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INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 22 Documents
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Search results for , issue "Vol. 21 No. 2 (2023)" : 22 Documents clear
The impact of diaphragmatic breathing on the endurance of contemporary dancers at the Institut Seni Budaya Indonesia Aceh: model-based experimental design Sabri Gusmail; Prasika Dewi Nugra; Syahrizal Syahrizal
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4530

Abstract

Managing dance movement elements is crucial for maintaining endurance and movement quality. The purpose of this study was to investigate the effects of applying diaphragmatic breathing on dancer endurance. The study employed a mixed-methods approach with an exploratory sequential design. The first phase, qualitative in nature, aimed to formulate hypotheses concerning the endurance issues faced by dancers in choreography courses. The second phase tested these hypotheses through experiments, incorporating control variables between two groups: Group 1, trained in dance movements using diaphragmatic breathing, and Group 2, solely trained in movements. The experiment took place at the Indonesian Institute of Cultural Arts in Aceh, with six female dancers enrolled in choreography classes randomly divided into two groups. None of the participants had prior experience with diaphragmatic breathing techniques while dancing. The study utilized a sphygmomanometer and oximetry for measurement. The endurance test involved dancing to a metronome for 5 minutes at tempos of 100, 110, and 120 without interruption. The results indicated that the respiratory frequency of dancers using diaphragmatic breathing was more stable compared to the group that did not employ this technique. These findings suggest that incorporating diaphragmatic breathing alternately while dancing can serve as a recommendation for maintaining dancers' endurance, particularly for students at the Indonesian Institute of Cultural Arts in Aceh.
An exploration of participants’ views and experiences of cultural museums and their challenges Jufri Dabamona; Samsudin Arifin Dabamona
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4686

Abstract

Cultural museums have always been considered guardians of culture, promoting the core concepts of cultural preservation and conservation. This paper delves into the challenges faced by two cultural museums from various perspectives and examines the transformation of museums in supporting Papuan culture through values centered on conservation and preservation, as gleaned from the experiences and views of the participants. This study is qualitative research that employs an interpretive strategy, with participants including museum personnel, cultural agencies in Papua Province, academics, and teachers from Cenderawasih University. Data were collected through in-depth interviews, field observations, and literature studies. The study identified three themes: (1) Collection and space management, (2) Museum image, and (3) Capacity building and moral responsibility of human resources. To enhance cultural services, the study suggests that museums in Papua need to focus on strengthening collection management, enhancing visitor convenience, and providing increased staff support in the cultural field.
Empowering the potential of local cultural wisdom in the packaging of performing arts: a force for forming community identity in the Kampung Seni Edas Bogor City Trimulyani Nurjatisari; Tati Narawati; Trianti Nugraheni; Lanang Riyadi
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4734

Abstract

Foreign culture has become a significant polemic for today's millennials, leading to a tendency to overlook their nation's identity and the robust cultural potential inherent in their own country. This article seeks to enhance the potential of local cultural wisdom in the packaging of art as a force for shaping community identity. A qualitative approach is employed to provide a detailed and careful description of the art packaging methods in Kampung Seni Edas. Data were collected through interviews, observations, and documentation, with the research conducted in Kampung Seni Edas, Bogor City. Data validity was ensured through source triangulation and informant review techniques. Data analysis utilized interactive techniques involving data reduction, data display, and verification steps. The results underscore the necessity of elevating the potential of local wisdom in Kampung Seni Edas as an alternative model for empowerment and art packaging, contributing to character building and community identity, ultimately facilitating preservation through innovative performing arts. The implication is that the millennial generation needs to recognize, understand, and study culture as an essential achievement that must be embraced by millennials as the successors of the nation.
Production and exchange of meaning in instagram beauty influencer visual content in Indonesia: a social semiotic analysis Ariani Kusumo Wardhani; Hanisa Hassan; Irfandi Musnur
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4748

Abstract

The development of technology aligns with the evolution of information media, which is increasingly dynamic in contemporary times. Instagram serves as a social media platform employed by beauty influencers to disseminate information pertaining to beauty. Visual content showcasing diverse beauty reviews captivates a substantial female audience, resulting in millions of followers on Instagram. This study aims to interpret the conveyed meanings by Indonesian female beauty influencers, such as Tasya Farasya, Kesha Ratuliu, and Hanggini. The qualitative methodology employs social semiotic theory to extract meanings embedded in the text or discourse presented by each influencer, considering social and cultural perspectives. This research adopts a constructivist paradigm, emphasizing the production and exchange of meanings. The study analyzes the meaning behind the messages conveyed by each beauty influencer on social media. The images portrayed by Tasya Farasya, Kesha Ratuliu, and Hanggini exhibit distinct representations both interactively and compositionally. The interactive metaphoric function is evident in the endurance of their image, showcased through visually appealing content on Instagram photos. This results in the creation of a multimodal visual composition in the photos.
The paradigm concept of Javanese’ Anak Polah Bapa Kepradhah in the story of Murwakala: Lévi-Strauss structuralism Sarwo Edi Wardana
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4901

