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Studi Budaya Nusantara
Published by Universitas Brawijaya
ISSN : -     EISSN : 26211068     DOI : -
Core Subject : Religion, Humanities, Art, Social,
Religion Arts Humanities Environmental Science Social Sciences
Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).
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Articles 173 Documents
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Krisis Pengetahuan Lokal: Terputusnya Rantai Pendidikan Pertanian Padi di desa jambuwer. Haryana, Desvandy Saputra; Mahardika, Putri Mayo
Studi Budaya Nusantara Vol. 8 No. 2 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.02.06

Abstract

The young generation’s preference for rice farming in Galagarum Hamlet, Jambuwer Village, Malang Regencyseems to have undergone significant changes. This research examines the cessation of rice farming education thatpreviously has been passed down from generation to generation, caused by the loss interest of the young generation in agriculture, and the cessation of the local knowledge education program, named ‘Penyuluhan Pelatihan Lapangan (PPL)’ that specialized in rice farming. This research used qualitative methods and an Ethnography approach, involving in-depth interview and participant observation for data collection. Using Anthony Giddens' theory of structuralization, this research proves that agents and social structures are interrelated and can cause social change. The result of this research shows that the disconnection of the farmer generation is caused by the negative stigma that is attached to rice farmers, economic opportunities and many jobs outside agriculture that seems more attractive for the younger generation, and the absence of non-formal education encouragement such as PPL. Youth generation in Galaharum hamlet, Jambuwer village tend to choose to continue their education in Sekolah Menengah Kejuruan (SMK) which offers direct access to jobs in the industrial and mining sectors. As a result, many farmers in Jambuwer Village are forced to choose to hire farm laborers to manage their land, or in some cases, sell it. This research proves that the development of non-formal education, such as rice farming education, is very useful to reengage the young generation's interest in the agrarian sector and maintain the agricultural heritage.
PENURUNAN MINAT GENERASI MUDA TERHADAP TARI TOPENG: RESISTENSI DAN TANTANGAN PELESTARIAN BUDAYA Frenadya, Amanda Excel; Safara, Annisa Fitri
Studi Budaya Nusantara Vol. 8 No. 2 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.02.05

Abstract

The declining interest of the younger generation in mask dance in Jambuwer Village reflects the challenges faced by traditional arts in the era of modernization and globalization. Mask dance, as a cultural heritage full of philosophical and spiritual values, is now starting to lose its relevance in the eyes of the younger generation who are more interested in popular culture. This research uses an ethnographic approach with methods ofparticipant observation, in-depth interviews, and documentation to explore the factors of this decline in interest. The research shows that modernization, social media, and cultural innovations such as mberot and sound horeg are themain factors causing the shift in cultural preferences. On the other hand, lack of regeneration and support from family and government also exacerbate the situation. However, art workers in Jambuwer Village show a form of resistance through adaptive strategies, such as utilizing social media, formal education approaches, and the integration of contemporary elements in dance performances. These efforts reflect the importance of synergy between conservative and innovative approaches in traditional art preservation. Mask dance preservation requires active collaboration from various parties to bridge tradition and modernity, so that this art remains relevant and can be passed on to future generations.
Strategi Enkulturasi Nilai-Nilai Anti Tindakan Kekerasan Dalam Kehidupan Bermasyarakat, Berbangsa Dan Bernegara Marzali, Amry
Studi Budaya Nusantara Vol. 1 No. 1 (2017)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2017.oo1.01.01

Abstract

ABSTRACT Indonesian state was founded in the multicultural country setting to accommodate a wide range of diversity that exists in it. That is why, Pancasila chosen as as the national principle to govern the diverse lives of the people as a nation. However, during the life of this nation as Indonesian, it has shown that the ideals of multiculturalism is often marred by acts of violence caused by friction between elements that differs from each others. All this time, the strategy of handling conflict and violence is emphasised on prevention and public policy. This paper is intended to contribute thoughts about how the values of anti-acts of violence can be implanted and maintained in a multiethnic society. By looking at the "culture of of violence" in terms of three levels, i.e. the level of structural, cultural, and institutional, the strategy of enculturation of non-violence values got its differs forms.
Dangdut Koplo: Memahami Perkembangan hingga Pelarangan Raditya, Michael H.B.
Studi Budaya Nusantara Vol. 1 No. 1 (2017)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2017.oo1.01.02

