cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
pramesti
Contact Email
fadesti@gmail.com
Phone
-
Journal Mail Official
fadesti@gmail.com
Editorial Address
-
Location
Kota surakarta,
Jawa tengah
INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 452 Documents
 2   3   4   5   6 
KAJIAN SIMBOLIK KRESNA WANDA RONDON PADA WAYANG KULIT PURWA GARAPAN SAIMONO AGUS SUBIANTORO Sari, Yuni Prastika; Shokiyah, Nunuk Nur
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 9 No. 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (777.029 KB) | DOI: 10.33153/bri.v9i2.2169

Abstract

This study examines focus on the symbolic meaning of shadow puppet Kresna wanda Rondon produced by Saimono Agus Subiantoro and background creation. This research is descriptive qualitative research. The validity of the data using triangulation data. Analysis of the data used is the analysis of the interaction with Saimono directly to find out the background of the creation of the work. To explain the meaning of the symbolic use of interpretation through symbols theory approach Susanne K. Langer. Keywords: Symbol, Krishna Wanda Rondon, Saimono
Efek Remasan Kertas Dalam Penciptaan Seni Lukis Putra, Ida Bagus Komang Sindu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2072.119 KB) | DOI: 10.33153/bri.v3i2.323

Abstract

In art work creating, ideas often come inspired by situation that is lokk loke lightly, petty, spontaneous thing. This article submit in invention process of artistic and full of aesthetics paintng creating technique. The exploration to the observation toward paper that has kneading process that causes knead texture effect as a technical marker that important in painting visualization. The paper effect is visualized in realistic and deformative way in accordance to psychological and aesthetic need of the meaning of the paper effect that is recorded in a metaphoric way. Through the concept of paper as an obtuary that cross the memories of pas experiences, these art works will become strong cultural and environmental memories analogy of many problems that emerge in contemporary art of painting. Keywords: paper, psychology, aesthetic, painting and metaphor
Studi Manajemen Penyelenggaraan Pameran Seni Rupa Di Bentara Budaya Yogyakarta Indratmo, Effy; Handayani, Tri Lestyo
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (842.546 KB) | DOI: 10.33153/bri.v6i1.437

Abstract

This study discusses about: Bentara Budaya Yogyakarta, management of art exhibitions and curatorial system organizing art exhibitions in Bentara Budaya Yogyakarta. This type of research is descriptive and qualitative object under study is the process of organizing an art exhibition in 2012, and observing and recording systems curatorial art exhibitions in Bentara Budaya Yogyakarta. Data collection techniques such as literature study, observation, interviews, and documentation. The validity technique used is the triangulation of data by leveraging data sources and methods review informant. Data analysis using flow models of analysis (flow models). To explain the process of the management of art exhibitions and curatorial system organizing art exhibitions using the guidebook written by Mikke Susanto. The results showed that: the process of organizing curatorial art exhibitions in Bentara Budaya Yogyakarta in its implementation is divided into two types, namely the initiative of artists and gallery managers initiative. Observing the results of the exhibition of art based on the typology and periodization of time organizing art exhibitions, visible differences between the initiative of artists and galleries initiatives in terms of time organizing exhibitions and art galleries pemakiaan procedures.Keywords: arts management, curatorial, Bentara Budaya Yogyakarta
MURAL SEBAGAI MEDIA BRANDING TAMAN SATWA TARU JURUG Sukirno, S.,
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (511.706 KB) | DOI: 10.33153/bri.v9i1.2110

Abstract

Objek wisata Taman Satwa Taru Jurug (TSTJ) merupakan salah satu tempat wisata dengan konsep wisata alam yang menjadi salah satu objek wisata andalan di Kota Surakarta. Sebagai penyumbang PAD terbesar dari sector pariwisata, Taman Satwa Taru Jurug mempunyai banyak persoalan. Jumlah pengunjung TSTJ dari tahun 2003 mengalami penurunan. Kondisi fisik dan fasilitas yang tidak terawatt merupakan salah satu penyebab menurunnya jumlah wisatawan. Oleh karena itu penting kiranya melakukan PPM yang mengangkat citra TSTJ menjadi taman wisata yang bersih, yaitu dengan membuat mural di tempat-tempat yang terbengkalai agar tidak terkesan kumuh.Studi pendahuluan dalam PPM ini dilakukan dengan cara pengumpulan data melalui observasi lapangan, studi pustaka/ dokumen dan wawancara kepada pihak terkait. Setelah data terkumpul kemudian di analisis menggunakan metode SWOT.Hasil dari analisis tersebut yang menjadi dasar program kegiatan dalam PPM ini, yaitu mural sebagai media branding Taman Satwa Taru Jurug”. Kata kunci: TSTJ, SWOT, Mural
Hubungan Wayang Kulit Dan Kehidupan Sosial Masyarakat Jawa Sukirno, Sukirno
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4425.833 KB) | DOI: 10.33153/bri.v1i1.233