Abstract

Indonesia harbors diverse oral traditions, with a particular focus on Javanese traditions. Studies on oral traditions, especially those related to geguritan (poems), stories, and songs, often lean towards aesthetic analyses. However, there remains untapped potential for exploration, such as the exploration of local cultural elements underlying the contradictions in folklore. This article aims to elucidate these contradictions and delineate the paradigmatic concept of “anak polah bapa kepradhah” within the narrative of “Murwakala.” Conducted as a descriptive-qualitative study, this research employs Lévi-Strauss structuralism as a framework for interpreting, mapping and attributing meaning to empirical paradigms embedded in societal concepts. The objective is to address the contradictions and logical patterns inherent in society. Data for this study are derived from the observation of Javanese oral traditions related to wong sukerta. These observations are then juxtaposed with the narrative of “Murwakala,” as presented in the wayang performance of the ruwatan tradition, with a specific focus on the Javanese “anak polah bapa kepradhah” concept/value. The depth of meaning is further explored through the use of tables and diagrams. From a Lévi-Straussian perspective, it can be concluded that “Murwakala” and its associated value concept serve as logical tools capable of mapping paradigms, deciphering empirical contradictions (related to family relationships and power), and representing these dynamics in the cultural products and thoughts of Javanese society, both historically and in the contemporary context.
Children's theater performance "Buta Grana Ireng" reinterpretation of Sudamala story in Demping Village Bagong Pujiono; Handriyotopo Handriyotopo; Catur Nugroho; Tatik Harpawati; Delfin Febriansyah; Dela Cahyaning Permata; Arieska Wulandari
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5044

Abstract

Demping, as a tourist village located in Karanganyar Regency, Central Java, has a variety of exciting tourism potential, both natural and religious. The lives of people who are predominantly Hindu still adhere to customs and various activities of religious traditions that are in synergy with their natural beauty. One thing that attracts attention is the public's trust in Sudamala's story. Sudamala tells the story of Durga, ugly and evil until she becomes the beautiful and kind Goddess Uma. Starting from this story, this research attempts to develop it into a children's theater performance by highlighting the values of the Sudamala story. The approach used is a deconstruction perspective from "sanggit" reinterpretation, namely, re-understanding the meanings contained in the story of the Sudamala text with a new meaning. Through this analysis, we can understand in depth the contents of Sudamala's literary works, which are then worked out skillfully in the theatrical work of Buta Grana Ireng children. In the end, the reinterpretation of sanggit in the theatrical performance of the Buta Grana Ireng children was generally able to increase the appreciation of the new theatrical work from the reinterpretation of the Sudamala story at the Sukuh temple and became a new performance work in the Demping Tourism Village.
Knowledge transfer in preserving the Delanggu Rojolele local rice variety: a case study of becoming village designer in In-Herit course Pandu Purwandaru; Eka Permanasari; Gani Cahyo Handoyo; Erik Wahyu Pradana
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5106

Abstract

Sabrang village was once known for its one-of-a-kind rice variety, Rojolele Delanggu. Despite this cultural abundance, the communities are currently abandoning these villages because they are deemed uneconomically viable. This paper investigates the ways in which knowledge-sharing initiatives involving local governments, women farming associations that have historically led farming rituals, and students from diverse developing countries contribute to the restoration of the Rojolele rice planting pattern. The project invited 20 international students from various developing countries to participate in the In-Herit 2022 program. The program was launched to increase student and local interest in becoming village designers through a case study of the preservation of local Rojolele Delanggu rice in Sabrang Village. This activity was broken down into three sections: (1) learning from locals, (2) participatory learning and action, and (3) proposing ideas to locals. The outcomes of this three-day project were a mapping of opportunities, challenges, and resolutions pertaining to the Rojolele Delanggu preservation initiative. The majority of students were able to quickly fit in with the locals, apply PLA materials, and were paired with student mentors who knew about farming community development activities in Delanggu farming regions.
Designing an illustrated book as an educational medium to introduce Ronggeng Gunung dance to the younger generation: an effort to preserve traditional dance Jazuli Abdin Moenib; Saiddah Nisa Sondara
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5327

