naratif Peristiwa Teater “Waktu Batu” Afrianto, Damar Tri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v6i1.443

Abstract

Garasi Theater  has a visual awareness and fine art aspect as their language. It seems when Garasi theater  creates visual works from Javanese mythology “Sudamala, Murwakala, Watugunung and the end history of Majapahit as a groundwork. Garasi’s tracking about Javanese mythology and the history of Majapahit in “Waktu Batu” as if looking for cultural and spiritual identity answer of space and time disorientation. The presence of visuality should be able to create new narratio of mythology and history. Art instalation, contemporary sculptures, mix media art and art video are trying to dialogue with another element of theater on stage. Based on creative process and architectural performance can be seen that Teater Garasi are creating a theater which is dominated by visual images.The visuality of Garasi Theater in “Waktu Batu” try to incorporating Javanese ancient spirituality roots through its mythology and history, and still using the lastest contemporary art.Keyword: Art Visual Performance, Garasi Theatre, Waktu Batu Story.

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