Capture : Jurnal Seni Media Rekam
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Articles
10 Documents
Search results for
, issue
"Vol. 15 No. 1 (2024)"
:
10 Documents
clear
<![CDATA[Artificial Intelligence (AI) in Film Script Writing ]]>
<![CDATA[Riski, Wahyu Nova]]>;
<![CDATA[Abidin, Zainal]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/capture.v15i1.5621
<![CDATA[Artificial intelligence has influenced various aspects of human life in recent years. The film industry is no exception to be affected by the expansion of artificial intelligence. Focusing on the process of short movie scenario development, this research aims to explore the extent to which artificial intelligence or AI can play a role in the creative process of filmmaking. This research uses an innovative exploration method using action research methods with a special focus on the art-based action research approach. Using three experimental cycles, this research found that artificial intelligence has a series of limitations in its function to assist the film script creation process, therefore, it is unlikely that artificial intelligence can replace humans completely soon. However, this research found that despite all its limitations, artificial intelligence has a significant role in helping film creators simplify the initial steps of the film script development process, if it is utilized in the right way. This research makes a substantial contribution to the discussion regarding the use of artificial intelligence in the filmmaking creative process. Keywords: film, screenplay, artificial intelligence, AI]]>
<![CDATA[Digital Conflict Experimentation: Strategies for Film/Video Art-Making Practise in Educational Fields ]]>
<![CDATA[Pauhrizi, Erik Muhammad]]>;
<![CDATA[Erika Ernawan]]>;
<![CDATA[Dedi Warsana]]>;
<![CDATA[Danendra Alfathadiningrat]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/capture.v15i1.5603
<![CDATA[This research describes strategies in experimental film studio space, with a subjective creation process approach through the management of personal experiences of digital trauma conflicts of students of the internet user generation. The formulation of this research questions the ability of practical studio space to become a bridge of expression. This research aims to obtain the perspective of the psychological state built from the condition of trauma towards the selection of the visual language. Participatory Action Research (PAR) is conducted by reviewing and analyzing comprehensively so that all data in this study can be accounted for. The results showed that most of the students were able to recognize and manage their conflicts without being burdened by the standards of Blockbuster cinema or High Art to be empowered with creative ideas and works. In the context of self, they are able to increase their confidence as artists or academic filmmakers. This research implies that it can serve as a basis for shaping new knowledge, skills and attitudes towards the emergence of other methods of expression of film or video art creation in the future. Keywords: education; digital conflict; experimental film; video art; engaged art.]]>
<![CDATA[Time Loop Plot Structure Pattern in the Films Edge of Tomorrow (2014), Happy Death Day (2017) and Palm Springs (2020) ]]>
<![CDATA[Nugroho, Agustinus Dwi]]>;
<![CDATA[Ridwan, M. Alif Wijaya]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/capture.v15i1.5645
<![CDATA[Exploration of plot development patterns in narrative structure can be seen from the Time Loop Plot which is used in several films in a very unique way. This plot pattern emphasizes a character trapped in space and time that repeats itself continuously. This qualitative research uses an observational approach that focuses on observing Time Loop Plot patterns and connecting them with three different genre variants, namely Edge of Tomorrow (action-science fiction), Happy Death Day (thriller-horror), and Palm Spring (roman-comedy). This research aims to obtain an overview of the narrative structure pattern "Time Loop Plot" which can be applied in various genres through a visual element approach, as well as looking for a storytelling motif in the application of this plot development pattern in each different genre, using the approach of narrative theory and aesthetics. The results of this research reveal a pattern which shows that the time loop plot pattern is character-driven by the main character. The relationship with genre shows a pattern that differences in genre in the application of time loop plots will result in differences in the development of tone and mood in the film. Keywords: narrative, plot, time loop, genre]]>
<![CDATA[Pingit Film: A Problematic Expression of the Distortion of Javanese Traditional Wedding Traditions ]]>
<![CDATA[Pahlevi, Riza]]>;
<![CDATA[Wiranegara, IGP]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/capture.v15i1.5012
<![CDATA[Pingit Film is the manifestation of the tradition of ‘pingit’ that has been adapted and/or eroded by modernization. This work is created in addition to being an entertainment medium, it also contains messages that ‘pingit’ that is not in accordance with the existing standards will make the purpose blurred. The process of creating this film combines the concepts of realism and surrealism. This combination is intended to give a clear limit to the character’s mind. The audience is invited not only to watch and listen, but also to feel what is in the mind of the character, indecision, doubt, overthinking, negative thinking because of the things he has just experienced. This experience poured into the form of sound and images, in this context is lighting and color grading. This work is certainly a form of contribution to the treasures of science and art.]]>
<![CDATA[Photography as Visual Communication Media in MSME Product Promotion ]]>
<![CDATA[Hidayat, Taopik]]>;
<![CDATA[Sari, Maya Purnama]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/capture.v15i1.4305
<![CDATA[Micro, Small, and Medium Enterprise (MSME) are one of the key sectors supporting Indonesia's economy. This study aims to analyze the role of photography as a medium of visual communication in the promotion of MSME products. The research employs a qualitative descriptive method, with the object of study focusing on product photographs uploaded on the social media platform Instagram. The results indicate that photography serves as an effective tool for creating compelling visual representations in the promotion process of MSME products. Attractive product visuals through photography can increase consumer interest and broaden audience reach. Consequently, utilizing photography in promotional strategies enhances marketing effectiveness and supports MSMEs in building product image and competitiveness in the digital marketplace.]]>
