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Department of Drama, Dance and Music, Faculty of Language and Arts, Universitas Negeri Semarang, Indonesia B2 Building, 2nd Floor, Sekaran Gunungpati, Semarang 50229, Central Java, Indonesia
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JSM (Jurnal Seni Musik)
Published by Universitas Negeri Semarang
ISSN : 23014091     EISSN : 25032860     DOI : 10.15294/JSM.V8I1
Core Subject : Art,
Arts
a peer reviewed journal publishing original research and conceptual papers on music, music education, music performance [see Focus and Scope]. It is publishes by Department of Drama, Dance, and Music Education (Sendratasik), Semarang State University (UNNES) two time a year, June and December, in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies. Conceptual Idea, publishes articles conceptually relevant to advancing the practice of music and learning, present theories of music, models, or philosophical position, etc. Articles may draw upon theory/or material developed in educational practice that recognize and address a wide range of pedagogical approach that would interest members from a variety of countries and teaching setting, including activities and art materials to help internationalize art curricula.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 350 Documents
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Instrument Of Singing Performance Assesment With The Android Based Inventor App Wulandari, Monica Niken; Ahmadi, Farid; Djuniadi, Djuniadi
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.40592

Abstract

Singing performance assessment still subjectively graded by jury, teacher, or committee. To understand assessment aspects in singing, the information was obtained from two experts one from junior high school 24 Semarang and the other a musician, Purwacaka, who has Musical School Purwacaka in Indonesia. This research aimed to produce singing performance assessment application with App Inventor 2 (AI2) that managed by Massachussetts Institute of Technology (MIT). AI2 is a cloud-based saving that could be accessed from internet browser. ADDIE development model with 5 steps, which are: Analysis, Design, Develop, Implementation, and evaluate. Indicators in this research were practicality, attractiveness, accuracy, and quickness in assess. Data collection for needs analysis taken qualitatively by interview and documentation. The singing assessment application consist of four assessment criteria, there are: technique, expression, song interpretation, and demonstration that form 18 items. This application has been tested by three experts by result: attractive, accurate score, and faster score calculation. The improvement for this application was score that could only be seen one by one later should be showed entirely and could be printed Keywords: Performance Assesment, Singing, Based on Android, ADDIE
Analisis Bentuk Aransemen Lagu Anoman Obong Ciptaan Ranto Edi Gudel Untuk Paduan Suara Karya V. Mangunsongs Febriagazi, Tendian; Sunarto, Sunarto
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.42044

Abstract

The song Anoman Obong by Ranto Edi Gudel is a song that uses Javanese. The song was arranged into a choir format by V. Mangunsongs. The arrangement by V. Mangunsongs in the song Anoman Obong is unique, one of which is the combination of story and tragedy in the form of a SATB choir. This study aims to describe the form of the arrangement of the Anoman Obong song composed by Ranto Edi Gudel arranged for the choir by V. Mangunsongs. This study uses a qualitative approach with content analysis methods. Data collection was carried out through observation, interview and documentation methods. Interviews were conducted with competent speakers in this field as well as the aranger of Anoman Obong's song, namely V. Mangunsongs aka Eko Agus Kandung. The stages in analyzing data are data reduction, data presentation and conclusion. The validity of the data was obtained through the data source triangulation technique. Overall, the Anoman Obong song composed by Ranto Edi Gudel arranged for the choir by V. Mangunsongs has 111 bar rooms. The form of this arrangement is including free or group forms with Introductions (bar 1-24) - Part A (bar 25-35) - Part A '(bar 35-43) - Part B (bar 44-58) - Interlude (bar 58 -66) - Transition (bar 67-86) - Part B '(bar 87-101) - Postlude (bar 101-111). In this work, there are many changes in tempo and dynamic signs to support the atmosphere of Anoman Obong's story and tragedy. The results show that this work can transform a previously simple vocal song into a more complex choir.
Analisis Aransemen Lagu A Whole New World Ciptaan Tim Rice dan Alan Menken pada Instrumen String oleh Steve Deaprof Band di Pekalongan Kristerika, Agnes Firda; Susetyo, Bagus
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.42266