Abstract

This research delves into Ronggeng Gunung dance, a traditional folk art from West Java, Indonesia, which, despite its cultural significance, remains relatively unknown. The study focuses on the crucial task of introducing this dance form to the younger generation, leveraging their receptiveness and curiosity. The primary objective is achieved through an illustrated book, offering a visual journey into the cultural roots and historical context of Ronggeng Gunung. The research extends beyond documentation by integrating educational aspects, providing insights into dance attire and musical components, and a comparative analysis of the dance's evolution over time. To accomplish this, a qualitative descriptive method is employed, grounded in accurate facts. Diverse data collection methods include a Literature Study covering books, articles, and journals related to Ronggeng Gunung dance, Observation of the traditional art form through archival and documentary examination, and Interviews with original sources to obtain authentic information. Additionally, Questionnaires assess the younger generation's interest in traditional dance, their knowledge of Ronggeng Gunung, and their preferences for the illustrated book's style. The overarching aim is to cultivate awareness and facilitate the preservation of traditional Ronggeng Gunung dance. After meticulous data collection and analysis, the research advances through design, media, and visual concepts, culminating in the creation of the illustrated book. A beta test validates its impact on the younger generation, demonstrating that the incorporation of a popular illustration style effectively captivates the audience. This outcome underscores the success of the book in fostering a more engaging and comprehensible understanding of the Ronggeng Gunung dance narrative for the younger audience.
The philosophical values of Rejang Dayung as an ancient dance inherited from Pura Luhur Batukau, Tabanan, Bali I Wayan Dana; Raja Alfirafindra; Agustin Anggraeni
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5355

Abstract

Rejang Dayung is an ancient dance inherited from the ancestors, serving a ritualistic function at Pura Luhur Batukau. It is exclusively performed in Jaba Tengah or the media mandala (living room) during the Sinineban (closing) ceremony at Pura Luhur Batukau. Noteworthy for its straightforward expressions in movements, floor patterns, costumes, and accompaniment, this dance merits scholarly investigation. The objectives of this study are to elucidate the philosophical value of Rejang Dayung performance as an ancient dance inherited from Pura Luhur Batukau, examine the correlation between the philosophical value of Rejang Dayung and the societal beliefs of Pura Luhur Batukau, and expound upon the significance of Rejang Dayung's philosophical value based on the concepts of Satyam (truth), Shivam (holiness), and Sundaram (beauty). The authors employed a qualitative method, incorporating field observation and interview techniques to gather data and ascertain the initial presentation of Rejang Dayung. The study's findings unequivocally reveal the philosophical values of Rejang Dayung and the embodiment of the Tri Hita Karana teachings (Balinese concepts for creating harmony), which encompass harmonious relationships between humans and God, humans and fellow humans, and humans and the universe. The philosophical value of Rejang Dayung signifies a profound surrender to the magnificence of Ida Sanghyang Widhi Wasa, God the Greatest, manifested through the collective choreography in pairs, symbolizing the convergence of Shiva-Parwati energy. This convergence, perceived by the people of Pura Luhur Batukau as the guardian of harmony in the universe and its constituents, underscores the dance's cultural and spiritual significance.
Exploration of motif patterns using the space-time-plane system and flat design stylization with La Galigo epic inspiration Aghnia Fauzul Muslikhani; Morinta Rosandini; Gina Shobiro Takao
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5472

Abstract

The development of storytelling motifs is enhanced through the Space-Time-Plane (STP) system, a drawing technique that integrates Image Way and Grammar principles. This system adeptly represents spatial and temporal dimensions, facilitating the creation of illustrative storytelling. Its application extends to translating images into meaning and vice versa, showcasing its impact on the textile sector. Notably, it drives the evolution of non-repetitive motif compositions embodying story concepts presented with flat design styling. Despite its successes, applying the STP system to motif development poses challenges, particularly when incorporating motifs into product patterns, leading to story truncation. Conversely, the non-repetitive motif composition using the STP system ensures the entire narrative is encapsulated in a single image, preventing any intersection of motifs. Motif development with the STP system draws inspiration mainly from modern sources despite its closer connection to traditional Indonesian art, particularly heroic stories like the epic La Galigo. While developments inspired by heroic narratives, including La Galigo, exist, their visualization remains confined to single-image models. The primary aim of this research is to generate an inspirational motif rooted in Indonesian traditional art, specifically the La Galigo epic. This is achieved through the utilization of the STP system, flat design styling, and repetitive composition or repeated illustration models. Employing an exploratory method, the research culminates in a repetitive motif composition, providing an alternative resolution to the issue of truncated motifs in non-repetitive composition models. The study aspires to contribute significantly to research focused on enriching the application of the STP system in visualizing stories through the manipulation of textile motif compositions.

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