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INDONESIA
Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya
Published by Institut Seni Indonesia Surakarta
ISSN : 16937724     EISSN : 2685614X     DOI : 10.33153
Core Subject : Humanities, Art,
Arts Humanities
Art craft journal contains scientific articles on the results of research on the art of craft and the creation of craft art within the scope of Indonesian culture. The substance presented is in the form of a mission to preserve the cultural values of the archipelago as well as the development of concepts and aesthetics, along with the development of the complexity and dynamics of people's lives. The critical approach method in an interdisciplinary scientific perspective can open the widest possible opportunity for scholars, researchers, and stakeholders to work together in advancing a dignified national culture in the midst of global competition. ORNAMENTS art craft journals are published twice a year.
Arjuna Subject : -
Articles 235 Documents
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GAJAH SEBAGAI SUMBER IDE PENCIPTAAN BENTUK RANCAKAN GAMELAN GADHON BERBILAH PAMOR Sigit Pamungkas
Ornamen Vol 11, No 2 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (627.134 KB) | DOI: 10.33153/ornamen.v11i2.1071

Abstract

Elephants are known as the most large-sized animals among the animals that live on land. With its large, forhumans are considered capable of representing the meaning of grandeur. This is evidenced by the many worksinspired by the elephant. In the creation of the artwork, the authors attempt stylized elephant shape in the form ofa set of rancakan gamelan gadhon, with the intention of adding value majesty of the gamelan instruments.Rancakan gamelan is part of the buffer strip, as well as a resonance tube that allows the blades gamelan aregenerally made of metal can cause a melodious voice. Rancakan form of gamelan gadhon the author createdcomes from the shape of elephants, with the intention to increase the strength of philosophical and aestheticquality is visually distinct from the common gamelan in the palace and in the community . Gamelan gadhon a termof simplifying the number of devices gamelan instruments with a practical purpose in mobility and performancegoals are simple tone composition. Generally gamelan gadhon meant to be played softly as accompanist anevent. Gamelan gadhon generally have five ricikan the form of gender, slenthem, kendang, gambang, and rebab.However, the author makes a set of gamelan gadhon consisting of: kendang ciblon, gender barung, gambang,slenthem, rebab, demung, saron, peking, and gongs kemodhong. It was intended for gamelan gadhon made tobe played more varied in character as well as working on the musical sound . Gamelan blades generally made ofiron, brass, or bronze . Each of the blade material will form its own tone shades. In this case, the authorsconducted an experiment to make blades gamelan using the prestige. Commonly found on the prestige of keris,spears, swords, blades and other traditional weapons. The prestige of a blend of iron and nickel through theprocess of forging and annealed complex. Making blades gamelan with prestige materials intended to add uniquevalue, so that a set of gamelan gadhon made into a unified work of creative and innovative, full of philosophicaland aesthetic values visually.Keywords: elephant, rancakan, gamelan, pamor
Alternatif Profesi Melalui Pembelajaran Eektif Suyanto Suyanto
Ornamen Vol 3, No 1 (2006)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (455.329 KB) | DOI: 10.33153/ornamen.v3i1.837

Abstract

Indonesia has many variety handycraft, which can evaluate from media ( wood, metal, leather, rattan paper, bamboo, stone, rock, etc), technique and process (example ceramic, textile, batik, songket weave, embroidery, weave, etc). Handicraft art products are aimed in many forms and style to fulfill a lot of necessity and function of life, from Sabang till Merauke spread out Indonesia handicrafts harmony the map of artistic national culture.Keyword: handicraft, national culture
Penerapan Prinsip Manajemen Dalam Pameran R. Eko Saputro
Ornamen Vol 7, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7433.932 KB) | DOI: 10.33153/ornamen.v7i1.927

Abstract

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Rumah Tradisional Jawa Dalam Sudut Pandang Religi Joko Budiwiyanto
Ornamen Vol 10, No 1 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1178.186 KB) | DOI: 10.33153/ornamen.v10i1.1047

Abstract

This article is the result of research on traditional Javanesehouse in a religious viewpoint.The purpose of the study wouldlike to know the value of religious construction that is built intraditional Javanese house layout.To achieve the goal be takenthrough research with qualitative research methods, data sourcesused are literature, artifacts, and informants.The analysis modelis an interactive model of analysis.The results found that the Javanesecommunity in building his house, through some kind ofconsideration,such as site selection, building materials, home establishmenttime, ceremony to build a house, division of space,direction toward, until the determination of the type of ornamentsthat have a symbolic meaning.The process of ceremony is in-1 Joko Budiwiyanto, S.Sn.,M.A. Staf Pengajar Prodi Desain Interior Jurusan DesainFSRD ISI Surakarta
PEMBACAAN MEMBACA TAK SEKEDAR KATA Joko Setiyono
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3154.283 KB) | DOI: 10.33153/ornamen.v2i1.809

Abstract

Reading Activity is very important for human being. More over the information century today, human being is given information almost without interval. Repeat study is needed to old pattern, including reading. Reading is not only stop on verbal words to get the meaning from information which go to and from that. Because information can appear in manner of word language and aspect language. Both of them have the way of different expression. Therefore the reading will be different. Word language has the established grammatical pattern. While the aspect language has the design imagination that work with lines, area, colour, texture and also size and dimension. Taking just one of them will destroy or weaken the totality of human being absorpsion of information. Therefore the most important thing is that human being require to mater both of the languages, the language of word and aspect language.Keyword: Reading, the language
Batik Sebagai Salah Satu Media Komunikasi Dalam Upacara Adat Tradisi Jawa Muhammad Arif Jati Purnomo
Ornamen Vol 5, No 1 (2008)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1161.83 KB) | DOI: 10.33153/ornamen.v5i1.905

