cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
pramesti
Contact Email
fadesti@gmail.com
Phone
-
Journal Mail Official
fadesti@gmail.com
Editorial Address
-
Location
Kota surakarta,
Jawa tengah
INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 462 Documents
 4   5   6   7   8 
Bentuk-Bentuk Kearifan Lokal Dalam Kehidupan Masyarakat Indonesia Sebagai Sumber Gagasan Berkarya Seni Rupa Syamsiar, Syamsiar
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1756.953 KB) | DOI: 10.33153/bri.v2i1.287

Abstract

Indonesia is an archipelagic nation which has approximately 1128 race, with plenty of cultural diversity and varied, each region contributing to the local distinctiveness of the culture in the form of customs, language, architecture, music, dance, decoration, fashion district, traditional food, and others. History shows us about how the local arts of the past are able to adapt the art that comes from outside and is able to transform the local culture in Indonesia, and has produced many stunning works of art in the form of prehistoric art, classical and traditional arts other. The values of life that grows in society tribes in the area of Indonesia, which relies on the wisdom of the natural environ-ment is a source of cultural wealth of a nation that needs to be maintained and preserved. Indonesia is a cha-llenge for artists today to be able to create works of art that has the characteristics or character in his work, with roads dug indigenous people of Indonesia to be imple-mented in his artwork.Keywords: Local Wisdom, and Artwork
Seni Dan Desain Sang Primadona, Seni Kriya Sang Penyelamat -, Dharsono
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 1 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (264.806 KB) | DOI: 10.33153/bri.v5i1.397

Abstract

As the dichotomy emerged in 1970s art , artists in the tradition of "fine art " artist called ,were the perpetrators in the category of " craft " so-called artisan or craftsman .Especially painting get a superior position , because of the success of the artist paintingthe west in the seat as part of a " liberal art " activities that reflect part of intelegtualitas ,being " craftmanship " merely " mechanical art " Then marginalized craft and fine art ofthe prima donnaFurther development , the emergence of trichotomy of art , design and craft ( the 1980s) , the more visible and tangible . Craft positions below , even debased or diinferiorkanby fine art or design . So the design of the prima donna .But what's the reality ? ! ...... When the Indonesian economic crisis of 1998, the craft isthrown down , the craft is thrown into marginal - hall , in reality it is instrumental tocreating jobs and even contribute significantly in moving the economy in layer " grassroot " . Even with the collapse of capital-intensive , it sparked the birth of entrepreneursto move the craft -based industries such as in Jepara , Cirebon , Surakarta . Kriyabecame the savior .
SIMBOL NAGA CINA SEBAGAI RANGSANG CIPTA STUDI PENCIPTAAN KARYA ACTION PAINTING Djaka S, Tegus
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1005.747 KB) | DOI: 10.33153/bri.v8i1.1801

Abstract

Gagasan isi karya dalam studi penciptaan karya action painting ini yaitu untuk membuat karya seni rupa berdasarkan hasil riset tetang figur naga sebagai lambang, dan simbol ekspresi dalam kebudayaan Cina.Citra visual yang dihadirkan dalam studi penciptaan karya action painting ini menggunakan konsep brikolase, yaitu penataan ulang dan pemaduan objek-objek penanda yang sebelumnya tidak saling terkait untuk menghasilkan makna-makna baru dalam konteks yang baru. Dalam brikolase sebuah objek yang telah mempunyai endapan makna simbolik tertentu dimaknai kembali dalam hubungannya dengan artefak lain dan dalam konteks yang baru. Dalam hal ini tentu saja yang dimaksud dengan tanda-tanda kultural yang sudah punya makna mapan, adalah figur naga dalam kebudayaan Cina.Selain itu, studi penciptaan karya action painting ini berbasis riset yang fokus pada penelusuran simbol naga Cina sebagai rangsang penciptaan karya dan teori “gerak” Issac Newton untuk mengeksplorasi pantulan bola yang menjadi salah satu elemen dalam action painting.Simbol naga dalam kebudayaan Cina tersebut dipinjam sebagai bahasa metafora dalam penciptaan karya seni action painting dengan ekpresi personal dan kultural. Kata Kunci: simbol. naga Cina, brikolase, ekspresi personal, action painting.
REFLEKSI DIRI TERHADAP HUBUNGAN MANUSIA DAN ALAM SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI RUPA EKSPERIMENTAL Sugiharto, Farid Dwi Bagus; Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (601.312 KB) | DOI: 10.33153/bri.v10i2.2327

Abstract

Creation of experimental art with the title "Self Reflection Against Human and Natural Relations" in the background of the writer's anxiety about the environmental damage caused by humans. From the source of the idea, the writer creates experimental fine arts that will be used as an awareness media on how important the role of nature is for the survival of living thing on earth.The results of this creation are experimental installation with elements of painting, audio, video and motion installation to point a space. The processing of this final project refers to the method of creation of Henri Cholis which refers to Hawkins, namely that in the process of create there are three stages: exploration, imvising and forming. Keywords: self-reflection, experimental art, nature damage 
Pergeseran Peran OHD Dalam Dunia Seni Rupa Indonesia (Kajian Sosio Budaya) Djaka S, Teguh
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2149.526 KB) | DOI: 10.33153/bri.v1i2.263

