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Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 406 Documents
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THE PORTRAYAL OF THE FEMALE PROTAGONIST IN DARREN ARONOFSKY’S BLACK SWAN USING FREUD’S PSYCHOANALYTIC THEORY OF PERSONALITY AND DEFENSE MECHANISMS Nastiti, Anisa Efani Yulandara; Sutandio, Anton
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4993

Abstract

Black Swan is a psychological horror movie by Darren Aronofsky. This movie tells of a ballerina named Nina Sayers, who desires to be a perfect ballerina. On her way to achieving her desire, Nina experiences psychological problems where she often hallucinates and even hurts herself. It results from Nina’s anxiety that causes her to be afraid that her desire will not be fulfilled. This article aims to examine Nina’s psychological state during the process of achieving her dreams. To reveal the psychological issues experienced by Nina, a characteristic analysis was carried out using Sigmund Freud’s theory of psychoanalysis, the theory of human defense mechanisms, and the cinematographic aspects of this film. The results showed that uncontrolled desires could cause psychological disorders that influence a person’s characteristics.
Pingit Film: A Problematic Expression of the Distortion of Javanese Traditional Wedding Traditions Pahlevi, Riza; Wiranegara, IGP
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5012

Abstract

Pingit Film is the manifestation of the tradition of ‘pingit’ that has been adapted and/or eroded by modernization. This work is created in addition to being an entertainment medium, it also contains messages that ‘pingit’ that is not in accordance with the existing standards will make the purpose blurred. The process of creating this film combines the concepts of realism and surrealism. This combination is intended to give a clear limit to the character’s mind. The audience is invited not only to watch and listen, but also to feel what is in the mind of the character, indecision, doubt, overthinking, negative thinking because of the things he has just experienced. This experience poured into the form of sound and images, in this context is lighting and color grading. This work is certainly a form of contribution to the treasures of science and art.
A SEMIOTIC ANALYSIS OF ASIAN WOMEN’S STEREOTYPES ON CHO CHANG Nugraheni, Priskilla Trisna; Wenas, Michael Bezaleel; Utami, Birmanti Setya
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.5019

Abstract

Stereotypes against Asians emerge and develop as a form of propaganda for Americans. Cho Chang, a character from the Harry Potter film series, exemplifies negative stereotypes of Asian women. Accordingly, this study aims to identify which stereotypes of Asian women correspond to the existing reality. Using Barthes’ semiotic theory, this study employed qualitative analysis. The findings indicate stereotypes that fit the audience’s interpretation, i.e., Asian women are exotic and charming, Asians are academically intelligent, and Asian women easily change their partners. Meanwhile, stereotypes that do not fit with the audience’s interpretations include: Asians are clumsy, weird, and disliked by Americans, and the “Dragon Lady” image of Asian women who is cunning, sadistic, and untrustworthy.
Digital Conflict Experimentation: Strategies for Film/Video Art-Making Practise in Educational Fields Pauhrizi, Erik Muhammad; Erika Ernawan; Dedi Warsana; Danendra Alfathadiningrat
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5603

Abstract

This research describes strategies in experimental film studio space, with a subjective creation process approach through the management of personal experiences of digital trauma conflicts of students of the internet user generation. The formulation of this research questions the ability of practical studio space to become a bridge of expression. This research aims to obtain the perspective of the psychological state built from the condition of trauma towards the selection of the visual language. Participatory Action Research (PAR) is conducted by reviewing and analyzing comprehensively so that all data in this study can be accounted for. The results showed that most of the students were able to recognize and manage their conflicts without being burdened by the standards of Blockbuster cinema or High Art to be empowered with creative ideas and works. In the context of self, they are able to increase their confidence as artists or academic filmmakers. This research implies that it can serve as a basis for shaping new knowledge, skills and attitudes towards the emergence of other methods of expression of film or video art creation in the future.   Keywords: education; digital conflict; experimental film; video art; engaged art.
Artificial Intelligence (AI) in Film Script Writing Riski, Wahyu Nova; Abidin, Zainal
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5621

Abstract

Artificial intelligence has influenced various aspects of human life in recent years. The film industry is no exception to be affected by the expansion of artificial intelligence. Focusing on the process of short movie scenario development, this research aims to explore the extent to which artificial intelligence or AI can play a role in the creative process of filmmaking. This research uses an innovative exploration method using action research methods with a special focus on the art-based action research approach. Using three experimental cycles, this research found that artificial intelligence has a series of limitations in its function to assist the film script creation process, therefore, it is unlikely that artificial intelligence can replace humans completely soon. However, this research found that despite all its limitations, artificial intelligence has a significant role in helping film creators simplify the initial steps of the film script development process, if it is utilized in the right way. This research makes a substantial contribution to the discussion regarding the use of artificial intelligence in the filmmaking creative process. Keywords: film, screenplay, artificial intelligence, AI
Time Loop Plot Structure Pattern in the Films Edge of Tomorrow (2014), Happy Death Day (2017) and Palm Springs (2020) Nugroho, Agustinus Dwi; Ridwan, M. Alif Wijaya
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5645

Abstract

Exploration of plot development patterns in narrative structure can be seen from the Time Loop Plot which is used in several films in a very unique way. This plot pattern emphasizes a character trapped in space and time that repeats itself continuously. This qualitative research uses an observational approach that focuses on observing Time Loop Plot patterns and connecting them with three different genre variants, namely Edge of Tomorrow (action-science fiction), Happy Death Day (thriller-horror), and Palm Spring (roman-comedy). This research aims to obtain an overview of the narrative structure pattern "Time Loop Plot" which can be applied in various genres through a visual element approach, as well as looking for a storytelling motif in the application of this plot development pattern in each different genre, using the approach of narrative theory and aesthetics. The results of this research reveal a pattern which shows that the time loop plot pattern is character-driven by the main character. The relationship with genre shows a pattern that differences in genre in the application of time loop plots will result in differences in the development of tone and mood in the film. ​Keywords: narrative, plot, time loop, genre

Page 41 of 41 | Total Record : 406

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