<![CDATA[Visualization of Classical Ballet Dance Movements of Swan Lake in Photography Work ]]>
<![CDATA[Pitaloka, Dea Putri]]>;
<![CDATA[Prasetyo, Andry]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/capture.v15i1.4965
<![CDATA[Classical Ballet dance is the most formal style of ballet, attached to traditional ballet techniques. The story of Swan Lake, which is more than two centuries old, but still interesting, is still popular today around the world. The purpose of creating works as a means of introducing and learning about the techniques and meanings and messages contained in ballet dance to a wide audience, especially the positive values contained in it. The method of creation uses the technique of photo studio. The creation of this work presents photographic works on Swan Lake ballet dance that tell and describe in each movement as a means of understanding and learning for a wide audience.]]>
<![CDATA[Pingit Film: A Problematic Expression of the Distortion of Javanese Traditional Wedding Traditions ]]>
<![CDATA[Pahlevi, Riza]]>;
<![CDATA[Wiranegara, IGP]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/capture.v15i1.5012
<![CDATA[Pingit Film is the manifestation of the tradition of ‘pingit’ that has been adapted and/or eroded by modernization. This work is created in addition to being an entertainment medium, it also contains messages that ‘pingit’ that is not in accordance with the existing standards will make the purpose blurred. The process of creating this film combines the concepts of realism and surrealism. This combination is intended to give a clear limit to the character’s mind. The audience is invited not only to watch and listen, but also to feel what is in the mind of the character, indecision, doubt, overthinking, negative thinking because of the things he has just experienced. This experience poured into the form of sound and images, in this context is lighting and color grading. This work is certainly a form of contribution to the treasures of science and art.]]>
<![CDATA[Digital Conflict Experimentation: Strategies for Film/Video Art-Making Practise in Educational Fields ]]>
<![CDATA[Pauhrizi, Erik Muhammad]]>;
<![CDATA[Erika Ernawan]]>;
<![CDATA[Dedi Warsana]]>;
<![CDATA[Danendra Alfathadiningrat]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/capture.v15i1.5603
<![CDATA[This research describes strategies in experimental film studio space, with a subjective creation process approach through the management of personal experiences of digital trauma conflicts of students of the internet user generation. The formulation of this research questions the ability of practical studio space to become a bridge of expression. This research aims to obtain the perspective of the psychological state built from the condition of trauma towards the selection of the visual language. Participatory Action Research (PAR) is conducted by reviewing and analyzing comprehensively so that all data in this study can be accounted for. The results showed that most of the students were able to recognize and manage their conflicts without being burdened by the standards of Blockbuster cinema or High Art to be empowered with creative ideas and works. In the context of self, they are able to increase their confidence as artists or academic filmmakers. This research implies that it can serve as a basis for shaping new knowledge, skills and attitudes towards the emergence of other methods of expression of film or video art creation in the future. Keywords: education; digital conflict; experimental film; video art; engaged art.]]>
<![CDATA[Artificial Intelligence (AI) in Film Script Writing ]]>
<![CDATA[Riski, Wahyu Nova]]>;
<![CDATA[Abidin, Zainal]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/capture.v15i1.5621
<![CDATA[Artificial intelligence has influenced various aspects of human life in recent years. The film industry is no exception to be affected by the expansion of artificial intelligence. Focusing on the process of short movie scenario development, this research aims to explore the extent to which artificial intelligence or AI can play a role in the creative process of filmmaking. This research uses an innovative exploration method using action research methods with a special focus on the art-based action research approach. Using three experimental cycles, this research found that artificial intelligence has a series of limitations in its function to assist the film script creation process, therefore, it is unlikely that artificial intelligence can replace humans completely soon. However, this research found that despite all its limitations, artificial intelligence has a significant role in helping film creators simplify the initial steps of the film script development process, if it is utilized in the right way. This research makes a substantial contribution to the discussion regarding the use of artificial intelligence in the filmmaking creative process. Keywords: film, screenplay, artificial intelligence, AI]]>
<![CDATA[Time Loop Plot Structure Pattern in the Films Edge of Tomorrow (2014), Happy Death Day (2017) and Palm Springs (2020) ]]>
<![CDATA[Nugroho, Agustinus Dwi]]>;
<![CDATA[Ridwan, M. Alif Wijaya]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Seni Media Rekam ISI Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/capture.v15i1.5645
<![CDATA[Exploration of plot development patterns in narrative structure can be seen from the Time Loop Plot which is used in several films in a very unique way. This plot pattern emphasizes a character trapped in space and time that repeats itself continuously. This qualitative research uses an observational approach that focuses on observing Time Loop Plot patterns and connecting them with three different genre variants, namely Edge of Tomorrow (action-science fiction), Happy Death Day (thriller-horror), and Palm Spring (roman-comedy). This research aims to obtain an overview of the narrative structure pattern "Time Loop Plot" which can be applied in various genres through a visual element approach, as well as looking for a storytelling motif in the application of this plot development pattern in each different genre, using the approach of narrative theory and aesthetics. The results of this research reveal a pattern which shows that the time loop plot pattern is character-driven by the main character. The relationship with genre shows a pattern that differences in genre in the application of time loop plots will result in differences in the development of tone and mood in the film. Keywords: narrative, plot, time loop, genre]]>