Abstract

For perpetrators of art in Indonesia, the name of Oei Hong Jien (OHD) is not a foreign name. Born of a family who loves painting, OHD become the world's top collector of Indonesian art. He is now not only become another collector's reference (and abroad) who want to buy works of painter Indonesia, but also a member of the Board of Directors and the Singapore Art Museum Singapore Art Retreat. Especially after OHD build an art museum containing paintings collection, adding to the prestige OHD as a collector and curator of the higher. From several sources obtained by the author, now at least OHD has collected 1500 painting, from a variety of visual styles and generations. From the works of old masters such as Affandi, Sudjoyono, Hendra Gunawan, Entang Wiharso, Adi Yuswantoro novice painter to emerge to the surface. Given all these facts, make a referral OHD museum and research data sources Indonesian art development for researchers from Indonesia and Overseas. This phenomenon is written in this article, which is related to (1) Background OHD so loved the painting until he wants to collect more than 1000 paintings. (2) There is a shift in the role of OHD in the Indonesian art world, from the limited apresian / consumers (collectors) to be a gallery curator and advisor and board member and Director of the Singapore Art Museum Singapore Art Retreat with authority or power to determine the value of a work or artist. (3) The background of thought or interest of OHD and when he prefers not to establish a museum gallery/ showroom collection. Key words: OHD, collectors, curators
Ekspresi Anak-Anak Petani Tradisional Taram Dalam Lukisan -, Hanafi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2274.965 KB) | DOI: 10.33153/bri.v4i2.361

Abstract

The agricultural sector is a sector that has stratesis role in national economic development structure. This is a sector that does not get serious attention from the government in nation building. Ranging from protection, credit to none other policies that benefit the sector. Agricultural development programs that were never targeted goals even further plunges in the destruction of this sector, and also farming in Indonesia is still a lot that mengarap farm with traditional systems. When we look at the lives of farmers villages Taram Harau Sub District Fifty Cities of West Sumatra province rich in natural tones, surrounded by hills are fresh sounds, and also worked on his rice field farmers still use traditional tools. Taram seen from the way farmers work their fields, who are still using tools tradisioanal painstakingly family survival. There appears an impression that inspires the heart to express it in a painting, thus giving special value of the beholder. Painting to be made in this work, starts from the fact that occur in the environment around the residence and family home writer, born of a family of low income farmers. This situation prompted the authors to express their anxieties, pressures, and ketikberdayaan see the reality of what happened. In the work will be made only writer to express anxieties heart to see and feel what is happening within the family. Forms of his paintings are not made ​​of natural background and activities of farmers in general, but only as an expression depicts peasant children with realist style, which is an imitation of a painting depicting the actual object. Keywords: expression of the kids, agriculture, economy.
STUDI PEMBUATAN MODEL KERAMIK MOZAIK SEBAGAI ELEMEN ESTETIS DINDING BERNUANSA LOKAL Cholis, Henri; Yustana, Prima
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1067.381 KB) | DOI: 10.33153/bri.v7i2.1589

Abstract

Seni mozaik sudah berkembang lama, tetapi di Indonesia, seni mozaik ini belum berkembang dan belum ada pengrajin gerabah atau industri keramik yang membuat produk keramik mozaik. Peluang inilah yang ditangkap oleh penulis untuk membuat  sebuah model keramik mozaik sebagai pengembangan varian produk kerajinan gerabah dan industri keramik di Indonesia. Dengan model tersebut diharapkan dapat mempermudah masyarakat untuk membuat mozaik sebagai elemen estetik dinding sekaligus untuk penguatan identitas budaya karena bernuansa lokal. Penelitian ini didesain sebagai penelitian eksperimen yang fokus pada 2 bagian. Pertama ujicoba komposisi bahan pencampur tanah liat, pewarnaan keramik dan pembuatan model keramik mozaik yang presisi serta mudah diaplikasikan oleh siapa saja termasuk orang yang tidak punya jiwa seni. Uji coba yang kedua fokus pada eksplorasi visual sebagai desain visual mozaik bernuansa lokal yang bersumber pada wayang beber, seni lukis kaca Cirebon dan ornamen batik.Luaran tahun pertama dari penelitian ini adalah model desain keramik mozaik yang terinspirasi oleh piksel dalam komputer dan seni kristik dalam bentuk buku panduan gambar, warna, ukuran dan tata letak keramik warna. Model ini diharapkan dapat mempermudah setiap orang untuk membuat karya seni mozaik dari keramik di dinding yang  didaftarkan HAKI. Luaran kedua penelitian ini adalah prototip bahan keramik mozaik yang terdiri dari kotak – kotak keramik sesuai dengan rancangan desainnya. Kata kunci: mozaik, seni, keramik, lokal.Mosaic has developed for a long time but it has not developed well in Indonesia and there is no artisan of earthenware nor ceramics industry producing mosaic of ceramics. This is a good chance the writers have to make a model of mosaic ceramics as the development of a variant product of earthenware handicrafts and ceramics industry in Indonesia. It is hoped that this model can make the society easier to make mosaic as the aesthetic element of a wall as well as to strengthen the cultural identity because the model has local nuance.This research is designed as an experiment focusing on two parts. First, to try out a composition of materials for mixing clay, colouring ceramics, and making a model for mosaic ceramics easily applied by anyone including those who do not have the spirit of art. The second tryout focuses on a visual exploration as a visual design of mosaic with local nuance originating in wayang Beber, Cirebon painting on glass and batik ornaments.The first year output of this research is a model of mosaic ceramics design inspired by pixel in computer and kristikin the form of a book containing guidance to colour, size, and layout of colour ceramics. This model is hoped to be able to make anybody easier to a mosaic work of art from ceramics at the wall and it will be registered to HAKI (Intellectual Property Right). The second output of this research is a prototype of the mosaic ceramic material consisting of ceramic boxes in accordance with the planned design. Key words        : mosaic, art, ceramic, and local
SENI GRAFIS INDONESIA KEMBALI KE "JALAN MASIF" Rahman, Deni
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 9 No. 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (490.901 KB) | DOI: 10.33153/bri.v9i2.2170

