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Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora

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Published by Universitas Negeri Padang

ISSN : 14108062 EISSN : 25283936 DOI : https://doi.org/10.24036/humanus.v21i2

Core Subject : Humanities, Art,

Arts Humanities

Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora (P-ISSN 1410-8062, E-ISSN 2528-3936) is an international journal devoted to the publication of original papers published by Center for Humanities Studies of FBS Universitas Negeri Padang. It is a peer-reviewed and open access journal of humanity studies, including linguistics, literature, philosophy, and cultural studies. Humanus accept manuscript in English, Indonesian, and Malay.

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Articles 281 Documents

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THE MEANING OF TANDUAK DANCE AND ITS RELEVANCE TO THE CHARACTER OF THE NAGARI LUBUK TAROK COMMUNITY Ana Novitasari; Sumaryadi Sumaryadi
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 18, No 1 (2019)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

This study aims to find and explain the meaning of Tanduak dance movements in Nagari Lubuk Tarok as well as their relevance to the value of character education. This study used a qualitative research in analyzing and finding a narrative from a Tanduak dance. Data sources in this study were obtained from key informants, interviews, and documents. Data collection techniques were carried out through participant observation, documentation and other findings. Data analysis techniques used consist of data reduction, data display and conclusion drawing/verification. The results of this study indicated that the Tanduak dance consists of three types of movements; ampek, salo and sambah. These three movements show a meaning relevant to the value of character education. Ampek means openness and respect for the audience, in line with friendly/communicative values. Salo means swift but sure, this movement is in harmony with the value of hard work and responsibility. Sambah means respect and hospitality, in line with the values of peace.Keywords: tanduak, dance, character educationMAKNA TARI TANDUAK DAN RELEVANSINYA TERHADAP KARAKTER MASYARAKAT NAGARI LUBUK TAROKAbstrakPenelitian ini bertujuan untukmenjelaskan makna gerak tari Tanduak di Nagari Lubuk Tarok dan relevansinya terhadap nilai pendidikan karakter. Penelitian ini menggunakan jenis penelitian kualitatif yang digunakan dalam menganalisis dan menemukan suatu naratif dari sebuah fenomena tari Tanduak.Sumber data dalam penelitian ini diperoleh dari informan utama, wawancara, dan dokumen-dokumen. Teknik pengumpulan data dilakukan melalui observasi partisipan, dokumentasi. Teknik analisis data yang digunakan terdiri dari reduksi data, display data dan penarikan kesimpulan/verifikasi. Hasil penelitian ini menunjukkan bahwa tari Tanduak terdiri dari tiga ragam gerak yaitu gerak langkah ampek, gerak langkah salo dan gerak sambah/penutup. Ketiga gerak ini menunjukkan makna yang relevan dengan karakter masyarakatnya. Gerak langkah ampek bermakna keterbukaan dan penghormatan terhadap khalayak, selaras dengan nilai kebersamaan/komunikatif. Gerak langkah salo bermakna sigap namun pasti, gerak ini selaras dengan nilai kerja keras dan tanggung jawab. Gerak sambah/ penutup bermakna penghormatan dan ramah tamah, selaras dengan nilai cinta damai.Kata kunci: tari tanduak, makna, karakter

Contemporary Practices of Customary Conflict Resolution Mechanism: The Roles of Bokkuu (cultural) Centers among Oromo, Ethiopia Jemila Adem Hussein; Terefe Mitiku; Megersa Regassa; Waktole Hailu
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 19, No 1 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Conflict is a natural and unavoidable part of human existence. It is resulting from individual or groups that differ in attitude, beliefs, values or needs. This study explored Contemporary Practices of Customary Conflict Resolution Mechanism in and around Ambo district. The study answered the following basic questions: What are the roles of Bokkuu centers in handling conflict/disputes? How did the Bokkuu centers resolve conflict/disputes? Who are the main actors that guide the conflict resolution procedure at the Bokkuu centers? What types of conflict is resolved at the three Bokkuu centers? Qualitative research methods were used to understand the complexity of Oromo cultural peacemaking and how this takes shape within the culture of the Oromo custom. Techniques of collecting data were interviewing knowledgeable elders, field observation, and Focused Group Discussion were employed. The study discovers that the participants of the study agree that cultural conflict resolution are more effective in fact finding and resolve the disagreement between the disputants than that of formal courts. Because of its effectiveness in conflict resolution and truth finding traditional conflict resolution mechanisms is extensively serving in the study area. The ways judicial procedures take place is more reliably and open for disputants and any interested body that have an idea about the issue. The members of the council are the main actor of the cultural centers; they are five in number and belong to different clans.

Comparative Analysis of Chinese and Indonesian Vowel Systems Haryono Candra; Yusup Gumilar Sukma
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 19, No 1 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

In Chinese and Indonesian languages, a syllable is composed of consonants and vowels. Many researchers have focused on studying consonants and paid less attention to vowels. However, vowels play an essential role in a syllable, which is in fact the most pronounced part of a syllable. It is because of vowels that people can perceive language and communicate with each other. This article takes the Chinese and Indonesian vowels as the research object and makes a comparative analysis of the Chinese and Indonesian vowel systems to reveal the similarities and differences between the two at the level of monophthongs, compound vowels, and allophones. Hopefully, it can make contributions to the development of the Chinese-Indonesian comparative phonology discipline. This paper mainly adopts qualitative research method, that is, combining literature integration method, description method, contrast method and analysis method. It reaches several conclusions: First, the Chinese monophthongs, compound vowels, and allophones are more developed than those of Indonesian; Second, there is contrast between rounded and unrounded lip sounds in the Chinese monophthong system, which does not exist in the Indonesian system; Third, there exists some cases in Chinese compound vowels system that the spelling is inconsistent with the actual pronunciation, but this is not the case in Indonesian. Fourth, Chinese vowels’ allophones are mainly caused by the different positions of vowel in the syllables, while in Indonesian they are mainly affected by the different natures of the syllables. The results of this research can provide some insights for other Chinese and Indonesian language researchers.

The Impact of Translation Techniques on the Accuracy of the Translation of Commissive Speech Acts’ Responses in Dark Matter Novel Dewi Santika; Mangatur Nababan; Djatmika .
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 19, No 1 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

This study was conducted to describe the translation techniques’ impact on the accuracy of the translation of commissive speech act’s responses. The study used descriptive-qualitative research method. The source data used is a novel entitled Dark Matter. The primary data were translation techniques used to translating sentences represented commissive speech acts’ responses. Meanwhile, the secondary data were the quality of the translation of commissive speech act’s responses. The data were collected using content analysis and FGD or Focused Group Discussion through questionnaire and discussion. The result shows that the translator used 15 kinds of translation techniques with 392 times occurrences to translate 79 responses to commissive speech acts. The findings indicate that the use of certain techniques reduce the value of the translation accuracy. Those techniques are literal, discursive creation and addition. The application of the techniques generates the imperfect quality in terms of accuracy that is 2.96.

The Discourse of Noble Soul in Serat Kawruh Mahnitisme Manuscript Septi Anggita Kriskartika; Titis Srimuda Pitana; Susanto Susanto
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 19, No 1 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

This study aims at understanding and describing the discourse clarity, how the discourse is constructed and the implication of discursion of noble soul in sêrat kawruh mahnitismê manuscript in Javanese’s people life. The Sêrat Kawruh Mahnitismê will be written as SKM in this essay. This manuscript is in manuscript song form which consists of 13 pupuh ‘lyric’, and written using Javanese alphabet and in Javanese language that have been both translated and transcribed into Latin language. The manuscript is stored in Kerataon Surakarta Hadiningrat library Sasanapustaka containing teachings about how a person gets a perfection and used it as a tool to fulfill his dreams. This research is done in the area of Cultural Studies with qualitative data analysis and descriptive and interpretative analysis techniques that use a hermeneutic approach. This research use content analysis and library studies as method of data collection. The theory use is Michael Foucault discourse theory. The results show that: (1) the cause of discourse of noble soul in SKM manuscript that resulted hegemony; (2) the construction process in discourse of noble soul in SKM manuscript happens from ideal becomes humanist and (3) the implication of the discourse of noble soul in SKM manuscript in the millennial era

Language Study in Irwan Prayitno's Pantun (Governor of Sumatera Barat) Jaya Nasa Perta; Ermanto Ermanto
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 19, No 1 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

The purpose of this study is to look at the language (diction) used and pantun in pantun in the speech of Irwan Prayitno (Governor of Sumatera Barat). The data of this study are words in the poem with the source of spontaneous pantun data collection ala Irwan Prayitno. This research describes pantun (identification and classification) based on word types. Based on the research objectives, the findings of this study are as follows. First the language study, the choice of words that are often found are the name of a person, the name of a place or region, and the name of a profession or nickname. The two pantun structures, the poetry found in general, ab.ab., then aa.aa, ab.aa, and ab.bb. By analyzing and linking the diction used, the findings of this study say the rhymes in Irwan Prayitno's speech (Governor of Sumatera Barat) have specific spontaneity as evidenced by the diction used that is relevant to the situation or condition of the speech event that took place.

Randai as a Social Representation Minangkabau Society of the Past Indrayuda Indrayuda; Marzam Marzam; Mohd. Effindi Samsudin
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 19, No 1 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Randai Arts is a cultural heritage used by the Minangkabau community as an entertainment which is called Pamenan in Minangkabau language means game. This article will reveal the social representation of the Minangkabau people in the past through the Randai show. As part of traditional Minangkabau performance art, Randai is packaged in a comprehensive form of performance, including motion, music, literature, and theater. Usually the stories shown are about the life stories of people from the past Minangkabau community. This research is a qualitative research using ethnographic and descriptive methods. Informants were selected using the purposive sampling technique, and used complementary instruments namely interview and observation guidelines. Data was collected through interviews, direct observation, and literature studies, as well as documentation studies. The analysis was carried out by adopting ethnographic methods, namely: (1) determining the object of study; (2) conducting domain analysis; (3) conducting taxonomic analysis; (4) conducting part analysis; (5) analyzing cultural themes; and (6) interpreting and concluding. The results of the research revealed that the art of Randai has never presented a story outside of humanitarian issues, namely the story of the social problems of the Minangkabau people of the past until now. This social problem is caused by social crises that often occurred in the past, in social life in Minangkabau. The problem revolves around love, household, and social status. To be cultural learning for the audience, the social issues in the past are brought up again in the story that is delivered in the Randai show.

The Reflection of Proto-Austronesia to Sula: Preliminary Testing of Hypothesis Collins (1981) Burhanuddin Burhanuddin Burhanuddin
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 19, No 1 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

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Collins (1981) proposed evidence regarding the kinship of languages (ambelau, buru, sula and taliabo) and grouped them into middle-east Maluku group based on the qualitative evidence. However, the evidence is limited and not convincing. This article intends to explain Proto-Austronesian (PAN) reflexes to Sula language and their relation to Collins Hypothesis (1981) about the West-Central Maluku Subgroup. Field data collection has been carried out in the Sula Islands, especially Fatche isolates in the form of 200 basic vocabulary and 800 cultural vocabulary and Collins study (1981). The collected data was analyzed using a joint innovation top-down approach. The results showed that there was a regular and irregular change in PAN phonemes into Sula language. A PAN phoneme changes regularly and irregularly at once. PAN phonemes that undergo regular changes are * p, * t, * C, * k, * ʔ, * b, * d, * m, * n, * ŋ, * s, * S, * i, * a, * u, * ǝ * uy, and * ay, while those who do not experience regularly are * z, * j, * N, * h, * R, * r, and * w. PAN reflexes into Sula in some respects show a different pattern of change from the evidence put forward by Collins (1981). This does not mean negating Collins's (1981) hypothesis of the family tree of the group, but other relevant evidence needs to be identified. In addition, PAN's reflexes to Sula were found to be the same as Collins's (1981) proposed evidence of the historical relations of the West- Central Maluku Subgroup.

Lebanon Shiite Woman in the Middle of Discrimination Feminist Literary Criticism Analysis of the Novel Hikayah Az-Zahra Betty Mauli Rosa Bustam
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 19, No 1 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

This article reveals a picture of discrimination against women that occurs in a Shiite Muslims community in Lebanon. As is well known, Shi'a Muslims are second only to Sunnis in Lebanese Muslims as a whole, even though both populations are balanced. Islam itself became the second religion after Christianity in Lebanon and there are still several other religions (sects). Lebanon accommodates the growth of many religions that have a variety rules for their followers, so there is often attraction in making decisions regarding state laws and regulations, especially relating to women. Feminist Literary Criticism is used to explain all literary phenomena relating to women that aesthetically spread in the Hikayah az-Zahra novel which is the object of the research, this is due to the peculiarities of women which can only be explained using their own perspective. The results of this study will show a variety of forms of discrimination against women in Shiite circles, which are part of the daily lives of Lebanese people in situations of prolonged conflict. Shiite women, represented by the character of Zahra, cannot even expect protection from anywhere, including family members.

The Practice of Adu Rasa, Angon Rasa, and Njaga Rasa in the Speech Act of Javanese Kiai: An Ethnopragmatic Study Setiawan Edi Wibowo
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 19, No 1 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

The current research is an ethnopragmatic study which aims to describe the practice of adu rasa, angonrasa, and njaga rasa in the speech act of the Javanese kiai. This research is an ethnographic field study. The data are the speeches of kiai from Central Java (Rembang and Demak) and East Java (Tuban) in the religious preaching activities, and they are provided through explanatory text. They are collected by observation and documentation through recording, observing and note-taking. The ability to understand, to see, and to remain considerate towards the interlocutor is necessary to make sure the communication runs very well. The practice of adu rasa, angon rasa and njaga rasa in the speech act of Javanese kiai is manifested in; (1) the speech act for convincing others under the principle of adu rasa and angon rasa (reassurance and sensibility management); (2) the speech act for convincing others under the principle of showing concern; and (3) the speech act for inviting others to do something (recommendation) under the principle of adu rasa and angon rasa.Keywords: Speech Acts, Ethnopragmatics, Adu Rasa, Angon Rasa, Javanese Kiai

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