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International Journal of Cultural and Art Studies (IJCAS)
Published by Universitas Sumatera Utara
ISSN : 26231999     EISSN : 26543591     DOI : -
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
International Journal of Cultural and Art Studies (IJCAS) is an academic, open access, and peer-reviewed journal founded and first published in 2018 by Talenta Publisher & the Faculty of Cultural Sciences, University of Sumatera Utara, Indonesia. Focusing on culture, language, and literature as it is viewed from the Indonesian perspective, IJCAS provides a platform for the presentation, analysis, and criticism of provocative work, publishing articles that transcend disciplines and advance the study of humanities. Topics include culture (Traditional Art & Culture, Tourism), Linguistics (morphology, phonology, semantics, syntax, sociolinguistics, antropolinguistics, psycolinguistics/neurolinguistics, discourse Analysis, translation, clinical Linguistics, forensic linguistics), literature (comparative literature, foreign literature, Indonesian literature), history (foreign history, Indonesian history). Only original research articles and book reviews are accepted. International Journal of Cultural and Art Studies (IJCAS) are published two times per year (in April and October).
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 82 Documents
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Contrastive Analysis between Chinese and Indonesian Phonology and Implementation on Conversation Class Sukarto, Aprilia Ruby Wikarti; Renata, Elizabeth; Moira, Silvia
International Journal of Culture and Art Studies Vol. 3 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (646.81 KB) | DOI: 10.32734/ijcas.v3i1.1390

Abstract

This study aims to find out the phonological characteristics of Indonesian Language and Mandarin language, their impact and application in learning Chinese conversations. This study will use descriptive comparative methods and surveys. Based on the data obtained, there are differences in the pronunciation of single Indonesian and Chinese vowels, namely vowel [y], [É£], [i]. Mandarin has triftong, which is [iou], [iao]. The consonants of Indonesian and Mandarin have similarities, but the pronunciation is different. The consonant of Indonesian is not distinguished from no aspirations and aspirations, based on no voices and voices. In suprasegmental features, such as tons, intonation, pressure, pauses, Mandarin is one of the tonal languages, whereas Indonesian is not a tonal language. In Indonesian, the pressure functions to distinguish meaning in the sentence level, but does not distinguish meaning at the word level. Whereas in Mandarin, the pressure is divided into word pressure and sentence pressure. In Indonesian, intonation plays an important role when distinguishing the meaning of sentences. Whereas in Mandarin, the rules for pronunciation of intonation are not strict. Pause in Indonesian and Mandarin, marked by the use of signs. The results of this study can help teachers determine and use appropriate learning techniques so that they can help, facilitate the needs, demands, and goals of students in pronunciation.
Issues on Arabic Scriptures in Malay/Indonesia Language: A Study of its Contributions in the Development of Regional Culture, Language & Literature Literacy Kembaren, Mardiah Mawar; Noor, Noordin Mohd; Lubis, M. Husnan
International Journal of Culture and Art Studies Vol. 3 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (783.018 KB) | DOI: 10.32734/ijcas.v3i1.1661

Abstract

This paper touches on the important role of Islam in Malay literature and culture literacy, in the region. Malay literary and cultural treasures that were originally oral traditions have changed after the local community has embraced the teachings of Islam that bring along the Arabic scripture or Arabic writing system. This system of Arabic writing has greatly influenced Malay literature and culture. This paper therefore explores academically the role, contribution and discussion regarding the future of Arabic Scripture in the region. It would not be too much to say that it was the Arabic writing system that made the Malay community illiterate. This paper is expected to benefit not only to those who study literature and linguistic but for those with a background in Islamic studies too to study the regional literature and culture, especially those related to Malay studies.
Illocutionary Acts in President Rodrigo Duterte’s Speech. Wardana, Muhammad Kiki; Roy, Sumita; Ariska, Juan
International Journal of Culture and Art Studies Vol. 3 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1018.574 KB) | DOI: 10.32734/ijcas.v3i1.2514

Abstract

This research attempts to figure out the speech act of President of The Republic of The Philippines, Rodrigo Duterte, particularly in identifying types of the Illocutionary act and Perlocutionary act in SONA Forum. The researcher is keen to explore duterte’s speech because Duterte is notorious for his unfavorable remarks. Therefore, by investigating his speech through the analysis of his speech act in the selected speech, the researcher will prove whether the speech contains the perlocutionary acts of insulting or not. This research also focuses on utilizing Searle’s theory on Illocutionary acts exemplifies 5 different types of illocutionary acts namely Assertive which is divided into stating, suggesting, boasting, complaining and claiming. Another type is Directives which comprises of ordering, commanding, requesting, advising and recommending. Expressive type comprises thanking, congratulating, pardoning, blaming, praising, and condoling. Commisive type includes promising, vowing, and offering. The last type is Declaration. The researchers use descriptive qualitative method by doing transcription of the speech and meticulously analyze every word.
The Factors in the Emergence of Smallholder Rubber Plantation in Tapanuli: 1906 - 1942 Edi Sumarno; Ginting, Junita Setiana; Karina, Nina; Lubis, M. Azis Rizky
International Journal of Culture and Art Studies Vol. 3 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (740.874 KB) | DOI: 10.32734/ijcas.v3i1.2623