Abstract

Wayang is a Javanese cultural es-sence inherited hereditary, not just a spectacle and a guide how people should behave in life, but also an order that must dititeni kanti tliti (which is an all natural law that needed to be regularly and judi-ciously adder-ssed) kasunyatan towards and achieve real life. Java for men (men who understand the true) is a way of life puppets, how they behave with others and how aware essence as human beings and how they can relate to the creator.  Now a social function for the Javanese wayang has shifted and changed, especially for urban com-munities who consume urban mass culture. Formerly a puppet show and guidance, now they see the puppet confined to enjoy an entertainment. It is very different from an agrarian society tiggal Javanese rural, social function puppets as educational media, ritual, entertainment and information is often held, for example, for this ritual, the village clean, and Ruwatan. Even so if we want to look more deeply, in fact the presence of a puppet in the life of Javanese society is still very strong. In his subconscious, attitude and mindset of Javanese society is still very close to the puppet either visually or philosophy. This can be seen from the emergence of puppet forms that apply to the various fields of life. This paper discusses the above issues, namely the shifting function and the role of puppets in contem-porary Javanese life of the com-munity. Dig up some possible affinity with the Javanese wayang both visually and the philosophy, views of behavior and thought patterns in several aspects of social life, including in the art world recent practice. Keywords: Puppet, Javanese so-ciety, global culture, art.
Lomografi Sebagai Komoditas Dan Media Ekspresi Masyarakat Urban Wahyudi, Johan Ies
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1338.779 KB) | DOI: 10.33153/bri.v2i2.305

Abstract

Digital carema technology is growing rapidly at this very indulgent lovers of photography, the image recording media facilities are also equiooed with sophisticated large data storage capacity and with a slim shape, making analog cameras are being abandoned. Analog camera is considered impractical because of the media are still using celluloid film recorder with a limitied number of photos, and not to mention the cost and time wasted to process film and print. This condition contrasts with the results of digital camera images that can be dircttly transferes and enjoyed on a computer screen. So if the world of analogue photography has been forgotten? Through the media Lomografi, analog photography as finding a new passion.LOMO is a phenomenon that is present in the digital age. LOMO cameras are still using celluloid film as a media recorder. The uniqueness of the camera and the images produced by LOMO camera makes quite a lot of people start experimenting to try it, so Lomografi in its development could create their own communities. In this article the author describes aspects of existence Lomografi, which begins by looking at commodities as a form of community Lomografi urban youth as this part of the tool to actualize themselves in their group who later gave birth to the consumtion of lomo cameras that serves as a lifestyle and a medium of expression for urban society.Keywords : Lomografi, expression media, lifestyle
Wheat Paste Di Jalanan Yogyakarta (Seni Cetak Grafis Sebagai Alternatif Media Pop Propaganda) Rahman, Deni
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (335.675 KB) | DOI: 10.33153/bri.v5i2.407

Abstract

When we observe the Indonesian public space, in big cities such as Jakarta, Bandung and Yogyakarta, we can see that the space is now packed with a wide range of consumer imagery, which is offered by the owners of capital, with posters, banners, and billboards . Moreover we can found also the spirit of ‘youth rebellion’ through graffiti, murals, and which is now becoming more popular or well is a wheat paste. Competing for attention with the visual images in the public space, of course, will always be won by those who have capital. The street artist should be smart to choose the media and what is the most appropriate technique to use. Using printmaking with many variety of technical work to make wheat paste of popular propaganda, will be one of smart strategy, because printmaking can be created massive, but still has the artistic power. Keywords: propaganda, printmaking, street art, wheat paste
DALAM PERSAINGAN SENI RUPA MURNIANTAR NEGARA Nurata, IGN
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1045.462 KB) | DOI: 10.33153/bri.v8i1.1809

Abstract

Artikel ini membahas tentang definisi, makna dan filosofi seni rupa murni beserta proses penciptaan karyanya yang dihubungkan dengan nilai eknik nusantara dalam persaingan seni rupa murni antar negara. Karya seni rupa murni relatif (selaras dengan tingkat kedewasaan pengalaman, kemampuan dan kemapanan perupa murni) bermuatan  nilai artistika, nilai estetika, nilai etika penciptaan, nilai filosofi, nilai “makna dalam” dan nilai pesan moral. Karya seni rupa murni Indonesia yang bermuatan nilai etnik Nusantara berperan penting dalam persaingan seni rupa murni antar negara, terutama dalam pameran selektif dan kompetitif internasional, untuk: “Menunjukkan karya seni rupa murni yang berkepribadian bangsa Indonesia (bukan berkepribadian bangsa lain)”, “Menjadikan karya seni rupa murni yang berkepribadian bangsa Indonesia sebagai pusat perhatian, karena memiliki kekuatan karakteristik ke-Nusantara-an yang berbeda jauh dengan karya-karya perupa bangsa lain”, “Mencitramuliakan, memposisikan di tempat terhormat dan mengharumkan nama bangsa dan negara di mata dunia”.Kata kunci: seni rupa murni, nilai etnik nusantara
METAFORA DAN IDEOLOGI FILM IKLAN MANDIRI SECURITAS Handriyotopo, H.,; Lastoro, GR Lono; Gustami, SP
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (528.152 KB) | DOI: 10.33153/bri.v10i2.2332