Abstract

ABSTRACT Nowadays, Dangdut Koplo has become a mass product, which commodified by industry music of Indonesia. Was born in the northern coast of Java -Pantura-, Dangdut Koplo has develop since Dangdut Television become popular. In 2003, Inul phenomenon was replacing Dangdut star whose fame at the time, such as: Rhoma Irama. But Rhoma and colleagues didn't accept that, and try to ban Inul and Dangdut Koplo in Dangdut Industry.  It is undeniable that Dangdut Koplo developed by ban process. Rhoma Irama and Many Groups who has a corelation with religion tried to ban Dangdut Koplo, and Inul. But the commodification's power worked, Inul and singers from Pantura more popular. In 2016, KPI do the ban Dangdut Koplo. Thirteen songs Dangdut Koplo blocked. Regarding from these thing, this article will discuss about existance of Dangdut Koplo, about developing and barriers. And this article isn't support group who confronted each other, this article who i wrote it, is trying to articulate about essence that contained on Dangdut Koplo. The result of this article is an alternative point of view's to face the problem in holistic way.
Belis dan Harga Seorang Perempuan Sumba (Perkawinan Adat Suku Wewewa, Sumba Barat Daya, NTT) Kleden, Dony
Studi Budaya Nusantara Vol. 1 No. 1 (2017)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2017.oo1.01.03

Abstract

ABSTRACTMarriage betwen man and woman, even man and man, or woman and woman, there is always talk about necessity to love one each other, and to need one each other. There for, in marriage, there are any dependence, any necessity, any reciprocity betwen man and woman, or minimal two persons. Of course, every place and culture, has uniqueness about the process or celebration of marriage. Wewewa ethnic is one of ethnic in Sumba island has uniqueness too in celebrationing marriage. Belis (bride-price) always be key of word if they want to talk about marriage. And because Belis always to be the key of marriage, feel of love sometimes not be the first of the marriage. This my short writing will be focused to many kinds of marriage in Wewewa ethnic and all games in itself. This writing based of my research few moths ago, with observation-participation approach. At the end of this writing, I will give my critical note using reciprocity theory.
Masyarakat Yei-Nan di Erambu dan Ritus Kematiannya: Studi Kasus untuk Menemukan Makna Ritus Kematian dalam Masyarakat Yei-Nan di Erambu, Kabupaten Merauke – Papua Pegan, Maximilian Boas
Studi Budaya Nusantara Vol. 1 No. 1 (2017)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2017.oo1.01.04

Abstract

ABSTRACT The Yei-nan are a small tribe inhabiting the east mostregion of Indonesia. They posess a culture rich in both spiritual and mundane values, these distinct teachings influence all aspects of life, from birth until the passing away of tribe members. Common the most Melanesian cultures, the Yei-nan also have numerous rituals concerning mortality. The ritual centered upon the belief that the mourning family may aid in sending the deceased to the afterlife or spirit world. However this is not the sole purpose, undeniably these elaborate rituals also serve to re-strengthen the ties between man, fellow members, nature and the spirit realm.
Tradisi Seni Patrol dan Identitas Budaya Kampung Bandulan di Kota Malang Maftuchin, Annise Sri; Budiyanto, Ary
Studi Budaya Nusantara Vol. 1 No. 1 (2017)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2017.oo1.01.05

Abstract

ABSTRACT Local traditions are not always weakened traditional form of culture in the global area. Bandulan patrol art tradition in Malang is one of them, this art is growed by invented tradition process with festival mode. Invented tradition is Hobwbawn (2000) concept which describe of the appearance of a tradition that is not viewed as old. This patrol art traditions research is intended to answer a research problem about how Bandulan local society make create in a new identity on the global area? To answer these problems, researchers used anthropological methode where observation, participatory observation and in-depth interview are used by the research. The method form use to describing phenomena in the Bandulan society. These results indicate the existence of a process invented tradidition going on basis and is fully supported by the process of globalization that exist in the festival media. patrol Art tradition which processed by invented is development of a local patrol sahur tradition , that the development is processed by contact culture who concepted by Liep (2001) helped to describe for process of establishing the identity of of Hall concept (1990). The pattern is related identity as being Bandulan confronted with foreign cultures and global cultures. This mixed process form is fused into the end result of a culture intact where local taste of culture still feels strong up there. The tradition of the art patrol appear to be a identity product of the becoming on the art festival patrol in Bandulan. Bandulan art patrol have different characteristics with ul–daul music though near same , but the Bandulan art patrol has a different style of music that have identic character. Bandulan art patrol has a identic style of typical of art music patrol . Characteristics campursari music what growing up in Bandulan and the slowler rhythm beats than ul-daul be identic style from the creation of identity what have style of local culture which can survive in global area that is true.
Eksplorasi Metode Penciptaan Seni Rupa Komunitas kentjingandjing Melalui Proyek Seni Rupa Unreasonableness” Di Kota Malang Nirwana, Aditya; Andito, Tegar
Studi Budaya Nusantara Vol. 1 No. 1 (2017)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2017.oo1.01.06

Abstract

ABSTRACT "Unreasonableness" art project conducted by starting from some problems faced by the Kentjingandjing, which is (1) The problems of an art exhibition management, which includes issues of funding, human resources, and infrastructure of the arts, (2) public view towards the "function"of art, and (3) artist awareness as a scientist. This projects conducted by implementing scientific methods of art creation, which consists of three stages: 1) Internalization and Incubation of Idea; 2) The formulation of the concept of Creation; and 3) Creation of Art. The conclusion that this activity has effectively become the solution of the issues surrounding the management of art, but to raise awareness of the arts in society, this activity still requires massification, or at least is sustainable activities in which various disciplines can be involved. Besides, the scientific method that implemented in this activity is effective by some of the artists, but some argue the use of methods that 'rigid' like this, would handcuff the idea of creation, in addition to the lack of flexibility for the fluctuations which may occur in the process of artistic creation.
KONSTRUKSI IDENTITAS KULTURAL "WONG NGAPAK" MELALUI KONSUMSI MEDIA DIALEK BANYUMASAN Khotimah, Siti Khusnul
Studi Budaya Nusantara Vol. 1 No. 2 (2017)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2017.oo1.02.02

Abstract

ABSTRAK This thesis entitled "The Construction of Cultural Identity of Wong Ngapak through the consumption of local media in Banyumasan dialect" which studied the use of radio Programme "Curanmor" by three students from Cilacap in Yogyakarta and the positioning of their cultural identity through central and periphery perspective. The study applied ethnographic research methods in the context of data collection and to explain the patterns and cultural practices of the student from Cilacap in consuming media. In order to analyse the data, author implemented theory of Media Consumption, Cultural Identity and Central -  Periphery Perspective. The approach used in this audience study is based on the model of audience-as-agent which considers the audience as an active agent. Audiences consumed media "Curanmor" to construct their cultural identity in Yogyakarta by (1) "Curanmmor" as a cultural symbol for Banyumasan community; (2) "Curanmor" is used as a 'going back home' experience, (3) "Curanmor" as the media to strenghten Banyumasan Culture dan dialect, (4) Curanmor "as a 'cultural distinctiveness' ; (5)" Curanmor "as soft-resistance of the marginalization of Banyumasan culture. The five ways of the use of these media are forms of the construction of cultural identity that may erode the negative images and stereotypes of the Banyumasan language and culture in the region of Yogyakarta as a result of the unequal binary perspective, central and periphery. Yogyakarta and its culture is considered as central ("the Self"), while the culture and Ngapak language regarded as "the Other". By constructing and reconstructing cultural identity, it is expected that the culture and Ngapak language are no longer marginalised in the context of Javanese culture itself. Each culture may raise without any domination of one culture to others.
Struktur Formulaik Tayangan Sinetron Indonesia fauzi, nanang bustanul
Studi Budaya Nusantara Vol. 2 No. 1 (2018)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2018.002.01.03

Abstract

Abstract Entertainment programs on TV have become the daily consumption of entertainment community. Moreover, TV entertainment has become a new 'truth' for the life value of the viewer community. The presence of varied entertainment programs such as sitcoms, soap operas and infotainment able to get into the mindset of TV viewers. Be aware or not, variants of the entertainment program can affect the pattern of community life who consume it.Furthermore, it is believed that the variant of entertainment in a variety of television shows is not present without a specified formulaik structure. As with many aspects of life, the motion of human civilization is believed to have a skeletal structure that manifests various forms of life and life. Following the view of modern structuralism raised by the linguist from Switzerland, Ferdinand de Saussure, the existence of all that is 'ordered' and touched by the human senses is composed of two important parts of internal structure and external structure. In the language paradigm underlying Saussure's thought, language has two important parts: the Langue (inner structure) and the Parole (the outer / surface structure) that manifest the internal struture. A research on the formulary structure of the entertainment show needs to be done to find out how to structure the langue over the various pares that we enjoy as well as to see how the media contribute to the creation of such formulaik structures.

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