Abstract

Latex has become more useful ever since the discovery of vulcanization methods, for it is used for the automotive industry and the manufacturing of electrical appliances. This then makes the price of latex soar as a result of high market demand for this white sticky thick ‘liquid’. Thus, it makes people interested in investing in rubber plants because they are considered to have a significant economic impact. Apart from the economic factors offered, there are other factors that are no less important, namely land, capital, laborer, and the existence of a market place for trade. These factors should be the main factors. Because, if these factors do not hold, the people in Tapanuli will still not be able to enjoy it however high the price of rubber is.
Neko ‘Cat’ in Japanese Idioms (Meaning and Figure of Speech Analysis) Gapur, Abdul; Taulia; Pujiono, Mhd.
International Journal of Culture and Art Studies Vol. 3 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1547.655 KB) | DOI: 10.32734/ijcas.v3i1.2673

Abstract

Generally, idioms are formed with words related to the sense of taste, human body, color, numbers, growth, natural objects and animals. In this study, a Japanese idiom that is formed from neko ‘cat’ is discussed. This study is a qualitative research that aims to find out the lexical and idiomatical meaning of the idiom containing word neko and the figure of speech. The data are idioms with the word neko in 101 Japanese Idioms by Michael L. Maynard, and website (https://dictionary.goo.ne.jp). The results are that 13 idioms that use neko. Some idioms have a difference between lexical and idiomatic meaning. However, there is a link between the lexical and idiomatical meaning with the cultural and historical approach of the lexical used. Data contained in the 8 figure of speech Metaphor, namely neko mo shakushi mo (猫 も 杓 子 も), neko ni koban (猫に小判), neko no hitai (猫の額), neko ni matatabi (猫にまたたび), neko in katsuobushi (猫に鰹節), neko no kubi ni suzu o tsukeru (猫の首に鈴を付ける), neko no ko ippiki inai (猫の子一匹いない), neko o koroseba shichidai tataru (猫を殺せば七代祟る. Then 5 figure of speech are included in metonymy, namely neko no te mo karitai (猫の手も借りたい), neko o kaburu (猫 を か ぶ る), karite kita neko (借りてきた猫), neko o ou yori sakana o noke yo (猫を追うより魚をのけよ), and neko o ou yori sara o hike (猫を追うより皿を引け).
The Identity Issue of the Colonized and the Colonizer in Cloud Nine by Caryl Churchill Putri, Liza; Clayton, Katherine
International Journal of Culture and Art Studies Vol. 4 No. 1 (2020): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v4i1.3620

Abstract

One of the significant points in post-colonial literature is identity issues. The analysis of these identity issues should be focused not only on the colonized character but also the colonialist. It is obvious why post-colonial scholars are concerned with the colonized as they are the victims of colonialism. However, the colonizer must also face complex issues of identity when arriving in the colonial place. The purpose of this article is to examine the identity issues undergone by Joshua, the colonial subject, and by Clive, the colonizer, with reference to Cloud Nine by Caryl Churchill in the colonial period. The concept of hybridity by Homi Bhabha can explain the issue of Joshua’s identity since he has “double” portrays of the identity as legacy of colonialism. Bhabha created the terms the “third space” or the “in-between” to describe the condition of the colonized people. Clive as the colonizer used to be a person without particular authority in his own country before arriving to the colonial land. Suddenly, his identity has shifted into someone who has privileges and authority. The colonizer’s identity is not complete without the colonized. The colonized and the colonizer depend on each other. The colonized and the colonizer’s identities will be fragmented if one of them is missing.
Contemporary Discourse and the Oblique Narrative of Avant-gardism in Twentieth-Century Nigerian Art Akapng, Clement
International Journal of Culture and Art Studies Vol. 4 No. 1 (2020): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v4i1.3671

Abstract

The history of Twentieth Century Nigerian art is characterized by ambiguities that impede understanding of the underlying modernist philosophies that inspired modern art from the 1900s. In the past five decades, scholars have framed the discourse of Contemporary Nigerian Art to analyze art created during that period in Africa starting with Nigeria in order to differentiate it from that of Europe and America. However, this quest for differentiation has led to a mono-narrative which only partially analyze modernist tendencies in modern Nigerian art, thus, reducing its impact locally and globally. Adopting Content Analysis and Modernism as methodologies, this research subjected literature on Twentieth Century Nigerian art to critical analysis to reveal its grey areas, as well as draw upon recent theories by Chika Okeke-Agulu, Sylvester Ogbechie, Olu Oguibe and Okwui Enwezor to articulate the occurrence of a unique Nigerian avant-gardism blurred by the widely acclaimed discourse of contemporary Nigerian art. Findings reveal that the current discourse unwittingly frames Twentieth Century Nigerian art as a time-lag reactionary mimesis of Euro-American modernism. This research contends that such narrative blocks strong evidences of avant-garde tendencies identified in the works of Aina Onabolu, Ben Enwonwu, Uche Okeke and others, which exhibited intellectual use of the subversive powers of art for institutional/societal interrogation. Drawing upon modernist theories as a compass for analyzing the works of the aforementioned, this paper concludes that rather than being a mundane product of contemporaneity, Twentieth Century Nigerian art was inspired by decolonization politics and constituted a culture-specific avant-gardism in which art was used to enforce change. Thus, a new modern art discourse is proposed that will reconstruct Twentieth Century Nigerian art as an expression of modernism parallel to Euro-American modernism.
Logical Relations Used in Anak Boru Saninain Simalungun Wedding Ceremony Purba, Nurhasanah
International Journal of Culture and Art Studies Vol. 4 No. 1 (2020): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v4i1.3720

Abstract

The aims of this study is to find out the types of logical relations and the use of logical relations Anak Boru Sanina (ABS) in Simalungun wedding ceremony. This study was conducted by applying descriptive qualitative method. The source of data was taken from the utterances of Anak Boru Sanina (ABS) in Simalungun wedding ceremony. The result of this research was types of logical relations can be found in Anak Boru Sanina (ABS) are paratactic enhancement (34.78 %), hypotactic enhancement (30.43%), paratactic extension (14.49 %), paratactic elaboration (11.59%), hypotactic elaboration (4.34 %), hypotactic extension (2.89 %), and paratactic locution (1.44 %). Only seven of ten types of logical relations found in Anak Boru Sanina (ABS) utterances meanwhile three types that are missing are hypotactic locution, paratactic idea and hypotactic idea, because these types concern the relation between a mental or verbal clause and the content which its quotes or reported.
The Role of Mandarin in Indonesia's Tourism Sector Adi, Dian Prasetyo; Rinada, Ayu
International Journal of Culture and Art Studies Vol. 4 No. 1 (2020): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v4i1.3793

Abstract

Indonesia is well-known for its natural beauty and cultural diversity. This becomes an extraordinary attraction for Indonesian tourism sector in which the government has also put their attention to. Tourists from others counties like to visit Indonesia. They speak in many international languages, include Mandarin. However, there are still fewer human resources who respond to it. The skill that must be possessed to prepare and improve a good image for tourists is the mastery of Mandarin. Tourism agencies who should have mastered Mandarin include travel agents, hotel employees, tour guides, and tourism practitioners. The minimum target for mastering Mandarin languages covers: simple conversations related to the work done, as well as the mastery of basic grammar and conversations. The mastery of Mandarin, as well as the understanding of the culture of Chinese tourists, is expected to provide maximum service and to create a good impression or image that improves the Indonesian tourism industry.
Possessive Expressions in Javanese Kamilatun Baroroh; Mulyadi, Mulyadi
International Journal of Culture and Art Studies Vol. 4 No. 1 (2020): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v4i1.3848

Abstract

This study aims to describe the characteristics of Possessive Construction in Javanese and relations of expressions between Possessor (PR) and Possessum (PS). The source of data are texts in Javanese from Djaka Lodang Magazine Volume XXII, XXIV, XXIX year 2017 and Panjebar Semangat Magazine Volume 29, 19, and 20 from May until July 2018 which contains Possessive Constructions in Javanese also informant who is a native speaker of Javanese. The data are analyzed using Simak Method, with base Sadap technic and advance Simak-Bebas libat cakap technic and Catat technic, meanwhile technic for analyzing the data used are Agih Method to determine the Possessive Construction dan Padan Method to determine the relation between PR and PM elements. Javanese Possessive Constructions marked with clitics -e or ­-ne as possessive marker. The results show Javanese Possessive Constructions meaning exists at polymorphemic level, phrase level, and clause level. On polymorphemic level, possessive meaning expressed by nouns followed by enclitics persona pronoun. On Phrase level, possessive meaning expressed by noun which followed by noun persona and noun followed by noun. Persona pronoun acts as PR. Noun which acts as PR are (Ilahi), animal, plants and (concrete) noun. On clause level possessive meaning expressed by verb which occupy predicate (P). Noun occupying subject in clause recognized as possession (PM). In Javanese, it is found Possessive Construction which sates the relationship of proprietary in the form of; Possessive Construction in which PM elements is non-humane noun and PR elements is humane noun or persona pronoun, PM element is humane noun and PR element is humane (self-name) or persona pronoun, and PM element is non-living noun and PR element also non-living noun.

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