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Capture : Jurnal Seni Media Rekam

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Published by Institut Seni Indonesia Surakarta

ISSN : 2086308X EISSN : 2338428X DOI : -

Core Subject : Humanities, Art,

Arts Humanities

The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.

Arjuna Subject : -

Articles 406 Documents

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VISUALIZATION SETTING AS TIMER APPOINTMENT IN THE MOVIE “AACH AKU JATUH CINTA” Sagita, Rio Putra; DA, NRA. Candra
Capture : Jurnal Seni Media Rekam Vol. 9 No. 2 (2018)
Publisher : Seni Media Rekam ISI Surakarta

This study examines the film “Aach…Aku Jatuh Cinta” (Aach...I Fall in Love). This study aims to find out the visualization of the setting as a timepiece in the film “Aach…Aku Jatuh Cinta” through the size of the image. The type of research used is descriptive qualitative research. The selection of samples in this study was carried out by purposive sampling technique. Data collection is done by observation and interviews, while data analysis is done through the stages of data reduction, data presentation, and drawing conclusions and verification. Research focuses on setting as a timepiece visualized in the film “Aach…Aku Jatuh Cinta” through the size of the image. The results of the research of “Aach…Aku Jatuh Cinta” show the time settings are divided into three sequences, the settings that appeared in 1970, 1980 and 1990

VISUALISASI TEKNIK KOLASE DALAM FOTOGRAFI EKSPRESI GURAT KARAT Laras, Ketut Gura Arta
Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010)
Publisher : Seni Media Rekam ISI Surakarta

The selection of photography work object was not always in the beautiful shape. The uniqueness of an object could become its own attraction and inspiration in creating the photography work. The expression of the composition and visualization in a work art became the characteristic of the artist himself. Gurat Karat was a concept of photography work art which explored the shape, texture and color of the rust of metal, especially in the rust of iron. We could explore the simple items in our surrounding which were not longer used and already broken. The iron which was rusted had its own uniqueness and attraction to observe. The change of the characteristic and the shape was v ery contrast. Before being rusted, the surface of the iron would be smooth, but after being rusted, the surface would be rough and the color would change. It was a result of rusting process of the iron itself. The phenomenon eventually stimulated the researcher to take the rust theme of the iron as an object in this photography work art creation. In arranging this photography work, the researcher used esthetic theory of Monroe Beardsley which listed three basic esthetic charac teristics as follow: unity, intensity and complexity. The visual work in 3D display created the image of space and dimension in this work. Colase technique was used in creating this work by combining 2D photography work and the object in the original item in the photography work itself, or using the construction which was suitable with the stuck object which was adjusted with the weight of that object. In a display, this work was not only enjoyed by the sense of sight but also the sense of touch since the texture in this work art could be touch.Keywords : Expressie Photography, Rust, and Collage

Representasi Kesenian Tradisi Lenong Betawi Pada Tayangan Drama Komedi Nglenong Nyok Di Trans TV Falasifah, Anna; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 5 No. 2 (2014)
Publisher : Seni Media Rekam ISI Surakarta

This discussion is intended to know the form of display of comedy drama ofÂ Nglenong Nyok, and how this comedy drama representsÂ lenong BetawiÂ traditional art in its display. This study was a descriptive qualitative study using an embedded single strategy. Source of data obtained from informants, documents, books, audio-visual displays, and internet. The sampling technique used was purposive sampling. Data were analyzed using an interactive model. The results showed thatÂ Nglenong NyokÂ is an event with a sitcom format, which looks at the troubleshooting at the end of each episode within 30 minutes and the fourth element which is characteristic of a sitcom that is the fact that the story is presented, the language used, characters, and place. Overall, the comedy drama of Nglenong Nyok as an adaptation display can represent a lenong show into the display, although the production process has undergone development in some elements. Still keepholding on guidelines (grip, Java) of the showlenong BetawiÂ is evidence that the comedy drama ofÂ Nglenong NyokÂ is able to represent the lenong show in the middle of the television business that requires the program makers to be more concerned with profit than the quality. Keywords:Â representation, Lenong, Betawi, Nglenong Nyok, and Trans-TV

KDRT DALAM FILM LINGKARAN KEKERASAN Hidayat, Nur
Capture : Jurnal Seni Media Rekam Vol. 7 No. 2 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Film Cycle ofViolence tells us a tale of a wife named Jelita Nawangsari who experiencedmarital violence by her own husband.Like its namesake title,the pattern of violence itself doesnot necessarily happen all the time but recourses alongside moments of peace,even pleasantful.In this film, languages no longer merely exist as a tool to portray a reality, but also to defineimages of a media reality within the minds of common folk.Through film languages ( symbols ),verbals not only took form of written and spoken words,but also of pictures,photos,graphics,movements and etc. to allow the media ( film ) to become reality â€“ constructing apparel, asperceived by the artist.Keywords: Film,pattern,the cycle of violence,film languages,and reality

BUDAYA INDONESIA DALAM MOCKUMENTARY â€œMALAM MINGGU MIKO 2â€ KOMPAS TV Rohma, Naafi Nur; Sjafiâ€™i, Achmad
Capture : Jurnal Seni Media Rekam Vol. 9 No. 1 (2017)
Publisher : Seni Media Rekam ISI Surakarta