Abstract

As a social creature, man need of communication with another. The changing and developing of social role can’t be separated with a well balanced communication factor between man with the creator, man with man, and man with another human beings.Batik as one of man cultural product is also the form of communication expression that learned by our parents through cloth media with resistance by using hot candle (malam) or using a tool called “canthing”.The existance of Batik in Java can’t be separated with a way of life, that believed its true by Javanese people. As people having local genius, Javanese people can’t create Batik as one of visual communication media between Javanese people as cultural product creator with the creator as a source of all power. The creators of variety decoration of Batik, a long ago, not early created a beautiful in viewing thing but also gave a meaning that had a close relationship with their way of life. They created a decoration variation with a pure massage and a high hope. A hope that they wanted is by wearing Batik with certain motive is hoped it will bring a goodness and happiness for them. These are painted beautifully and symbolically and full of meaning.As a communication media of Javanese people, Batik can keep exist as one of cultural product that have a high praise and keep get a place in the people.Key words : Batik, culture product, communication
Ekspresi Seni Lukis Karya Affandi Dan Seni Tari Karya Sardono W. Kusumo Kusmadi Kusmadi
Ornamen Vol 2, No 1 (2004)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3360.524 KB) | DOI: 10.33153/ornamen.v2i1.779

Abstract

Expression is a process or result of someone’s or a group of people’s activity in expressing desires, in reacting on the existing reality or wants by using a medium.Basically expresison is a symbol of communication with other people as a sym­bol has meaning and values. In addition to this, expression contains something thought, felt, hope or dreamt of by the artist as thecreator.From the aest hetic point of view, expression is closely related to art whether It is dance, teat hre, music, painting, craft, graphic art and so on. Expression, besides it can be viewed from the visual aspect, is deeper when viewed from the background of sit so that we can see the spirit of the expres­sion.Keyword: Exspression
Pencitraan Lingkungan Dengan Virtual Reality Photography Ranang Agung S
Ornamen Vol 4, No 2 (2007)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1361.29 KB) | DOI: 10.33153/ornamen.v4i2.887

Abstract

This art works research entitled: “Environment Imaging by Virtual Reality Photography” aims to obtain an appropriate technique to take a 360 degree photography and to get a photography that can image the environment virtually, so that it can be developed in advanced application as an interactive visual element and to be appealing in interactive CD or website.This study was conducted in the form of technological experimentation and image technique in virtual reality manner. The result of research shows that the photography making of VR panorama requires the good mastery of photography technique through proper engineering of photography equipment and various photography technical experiments and digital imaging mastery and image developing by multimedia authoring technology, particularly with Virtual Reality software. And the VR panorama photography can create a more comprehensive environment because in its enjoyment it involves hands, eyes and even ears, hence creating the integration of physical, immersive and enjoyable activities.Keywords: Imaging, Environment, Virtual, Reality, Photography
BATIK SEBAGAI GAYA HIDUP MASYARAKAT YOGYAKARTA DAN SURAKARTA Sri Marwati
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1100.837 KB) | DOI: 10.33153/ornamen.v8i1.1013

Abstract

Lifestyle is one of the popular term in global and modern world. Their appearance does not necessarily exist, but is supported by the habitus and image of that shaped it. Any individual or group has always wanted to show his identity through their chosen lifestyle. One of them is by using a particular clothing. Since the first in the Java culture, batik is used by the kingdom as a marker of status, and are realized or not the kingdom was applied a certain lifestyle. As age advances, now lifestyle wear clothing with a particular motif widely followed by the community. There are some ideological contradictions associated with the development of lifestyle by using the batik in Indonesia. On the one side, batik as a lifestyle is the result of capitalist production which have a conflict within it, and the other side, batik as a lifestyle is a form of creativity necessary for social and cultural progress.
HANACARAKA: AKSARA JAWA DALAM KARAKTER FONT DAN APLIKASINYA SEBAGAI BRAND IMAGE Agus Setiawan
Ornamen Vol 12, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2259.869 KB) | DOI: 10.33153/ornamen.v12i1.1609

Abstract

Aksara menjadi salah satu bentuk komunikasi yang pada akhirnya memperkuat jadi diri dan identitas suatubangsa. Hanacaraka juga digunakan untuk menulis bahasa-bahasa lainnya, selain bahasa Jawa, misalnyabahasa Sanskerta, bahasa Arab, bahasa Bali, bahasa Sunda, bahasa Madura, bahasa Sasak dan jugabahasa Melayu. Hanacaraka dalam karakter font dan aplikasinya dianggap sebagai tema yang menarik.Jejak rupa Hanacaraka dapat ditemukan dalam prasasti, kesusastraan, teknologi, dan aplikasinya dalambrand image. Hanacaraka dalam aplikasi ini masih dalam pengembangan. Karakter huruf Jawa jika lengkapdikembangkan dapat mencapai 400 karakter. Dengan digitalisasi aksara Jawa saat ini telah membukapeluang yang sangat besar untuk memajukan dan mengembangkan aksara Jawa secara fungsional disegala bidang.Kata Kunci: Hanacaraka, Font, Brand Image

Page 5 of 24 | Total Record : 235

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