Abstract

The Mandiri Securitas advertisement film is a corporate advertisement that contains a persuasive message to increase brand image as a leader in investment in the Stock Exchange or trusted banking investment in Indonesia. The metaphor in the Mandiri Securitas advertisement contains cinematographic images that borrow keris culture to be sided with banking culture. This qualitative descriptive study uses a semiotic approach to appropriate verbal and visual messages from the system of rhetorical marks "Minus One". The content of visual rhetoric and verbal rhetoric on the Mandiri Securitas advertisement was reviewed by Roland Barthes's semiotic theory, because it was considered capable of uncovering the relationship of the sign meaning behind the denotative marker system and connotative markers from the ideology of Mandiri Securitas advertisements with the  theme of empu keris (keris maker). The results of this study prove that the application of the "Minus-One" method is very helpful to find and recognize the roles played by the constituent elements of a film construction. The Mandiri Securitas advertisement film is an example of the appropriation of the tradition world for the benefit of the modern world. The tradition world is not displayed in its entirety as it is, but is displayed partially and determined based on the image of the modern world wants to construct as an imagery form of advertising. Keywords: Metaphor, rhetoric, Semiotics, and ideology 
Studi Model Tungku Pembakaran Untuk Pembuatan Patung Keramik Monumental Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1847.128 KB) | DOI: 10.33153/bri.v2i1.277

Abstract

In the process of creating works of ceramic art, the amount of size is a problem. When making large ceramic works, meaning the risk of failure too great. This relates very well with the chemical composition of clay and mixtures that fit. After that also the longer the drying process, whereas the longer period of drying, the longer the duration also susceptible crack or rupture. Last is the burning issue that must use a large fireplace as well. Larger furnace means also more expensive. Some of these constraints which ultimately makes ceramic artists in Indonesia do not dare to make the work of a great experiment.Complex process coupled with the limited equipment furnace (oven) because high-priced, making leaps of idea creation Indonesian ceramic artist does not as dynamic as the other branches of art. Especially in terms of its magnitude. Noted, functional ceramic wares produced at large is only 2 meters, which is in Plered West Java, while the ceramic art ever created by Dadang Christanto very monumental in his work "1000 man land".The fact is captured by the researcher. In "Burning Furnace Model Development Study for the Preparation of Ceramic Sculpture Monumental", has researched and explored various aspects of the composition of the possibility of major raw materials (clay structure and all material pencampurnya), initial combustion process, and most important is the development model of the furnace combustion . Keywords: ceramics, furnace, monumental ceramic sculpture.

Page 4 of 46 | Total Record : 452

 2   3   4   5   6 

Filter by Year

2009 2025


Reset
Filter By Issues
All Issue Vol. 17 No. 1 (2025) Vol. 16 No. 2 (2024) Vol. 16 No. 1 (2024) Vol. 15 No. 2 (2023) Vol. 15 No. 1 (2023) Vol. 14 No. 1 (2022): Brikolase Juli 2022 Vol. 14 No. 2 (2022) Vol. 13 No. 2 (2021): Brikolase Desember Vol. 13 No. 1 (2021) Vol. 12 No. 2 (2020) Vol. 12 No. 1 (2020) Vol. 11 No. 2 (2019) Vol. 11 No. 1 (2019) Vol. 10 No. 2 (2018) Vol. 10 No. 1 (2018) Vol. 9 No. 2 (2017) Vol. 9 No. 1 (2017) Vol. 8 No. 2 (2016) Vol. 8 No. 1 (2016) Vol. 7 No. 2 (2015) Vol. 7 No. 1 (2015) Vol. 6 No. 1 (2014) Vol. 5 No. 2 (2013) Vol. 5 No. 1 (2013) Vol. 4 No. 2 (2012) Vol. 4 No. 1 (2012) Vol. 3 No. 2 (2011) Vol. 2 No. 2 (2010) Vol. 2 No. 1 (2010) Vol. 1 No. 2 (2009) Vol. 1 No. 1 (2009) More Issue