The serial program of comedy â€œMalam Minggu Miko 2â€ the story of â€˜Malam Baru Mikoâ€™ which is broadcasted by Kompas TV is a program which shows in mockumentary format. It is a format of television broadcasting program which contains of fictive story filmed similarly to documentary format that its roles have realistic characters and reflect current real life. This study considers television device as a text. Employing semiotic approach of Charles Sanders Peirce, relating three main components: representamen, object, and interpretant. This study investigates the significances of Indonesian cultural marks emerged on the text. Limitation of the Indonesian cultural marks emerged includes politeness, regards, greetings, smiles, respects, hospitalities, gotong royong (mutual helps), and slametan (traditional feast). The result of this study shows that some marks considered as Indonesian culture are found in some frames of pictures from the serial program of comedy â€œMalam Minggu Miko 2â€ the story of â€˜Malam Baru Mikoâ€™ broadcasted by Kompas TV.Â Keywords: Culture, Indonesia, mockumentary, and semiotics

STRUKTUR NARATIF PADA FILM ANIMASI AVATAR THE LEGEND OF AANG: THE LAST AIRBENDER Karla, Ellara
Capture : Jurnal Seni Media Rekam Vol. 1 No. 2 (2010)
Publisher : Seni Media Rekam ISI Surakarta

An analysis of narrative structure is as a media to understand to story and in the same time to deliver the mesassge and the meaning of the moral, cultural and religious values by the frame of education. In this case of Avatar The legend of Aang : The Last Airbender, narrative structure can provide the natural elements in every characters. The Natural element in which consist of water, ground, fire, air, is the mainly composition of making the characters. This kind of natural unsure is merely similar with daily Javanese living and as the energy representation in Javanese living. Keywords :Narrative structure, natural elements.

Pengaruh Sajian Program Berita Tatv Terhadap Kebijakan Pemkot Surakarta Dalam Memilih Media Publikasi Amelia, Citra Ratna; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 3 No. 1 (2011)
Publisher : Seni Media Rekam ISI Surakarta

TATV is local television pioneer in Surakarta which has tried to present programs thatare beneficial and interesting for the community. Its existence provides an alternativeoption for the Local Government of Surakarta (Pemerintah Kota Surakarta) in the useof mass media as media publications, especially TATV news programs. This study aimedto assess whether TATV news programs affect to policies of the Local Government ofSurakarta in the prioritization of the use of the mass media as a means of publicationor not. This study was a qualitative descriptive research and the data analysis used theinteractive model. From the research that has been conducted showing that the newsprograms â€œFokus Kitaâ€ in TATV can affect to policy of the Local Government of Surakartain terms of the changing in percentage in the use of mass media and changing in the useof funds allocation for the mass media as a means of publication.

GAYA DIRECT CINEMA PADA PENYUTRADARAAN FILM DOKUMENTER DI BALIK DONGENG KANCIL Prasojo, Satriyo Bagus; R., Cito Yasuki
Capture : Jurnal Seni Media Rekam Vol. 7 No. 1 (2015)
Publisher : Seni Media Rekam ISI Surakarta

The documentary film entitled Di Balik Dongeng Si Kancil tells about high dedication and awareness of an artist named Ki Ledjar Subroto in the development of pewayangan (shadow puppet) at once as an environmental conservationist. Wayang Kancilwas used to develop and find out strategies to educate young generation especially children in the way of how to understand the wayang. Wayang Kancil is a kind of wayang which can also be used as education medium in understanding and conserving environment. This creating used concept of â€œdirect cinemaâ€ in producing documentary film entitled DiBalik Dongeng Kancil. The film shows wayang medium can be used as learning medium. Film recording emphasized actions spontaneously and naturally to impress proximity between subjects and audiences. Structure and narrative aspects in conveying information in this documentary film expressed using linear pattern through visual dialog of the subjects or informants, while narration by narrator is not emerged. Therefore, the visualization of the subjects in the interview constitutes an important part in describing information in every scene or event in this documentary film about the importance of conserving Indonesian culture.Keywords: Wayangkancil, documentary, film, and direct cinema

MEMPERTEMUKAN HIPER-REALITAS DAN REFRACTIONS OF DURÃ‰Ã‰ : Pembacaan Multi-NaratifVisual dalam Film Simone dan Film Inception Rosa, Dien Vidia
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Film realities emerged in multifacet.Two interesting concepts that were tried to be presented inÂ the article were hypereality and refraction of durÃ©Ã©. Both were consequences of digitalizationÂ that refered to the rose of virtual space and beyond subject's consciousness.Both also effectedÂ audiens consciousness positioning to reality which was appeared. The encounter of thoseÂ concepts was discussed in images power discourse. By using Barthes's semiology method tocrack and decode visual narative element of film, reality exploration was seen as signs playingÂ and images ideology.Keywords : Hiper-realitas,refractions of durÃ©Ã©,multi-naratif visual film

KONSEP GARAP PAKELIRAN FORMAT TELEVISI Utami, Citra Dewi
Capture : Jurnal Seni Media Rekam Vol. 1 No. 1 (2009)
Publisher : Seni Media Rekam ISI Surakarta

Leather Puppet is a traditional performing theatre . In Its performance, there is some drama elements in which particularly identity with the drama elements in television. Both are separated by the medium of the performance. Television drama is created certainly suitable for television format. Where as wayang kulit or leather puppet has its format namely pakeliran or live performance. In order to switch and match the previous format into television format it must fulfill some criteria of course from the basis of television format.Keyword : leather puppet performing, television format

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Ranang Agung Sugihartono

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Ranang Agung Sugihartono

Contact Email ranang@isi-ska.ac.id

Phone -

Journal Mail Official ranang@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Ranang Agung Sugihartono

Contact Email
ranang@isi-ska.ac.id

Phone
-

Journal Mail Official
ranang@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA