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Capture : Jurnal Seni Media Rekam

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Published by Institut Seni Indonesia Surakarta

ISSN : 2086308X EISSN : 2338428X DOI : -

Core Subject : Humanities, Art,

Arts Humanities

The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.

Arjuna Subject : -

Articles 406 Documents

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Pesan Dalam Foto Brassai Berjudul Bijou Of The Montmatre Cabarets Astiti, Anin
Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011)
Publisher : Seni Media Rekam ISI Surakarta

Brassai works titled "Bijou" of the Montmartre cabarets is very interesting theory revealed by semiotics. The photo is one of the works in the project Brassai Paris by Night is doing to document Paris at night. On the work found several signs that can be described with particular semiotic theory of semiotics Barthes. "Bijou" of the Montmartre cabarets is a representation of the nightlife in Paris which is illustrated by the figure of an old woman who works as an entertainer with a background in a nightclub atmosphere. The visual expression achieved with the proper use of photographic techniques by Barthes either through the use of natural light and a standard lens.Â Key words: photography, sign, semiotica

INDUSTRI ANIMASI MENJADI TUAN DI RUMAH SENDIRI (Sebuah Kenyataan dan Harapan bagi Insan dan Penggiat Industri Animasi Lokal) -, Handriyotopo
Capture : Jurnal Seni Media Rekam Vol. 6 No. 2 (2015)
Publisher : Seni Media Rekam ISI Surakarta

One day animation industryÂ inÂ IndonesiaÂ can be hostÂ of his own country.Â An expectation that requires a struggle and a challenge to the invasion of the animated movie from outside of the domestic animation industry. A lot of animated film produced by the global industries require human resources and no small cost.Â In fact, the capability of Indonesian human resources in animation are not inferior to the foreign and a lotÂ of Indonesia human resourcesÂ involved inÂ global animation industryÂ such asÂ Hollywood industry. There are domestic animation industries which produce animation movie, but they are not consumed forÂ domestic people of Indonesia. Government support isÂ expected to develop the domestic animation industry,Â in which the development ofÂ creative industries have promising prospects for increasing foreign exchange earnings. Internet and social media are media to introduce and promote the Indonesia animated films to the international markets although they are still based on local identity.Keywords:Â animation,Â creative, local, andÂ identity

SHOT DESKRIPTIF SEBAGAI ELEMENVISUAL PROGRAM DOKUMENTER KERIS : REFLEKSI BUDAYA J AWA Sugito, S; Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 3 No. 2 (2012)
Publisher : Seni Media Rekam ISI Surakarta

One of the works of art and cultural traditions of Indonesia that have a high value isKris.Kris is a product of original culture created by the ancestors of Indonesia.Apart from beinga piece of art that has a high value and full of symbolic meanings,the Javanese community is stillwith confidence Kejawen believe Kris has a strength,magical power that has an influence on thelife of its owner.The documentary program is the theme of the existence of art and culturaltraditions in the midst of modern society life activities. This work has the characteristicsedutainment,meaning that in addition to providing entertainment also have purpose to provideeducation or knowledge to the audiences.The idea of this documentary is the story of theJavanese community relations with Kris, in any ceremonial activities and rituals performed bythe Javanese community,Kris never comes off as the completeness of culture that should not beabandoned.The use of shot-shot descriptive meaning the use shot more varied such as, panshots, follow shots, tracking shots, low shots, high shots, over-shoulder shot, is needed in themaking of this documentary,because shooting is mostly done on an event without scenario ordirect camera. Type of shot that is widely used among others: Long shot with reason andpurpose to be flexible to follow the area or wide when the scene moving fast, to show wherethe scene is located (showed a), to indicate progress, as well as to show how to position thesubject has a relationship with others.Type medium shot, shot like this type most commonlyencountered in film and television.This type of shot is the most save,because there is no specialemphasis to the object.Type close shot or close-up function to create a suppressive effect,withsolid images.Keywords :Documentary film,Kris,and Java culture

BIOPIC FILM AND POLITICAL IDENTITY: CONTESTATION OF DIVERSITY OF IDEOLOGY IN INDONESIAN MOVIES TEXT POST-SOEHARTO REGIME Haryanto, Dwi
Capture : Jurnal Seni Media Rekam Vol. 10 No. 1 (2018)
Publisher : Seni Media Rekam ISI Surakarta

This discussion examines the textuality relationship between the historical facts of biography and the narrative structure of films that present figures who during the New Order (Orde Baru) regime were alienated from Indonesian historiography. Through a study of the films Gie, Soegija, Sang Kiai, Soekarno, and Jenderal Soedirman, they can deconstruct the meaning of historical films produced by the New Order regime which are dominated by Soeharto's image. The emergence of biopic films that narrate the characters with identity plurality is a deconstructive tipical and reflects the antithesis of filmmakers on film products in the era of the Soeharto regime. Whereas in the New Order era, films with epic historical genre, identical to the hegemony of the military struggle which are reduced by civil society narratives, such as moslem teacher (kiai) and moslem student (santri) and other minority groups, which in the context of historical facts also contributed greatly to the era of nation formation through representation of ethnic nationalism and civic nationalism. The Indonesiandiscourse which is reflected in the hidden meanings of biopic films studied represents a plurality of ideologies and identity political formation in popular culture products.

Strategi Program Melalui Penghadiran Kedekatan Dengan Penonton (Studi Kasus Episode â€œMisteri Pesona Sindenâ€) Kurniawan, Donie Fadjar; Pradita, Ahmad Iran
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Opera Van Java is a television comedy drama show that the idea of the show isin the form of modern puppet show. It is said to be modern because the story is generallydeveloped from stories emerging in society. Opera Van Java is a comedy drama full ofartistic-arrangement elements that support the storyline in each episode. Statement ofthe problem in this research is how the setting, makeup and costume drama televisioncomedy Opera Van Java as a programming strategy through presenting closeness withthe audience. The purpose of this study is to describe how the setting, makeup andcostume of television comedy drama Opera Van Java as a programming strategy throughpresenting closeness with the audience. This study used a qualitative descriptive methodand its sample selection using purposive sampling technique. The selected sample wasepisode â€œMisteri Pesona Sindenâ€. The selection of episodes based on the local contentthat can be described and analyzed further. The results of the analysis on an episode ofthe television comedy drama â€œMisteriPesonaSindenâ€ are artistic-arrangement elementslike setting, make up and costumes shown in things and objects are often seen, perceivedand used in everyday society. In the end, the fact is then able to present and bringcloseness with the studio audience and viewers at home.Keywords: setting, makeup, costume, Opera Van Java, Misteri Pesona Sinden

BENTUK DAN GAYA PENUTURAN FILM DOKUMENTER BERBASIS BUDAYA DAERAH PB XII: BERJUANG UNTUK SEBUAH EKSISTENSI D.A, N.R.A. Candra
Capture : Jurnal Seni Media Rekam Vol. 5 No. 1 (2013)
Publisher : Seni Media Rekam ISI Surakarta

This study aimed to describe the form,narrative style and dramatic flow of the film PBXII: Berjuang untuk Sebuah Eksistensi. So far, to understand the advantages and limitations ofdocumentary film in conveying messages is to divide it into three basic parts of documentaryfilm.Through aesthetic touches on the film, a documentary film director tries to convey thespecial things that became the basic theme of the documentary.IGP.Wiranegara, through workbased culture documentary film, seeks to show the form and style of its own narrative in thetheme of the film.The film is narrated dramatically by the director by give a viewpoint of thestrong character for the characters to show the relation of the content and message of the film.Through picture of the central figure and role model,the figure of a Pakubuwana XII tried hardin order that Surakarta palace still exist as part of the cultural community in Central Java,especially Surakarta (Solo).Keywords:Form,style,movies,documentary, culture,and the region

STUDY OF FORMER STREET KID RECEPTION TO MOVIE “ALANGKAH LUCUNYA NEGERI INI” Agustian, Jaka Farih; Irawanto, Budi
Capture : Jurnal Seni Media Rekam Vol. 9 No. 2 (2018)
Publisher : Seni Media Rekam ISI Surakarta

Social problems in the aspect of street children in Indonesia is still difficult to solve. The Data 2017 issued by the Minister of Social Khofifah Indar Parawansa said there are 4.1 million Indonesian children who are displaced and need protection. Thus, various media attempts to provide criticisms about social conditions in Indonesia, especially through the construction of street children's films. Film of Alangkah Lucunya Negeri Ini describes social problems of street children happening in Indonesia. This study aims to explain how the reception of exformer street children in watching the film Alangkah Lucunya Negeri Ini using the method of reception proposed by Stuart Hall, namely the concept of dominant hegemony, negotiation, and opposition. The results show that informant receptions arise due to different social and cultural dimensions in life as street children in the past. The informants also made the film Alangkah Lucunya Negeri Ini as reflection based on life experience. Thus, the presence of the film gives negative stigma of street children in social relations of society. Scene of film also brings the informant to feel the pleasure of watching that is expressed through both entertaining and emotional forms. Meanwhile, audience also responded activelly to the construction of street children films in social, educational, and religious discourse. Informants who are in the dominant code express their interest in film programs motivated by behavior and social experience as street children. While informants who are in a negotiating position try to be adaptive in adjusting the message in the film, but also have an attitude of opposition as a form of rejection. While the informants who placed themselves in the opposition expressed a different attitude to the construction offered in the film program. There is an element of discomfort with the presence of street children movies in their lives.

PROGRAM ACARA ANAK LAPTOP SI UNYIL DI TRANS7 -, Mahardini
Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010)
Publisher : Seni Media Rekam ISI Surakarta

This study is to explore the strategy of awakening of The Unyil â€˜Indonesian puppet film at televisionâ€™. â€œThe Unyilâ€ is one of the popular childrenâ€™s show on 1980's era until the early 1990's. Meanwhile â€œLaptop Si Unyilâ€ premiered in Trans7 broadcast on March 19, 2007. The main characters used in this program is a puppet show â€œThe Unyilâ€. This study focuses on the finding of new concept of â€˜The Unyilâ€™ in order to be able to re-life. Some perspectives would be analyzed such as program theme, style of storytelling, the use of narrator, and narrative structure.Keywords: program theme, narrative structure, style of storytelling, the use of anarrator.

Sumber Gagasan Penciptaan Karya Audio Visual Berbasis Konten Lokal Sintowoko, Dyah Ayu Wiwid
Capture : Jurnal Seni Media Rekam Vol. 5 No. 2 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Creativity can be done by utilizing the environment, natural resources, and human resources. Human Resorces can attempt to pour out their thoughts, find problems, and take chances, and viable solutions to publish. Creativity through the media can inspire, encourage, influence, and able to bring a positive change for the audience. The potential of these natural resources that need to be developed by the community at the same time revive, that the stored wealth needs to be raised (one of them with audio-visual approach). In this case the community (residents) as actors, not only as a spectator only. Their awareness that we must lift to play the audio-visual media. Something extraordinary in rural or are citizens can see themselves, relatives, family, and neighbors through the medium of film and television, so that it becomes an individual and collective pride.

EKRANISASI UNSUR NARATIF DALAM FILM LIFE OF PI Andini, Bertha Galuh; Hudoyo, Sapto
Capture : Jurnal Seni Media Rekam Vol. 7 No. 2 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Every year, films adapted from novels have developed significantly. However,there are many differences from their novels when the films screened, such as thereduction and addition of the storyline and characters, and also some variations.Thecreativity of the films toward their novels is because of the audio-visual medium,whilenovel caused by linguistic medium.Thus,there are certain plots that can be raised well inthe novel, but cannot appear in the film, or vice versa. This research examines theelement of narrative changes that covers the story, plot, characters, andcharacterizations in the movie entitled Life of Pi using ecranisation approach.Ecranisationtheory is an adapting novel to film that causes three changes; shrinking, adding, andvaried changes. This research adopts qualitative research method. The data wascollected by observation and literature study.The results showed that there were a lotof changes in this film include shrinking, that is the reduction and elimination of someplots,as well as the removal of the several characters.Also,there were some additionsand some changes.The function of the varied changes in this film is to create the processof causality consistently and also as a teaser.Keywords : Novel,film,ecranisation,and Life of Pi

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Home Page

OAI Link

Editorial Team

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Reviewer

Google Scholar

Contact Name Ranang Agung Sugihartono

Contact Email ranang@isi-ska.ac.id

Phone -

Journal Mail Official ranang@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

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Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Ranang Agung Sugihartono

Contact Email
ranang@isi-ska.ac.id

Phone
-

Journal Mail Official
ranang@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA