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INDONESIA
Magistra Andalusia : Jurnal Ilmu Sastra
Published by Universitas Andalas
ISSN : -     EISSN : 26566230     DOI : -
Core Subject : Humanities,
Humanities
Magistra Andalusia: Jurnal Ilmu Sastra (2656-6230) is a scientific journal managed by the Postgraduate Literature, Faculty of Humanity, Andalas University, Indonesia. The purpose of this journal is to publish scientific work for Indonesian, foreign lecture and researchs, students, and practioners to present new ideas, concepts and theories in the literature such: literary phenomenon, literary history, literary analysis, literary criticsm, literary research, and literary scholarship synonymous etc.
Arjuna Subject : -
Articles 107 Documents
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Konstruksi Sintaktis dan Pola Kalimat Transformasi Novel “Skeleton 13” Annas, Ahmad Syaiful; Suhartono
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 7 No. 2 (2025)
Publisher : Program Studi Magister Sastra PPs-FIB Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.7.2.60-74.2025

Abstract

The arrangement or structure of words based on applicable grammatical rules that form larger language units such as phrases, clauses, and sentences is called syntactic structure. The purpose of this study is to analyze syntactic constructions and sentence transformation patterns found in the book entitled "Skeleton 13". The focus of this study is to find and describe various types of syntactic constructions and to analyze sentence transformation patterns used by the author to create stories. The research data consists of sentences containing syntactic constructions and transformation patterns found in the novel. This study uses a qualitative descriptive approach with content analysis techniques. The results of the study show the following: (1) the dominant syntactic constructions in the novel consist of nominal phrases, verbal phrases, and complex clauses; (2) the transformation patterns in sentences consist of expansion, merging, moving, and eliminating transformations; and (3) the use of various variations of syntactic constructions and transformation patterns provides an interesting stylistic effect on the delivery of the story.
Permainan Bahasa Wittgenstein Dalam Humor Alwi Makassar Pada Acara Somasi Community Hamzah, Ahmad Nur; Andajani, Kusubakti; Syahri, Mochammad
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 7 No. 2 (2025)
Publisher : Program Studi Magister Sastra PPs-FIB Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.7.2.108-118.2025

Abstract

Humor in stand-up comedy often involves complex language games. This article aims to analyze the formation of humor in Alwi Makassar's stand-up comedy through Ludwig Wittgenstein's perspective on language games. By integrating the philosophy of language and linguistic analysis, this study demonstrates that humor in Alwi Makassar's stand-up comedy can be understood as a result of manipulating context, ambiguity of meaning, and violations of expectations. This research employs a qualitative approach with intertextual analysis, linking the utterance context with external events that support humor formation in the stand-up comedy performance. The data consists of humorous transcripts from Alwi Makassar's stand-up comedy shows, analyzed using Wittgenstein's concept of language games. The findings of this analysis are expected to provide theoretical contributions to humor studies in linguistics and the philosophy of language.
Penggunaan Majas Perbandingan Dalam Novel Tanah Bangsawan Karya Filiananur joan, Mario Paskalis Joan; Nurazizah; Novia Safitri; Saharudin
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 7 No. 2 (2025)
Publisher : Program Studi Magister Sastra PPs-FIB Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.7.2.75-95.2025

Abstract

Kehadiran majas, seperti majas perbandingan dalam sebuah karya sastra, tidak hanya sebatas penghias keindahan dari aspek kebahasaan atau pengisi aspek estetika dalam bahasa karya sastra, tetapi penggunaan majas dalam sebuah karya sastra punya andil dalam membangun emosi karakter pada cerita. Tujuan penelitian ini adalah mendeskripsikan jenis-jenis majas perbandingan dalam novel Tanah Bangsawan karya Filiananur, dengan fokus pada jenis majas hiperbola, personifikasi, metafora, serta simile, dan juga fungsi penggunaan majas perbandingan di dalam novel tersebut. Kajian ini dilakukan untuk memahami bagaimana majas-majas tersebut berkontribusi dalam membangun emosi, karakter, dan suasana dalam cerita, serta menganalisis fungsi dan pengaruh majas tersebut dalam keseluruhan narasi. Metode penelitian yang digunakan adalah metode kualitatif deskriptif teknik simak catat, di mana peneliti mengidentifikasi dan mengklasifikasikan kutipan-kutipan dalam novel yang mengandung majas perbandingan. Data yang diperoleh kemudian dianalisis untuk memahami fungsi dan maknanya dalam konteks cerita. Hasil penelitian menunjukkan bahwa majas hiperbola berperan dalam memperkuat ekspresi, majas personifikasi memberikan kesan hidup pada objek, majas metafora memperkaya makna melalui perbandingan implisit, sedangkan majas simile memperjelas gambaran karakter dan situasi melalui perbandingan eksplisit, penggunaan majas dalam novel ini memberikan kedalaman emosional dan memperkuat atmosfer cerita, sehingga mendukung penyampaian pesan serta tema yang ingin disampaikan oleh pengarang. Penelitian ini memberikan wawasan mengenai teknik sastra yang digunakan dalam novel Tanah Bangsawan serta menunjukkan bagaimana penggunaan majas dapat meningkatkan kualitas narasi dalam karya sastra.Kata Kunci: majas perbandingan, novel Tanah Bangsawan, fungsi majas
Teriakan Suara Rakyat: Kajian Intertekstual Cerpen “Suara Dari Jalanan” Nadya Nurul Azkiya Dan Lagu “Bongkar” Karya Iwan Falas: Kajian Intertekstual Cerpen “Suara Dari Jalanan” Nadya Nurul Azkiya Dan Lagu “Bongkar” Karya Iwan Falas Juliani, Latifa; Fabbela Phakisyah; Yosi Wulandari
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 7 No. 2 (2025)
Publisher : Program Studi Magister Sastra PPs-FIB Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.7.1.96-107.2025

Abstract

This study examines the intertextual relationship between the short story “Suara dari Jalanan” by Nadya Nurul Azkiya and the song “Bongkar” by Iwan Fals as representations of social criticism toward injustice and the oppression of marginalized communities. This research employs a descriptive comparative method using an intertextual approach to analyze similarities and differences in themes, modes of expression, and representations of the people’s voice in both works. The findings reveal that the two texts share common themes of social criticism, moral values of struggle, and the symbolism of the street as a space of resistance. The song “Bongkar” delivers its criticism in a direct, assertive, and collective manner through emotionally charged lyrics, while the short story “Suara dari Jalanan” conveys criticism through personal narratives that foster empathy and reflection. Although the difference in medium influences the way the message is presented, it does not diminish the core meaning of social criticism conveyed by both texts. This study contributes to the development of comparative literature studies, particularly intertextual analysis across different literary genres and media.
Narasi Kehilangan dalam Gala Bunga Matahari dan Matahari Tak Terbit Pagi Ini Pangestu, Dimas Ananda; Hana Nabila Aisyah; Yosi Wulandari
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 8 No. 2 (2026)
Publisher : Program Studi Magister Sastra PPs-FIB Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.8.2.196-211.2026

Abstract

The article discusses the analysis of the symbol of the sun in two different literary works, namely the song “Gala Bunga Matahari” by Sal Priadi and the short story “Matahari Tak Terbit Lagi” by Fakhrunnas, through an intertextual approach. This study aims to understand the meaning of the sun symbol as a representation of loss and its transformation from symbolic, structural, and socio-cultural contexts. Using a qualitative approach and descriptive analysis, this study identifies how the symbols of the sun and sunflower are used to convey universal themes of longing, hope, and despair. The results of the study show that the symbol of the sun has undergone a shift in meaning from a source of life and hope to an indicator of emptiness and existential experience, depending on the medium and context of the era. These findings enrich our understanding of symbolism in cross-genre literature and demonstrate the adaptation of emotional expression to the experience of loss in different social and cultural contexts.
Ekspresi Spiritual Dalam Lima Puisi “Yo Mung” Karya Samsudin Adlawi: Sebuah Analisis Struktural (Struktur Fisik dan Struktur Batin) Muttafaqur Rohmah; Arik Fajar Cahyono
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 8 No. 2 (2026)
Publisher : Program Studi Magister Sastra PPs-FIB Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.8.2.133-171.2026

Abstract

Puisi menghadirkan kepadatan makna melalui pilihan kata yang selektif, imaji yang tajam, pengulangan, dan pemenggalan larik yang mengarahkan pembaca pada pengalaman tertentu. Berlandaskan konsep ekspresivitas sebagai kualitas komunikasi puitik yang tidak hanya informatif, tetapi juga sugestif dan menggugah resepsi. Artikel ini mengkaji ekspresi spiritual lima puisi dalam antologi Yo Mung karya Samsudin Adlawi: “Pada Lupa”, “Degup Tasbih”, “Peluk Cahaya”, “Mengundang Kasih Langit”, dan “Yo Mung”. Penelitian menggunakan metode deskriptif kualitatif dengan pembacaan berulang, pencatatan satuan larik, analisis isi untuk memetakan struktur fisik (diksi, citraan, kata konkret, gaya bahasa, ritme, tipografi) dan struktur batin (tema, rasa, nada, amanat), lalu menautkan keduanya sebagai bangun makna. Hasil menunjukkan bahwa simbol sederhana: jurang, kelambu hitam, air gelap, cahaya, burung, gunung, dan langit menjadi penopang representasi rohani; repetisi “Bacalah, baca!” membentuk litani tafakur; pengulangan “kucoba” menegaskan disiplin laku; dan enumerasi arah ruang memunculkan kesadaran keterbatasan manusia sekaligus kemahahadiran Ilahi. Secara keseluruhan, kelima puisi membentuk alur batin dari perenungan, pemurnian, tindakan kasih, hingga pengakuan tauhid, yang dicapai melalui kesatuan bentuk dan isi. Kajian ini menegaskan bahwa strategi kebahasaan minimalis dapat memproduksi intensitas religius, sekaligus menyediakan kerangka pembacaan yang dapat direplikasi untuk menilai hubungan perangkat stilistika dan dinamika afektif pada puisi-puisi spiritual kontemporer pada kajian sastra mutakhir.
Literature, The Environment, And Culture In Novel Kaïdara by Amadou Hampâté Bâ’s Dramane Sanou; Khairil Anwar
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 8 No. 2 (2026)
Publisher : Program Studi Magister Sastra PPs-FIB Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.8.2.172-195.2026

Abstract

This study aims to examine the relationship between literature, the environment, and culture in Amadou Hampâté Bâ’s novel Kaïdara by exploring how the author utilizes elements of Mali’s natural environment - such as the desert, savanna, animals, plants, and water - to construct a cultural and spiritual vision that reflects the identity of Malian society. This study employs a descriptive-analytical method, utilizing concepts from ecocriticism and cultural anthropology to analyze the novel’s text. The results indicate that the environment is not merely a setting for events but serves as a fundamental element in shaping characters, values, customs, and the beliefs of the community. This novel also plays a role in preserving cultural memory through the integration of oral traditions with environmental symbols. Furthermore, this study affirms that the relationship between humans and nature in the novel is built on a foundation of respect and balance, making this work an important representation of African environmental literature.

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