Abstract

The graphic practitioners' tactics of exclusive graphics so that they are equal to painting, it makes graphic art seem only as one of the techniques of painting. To bring graphic art closer to society, taking a "massive ways" will be a powerful strategy. This will put the graphic arts back in their nature, namely multi-impression works. keywords: graphic art, massive
Studi Penciptaan Batu Bata Ekspos Bermotif Lokal Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2424.27 KB) | DOI: 10.33153/bri.v3i2.325

Abstract

The focus of this study is divided into two major parts, the first is the search for material composition mixture of clay as the main material of brick making and the second is the development of product design to conventional brick-patterned brick exposed locally. The long term goal of this research in addition to improving product variants that have a competitive national and global markets. Research design in the creation of this study is exploratory research, a process of “trial and see” or controlled trial. Techniques of data collection was conducted by researchers observations (the process of making brick and clay soil sampling is used), interviews brick craftman in the district. Mojolaban (associated with a brick making technology) and literature searches (related on the clay-forming elements and some chemical elements as reinforcing material clay). Data is processed and tested in the laboratory with a ceramic combustion process, then selected a mixture of clay formula which is most suitable for making bricks. After successfully making quality bricks (strong and precision), then make the exposed brick with ornamnetal motifs develop tradition of batik motifs develop in Surakarta. Keywords : brick,ornamnet, batik 
Teater Garasi Seni Rupa Media Naratif Peristiwa Teater “Waktu Batu” Afrianto, Damar Tri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (673.62 KB) | DOI: 10.33153/bri.v6i1.443

Abstract

Garasi Theater  has a visual awareness and fine art aspect as their language. It seems when Garasi theater  creates visual works from Javanese mythology “Sudamala, Murwakala, Watugunung and the end history of Majapahit as a groundwork. Garasi’s tracking about Javanese mythology and the history of Majapahit in “Waktu Batu” as if looking for cultural and spiritual identity answer of space and time disorientation. The presence of visuality should be able to create new narratio of mythology and history. Art instalation, contemporary sculptures, mix media art and art video are trying to dialogue with another element of theater on stage. Based on creative process and architectural performance can be seen that Teater Garasi are creating a theater which is dominated by visual images.The visuality of Garasi Theater in “Waktu Batu” try to incorporating Javanese ancient spirituality roots through its mythology and history, and still using the lastest contemporary art.Keyword: Art Visual Performance, Garasi Theatre, Waktu Batu Story.

Page 6 of 47 | Total Record : 462

 4   5   6   7   8 

Filter by Year

2009 2025


Reset
Filter By Issues
All Issue Vol. 17 No. 2 (2025) Vol. 17 No. 1 (2025) Vol. 16 No. 2 (2024) Vol. 16 No. 1 (2024) Vol. 15 No. 2 (2023) Vol. 15 No. 1 (2023) Vol. 14 No. 1 (2022): Brikolase Juli 2022 Vol. 14 No. 2 (2022) Vol. 13 No. 2 (2021): Brikolase Desember Vol. 13 No. 1 (2021) Vol. 12 No. 2 (2020) Vol. 12 No. 1 (2020) Vol. 11 No. 2 (2019) Vol. 11 No. 1 (2019) Vol. 10 No. 2 (2018) Vol. 10 No. 1 (2018) Vol. 9 No. 2 (2017) Vol. 9 No. 1 (2017) Vol. 8 No. 2 (2016) Vol. 8 No. 1 (2016) Vol. 7 No. 2 (2015) Vol. 7 No. 1 (2015) Vol. 6 No. 1 (2014) Vol. 5 No. 2 (2013) Vol. 5 No. 1 (2013) Vol. 4 No. 2 (2012) Vol. 4 No. 1 (2012) Vol. 3 No. 2 (2011) Vol. 2 No. 2 (2010) Vol. 2 No. 1 (2010) Vol. 1 No. 2 (2009) Vol. 1 No. 1 (2009) More Issue