Abstract

Aransemen instrumen string lagu A Whole New World oleh Steve Deaprof Band dibuat menarik dan modern, sehingga membuat lagu tersebut menjadi lebih variatif terutama pada isian (filler) string yang berbeda dari lagu aslinya. Hal ini melatarbelakangi peneliti untuk melakukan sebuah penelitian ini. Tujuan yang hendak dicapai penelitian ini adalah untuk mengetahui dan mendeskripsikan aransemen instrumen string lagu A Whole New World oleh Steve Deaprof Band. Pendekatan penelitian yang digunakan adalah deskriptif kualitatif. Lokasi Penelitian di kantor Steve Deaprof yakni di Jln. KHM Mansyur no.3, Bendan, Pekalongan. Teknik pengumpulan data antara lain: teknik observasi, wawancara, dan dokumentasi.Teknik keabsahan data. Analisis data dalam penelitian ini deskriptif kualitatif, yaitu analisis dalam bentuk pernyataan dan analisis yang diungkapkan dengan deskripsi Hasil penelitian menunjukkan bahwa aransemen instrumen string lagu A Whole New World memiliki 3 kali perpindahan tangganada (modulasi) dan fill in pada beberapa bagian lagu. ___________________________________________________________________ Abstract The string instrument arrangement of the song A Whole New World by Steve Deaprof Band was made attractive and modern, thus making the song more varied, especially in the different string fillers from the original song. This is the background for researchers to conduct this research. The aim of this research is to know and describe the string instrument arrangement of the song A Whole New World by Steve Deaprof Band. The research approach used is descriptive qualitative. The research location is in Steve Deaprof's office, which is Jln. KHM Mansyur no.3, Bendan, Pekalongan. Data collection techniques include: observation, interview, and documentation techniques. Data validity techniques. The data analysis in this research is descriptive qualitative, namely analysis in the form of statements and analysis expressed with descriptions. The results show that the arrangement of the string instrument A Whole New World has 3 times the scale shift (modulation) and fill in on several parts of the song.
Pengembangan Bahan Ajar Musik Vokal Berbasis Folk Song “Seu Azi” Untuk Mendukung Proses Internalisasi Nilai-nilai Luhur Budaya Pada Mahasiswa/I STKIP Citra Bakti, Ngada, Flores, NTT Dopo, Florentianus -
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.42678

Abstract

The purpose of this research is to develop a vocal music teaching material product based on the folk song (folk song) seu azi which is a folk song in the Ngada culture. This development research (R & D) follows the ADDIE research and development procedure which consists of 5 stages of teaching material development, namely 1) analyze, 2) design, 3) development, 4) implementation, and 5) evaluation. The results of this study were 1) the material expert trial obtained a score in good category (4.17), 2) lecturers who taught Vocals were also in the good category (3.88), and 3) students were in the very good category. (4.27), so that the average score is 4.10 (Good). Based on the results of these trials, teaching material developed is suitable for use by students of the Music Education Study Program, STKIP Citra devotion for Vocal Music Courses.
Music Accompaniment Of Japin Carita South Kalimantan Mahendra, Benny; Cahaya, Noor; Najamudin, Muhammad
Jurnal Seni Musik Vol 10 No 1 (2021): June, 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v10i1.42883

Abstract

This research was conducted due to the lack of public knowledge about the music accompaniment of Japin Carita from South Kalimantan. This research focused more on the theory and practice of music science regarding the music accompaniment of this local South Kalimantan theater. This research used naturalistic qualitative method because it was held in natural conditions (natural setting), this method is also called the ethnographic method. Data gathering techniques include; observation, interview, documentation. Data analysis techniques include data reduction, data presentation, and verification. Japin Carita is a traditional theater art from South Kalimantan which is derived from the art of Japin, a dance that originates from Arab. The word Japin in Arabic originating from the word zafin which means fast footwork, and just like the definition Japin dance movement is indeed prioritizing foot movements. The structure of musical forms that can be used as music accompaniment to Japin Carita are; Gasim, Takzim, Rawis, Melagu, Nyanyian, and Tahtim. Japin music in Japin Carita theater is not only for the opening music, but also when the actors enter and leave the stage, and for the closing music. Music illustrations depicting the atmosphere of a place or the mood of an actor, whether sad, afraid, anxious, happy and so on must also follow the rhythm of Japin music. Japin Carita musical instruments consist of baboons, gongs, violins, keprak, and gambus. The function of Japin music accompaniment includes entertainment media, communication media, symbolic tribute, physical responses, continuity media, cultural statistics, and atmosphere proponent of the Japin Carita play/ script.
Nilai Karakter Pada Lirik Lagu-Lagu Kids United Purwani, Neli; Sari, Nindya Novita
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.43619

Abstract

Learning French in class always pays attention to 2 aspects namely cognitive and moral. Moral aspects also have a role in the development of students, so that they have good morals and personalities such as learning to adapt in the school environment to foster a sense of tolerance in order to be able to control their own emotions while also having high knowledge. The purpose of this research is to describe the character value contained on the songs of Kids United and linguistics elements expressing the character value. This type of research is a descriptive research with a qualitative approach. Whereas the data collection methods used in this research are the listening method and the note technique. Then the results of data analysis in this research indicate that Kids United’s three songs contain 3 dominant character values ​​from eight national character values ​​according to IHF, such as (1) loving, caring and cooperate; (2) confident, creative, hard work and never give up; (3) responsibility, discipline and independent.
Preserving Keroncong Orchestra Group: A Study Of OK. Waseso In Bumijawa Tegal Saputra, Bagus Adhie; Haryono, Slamet
Jurnal Seni Musik Vol 10 No 1 (2021): June, 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v10i1.43903

Abstract

The regeneration of players, singers, and keroncong orchestra groups is happening in various regions in Indonesia until now. This condition indicates the process of inheritance of keroncong music between generations continue. This also happened in Bumijawa, Tegal Regency, which has the O.K Waseso. The problem discussed in this paper is how to preserve keroncong music carried out by O.K Waseso in Bumijawa, Tegal Regency. The research was conducted with qualitative methods. Data was collected using observation, interviews, and documentation. The data validity techniques were carried out by triangulation, and interactive model analysis. The results showed that the conservation efforts carried out by O.K Waseso for keroncong music were depicted through three activities, namely the protection, development, and utilization of keroncong music.
E-Learning Gamelan Ensemble Playing Techniques Mazlan, Chamil Arkhasa Nikko; Ramli, Nor Azman Mohd; Abdullah, Mohd Hassan; Uyub, Aiman Ikram
Jurnal Seni Musik Vol 10 No 1 (2021): June, 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v10i1.44076

Abstract

2020 is a very challenging year because of the covid-19 pandemic and this completely changed the music education landscape. In the past, learning musical instruments could be done face to face, now it is impossible. If no action is taken, this situation could cause stress among students, especially those who learning gamelan ensemble instruments. Unlike other musical instruments, the ensemble gamelan is expensive and student cant afford to buy it. That is why set of gamelan is only owned by the university and placed in the faculty only. Due to this, students who live far away are unable to practice their gamelan instrument due to movement control order these days. Therefore, this study introduces Gamelan E-Learning Techniques, which is the concept of learning gamelan basic hand techniques using a simulation methods for keromong, gambang, saron and gendang. The uniqueness of this study is due to the emphasis on the basic hand techniques of gamelan. By using google class application as well, lecturers can upload learning videos as well as assessment of student game techniques online can be done. This study uses experimental case study method with qualitative approach. The participants consisted of second semester of 36 students who attended the AME 3082 gamelan course at Universiti Pendidikan Sultan Idris (UPSI).
Relationship Of Parenting Patterns And Interest Towards Music Learning Outcomes Of Class VIII Students SMP Negeri 2 Brebes Dewi, Astrio Dinarti Aulia; Aesijah, Siti; Salafiyah, Nafik
Jurnal Seni Musik Vol 10 No 1 (2021): June, 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v10i1.45758

Abstract

The results of study are influenced by some factors. Parenting patterns and learning interests are factors that influence Music learning outcome. The formulation of the problem in this study is (1) whether there is a relationship between parenting patterns on the learning outcomes of Music Arts; (2) whether there is a relationship between interest in the learning outcomes of Music; (3) whether there is a relationship between parenting patterns and interest in the learning outcomes of Music. The purposes of the study were (1)to find out whether there is a relationship between parenting styles and learning outcomes in music; (2) to know whether there is a relationship of interest to the learning outcomes of music; (3) to find out whether there is a relationship between parenting patterns and mutual interest in the results of learning music. The results showed that: (1) there was a positive relationship between parenting style and learning outcomes in Music, with the interpretation of the closeness of the correlation showing a small category, which was 9.48%; (2) there was a positive relationship between interest in the learning outcomes of Music, with the interpretation of the closeness of the correlation indicating the sufficient category, which was 11.42%; (3) there was a positive relationship between parenting and interest in the learning outcomes of Music, with the interpretation of the closeness of the correlation indicating the sufficient category, which was 37.82%. The conclusion of this study was that there was a positive and significant relationship between parenting and interest together on the learning outcomes of Music. The application of parenting with a democratic attitude by paying attention, caring, and respecting children's freedom, as well as guiding with understanding can create conditions for children to study music diligently, both in theory and practice. Thus, children's music learning outcomes can certainly increase.
Musical Development Of Barongan Turonggo Laras Through Additional Instrument In Kendal Regency Dewi, Cicilia Dikna Astrina; Suharto, Suharto
Jurnal Seni Musik Vol 10 No 1 (2021): June, 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v10i1.46058

Abstract

This study aims to determine, describe, and analyze the development of the Barongan work of the Turonggo Laras group in Kendal Regency. The method used is descriptive qualitative with a musicological approach. Data collection techniques include observation, interviews, and documentation. The results showed that the development of working on Barongan Turonggo Laras music was in the form of adding western musical instruments, such as drums and keyboards in collaboration with gamelan. The use of the keyboard is intended as a filler for the main melody in campursari songs. This is because there are tones in the campursari song that does not exist on the gamelan instrument but exist on the keyboard. The addition of drums in the show is intended to lift the mood and strengthen the trance scene. The drum play tends to follow the dynamics of the kendang when accompanying the performance.

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